Sculptures

Austrian Jugendstil Patinated Bronze Sculpture designed by Gustav Gurschner manufactured by K.K. Kunst-Erzgiesserei circa 1904 Signed Gustav Gurschner is among the most famous Aust...

A classic decorative metal statue. Some wear with a nice patina, but this is old-age. Made of metal, fixed on a marble base. It is a nice and beautiful sculpture. Found at an estate ...

19th century Artists Lay Figure Fragment In the art of imperfection this 19th century artists lay figure has most certainly stood the test of time. With a deep and rich naturally age...

Art deco porcelain Etling Paris Figure ( Spanish lady ) art deco Origin France Circa 1920 Rare Etling Paris Edition Signed G.Granger Perfect condition (sealed at its base) The artist is Granevieve Granger porcelain test His company La Societe Anonyme Edmond Etling, founded in Paris in 1909, manufactured decorative objects and commissioned sculptors and artists, including Georges Béal, Demétre Chiparus, Claire Colinet, Armand Godard, Geneviève Granger, Marcel Guillard, Maurice Guiraud-Rivière, Géza Hiecz, Fanny Rozet, and Lucille Sevin...

A bronze proof with a black brown patina on a flowery terrace, magnified by a very nice griotte marble base "Standing Race Horse", also known as "Saddled Race Horse", following the e...

1906-1910 Roycroft marked copper match box holder. Hand worked. Good condition with light signs of use. Elegant scrolled design. Provenance: Estate of Katharine Reid, former director...

This bronze figure of a miner with his tools is not your standard fare. Check out that masculine, almost square face. It has that look of a WPA worker, only this bronze is much earl...

Art Deco Bronze Sculpture Goddess of the Hunt by Andre Lavaysse, Susse Freres. A dark patinated bronze figural group representing Diane with d...

Very large and rare Goldscheider Vienna ceramic figurine: Art Déco execution of an Art Nouveau design around 1909: young woman as the personification of beauty, with hair tied at th...

This is a magnificent antique French Art Deco bisque porcelain model of a seated nude woman with flowers by the sculptor Henri Desire Grisard (1872-active until 1940) and bearing his...

Early 19th century Opticians Trade sign A larger than normal example of an early 20th century cast metal and glass opticians trade sign, in the form of a quirky pair of spectacles. M...

Early C20th unusual large carved wood sculpture of an elephant, with head turned slightly to right in a waking stance and one foot at rest,...

Beautiful bronze by N.Y./Connecticut artist Harriet Frishmuth (1880-1980). It depicts a graceful nude, Frishmuth’s best subject, and is titled “Crest of the Wave...

Century year old wood with incredible patina is set on a minimalist black steel base which is twelve x ten inches. This beautiful single piece of wood, resembling a torso, has been h...

Extremely Rare Large Art Nouveau Group: Monumental figure of Flora with chin-length hair in a long dress loosely embracing the beautiful body, her right foot resting on a low pedest...

Whimsical hand carved Balinese sculpture of a stylized deer having original paint decoration and wonderful character.

Made in Czechoslovakia Made of wood Good Original condition.

Early 20th century Italian alabaster bust of a little girl reading a book standing on a period walnut pedestal column. Bust is apparently unsigned. Bust Height 14" Width 10" D...

A charming and well-modelled Royal Dux Art Deco figure of a nude female by Elly Strobach (b.1908), with soft bisque ivory flesh tones, beautifully detailed painting of the hair and hands, her knees bent with a gold material draped across her thighs. The gold detail continues on her shoes and her plinth. There are impressed and printed marks and numbers to the underside: model 3332, the applied pink triangle...

Beautiful 1930s Austrian horse toy. Wonderful patina.

Fabulous antique English Arts & Crafts doorstop. Painted wood scenes on 3 sides depicting a woman in nature. Some wear and paint loss. Otherwise in excelle...

French plaster bust of a classical roman male. Handsome Italian stone bust of a Classical Roman, circa 1920. This beautiful classical male bust sculpture i...

Incredible gold bronze signed Philippe with black marble base Art Nouveau.

The R.Lalique's car mascots are famous. There quality is outstanding as well as for the glass as for the sharpness of the mould . This mascot was created in 1928, one of his first a...

1920's Indonesian round stone architectural disc on stand. Natural weathered patina. Stand measures 4". x. 6"

1900-1920, Beautiful female nude of bronze Dore. Graceful nude lounging on a natural rock that has been newly replaced. It is not the original one. The gilt figure itself is in wo...

An Art Deco sculpture depicts Cleopatra. Beautiful polychrome green patina. On a Black Belgian marble pedestal. In a good and original condition. Made in Belgium, circa 1920-1930. By the Italian sculptor Giuseppe Carli. The Carli family is originally from Italy, Lucca, around 1910 they moved to Brussels and established the “CARLI Atelier”. When established in Belgium he also signed under his synonym Gustave Van Vaerenbergh. Many sculptors such as Dommisse, Aurili, Melani, Toogneri, Guelfi worked for Carli. They were present at all major fairs from 1910 to 1970 with sculptures in terracotta, bronze and plaster depicting subjects such as women in Art...

This is an antique fish doorstop. An English, brass decorative door keeper, dating to the Edwardian period, circa 1910. Distinctive appearance with a t...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

Depiction of a female dancing couple, named Katta Sterna and Maria Solveg, in identical costumes with backless, fitted, black and white patterned top with black neck piece closed hig...

A 1920s American salesman's sample of a playground tilting seat swing in orignal paint with a custom made wall bracket for display. 14 1/8" h., 13 7/8" dia. Whitehall Antiques is a ...

Featuring a Dog with Pups Rare Swiss Black Forest Dog group. The group modelled as a smooth coat St. Bernard female with her three puppies. The...

Ary Bitter Bronze Sculpture of Diana with 2 Greyhounds in Nature. This is a powerful and artistic statue, unusually large and detailed of museum quality and size. Ary Bitter was an i...

Set of three wooden child size shoe forms mounted on an iron base.

Charles Raphaël Peyre (French 1874-1949) A French Art Nouveau Gilt-Bronze Figure of a Maiden Cast by Louchet, circa 1900 Modeled in a standing pose with her hands clasped closed...

Large Greyhound Dog In Solid Bronze Art Deco Period LARGE GREYHOUND IN SOLID BRONZE ART DECO PERIOD DECORATIVE GOLDEN DOG FROM THE ART DECO PERIOD IN ...

Carrying import marks for Chester in 1901 by Berthold Muller, this charming, Antique Sterling Silver Model of a Partridge, has a removable head, and moveable wings. The partridge m...

A Fine Italian Cast 19th Century Bronze Group Titled "La Tempête" (The Tempest) Probably after Mathurin Moreau (French, 1822–1912), Cast by The Alessandro Nelli Foundry in Rome. The ...

A good antique sterling silver equestrian horse & rider sculpture, circa 1920. The statuette is very finely modeled as a rider and his horse and most likely engaged in dressage, the ...

A large fine Art Deco patinated bronze figure of "The Riverman" by Maurice Guiraud-Rivière (French, 1881-1947), circa 1920 in date. This powerful sculpture is modelled and cast a...

Vintage boot jack in cast iron freshly powder coated in bright chartreuse. The cast iron object is as functional as it is decorative. This bright and fun ...

ABOUT This wonderful sculpture in patinated bronze on an original black granite base depicting a nude young woman emerging from the water was created by Joseph C. Motto (American, 18...

Small Rare Majolica frog Jerome Massier, circa 1900. Reference / Page 118,119 "Barbotines de la Cote d 'Azur" of M.Bottero.

Chryselephantine sculpture, gilded bronze resting on an onyx base, representing Diana A magnificent early 20th century Art Deco chryselephantine figure of a beautiful young woman sh...

Vienna cold painted bronze of a Cat antique figure. Offered is a Viennese cold-painted bronze figure of a Cat dating to the early 20th century. He shows...

With artful and sensuous handling of material, Emile Jacob demonstrates his life-long love of learning with a technical mastery of porcelain and glazes as well as an awareness of current artistic trends such as Japonisme and l’Art Nouveau. From a bird’s-eye view perspective popularized by Japanese wood block prints circulating in Europe, Jacob immediately confronts the viewer with the sea. The variegated blues and greens take on every murky depth, every iridescence produced on a sun-filled water’s surface; while the suggestion of movement created by undulating patterns of water morphs into sand ridges caused by breaking waves as the viewer nears for a closer examination. The effect is remarkable. Upon closer scrutiny, the abstracted ridges create an affect of being even farther away from the sea, as if high in flight. The same captivating qualities are achieved by the opaque and crystalline glazes to suggest the interior of an oyster’s shell. The ultimate pearl, a female nude, is voluptuously modeled; fusing as one with her seascape, her hair spreads out in wavy tendrils and her graceful, long fingers wrap around the plaque’s edge. Literature: Arthur, French Art Nouveau Ceramics: An Illustrated...

Beautiful Art Nouveau bronzed colored plaster bust. Bust with lots of patina, damages, as found condition, this adds lots of character to the item. A nice addition in every living ro...

Beautiful terracotta sculpture with a gilt glaze.

A very rare and impressive patinated bronze sculpture of two women holding an extensive array of rose garlands. Quality foundry and all original genuine patina. The piece is signed “...

Vienna cold painted bronze of a Cat antique figure. Offered is a Viennese cold-painted bronze figure of a Cat dating to the early 20th century. He shows...

Stunning and rare Black Forest bear. Striking German design from the 1920s. Hand-carved fruitwood sculpture of a life-like bear walking on all four paws. Rare because of the hand-...

Impressive Goldscheider Vienna Ceramic Figurine of the 1920s: The young lady with artfully pinned hair wears only transparent stockings and high heels, as well as a headdress densel...

ABOUT This funny, humorous tabletop ceramic figurine depicts a drunken sailor lying on his back. Around his neck is a metal ring with an anchor on it. MARKINGS Signed on the left buttock: "Italy". DIMENSIONS: Height: 2.5 inches Width: 2 inches Depth: 3.5 inches VALERIE “VALLY” WIESELTHIER (Austrian-American, 1895 – 1945) was an outstanding ceramic artist. She was born to a Jewish family in Vienna, Austria. Her father, Wilhelm Wieselthier was a lawyer. Valluy attended theWiener Frauenacademie in Vienna from 1912 to 1914 and studied at the Vienna School of Applied Arts with Rosalinda Rothhansl, Kolo Moser, Jodef Hoffmann and Michael Powolny from 1914 to 1920. In addition, she worked as an auxiliary nurse during the First World War. From 1917 to 1922, she worked for the Wiener Werkstatte. From 1922 to 1927, she ran her own ceramic workshop in cooperation with the Augarten porcelain factory, which was newly founded in 1923, but also with other companies such as Friedrich Goldschider, Gmundner Keramik and Lobmeyr. Her expressive and humorous porcelain figures attracted attention at the Exposition Internationale des Arts Décoratifs et industriels modern in Paris in 1925 and are considered typical examples of the Art Deco style style. From 1928, the artist increasingly moved her center of life to the United States. She went to the International Exhibition of Ceramic Art in New York City in October 1928. In 1933, she moved to Chicago with Paul Lester Wiener...

A circa 1920s German porcelain parrot figurine. Measurements: Height:11" Width:6.25"(widest point) Depth:7.5".

A circa 1920s American salesman's sample of a playground merry go round, this holding up to 18 children at once! Original red painted surface. With a cu...

Very rare and excellent Meissen porcelain group around 1900: Juno, the Roman goddess of the air (Greek Hera), as a young woman with her hair pinned up, covered only with a cloth, si...

Sign: Aktien-Gesellschaft Gladenbeck was a foundry located in Berlin, Germany, that operated from 1851 until 1926. During the 75-year period when the foundry was in operation it was...

A charming and beautiful antique cast iron bust depicting a young woman with grapes in her hair. This was made in England, its hard to date exactly but we would say it is from around...