Wall Decorations

Andy Warhol Poster Chanel 5, from a set of 4 different colors. 1997 (We also have the full set of four colors). This listing is only for one "green-turquoise" poster. This listing...

Gorgeous blue hand painted Baroque cherub or angel 18th century style Portuguese ceramic tile or azulejo This tile painted in blue over white in ...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Amazing piece of vintage wall art. An industrial letter made of zinc sheet. Original sign used until recently in a factory in Czechoslovakia. Produced...

Painted canvas wall hanging by Arizona/California Artist Jean Klafs, 1984. Titled "Hot Air", painted in 1984 by the artist. Beautiful large wall hung canvas features gorgeous colors ...

This Art Nouveau Painted Glass was produced in Portugal, by Covina - Companhia Vidreira Nacional, during the 1930's. It belonged to a door or a window and is a hand painted behind gl...

Original 1963 re-release German A1 poster by Karl Oskar Blase for the 1957 film The Cranes are Flying (Letyat zhuravli) directed by Mikhail Kalatozov with Tatyana Samoylova / Aleksey...

Large and impressive abstract art work by noted artist Anita Weschler. This piece is from her series of resin pieces done in the mid 20th C., it is in v...

OKO 120 contemporary mirror by Zieta Sapphire Gradient collection New model created in 2020 Stainless steel Measures: 120 x 6 cm. Three colors available: - ...

Deep Space Blue Tafla O5 wall mirror by Zieta Dimensions: D 6 x W 40 x H 60 cm Material: Stainless steel. Finish: Deep Space Blue. Available finishes: Stainless Steel, White Matt, S...

A delicate and feminine curvy wallpaper this one with a definite Art Deco / Art Nouveau feel. Hand painted by Anna this scallop-shaped design in a deep rich blue. Measures: Width...

Original vintage Iberia Airlines travel poster for the Spring Festival in Seville the happiest festival in Andalusia - Fiera de Primavera en Sevilla la mas alegre fiesta de Andalucia vuele por Iberia Lineas Aerias Espanolas - featuring a colourful image of smiling ladies wearing traditional flamenco dress and dancing in the foreground watched by a lady on a horse with another lady and man...

Piero Guccione (Italy, 1935-2018), “Oleandro in Controluce” (Oleander in Silhouette ), titled and signed lower margins, titled, signed and dated verso, ...

This wall-covering with a galactic scene has Robots in outer space, rocket ships & more... the perfect wallpaper for your child's room. Samples are available for $18 including US sh...

This wall-covering with oversized pop art flowers is the perfect wallpaper for your child's room! Samples are available for $18 including US shipping, please message us to purchase....

Starry night is a beautifully immersive marbled spotty blue wallpaper. Designed in London by marbling artist Freya Scott from her studio, Paperwilds. Reminiscent of course of Van Gog...

Molded glass gile depicting a wounded gazelle by Napoleone Martinuzzi (1892-1977) circa 1930 for Venini, molded mark 'NM' An example of this model was employed in a floor lamp de...

Gorgeous blue hand painted Baroque cherub or angel 18th century style Portuguese ceramic tile/azulejo The tile painted in cobalt blue over wh...

Original 1989 Italian locandina poster for the film Do the Right Thing directed by Spike Lee with Danny Aiello / John Turturro / Ossie Davis / Ruby Dee / Ric...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Original 1973 Polish A1 poster by Maria Mucha Ihnatowicz for the film A Brief Vacation (Una breve vacanza) directed by Vittorio De Sica with Florinda Bolkan / Renato Salvatori / Dani...

UNIVERSAL EXHIBITION 1889 Large octagonal dish in enamelled slip, the blue and gilt wing with the arms of Paris, adorned with foliage cartouches, festoons, attributes of the sciences, arts, music and agriculture, the center decorated in half relief of a view of the Universal Exhibition of Paris in 1889, of the Eiffel Tower and of the Central Pavilion. Olivier De SORRA, G. MORTREUX Frères, Paris. In good condition, lacks on the gilding. Height: 45.5cm Width: 45cm Depth: 4.5cm Weight: 6kg Provenance: according to family tradition, this dish would have been made in two copies on the orders of Gustave Eiffel...

Mid-Century Modern harbor painting signed, “LeMark.” The painting deviates from others of the period with it’s bright aqua blue, yellow, green and white palette. Earth tones are abundant in Mid-Century Modern paintings. Here we have something light and bright to illuminate your space. The harbor scene is rendered with broad, painterly strokes. These dynamic brush marks are borrowed from the Abstract Expressionist aesthetic prevalent at the time. This painting will be right at home in coastal locations with it’s sailboat set...

Sculpture designed by Lars Erik Falk, Sweden, 1990s. Lacquered steel. Signed. Measures: H: 18 cm / 7'' W: 55 cm / 21 3/4'' Provenance: From the artist's estate.

French Majolica strawberries plate Keller & Guerin Saint clement Circa 1900.

Gennaro Picinni Bari Italy screen printing Napoleone Author proof, Years '70 tecnique is multi-matter colors signed, surreal scene is in good vinta...

Deep space blue Tafla O3 wall mirror by Zieta Dimensions: D 6 x W 79 x H 124 cm Material: Stainless steel. Finish: Deep space blue. Available finishes: Stainless steel, white matt,...

Danker Napiorkowska (B.1940's) British, polish heritage Buttercups I Poppies I Titled & signed in pencil Measures: Height 77cm 30 1/4" Width 56.5., 22 1/4" Striking, large, bo...

Painted by Dunbar Beck, one of America's most accomplished and successful muralists, this painting of a half-nude man floating over a succession of dancing couples below was one of a...

Oil on Paper Mounted on Board Paula Mautner, Titled "Sacred Object". Signed and dated: "1967 Israel" on reverse. Israel 1967 “Although two of her works have been included in the Fed...

Fashion Designer Paco Rabanne Rare Electric Blue and Silver Space Curtain for Baumann AG, Switzerland 1970s

Original vintage Spanish airline travel poster issued by Iberia Lineas Aereas de Espana in German for the Costa Del Sol Malaga in Spain / Spanien featuring a colourful illustration o...

A vintage velvet wall hanging or bed cover from Uzbekistan, circa 1970. This wall hanging is in good condition, sturdy and clean as a brand...

SKY - Large ceramic bowl by Pantoù Ceramics, hand thrown and hand painted glazed earthenware. All unique pieces, Italy, 2021. Measure: 30cm diameter....

French Majolica bird plate Keller & Guerin Saint Clement circa 1900.

PAGODA The calm of resonating with your inner peace For 20 years, we have been committed to offering you unique collections in terms of design and quality. Today we honor the handma...

Optical art acrylic on canvas "Triangles", stretched, wired and ready to hang Offered is an optical art acrylic painting on canvas titled "Triangles. The work is stretched, wired ...

Original 1958 U.S. silver gelatin single-weight photo for the first U.S. theatrical release of the film The Seventh Seal (Det sjunde inseglet) directed by...

Original 1941 U.S. silver gelatin single-weight photo for the film The Lady Eve directed by Preston Sturges with Barbara Stanwyck / Henry Fonda / Charles C...

Elegant wall hanging ornaments made of solid brass, originally part of 19th century screen salvage. Exquisite verdigris patina, light, will make ...

Rondo mirror 'Deep Space Blue' by Zieta Prozessdesign Gradient collection - Deep Space Blue Stainless steel Measures: 75 x 6 cm. Several sizes available: Diameter 75 cm / 1...

Small German Majolica Iris Plate Circa 1900.

An engaging photographic image by famed British musician and photographer Graham Nash (from the folk-rock supergroups Crosby, Stills & Nash and Crosby, Stills, Nash & Young). Nash's ...

Korpus is a colourful wall-mounted shelf created for HAY by Norwegian product designer Andreas Bergsaker. Based on the desire to create a durable multi-purpose shelf from recyclable material, Korpus Shelf...

(no image) With beautiful oxblood color lacquer frame with 19th century bronze mounts.

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Greek Architectura Oil on canvas Dimensions: 47.24’’ x 63’’ Signed and dated 2021. Vernon is a sculptor artist emerging from the French art scene. He began his training with the Fr...

Victor Vasarely (1906-1997) Ond-LZ, from Gaia (Benavides 263), 1975 Screenprint in colors on wove paper, signed and numbered 230/250, with the blindstamp of the publisher Editions De...

Pharmacy themed wallpaper by Damien Hirst. Wallpaper depicts pills, pill bottles and medicines. Perfect vintage condition. Bronze and silver panels availab...

Intriguing set of five Chinese watercolor paintings on silk depicting men occupied in their trades, executed in a soft delicate technique and presented under glass in four wood frame...

Individual pieces of glass are hand cut and placed over a welded metal frame on different elevations to create a 3D dynamic and harmonious composition. Each piece is hand created by ...

This plump mirror shelf is a continuation of the Plump series of sculptural furniture. The shapes play upon the effect that resin has as light is refracted through the solid parts. T...

"OKO 120 contemporary mirror by Zieta Sapphire Gradient collection New model created in 2020 Stainless steel Measures: 120 x 6 cm. Three colors available: - Emerald green - Sapphire blue - Gradient emerald/sapphire Zieta is best known for his collection of stools “Plopp” made through the technologist Fidu. With the same principle Zieta Prozessdesign conceived mirror collections made of stainless steel called “Tafla”, “Rondo” and “Rondel”. Two laser-cut metal sheets are first welded together before air is injected between them until they separate from each other forming a three-dimensional object. OKO from the Gradient Collection is an attractive mirror in colour. The lacquered steel – thanks to the FiDU forming method and the unique way of covering it with colour – gains an aspect of a precious gem. Additionally, just like the OKO Mirror Inox...

Minton Majolica tile which features an assemblage of fruit, flowers and leaves, including an apple, a lemon and a pinecone. Ribbons on either side. Colouration: turquoise, green, whi...

OKO 150 contemporary mirror by Zieta Sapphire Gradient collection New model created in 2020 Stainless steel Measures: 150 x 6 cm. Three colors available: - ...

"OKO 95" contemporary mirror by Zieta Sapphire Gradient collection New model created in 2020 Stainless steel Measures: 95 x 6 cm. Three colors available: - Emerald green - Sapphire blue - Gradient emerald/sapphire Zieta is best known for his collection of stools “Plopp” made through the technologist Fidu. With the same principle Zieta Prozessdesign conceived mirror collections made of stainless steel called “Tafla”, “Rondo” and “Rondel”. Two laser-cut metal sheets are first welded together before air is injected between them until they separate from each other forming a three-dimensional object. OKO from the Gradient Collection is an attractive mirror in colour. The lacquered steel – thanks to the FiDU forming method and the unique way of covering it with colour – gains an aspect of a precious gem. Additionally, just like the OKO Mirror Inox...

Our Brazil wallpaper is a re-creation of a classical tropical landscape mural featuring the beautiful birds, palms, and mountains of the Brazilian Amaz...