Furniture

Bamana Mask on a custom ebony wood stand.

W28 D28 H20.5 Restored side table by Lane. Item is structurally sound with no major areas of wear. Item has original manufacture tag underneath.

Rare Swedish three-drawer chest with fine decorations, late 19th Century.

Showcase sideboard restored Art Deco midcentury around 1950 vintage oak Features: Two-door model with two sliding door compartments One shelf each on the left and right, one with a drawer underneath Very high quality processing Shelves with inlaid edge Nice veneer pattern...

On offer on this occasion is a handsome, rare Ralph Lauren “Polo” Chrome-Framed Square Armchair, dressed in a peerless top-grade Tan Suede. As you w...

Wonderful Danish double arm brass chandelier by Bent Karlby for Fog & Mørup, with frosted tulip shades under red "moon" shades, occasional star perforation towards the top of the sha...

A most impressive and large scaled French 19th century Louis XVI st. Sarrancolin marble console. The console is raised by two 'S' scrolled legs with richly carved bottom acanth...

Light green Floral French Provincial square needlepoint pillow. Made of wool with an ivory cotton cloth backing. It is new and has never been used. Measures: 16 x 16 inches. Kindly ...

Sideboard restored in the 1970s around 1975/1980 Highboard display cabinet Features: Completely original Asymmetrical fourfold subdivision With smoked glass door, large folding...

Set of 3 superbly designed rosewood tables designed by Johannes Andersen for CFC Silkeborg, Denmark. The tables feature tapered octagonal legs with chamfered tops and a lovely ros...

The Antique Persian Fine Heriz Handwoven Luxury Wool Rug is a traditional and high-quality piece of decorative textile art. The dimensions of 6 feet 3 inches by 8 feet 3 inches (6'-3...

Side table of walnut with carved lyre legs with carved edges in top. The lyre legs are carved inside and outside. Beautiful iron stretcher, Spanish, 19th century.

A pair of Cherub gilt wood mirrors. In good condition reflective of age. Mirrors have a lovely aged patina. Sold as a matching pair but would consider ...

Newly upholstered in turquoise color high-end fabric. Strong. Sturdy. Comfortable.

Introducing our Regency Etagere, a timeless piece designed to add a touch of sophistication to any room, its meticulously composed of three tiers to provide both functionality and vi...

Vase ‘Farsta’ designed by Wilhelm Kåge for Gustavsberg, Sweden, 1952. Stoneware. Signed. H: 29.5 cm Diameter: 12.5 cm.

Once an incredibly popular decorative piece among the European elite, this antique specimen marble table is a collector’s item of magnificent beauty. ...

A Pair of Venetian Rococo Carved Giltwood Mirrors. These mirrors have elaborate pierced strapwork crestings surmounted by a shell-shaped corona above a cartouche-shaped plate, the...

Blush lacquered beech Chiffonier with four drawers. Polished brass frame handle. It is a piece of furniture made by hand by the craftsmen of Moissonnier, a French cabinetmaker sinc...

Fancy Gustavian-style sideboard with three drawers and three doors, 19th Century.

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

Exceptional Louis XV period chest of drawers in amaranth and violet wood. This high chest of drawers opens with 4 drawers spread over 3 rows. It is inlaid with sycamore fillets and t...

A regence giltwood console table was created in approximately 1720-1725. The later Siena marble top above a pierced carved frieze is decorated with floral swags, the bust-headed scro...

Modernist cantilever chair H-128 designed by Jindrich Halabala and manufactured by UP Závody, Brno. This item is restored on request and available in different amounts. Delivery...

A spectacular French 19th Century Rouge marble and gilded ormolu clock garniture, having a beautiful seated Madian holding an oil lamp above masked bracket supports with ring handles...

Aubusson Rug, Mid-19th Century Additional Information: Dimensions: 11'6" W x 13'8" L

Set of six dining chairs ‘Darby’ designed by Torbjörn Afdal for Bruksbo, Norway, 1960s. Rosewood and leather. Stamped. H: 96 cm W: 47.5 cm D: 58 cm SH: 45 cm

A pair of Cipollino della Versilia and Brèche d'Alep marble obelisks, circa 1800, significant ‘Grand Tour’ souvenirs, of large-scale and superbly faceted to reveal the fine colouration and patterning of the marble, raised on squared and stepped marble...

On offer on this occasion is the most spectacular, unused Bespoke "Soho Baby Buttoned-Drum" Ottoman/Footstool, dressed in a breathtaking, peerless, top-grade, Mulberry Woven-Wool Fab...

Charming Louis XV Limestone Fireplace Mantel, dating from early 19th Century Inside dimensions : 124cm wide & 94cm high

Five antique brass patina arms curve up from a ceramic cluster dish to five tall stoneware ceramic shades in a glossy glaze with a subtle off-white hue. ...

Thanks to their original tree bark effect, the fixed design handles and knobs of the FORESTA NERA collection accompany the users through an exciting adventure into the forest. These sculptural handles bring the vibrant charm of nature home, creating a constant interaction between the exterior and the interior. The user can see, touch and enjoy all the little features of the wood, including its knots, as well as the smooth and chipped parts. The door handles and knobs are made by brass lost-wax casting. NIVA design offers an original and varied collection of luxury designer...

Rare pair of chairs designed for the project « La Cascade », the grouping of tilted apartments at Les Arcs 1600 ski resort supervised by the french designer Charlotte Perriand. Made ...

Serving trolley, anonymous, for DUX, Sweden, 1960s. Rattan and bamboo. H: 78 cm W: 48 cm L: 91 cm

Original solid steel 24 inch square side tables by Florence Knoll with floating laminate walnut tops. We have multiple tables that can be used tide by side as a longer coffee table. ...

Great industrial eye-catcher as a work station in a hip company or the man cave. But also as a presentation place for a special (museum) object would be a great function! The start...

A most impressive and high quality pair of French 19th century Louis XIV st. ormolu and Portoro marble candelabra lamps signed Maison Bagues. The ...

Thanks to their original tree bark effect, the fixed design handles and knobs of the FORESTA NERA collection accompany the users through an exciting adventure into the forest. These...

A handsome French late 19th century Louis XV st. wrought iron, gilt metal and marble console. The console is raised by scrolled legs above the gilt ball feet and joined by a scro...

A most elegant and small scale pair of French 19th century purple glass and Ormolu mounted vases. The pair are raised on square Ormolu bases ...

This round table made of solid rosewood with a smoked glass top is full of charm. it is made of a wood of great aesthetic value, has beautiful exposed grain, and boasts a design with...

The Hadji Jalili workshops were world renowned for producing impeccable Tabriz carpets during the latter part of the 19th century into the first quarter of the 20th century (1880-191...

The handsome LU Louis SM Sconce is a smaller version of our LU Louis Sconce, an all brass wall sconce in lightly patinated brass with patterned perfora...

Sideboard designed by the HI-Gruppen, Sweden, 1960s. Birch. Stamped. H: 64 cm W: 130 cm D: 45 cm Literature: Örn, Johan, The HI-group and the return of craft: Swedish furniture and interiors 1960-1966, ArkDes, Stockholm, 2017, compare bedside tables by Anders Berglund...

Stunning Danish chests of drawers with richly carved base, circa 1750. Probably made for Danish manor house.

About the piece Made from endemic pine wood in the region and hand-painted by the Mata Ortiz award-winning potters Hector Gallegos and Laura Bugarini. "Olla Stool II" is a modern re...

Azerbaijan has a rich history of rug weaving, stretching back several centuries. The country stands at the crossroads of various cultures, and its carpets reflect this in their creat...

NIVA design presents an original collection of knobs inspired by nature. Every knob is a unique piece, a sort of jewel made with the lost wax casting tech...

A most elegant and uniquely shaped French 19th century Louis XVI st. giltwood mirror. The original oval beveled mirror plate is surrounded by a berried laurel mottled border ...

L'applique murale LETO en laiton est une solution d'éclairage élégante et fonctionnelle. Le design à facettes et les ailettes mobiles lui confèrent un aspect unique, inspiré de l'art...

USA, 1980s Pair of swivel barstools with tubular brass bases and wooden footrests. A fun profile on this pair. No maker's marks. Dimensions: 20" W x 21" D x 34" H; Seat height, 24...

In India and China there are the earliest finds where the flower and love are linked. The over 4000-year-old finds tell us something about the flower's symbolic role for life and ro...

Interesting Art Deco africanist pedestal table, circa 1930 patina to redo.

Baby wall swing sconce by Volker Haug Dimensions: Diameter 10.5 x Height 9.5 cm Material: Brass. Finish: Polished, aged, brushed, bronzed, blacken...

Oak magazine rack, lined with red leather, made by Casa COMTE (1932-1960). Bibliography Mo Amelia Teitelbaum (2010), “Los Creadores de un Estilo, Minimal...

Charming freestanding Gustavian style sofa with beautiful carvings, 19th century.

Unveil the allure of the "Cinco Cuerda II," an eclectic masterpiece blending the warmth of Caribbean craftsmanship with modern design principles. This ...

Beautiful white terracotta sculpture depicting an oriental goddess. Extremely refined drapery, garments and headgear, Tuscany, early 20th century. - The hand of the sculpture needs ...