Scandinavian Modern Sculptures

Set of 2 vintage brutalist clear glass sculptures from the Moai Series designed by Renate Stock-Paulsson in the 1990s (in production until the 2000s) for ...

Sculpture, designed by Jan Johansson, Sweden, 1970s. Unique. Different colored glass blocks on limestone pedestals. Heights including the pedestals: 106 cm/ 41 3/4'' 82 cm/ 32 1/...

Wooden sculpture in the manner of Constantin Brancusi. Made by Unknown artist during the 1950-60s. Carved from solid fir wood. Very expressive in the grain. Very good vintage conditi...

In most if not all of his designs, Tapio Wirkkala took his inspiration from the surrounding nature. This is one example with a beautiful figurative sculptural "leaf". The way it's re...

Gorilla Sculpture, 1960's Additional Information: Style: Mid century, Scandinavian Produced by Gabriel in Sweden Dimensions (W x D x H): 20 x 26 x 2...

Three lions in varying sizes designed by noted designer and ceramicist Lisa Larson. The lions are from the Afrika series, designed in 1964. The set consists of a mini, large and giga...

Unique bronze sculpture by Leo Laukkanen Sweden 1960 Nice patina, good condition. More photos available Leo Olavi Laukkanen (11 October 1913 Helsinki - 1 November 1978 Helsinki) was a Finnish sculptor. He is particularly known for his abstract miniature sculptures, most of which are made of granite. Laukkanen studied at the Central School of Art and Design from 1931 to 1933. Although the best-known part of Laukkanen's output consists of abstract sculptures, in the early and late stages of his career he also made figurative sculptures in both stone and bronze, including female figures. In 1980, Helsinki Art Hall hosted an extensive memorial exhibition of Laukkanen's works, which he had bequeathed to the Finnish Artists' Association. Laukkanen was an assistant to the sculptor Wäinö Aaltonen...

Great stoneware sculpture designed by Sven Wejsfelt for Gustavsberg, Sweden, during the 1980s. This pike belongs of the designers series 'Stim'.

Erik Höglund for Kosta Boda, Swedish glass artist. Rare sculpture in art glass. Matte glass. A man's head. 1950s/60s. Signed. Perfect condition. Dimensions: W 8.5 cm x D 7.5 cm x H 1...

Unique abstract sculpture by Danish artist Egon Fischer (1935-2016). the large sculpture is made of welded iron and gold paint. To be placed on the floor or on a socket. Made in the ...

Poodle is made of white stoneware with shiny light blue glaze and dark blue hand painted decoration. It was designed by Lisa Larson (1931-2024) as part of the "Poodles" (Pudlar) ser...

A collector's gem! Early Alvar Aalto hand carved wooden mould for the iconic vase no. 3032 which Aalto designed in the 1930s. The mould is hand carved from an older tree stump and ...

Kay Bojesen (1886-1958),a well-known Danish silversmith and designer. Wooden figurine of a zebra. Hand-painted. Early edition. Mid-20th century. Label. In very good condition. Dimen...

Dachshund dog is made of chamotte stoneware with geometric decoration in blue and white semi-matte glaze. It was designed by Lisa Larson (1931-2024) in 1955 as part of the ”Lilla zo...

Big Art Glass Bird Designed by Oiva Tikka for Iittala Finland. Dimensions: Length 26cm / 10.20in Height 18cm / 7in Width 13cm / 5.1in Signed "O.Toikka Nuutajärvi"

Gorgeous stoneware lion figurine by Gunnar Nylund with an expressive face and glaze gathering beautifully in all its nooks and crannies. Gunnar Nylund’s animal figurines are among hi...

Whimsical hand-carved duck sculpture in solid teak unsigned, circa 1960s.

Steiff Jocko Monkey, 1950's German Sitting Mohair Chimpanzee, Collectible Vintage Stuffed Monkey, Steiff No Ear Button

Mari Simmulson (1911-2000) for Upsala Ekeby, Sweden. Large ceramic figurine of a woman. Hand-decorated. Model 9033M Approximately 1960. Marked. Perfect condition. Dimensions: Height ...

Sculpture depicting "Blanzeflor" by Swedish sculptor Stig Blomberg. Made ca 1942-43 in Sweden. Plaster on a teak base. Signed by the artist on the back. Good vintage condition with a...

This striking wooden sculpture, crafted in Sweden in 1977, embodies the essence of abstract modernism. With its sleek lines and dynamic form, this piece captivates viewers with its t...

Sculpture by American born artist David Eisenhauer. Mixed media, made in Sweden in 1985. Signed in pen to the bottom "Sculpture nr 109, David Eisenhauer, 1985." Very good vintage con...

Original Steiff Rehkiz Germany 50ies in very good condition

A couple of nice Tapio Wirkkala bronze bird paper weights. Both items are in beautiful original condition with nice vintage patinas. Although origina...

Scarce large "Pondus the Penguin" bank made from red earthenware pottery by Danish factory Knabstrup, circa 1960s. This is a charming and very collectible piece that is in very good ...

Kay Bojesen wooden bear from the early 1950s in teak . Stamped Kay Bojeson Denmark Copyright . Kay Bojesen from the start in 1932 hand made animal figure toys in his small Copenh...

A large sculptural organic shaped wooden sculpture, hand carved by Swedish artist Waldemar Sjölander. Signed by the artist, made 1966. A beautiful decorativ and rare object for the ...

Beautiful sculptural book stands designed by Erik Höglund. Produced by Swedish company Boda suring the 1960s. Made in frosted glass. Signed on bottom.

Beautiful sculptural book stands designed by Erik Höglund. Produced by Swedish company Boda suring the 1960s. Made in frosted glass. Signed on bottom.

Beautiful sculptural book stands designed by Erik Höglund. Produced by Swedish company Boda suring the 1960s. Made in frosted glass. Signed on bottom.

Hand crafted bird sculpture by Jacob Hermann Denmark 1950s A rare zebrawood example with ebony tail and eyes on brass feet Impressed signature to underside 5.5 inch width 2 inch dep...

Sculptural Carved Teak Scandinavian Modern Wood Puzzle Box Richard Rothbard . Hidden 3 compartments with insert protectors for jewelry , small storage piec...

Fantastic collection of 6 different Scandinavian Vikings. Measures: The largest is 33.5 cm high. The others are 22 cm, 18 cm, 13.5 cm and 9 cm high.

Bertil Vallien fo Kosta Boda Sweden miniature sculpture Stair ”Entrance” 1993

Gorgeous limited edition art glass bird sculpture by Oiva Toikka for Iittala of Finland, circa 1990s. This sculpture is mouth blown and is in great vintage condition with no chips or...

Beautiful Gustavsberg Sweden style racehorse piece in black with orange and veige painted details Measures: Height: 20 centimeters Length: 25 centim...

Dimensions: 8cm W, 6.5cm H, 2.5cm D Condition: Mint Period: 1990’s Material: Glass Color: Orange

Two "Room Jewels" artglass by the Swedish designer Mona Morales Schildt (1908-1999) feature cut and polished glass created using the sommerso technique for Kosta. The pieces stand ap...

Bertil Vallien for Kosta Boda Sweden miniature sculpture , 1990’s

Tall Scandinavian Modern glass ice sculpture, of full lead crystal glass, designed by Bengt Edenfalk for Skruf. Reaches 55.5 cm tall incl. wooden base.

Bertil Vallien fo Kosta Boda Sweden miniature sculpture Stair ”Entrance” 1993

Gorgeous small art glass bird paperweight / sculpture by Nuutajarvi of Finland, circa 1980s. The sculpture is mouth blown and is in great vintage condition with no chips or cracks. T...

Bertil Vallien for Kosta Boda miniature sculpture Bird , 1990’s

Lovely Set of 7 Scandinavian Wooden Woodpecker Corkscrews + 2 WIne Corks, 1960s

Gunnar Nylund "Iller" Stonewear Weasel with stand for Rörstrand Sweden 1960's A beautiful vintage weasel in stoneware by Gunnar Nylund for Ro¨rstrand, Sweden, circa 1960 in perfec...

Dimensions: 9cm W, 4.5cm H, 2.5cm D Period: 1990’s Condition: Mint Material: Glass

Lisa Larson for Gustavsberg. Stoneware figurine "Öst" (East) from the series "All världens barn" (Children of the World). Perfect condition. Marked. Dimensions: H 12.5 cm x D 7.5 cm.

A lovely Bronze sculpture by the Swedish artist Bengt Amundin designed in 1957. The sculpture is called "Urfågeln" (The Primeval Bird). The sculpture is 36 cm (14.4") high including ...

Scandinavian modern wood vintage seven ( 7 ) animal figures from teak wood, 1960s Denmark. An amazing collection of different types of animals. This lovely animals show Two birds wi...

A hard to find porcelain owl sculpture by Lillemor Mannerheim for Arabia of Finland, circa 1980s. Signed on the underside by the artist, the p...

Lisa Larson for Gustavsberg. Rare "Johanna" figurine in glazed ceramics. Late 20th century. Marked. In perfect condition. Dimensions: 15.5 cm x 10.0 cm.

Lisa Larson for Gustavsberg. Stoneware figurine from "Children of the World" series. Boy with a bucket. In perfect condition. Marked. Dimensions: H 12.5 cm x D 9.0 cm.

Ceramic vase designed by Bjørn Wiinblad, with design no. V18 from 1975, produced in Denmark. This vase represents Wiinblad's distinctive style, which often included imaginative and c...

Rare small musk Ox figure/carving. Hand worked Norwegian Pine wood and leather. Burnished makers marks to bottom. Arne Tjomsland was Norways leading souvenir designer in the 1950s...

This Scandinavian Modern earthenware hedgehog from the 1960s exudes charm with its glazed zigzag pattern on beige fur. The unglazed brown face adds a distinctive touch to its feature...

A real vintage classic - the elephant by Kay Bojesen. Made in Denmark. Early example from the second half of the 20th century.

Pair of Cats in Black Lacquered Wood by Laurids Lønborg, 1960's Additional Information: Material: Black lacquered wood Style: Mid century, Scandinavian Produced in Denmark Dimension...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...