Furniture

Table light with opaline glass shade, designed for Villa Steiner Several finishes are available Most components according to the UL regulations, with an additional charge we will UL-...

A rare and outstanding Georgian or Regency style double pedestal extension dining table By Baker Furniture, "Stately Homes Collection" USA, 1980s Gorgeous book-matched flame mahog...

Vintage antique crystal tabletop gas and electric lighter. In great condition. This exquisite Lighter is a testament to the opulence and craftsmanship of the mid 20th century. The b...

A comprehensive Georg Jensen sterling silverware service for six persons in the Acorn pattern by Johan Rohde, originally introduced in 1915 and revered as one of Georg Jensen's most ...

Jugendstil chandelier with original cut glass shades vienna around 1910 Brass polished and stove enameled Original antique cut glass shades

Art Nouveau French silver beakers by Edouard Fournemet. Set of six liqueur cups in silver and vermeil, decorated with nets surmounted by crossed ribbons. Made by the renowned French ...

A beautiful and substantial French crystal and brass box with female figure by luxury design Maison, Lalique, in the Art Nouveau style, circa mid...

This is a Georgian Chinese Chippendale style red and gilt painted display cabinet or vitrine. It is two pieces with two adjustable interior glass shelves. The pieces has elaborate fr...

Fine set of 8 antique George III mahogany dining chairs consisting of a pair of elbow chairs and 6 single chairs having superb quality mahogany carved backs with a turned mahogany su...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

The Anglo-Austrian bank, founded 1864 with British capital, was an Austrian Bank in Vienna. In 1913, the bank had 43 branches. In 1914, Adolf Loos was commissioned with the renovatio...

An exceptional French Art Nouveau Daum Frères Violets miniature cameo glass vase wheel cut with raised designs in colored enamels on an etched ground dating from around 1900. The tal...

Original Art Nouveau Vintage Poster dating from 1896 by Alphonse Mucha. Poster for the 20th edition of the Salon des Cent in March-April 1...

Outstanding quality antique George III mahogany inlaid bureau bookcase having an outstanding quality carved cornice above a pair of mahogany inlaid satinwood astral glazed doors open...

A gorgeous antique silverplate footed mirror plateau, circa 1920. No maker's mark. This beautiful plateau has a lovely silver patina, ornate feet, and an...

A pair of early, large sterling silver Georg Jensen five-light candelabra, design #224 by Johan Rohde, originally introduced in 1916. Each candelabrum features five elegant branches ...

Lovely Georgian giltwood picture frame Carved pine with shallow gesso and gilt Original patina Internally or sight measures 19.25 x 24 inches. 48.5 x 61 cm Free UK shipping

One of kind Art Nouveau period brass and cut glass four-light chandelier, France, 1900-1910. Richly elaborate gilt brass with wonderful detailing and green glass panels adorning eac...

Excellent condition and rare design, 3-light chandelier. If you appreciate the elegant designs from the Art Nouveau era, then this midcentury made, 1970s alabaster, bronze and brass...

19th century tortoise bamboo side table from France. The top and lower shelf are covered in herringbone textile for added design interest. The table is supported on splayed legs, w...

Antique piano stool – hand-turned swivel stool, late 19th century, restored. This exquisite piano stool from the Napoleon III era combines historical elegance with outstanding craft...

Antique George III quality oak chest of drawers having a quality rectangular shaped oak top with a thumb moulded edge above two short and three long cockbeeded drawers with original ...

A green glazed majolica jardinière/planter, handcrafted in England towards the end of the 19th century by the renowned potters Bretby. This decorative set comprises a ceramic plante...

Antique 1890s pair of Victoria Austria vase. Comprising Austrian porcelain vases with hand-painted decorated scenes of cattle watering. Measure: Heigh...

A stunning set of opera or theatre glasses in original leather case. By Colmont FT Paris France, Circa 1890s Gorgeous Mother-of-pearl and abalone inset on brass cylindrical body w...

The glamourous hotel Astoria at the Kaerntner-Strasse in Vienna has been renovated in the late 1970s. All the lamps have been recreated by WOKA and Stefan Passini according to old ph...

This is a superb antique George III inlaid flame mahogany bowfront sideboard, circa 1780 in date. The top is banded in satinwood and...

21st century George II style Chinese Chippendale mirror. Mirror features gilt resin frame, a pagoda top, with carved scroll and foliate decoration. A great modern reproduction of a c...

A corner armchair designed by Adolf Loos (1870-1933) and manufactured by Friedrich Otto Schmidt, Vienna, Austria, circa 1900. The condition of the wood is very good. The leather seat...

George III Style Chinese Chippendale Mahogany Console or Serving Table by Burton-Ching

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

Purple ceramic cachepot Perfect condiction.

A Superb Quality George III Period Mahogany Breakfront Library Bookcase, Of Unusual Small Proportions, Having Four Elegant Astragal Glazed Doors To Top Enclosing Adjustable Shelves, ...

A George III parcel-gilt fretwork mahogany wall mirror, c. 1780. In good original condition, retaining original bevelled mirror plate. There are small visible repairs to the mahogan...

Superb quality 18th century welsh dresser and rack from the Montgomeryshire region circa 1815. Comprising of 2 parts.  Top section with 2 shelves and central partition and some of t...

A Rare Art Nouveau Cameo Glass Vase with Clematis Decor, by Émile Gallé Nancy Emile Gallé Cameo glass vase, richly decorated with branches with flowe...

This adorable French Art Nouveau period pendant chandelier features a mottled “Pâte de Verre” art glass shade in orange, yellow, and cream color, signed ”Schneider” by Charles Schneider, hung at an ornate brass and bronze fixture with one socket for E14 size light bulb. Dimensions: Diameter ca. 30 cm / 11.81 in, height 48 cm / 18.89 in. The light fixture is in complete working order, but as with all vintage or antique lighting, we would always suggest it is tested and fitted by a qualified electrician. The production of Pâte de Verre is a slow process that requires a lot of manual skill to avoid bubbles, cloudiness, and cracks in the cooling process. The technique allows for accurate shapes and accurate color gradations in the workpiece, unlike any other glass processing technique. The technique was already known in ancient Rome and Egypt. Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert Dammouse, François Décorchemont, Amalric Walter, Émile Gallé, and George Despret. The Crystal Daum...

Restored piano stool from the traditional company Gebrüder Thonet, Vienna from the end of the 19th or beginning of the 20th century. The piano stool is made of solid wood and has a f...

Fantastic Loetz Witwe glass vase with the decoration Crete Phaenomen 6893 made in the famous workshops in Klostermuehle/ Bohemia, circa 1898. This rare exe...

For the residence of the Banker Dr Dietrich Moldauer Material: Patinated brass, silk, all other colors are possible Most components according to the UL regulations, with an addition...

An exceptional Continental, probably Austrian, Art Nouveau Brass lidded casket with a molded portrait of a maiden dating from around 1900. The heavily made casket is of rectangular f...

Elegant steel pitcher features striking nickel-plated handle formed by two crossing stems of flowering orchids. The dark color and organic, natural, Art Deco style of the handle jux...

English Georgian sterling silver coffee and tea set, 1971-72. This set comprises coffeepot, teapot, creamer, and sugar. Coffeepot conical and teapot baluster; covers domed and hinged...

English made solid oak housekeepers cupboard. We are pleased to offer this locally made cupboard which was a special commission. Very grand in size and made in no expense spared solid oak, this cupboard is made in 4 sections to allow easier movement. Low dresser base, top cupboard in 2 sections and the cornice. Top section with shallow cornice, and fitted with 2 double door cupboards with cross banded fielded panels. Central partition and each fitted with a brass clothes rail...

Original Art Nouveau Vintage Poster dating from 1896 by Alphonse Mucha for Job, Cigarette paper. Artist: Alphonse Mucha (1860-1939) Tit...

Carl Goldberg (of Haida) copper clad glass vase in the Jugendstil style (German Art Nouveau) - The glass has a speckled amber finish to make it look like...

This bowl is a stunning example of Longwy ceramic craftsmanship, renowned for its vibrant enamel cloisonné-style decoration. Longwy, a French ceramic manufacturer founded in 1798, is...

Hello, We would like to offer you a beautiful set designed by Marcel Kammerer and manufactured by Thonet in Vienna, c. 1910. The set consists of two chairs and a settee. The pieces w...

Very Rare Original Vintage Poster-Steinlen-Coffee Chocolate Tea-Cat, 1895 In this family-friendly lithograph for the chocolate and tea company Compagnie Française des Chocolats et T...

Ceiling light with opaline glass shade, different sizes, comes as well as a downlight Total drop custom made All components according to the UL regulations, with an additional char...

An English late 18th early 19th century Bolection frame fireplace in Ancaster stone. Carved with a simple yet fine bolection moulding with stepped outer and inner profiles. Stood on ...

A charming early 1900s French Art Nouveau pink garden set, sourced directly from Provence, France. This set includes a round table, two side chairs, and two armchairs, all meticulous...

This is a hard paste porcelain coffee cup, by New Hall, dating to the late 18th century George 111rd period, circa 1790. The piece is well potted on a low foot with a plain loop h...

Pair English George III Mahogany cutlery or knife boxes with large compartments to accomodate virtually all type of cutlery and silvers. Felt line to protect your flat silverware. M...

This is a wonderful and rare English George III antique sterling silver coffee pot on stand by  the world famous silversmith Paul Storr. It...

Original Art Nouveau Vintage Poster dating from 1898 by Alphonse Mucha. Artist: Alphonse Mucha (1860-1939) Title: Waverley Cycles Date: 1898 Size (w x h): 33.9 x 42.9 in / 86 x 109 cm Printer: F. Champenois, 66 Bd St Michel, Paris. Materials and Techniques: Colour lithograph on paper Linen backing: Yes Condition: A (Designates a poster in very good condition. The colours are fresh and there are no or very few paper losses. If there are imperfections they are marginal and imperceptible). Additional Details: « Harry Reynaud, Directeur Général pour la France...

English solid oak refectory dining table circa 1990. Fine quality English made dining table that has recently been re-polished in our workshop. Solid 4 plank top with slight shaped...

These mid 18th Century English Harlequin Lancashire chairs are an amazing reflection of a time when craftsmanship was uniquely individual, resulting i...