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Item Ships From: Bay Area
La Passagère du 54 - Promenade en Yacht (The Passenger of 54 – Yacht Ride)
By Henri de Toulouse-Lautrec
Located in Palo Alto, CA
Henri de Toulouse-Lautrec La Passagère du 54 - Promenade en Yacht (The Passenger of 54 – Yacht Ride), 1896 is captivating work featuring a woman lounging unaffectedly in a striped ch...
Category
1880s Post-Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
Three Chairs
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Three Chairs
Year: 1978
Medium: Original color lithograph
Edition: Numbered 61/185 in pencil
Paper: ...
Category
Late 20th Century American Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
Enlévement de Chloé, from Daphnis and Chloé
By Marc Chagall
Located in Palo Alto, CA
Marc Chagall Enlévement de Chloé (Chloe is carried off by the Methymneans) from Daphnis and Chloé, 1961, is a stunning and gorgeous work of art tha...
Category
1960s Modern Bay Area - Prints and Multiples
Materials
Lithograph
MAYBE - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...
Category
21st Century and Contemporary Conceptual Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée, Archival Ink
Tah-Chee, Cherokee Chief: 19th C. Folio Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithographic portrait of a Native American entitled "Tah-Chee, A Cherokee Chief", from McKenney and Hall's 'History of the Indian Tribes of North America'. It was lithographed by J. T. Bowen after a painting by Charles Bird King and published by E. C. Biddle in Philadelphia in 1838.
Tahchee's name translates to Dutch in Cherokee, and he became known as William Dutch. He was born in 1790 in the Cherokee Nation, which is now in a portion of Alabama. Tahchee became known as a skilled warrior and leader among his people, and he was eventually appointed as a chief of the Cherokee Nation "Old Settlers". During his time as chief, Tahchee was a rival of the Osage people and he worked to protect the Cherokee people and their land from encroachment by white settlers. He was a strong advocate for maintaining Cherokee sovereignty and cultural traditions, even as pressure mounted from the United States government to remove the Cherokee from their ancestral lands. In 1838, Tahchee and many other Cherokee people were forcibly removed from their homes in what is known as the Trail of Tears...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Two Paintings: Dagwood
By Roy Lichtenstein
Located in Palo Alto, CA
Roy Lichtenstein Two Paintings: Dagwood, 1984 is a vivid, colorful piece that demonstrates the clever work of Lichtenstein’s varied oeuvre. The work is c...
Category
1980s Pop Art Bay Area - Prints and Multiples
Materials
Woodcut, Lithograph
Etude de femme (Study of a Woman), 1893
By Henri de Toulouse-Lautrec
Located in Palo Alto, CA
Henri de Toulouse-Lautrec Etude de Femme (Study of a Woman), 1893 is a lovely depiction of a nude subject delicately undressing at her bedside. She ap...
Category
1890s Post-Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
Vienna Scene II
By Robert Kasimir
Located in San Francisco, CA
This artwork "Vienna Scene II, Austria" c. 1970 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pen...
Category
Late 20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
Stork Family: A Framed Original 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Ciconia Alba” (A family of storks) by John Gould, from the supplement to his "Birds of Great Brit...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Nude, from Brushstroke Figures Series
By Roy Lichtenstein
Located in Palo Alto, CA
Roy Lichtenstein Nude, from Brushstroke Figures Series, 1989 is a marvelous work that features Lichtenstein’s loose, freely Expressionistic brushstrokes combined with diagonal stripe...
Category
1980s Pop Art Bay Area - Prints and Multiples
Materials
Lithograph, Wax, Screen, Woodcut
Turmgasschen
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Turmgasschen" 1935 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist and titled in the plate. The plate mark (image) size is 15.5 x 10 inches, framed is 24.35 x 17.5 inches. It is custom framed in a dark wood frame, with light creme color matting and light brown filet. It is in very good condition, the frame have some scratches.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
The Citadel of Cairo: 19th C. Hand-colored Roberts Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left.
This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.63" high and 29" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Petra. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211969422, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Mid-19th Century Realist Bay Area - Prints and Multiples
Materials
Lithograph
Reddish Egrets, Adult & Young: An Original Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted.
This original hand-colored Audubon egret...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Le Peintre (The Painter)
By (after) Pablo Picasso
Located in Palo Alto, CA
Pablo Picasso Le Peintre, 1963 is an after Picasso that captures the inquisitive nature of an artist. It is common to use the term 'after' when referring to...
Category
1960s Modern Bay Area - Prints and Multiples
Materials
Screen
Cadiz Island: A Framed 17th Century Hand-colored Map from Blaeu's Atlas Major
By Joan (Johannes) Blaeu
Located in Alamo, CA
This is a 17th century hand-colored map entitled "Insula Gaditana Isla de Cadiz" from Johannes (Joan) Blaeu's Atlas Maior, published in Amsterdam in 1662.
The map provides an excellent plan of Cadiz Island on the southwest coast of Spain, with its harbor, fortifications, agricultural fields and several surrounding salt processing areas. Numerous sailing ships of various sizes are included in and around the harbor and bay, including five large sailing ships, as well as twenty-four smaller ships. There is a small compass rose overlying the bay. The bridge to the mainland from the island is shown on the right. There is an extremely ornate and colorful title cartouche in the lower left, with its mythological figures reminiscent of Raphael’s Galatea fresco at the Villa Farnesina in Rome. The vibrant colors are vividly preserved. The master colorist tried to emulate a painting by using various tones to create a three-dimensional effect.
Blaeu's name is present in the plate in the lower right. Blaeu stated in his description of Cadiz: “The main wealth of the islanders consists of salt, which they harvest, and
the tuna fisheries.”
This 17th century hand-colored map is framed in an ornate, partially textured bronze-colored wood frame and glazed with UV protected conservation glass. There is a vertical center fold, as issued. There is a faint crease in the lower right and faint color offset on the left from the right side of the map, resulting from having been in an atlas for hundreds of years. Small foci of paint are present in the upper portion of the left margin and in the left corner margin. The map is otherwise in very good condition.
Due in large part to their powerful trade empire, the Dutch became known for cartography in the seventeenth century. This period is considered the Golden Age of Dutch cartography. Their publishing houses produced the highest quality work in Europe, particularly those maps and charts of foreign lands, and Dutch map-making set the bar for cartographic accuracy and artistry into the early-eighteenth century. Some of the most well-known cartographers worked in Amsterdam during this period. Perhaps the most famous of these was the Blaeu family. Willem Janszoon Blaeu, set up shop in Amsterdam. His son, Johannes (Joan), succeeded him upon his death in 1638, continuing in his father’s position as Hydrographer to the Dutch East India Company and selling maps to the public. The Blaeu map presses, located near Amsterdam’s Dam Square...
Category
Mid-17th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
Robert Natkin, Untitled Abstract Limited Edition Signed Print
By Robert Natkin
Located in San Rafael, CA
Robert Natkin (1930 - 2010)
Untitled, 1979
From the Intimate Light series
Color lithograph on wove paper
Edition 12/75
Signed and numbered to lower left margin
Published and printed...
Category
1970s Abstract Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
Homme barbu couronné feuilles de vigne
By Pablo Picasso
Located in Palo Alto, CA
Created in 1962, this linocut on Arches wove paper is hand-signed by Pablo Picasso (Malaga, 1881 - Mougins, 1973) in pencil in the lower right margin and is numbered from the edition of 50 in the lower left margin.
Catalogue Raisonné:
Pablo Picasso Homme barbu couronné feuilles de vigne...
Category
1960s Modern Bay Area - Prints and Multiples
Materials
Lithograph
Carousel Animals: A Limited Edition Goines Graphic Art Poster
By David Lance Goines
Located in Alamo, CA
This original limited edition graphic art lithographic poster entitled "Carousel Animals" was created by David Lance Goines in 1984 in his Berkeley ...
Category
Late 20th Century Bay Area - Prints and Multiples
Materials
Lithograph
Greenland Falcon "Falco Candicans": A 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithograph entitled "Falco Candicans" (Greenland Falcon Light) by John Gould, from his "Birds of Great Britain", published i...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Parmigiani Amica: An 18th Century Engraving and Etching by Strange After Mazzola
Located in Alamo, CA
This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture.
The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...
Category
Late 18th Century Bay Area - Prints and Multiples
Materials
Engraving, Etching
Qua-Ta-Wa-Pea, A Shawnee: 19th C. Folio Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithographic portrait of a Native American entitled "Qua-Ta-Wa-Pea, A Shawanoe Chief", from McKenney and Hall's 'History of the Indian Tribes of North America'. It was lithographed by J. T. Bowen after a painting by Charles Bird King and published by E. C. Biddle in Philadelphia in 1836. Quatawapea wears a maroon head covering, a white ruffled shirt and blue shawl with gray trim. His presidential peace medal is attached to a maroon fabric...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Fresno Basket
By Beth van Hoesen
Located in San Francisco, CA
Artist: Beth Van Hoesen – American (1926- 2010)
Title: Fresno Basket
Date: 1974
Medium: Color etching
Image Size: 12.25 x 12.75 inches
Framed size: 23 x 22.25 inches
Signature: signe...
Category
1970s Realist Bay Area - Prints and Multiples
Materials
Color, Etching
Chez Panisse Birthday Celebration: Signed Limited Ed. Goines Graphic Art Poster
By David Lance Goines
Located in Alamo, CA
This original framed graphic art lithographic poster entitled "Chez Panisse Cafe & Restaurant Seventeenth Birthday" was created by David Lance Goines in 1...
Category
Late 20th Century Bay Area - Prints and Multiples
Materials
Lithograph
Approach of the Simoon, Desert of Gizeh: 19th C. Hand-colored Roberts Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is the most famous and collectible of David Roberts' works, entitled "Approach of the Simoon, Desert of Gizeh". The scene captures the dramatic moment when a fierce sandstorm, known as a simoon, approaches a caravan traveling through the desert of Gizeh in Egypt. The scene is filled with swirling clouds of sand, which obscure the figures of the travelers and their camels. The sky is dark and ominous, with lightning bolts striking the ground in the distance. The figures in the foreground appear to be huddling together for protection, while one man in the center struggles to keep his turban from being blown away. Roberts' lithograph is particularly striking for its attention to detail and its use of light and shadow to create a sense of depth and atmosphere. The figures and camels in the foreground are rendered with great precision, while the distant landscape and stormy sky are suggested with broad, sweeping strokes. Overall, "Approach of the Simoon, Desert of Gizeh" is a powerful and evocative image of the harsh realities of life in the desert, and a testament to David Roberts' skill as an artist. This is the most well known and sought-after of all Roberts prints, as well as the most difficult to find and hence most expensive.
This hand-colored lithograph is printed on wove paper with wide margins. The print is in excellent condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV conservation glass. All framing materials used are archival museum quality. The frame measures 23.75" high and 29" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Petra and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211969422 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Mid-19th Century Realist Bay Area - Prints and Multiples
Materials
Lithograph
Shar-I-Tar-Ish, A Pawnee Chief: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century 1st edition octavo hand-colored McKenney and Hall lithograph of a Native American entitled " Shar-I-Tar-Ish, A Pawnee Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. Shar-I-Tar-Ish's portrait has a reddish hue from the feathers in his headdress and amulet chain, with a brownish taupe color of the upper trim of his costume. He is wearing his presidential peace medal. He has a very serious and thoughtful expression.
This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are faint smudges in the margins. The print is otherwise in very good condition. The original descriptive text pages, 33-34, from McKenney and Hall's 19th century publication are included.
A famous Pawnee chief, Shar-I-Tar-Ish led his people during the early part of the 19th century. He was descended from a line of chiefs. Shar-i-tar-ish was a young man when he went to Washington in 1822 at the invitation of President James Monroe...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Group of Workers
By John Edward Costigan
Located in San Francisco, CA
This artwork titled "Group of Workers" 1943, is an original lithograph on paper by noted American artist John Edward Costigan, 1888-1972. It is hand signed and titled in pencil by th...
Category
Mid-20th Century Realist Bay Area - Prints and Multiples
Materials
Lithograph
Yellow-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Yellow-billed Cuckoo, 1. Male, 2, Female, Papaw Tree", No. 55, Plate 275 from Audubon's "B...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Hummingbirds - Brown Violet Ear or Petasophora Delphinae
By John Gould and Henry Constantine Richter
Located in San Francisco, CA
Title: Brown Violet Ear or Petasophora Delphinae.
Plate 229 from: A Monograph of the Trochilidae,
or Family of Humming-birds.
Drawn and lithographed by John Gould,
Elizabeth Gould, H.C. Ritcher, and W. Hart.
Published by John Gould.
Printed by Hullmandel and Walton.
London, 1849-61.
Lithographs with original hand-color.
Medium: Stone lithograph with hand coloring
Sheet size: 21.5 x 14 inches
Sight Size: 15 x 10.5 inches
Condition: Good.
This stone lithograph is immediately recognizable as a Gould Hummingbird print...
Category
Mid-19th Century Realist Bay Area - Prints and Multiples
Materials
Paper, Lithograph
Topiary V - large format photograph of ornamental shaped tree
By Frank Schott
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening's tree trimming and striking art of topiaries' green minimalism
Topiary V by Frank Schott
40 x 30 ...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Giclée, Photographic Paper, Archival Pigment
The Duchess of St. Albans: A 17th C. Portrait After a Kneller Painting
By (After) Sir Godfrey Kneller
Located in Alamo, CA
This is a 17th century engraved mezzotint portrait of the Duchess of St. Albans by John Smith, after a painting by Sir Godfrey Kneller. It was published in London by John Boydell in 1694.
The Duchess of St. Albans (1642-1712) was a woman named Diana de Vere. She was born in 1642, the daughter of Aubrey de Vere, the 20th Earl of Oxford. In 1662, she married Charles Beauclerk, the illegitimate son of King Charles II and his mistress, Nell Gwyn. As a result of her marriage, Diana became the Duchess of St. Albans, and she and Charles had several children together. Diana was known for her beauty and charm, and she was a prominent figure in the court of King Charles II. Despite her husband's illegitimate birth, Diana was highly respected in the royal court and was known for her intelligence and wit. She was a patron of the arts and supported many artists and writers of the time. Diana lived through a tumultuous period of English history, including the Great Fire of London and the Glorious Revolution, which saw King James II replaced by William of Orange. She died in 1712 at the age of 70 and was buried in Westminster Abbey. Descendants of Diana and her husband, who was an illegitimate son of King Charles II, include Diana, Princess of Wales and her son William, Duke of Cambridge.
An author wrote of her: "The line of Vere, so long renown’d in arms,
Concludes with luster in St. Albans’s charms;
Her conquering eyes have made their race complete,
It rose in valor, and in beauty set."
This striking mezzotint engraving depicts Diana, Duchess of St Albans in a three-quarter length pose, standing, wearing loose flowing dress and a wrap. She has a very serene, calm appearance as she is looking straight at the viewer. There is a landscape of trees in the background. The print is adhered in the corners to an archival backing, which is itself adhered in the upper corners to a larger backing. The print is trimmed to just beyond the plate mark. There are areas of discoloration in the margins and in the inscription area, but the print is otherwise in very good condition. The sheet measures 14.5" high and 10" wide. This mezzotint is held by multiple museums and institutions, including The British Museum, The National Portrait Gallery London, The Fine Arts Museum of Boston, The Lewis Walpole Library at Yale, The Yale Center for British Art, The Fitzwilliam Museum at Cambridge and The National Galleries of Scotland. The original Kneller painting is part of the British Royal Collection Trust and hangs in the King's Private Dining Room at Hampton Court Palace.
Sir Godfrey Kneller (1646-1723) was a leading portrait painter of his time, particularly renowned for his depictions of the British aristocracy and royalty. He was born in Lübeck, Germany, and trained in Amsterdam under the painter Ferdinand Bol...
Category
Late 17th Century Bay Area - Prints and Multiples
Materials
Mezzotint
IRIS III - unique abstraction of colors in circular glass frame (45" diameter)
By Frank Schott
Located in San Francisco, CA
a mesmerizing sea of light blue and acqua color tones
from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's unique abstracti...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Photographic Film, Plexiglass, Archival Ink, Archival Paper, Photographi...
La Braque
By Georges Braque
Located in Palo Alto, CA
Utilizing cool shades of grays, blues, and greens, Braque (Argenteuil-sur-Seine, 1882- Paris, 1963) depicts the calm before the storm. A peaceful rowboat rests on the shore beneath a...
Category
1950s Modern Bay Area - Prints and Multiples
Materials
Lithograph
Chez Panisse 21st Birthday Celebration: Limited Ed. Goines Graphic Art Poster
By David Lance Goines
Located in Alamo, CA
This original limited edition graphic art lithographic poster entitled "Chez Panisse Twenty-First Birthday" was created by David Lance Goines in 1992 in h...
Category
Late 20th Century Bay Area - Prints and Multiples
Materials
Lithograph
Papaya and Moth Metamorphosis: 18th C. Hand-colored Engraving by Maria Merian
By Maria Sibylla Merian
Located in Alamo, CA
This exquisite hand-colored 18th century folio-sized engraving of a papaya plant and moth metamorphosis is plate 64 from Maria Sibylla Merian's publication '...
Category
Early 18th Century Academic Bay Area - Prints and Multiples
Materials
Engraving
Poetes, Sculpteurs, Peintres
By Joan Miró
Located in San Francisco, CA
This artwork titled "Poetes, Sculpteurs, Peintres" 1960, is an original color lithograph on Rives paper by renown artist Joan Miro 1893-1983. It is hand signed (monogramed) and numb...
Category
Late 20th Century Abstract Bay Area - Prints and Multiples
Materials
Lithograph
Sir. John Powell, Knight: Early 18th C. Engraved Portrait After William Sherwin
Located in Alamo, CA
This is an early 18th century portrait of Sir John Powell entitled "The Honorable Sr. John Powell, Knight. one of the Justices of her Majesties' Court of Common Pleas. Ano. D 1711". It was engraved and published by John King in London in 1711, after an earlier work by William Sherwin. The engraving depicts a bust length portrait of Powell wearing an elaborate fir-trimmed robe and collar. The portrait is encompassed in an ornate oval frame, sitting on a pedestal with an impressive coat-of-arms below.
This engraved portrait is printed on laid, chain-linked watermarked cream-colored paper The sheet measures 15.25" high and 11.38" wide. It is adhered to an archival thick card at the upper corners, There is a 1/8" tear at the lower edge of the sheet, but the print is otherwise in very good condition. This engraving is held by museums and institutions, including the British Museum and the Harvard University Art Museum.
Sir John Powell (1632-1696) was an English lawyer and judge who served as a justice of the King's Bench from 1683 until his death. He was born in Glamorganshire, Wales, and studied at Jesus College, Oxford, before being called to the bar at the Middle Temple in 1656. Powell was known for his staunch support of the monarchy and the Church of England, and he played a prominent role in the trial of the Whig leader Lord William Russell in 1683, which resulted in Russell's execution for his alleged involvement in a plot to assassinate King Charles II. Powell was also involved in the trials of several other prominent Whig politicians, including Algernon Sidney and Titus Oates. In addition to his work as a judge, Powell was also a member of Parliament for various constituencies throughout his career, and he served as Solicitor General and Attorney General for Wales under King James II. However, he opposed James's efforts to promote Catholicism and supported the Glorious Revolution of 1688, which led to James's overthrow and the installation of William and Mary as joint monarchs.
Powell was known for his intellectual rigor and his legal expertise, and he authored several influential legal treatises during his lifetime. He was widely respected by his peers and by the legal community as a whole, and his legacy as a jurist and judge continues to be celebrated today.
William Sherwin (1645-1709) was an English engraver who worked during the late 17th and early 18th centuries. He was born in Chesterfield, Derbyshire, and is known for his high-quality engravings of various subjects, including portraits, landscapes, and architectural views. Sherwin was trained as an engraver and worked as an apprentice to the renowned engraver Robert White. After completing his training, he went on to establish his own studio in London, where he produced a significant body of work over the course of his career. One of Sherwin's most famous works is his engraving of the portrait of John Locke...
Category
Early 18th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
Unknown
By Mahmoud Farshchian
Located in San Francisco, CA
This artwork "Untitled" is a color off set lithograph by acclaimed Iranian artist Mahmoud Farshchian, born 1930. It is hand signed and numbered 23/300 i...
Category
Late 20th Century Surrealist Bay Area - Prints and Multiples
Materials
Lithograph
Bermuda: An Early 17th Century Hand-colored Map by Henricus Hondius
By Henricus Hondius
Located in Alamo, CA
This attractive and interesting map of Bermuda by Henricus Hondius in 1633 is entitled "Mappa Aestivarum Insularum, Alias Barmudas". It is based on a ...
Category
Early 17th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
Dance: A Limited Edition Goines Graphic Art Poster
By David Lance Goines
Located in Alamo, CA
This original limited edition graphic art lithographic poster entitled "Dance" was created by David Lance Goines in 1978 in his Berkeley studio, as #80 in his series of graphic art posters. It depicts the torso of a women seen from the back, wearing a dress with a deep neckline. A man's hand is seen over her back. Reportedly the famous chef of the Berkeley Restaurant Chez Panisse...
Category
Late 20th Century Bay Area - Prints and Multiples
Materials
Lithograph
Liberated Village
By William Gropper
Located in San Francisco, CA
This artwork titled "Liberated Village" c. 1940, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hans signed and titled in pencil by the artist. The artwork (image) size is 12 x 16.5 inches, framed size is 20.25 x 24.25 inches. Custom framed in a black metal frame, with off white matting. It is in excellent condition.
An example of this particular artwork is held at the Metropolitan Museum of Art, New York.
About the artist:
William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art.
At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses...
Category
Mid-20th Century American Realist Bay Area - Prints and Multiples
Materials
Lithograph
Kee-Shes-Wa, A Fox Chief: An Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Kee-Shes-Wa, A Fox Chief", litho...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Johannes Wesselius Portrait: An 18th Century Engraving/Etching by Houbraken
By Jacobus Houbraken
Located in Alamo, CA
This is an 18th century engraved and etched portrait of Johannes Wesselius by Jacobus Houbraken after a painting by Jan Maurits Quinkhard. It depicts a half-height image of Wesselius...
Category
Mid-18th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving, Etching
A Festive Occasion
By Alan Maley
Located in San Francisco, CA
This artwork titled "Festive Occasion" 1989 is a color offset lithograph by noted British artist Alan Maley, 1931-1995. It is hand signed, titled and numbered 21/750 in pencil by the...
Category
Late 20th Century Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
Tah-Ro-Hon, An Ioway Warrior: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tah-Ro-Hon, An Ioway Warrior", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. For his portrait Tah-Ro-Hon is wearing a feathered multicolored headdress, long ornamental earrings, a chain necklace, a presidential piece medal on a ribbon necklace and he holds a multicolored staff with feathers.
This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10" high and 7" wide. There is a tiny spot of red paint adjacent to a red feather hanging...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Roman Hills, Aqueducts and Roads: An Early 18th Century Map by Jan Goeree
Located in Alamo, CA
This richly engraved map of Rome and its environs entitled "Urbis Cum Vicis Seu Pagis Adiacentibus Dissertationi III De Aq et Aqueaed Veteris Promae Praemissa Authore Raph Fabretto G...
Category
Early 18th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
Best Seats - large format photograph of iconic yellow soccer goals
By Erik Pawassar
Located in San Francisco, CA
an homage to the photo realism + pop art color palette of artist David Hockney
Best Seats by Erik Pawassar
48 x 72 inches (122 x 183cm)
signed edition of 7
27 x 40 inches (69 x 1...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée
Stratosphere I - large format photograph of abstract liquid water cloudscapes
By Christian Stoll
Located in San Francisco, CA
large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the bo...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Beach Goals - large format photograph of iconic yellow soccer goals
By Erik Pawassar
Located in San Francisco, CA
an homage to the photo realism + pop art color palette of artist David Hockney
Beach Goals by Erik Pawassar
48 x 67 inches (122 x 170cm)
signed edition of 7
29 x 40 inches (74 x ...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Ink, Giclée, Archival Pigment
Tournai (Tournay), Belgium: A 16th Century Hand-colored Map by Braun & Hogenberg
By Franz Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of Tournai, Belgium, entitled "Tornacum" by Georg Braun & Franz Hogenberg, in volume IV of their famous city atlas "Civitates Orbis Terrarum", published in Cologne or Augsberg, Germany in 1575. The map provides a bird's-eye view of the walled city of Tournai, the second oldest city in Belgium. It lies approximately one hour by car southwest of Brussels or from Ghent. The names of thirty of its streets, prominent buildings, churches and squares are listed in a key within a strap-work cartouche in the lower left. These locations are numbered in the key corresponding to their locations on the map.
This colorful map of Tournai (Tornacum or Tournay as it was called in the 16th century) includes the title in Latin in a cartouche in the upper center. Three crests are present across the upper map. A man and two woman are standing on a hill in the foreground in the lower right dressed in the style of 16th century upper class residents of the town.
This is an English translation of an excerpt of Braun's description of Tornai: “Tornacum or Turnacum is a city in Gallia Belgica, situated on the Schelde in the territory of the Nervii, called Tournai by its French inhabitants, but Dorneck by the Germans. Tournai has always been a large and powerful city, with an abundance of goods and commercial activities and wonderfully resourceful craftsmen, who invent new articles every day, and although some of these go out of use they constantly conceive of other new things, both useful and delightful, so that they have at all times something that provides work and a means of livelihood for the poor."
ReferencesVan der Krogt 4, 4435, State 1; Taschen, Braun and Hogenberg...
Category
16th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
Hawaiian Icon
By Robert Freimark
Located in San Francisco, CA
Artist: Robert Freimark – American (1922-2010)
Title: Hawaiian Icon
Date: 1991
Medium: Lithograph in 5 colors on Somerset paper
Image size: 22 x 30 inc...
Category
1990s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Lithograph
Not-Chi-Mi-Ne, An ioway Chief: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief ",...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Les Nuits de Saint Jean De Luz
By Man Ray
Located in San Francisco, CA
Artist: Man Ray (American, 1890-1976)
Title: Les Nuits De aint Jean De Luz
Year: 1968
Medium: Color Lithograph
Edition: Numbered 87/120 in pen...
Category
1960s Dada Bay Area - Prints and Multiples
Materials
Lithograph
View of Emden, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
By Franz Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of a bird's-eye View of Embden, Germany entitled " Emuda, vulgo Embden vrbs Frisia orientalis primaria" by Georg Braun & Franz Hogenberg, in volume II of their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575.
This is a beautifully colored and detailed map of Emden, a seaport in northwestern Germany, along the Ems River and perhaps portions of over Dollart Bay, near the border with the Netherland. The map depicts a bird's-eye view of the city from the southwest, as well as a view of the harbor and an extensive system of canals. Numerous ships of various sizes, as well as two rowboats containing numerous occupants are seen in the main waterway in the foreground and additional boats line two canals in the center of the city. Two men and two women are shown on a hill in the foreground on the right, dressed in the 16th century style of nobility. Two ornate crests are included in each corner. A title strap-work cartouche is in the upper center with the title in Latin. The crest on the right including Engelke up de Muer (The Little Angel on the Wall) was granted by Emperor Maximilian I in 1495.
This is an English translation of an excerpt of Braun's description of Embden: "In Emden, the capital of East Frisia, rich merchants live in very fine houses. The city has a broad and well-situated harbour, which in my opinion is unique in Holland. Frisia and the whole of the Netherlands, for the ships can anchor here right under the city walls. They have also extended the harbour as far as the New Town, so that up to 400 ships can now find shelter here when the sea is rough."
The emphasis on the harbor and waterways within the city highlights the importance of Emden's place as a seaport at this time. Embden developed from a Dutch/Flemish trading settlement in the 7th-8th centuries into a city as late as late 14th century. In 1494 it was granted staple rights, and in 1536 the harbour was extended. In the mid-16th century Emden's port was thought to have the most ships in Europe. Its population then was about 5,000, rising to 15,000 by the end of the 16th century. The Ems River flowed directly under the city walls, but its course was changed in the 17th century by the construction of a canal. Emden has canals within its city limits, a typical feature of Dutch towns, which also enabled the extension of the harbor. In 1744 Emden was annexed by Prussia and is now part of Germany. It was captured by French forces in 1757 during the Seven Years' War, but recaptured by Anglo-German forces in 1758. During the Napoleonic French era, Emden and the surrounding lands of East Frisia were part of the short-lived Kingdom of Holland.
References:Van der Krogt 4, 1230, State 2; Taschen, Braun and Hogenberg...
Category
16th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
An early 19th C. satirical etching of John Bull kneeling before William Pitt
Located in Alamo, CA
This is an early 19th century hand-colored satirical caricature etching entitled "John Bull and his favourite statue of bronze!!", published and possibly engraved in London in 1802 by William Holland (1757-1815). It depicts John Bull (symbolizing the English people) kneeling in profile before William Pitt, who was prime minister of England at the time, and for whom the American city of Pittsburgh was named. Pitt is standing, pretending to be a statue. A rectangular pedestal beneath Pitt is inscribed: "Erected by Voluntary Subscription!" Pitt's body seems elongated, reminding that this a caricature. He is standing, looking to the left, his aristocratic nose held high in apparent arrogance and his hands are deep in his pockets, with his hat under his right arm. John Bull, is dressed simply for the time. He is on in his knees in a gesture of supplication, as if in prayer or begging for some action from a deity. He is holding his hat in both hands, looking up at Pitt. Trees and bushes are seen in the background.
A caption showing John Bull's words in the upper left ironically reads: "O Wonderful Man! - how I revere thy sublime resemblance. - what obligations I am under to thee! what happy times thou hast brought about! Bread for nothing! Beef 3d per pound! Porter 3d per pot! a Goose 2 shillings! and a fat Turkey 3s.6d!! - whit every thing else cheap in proportion! - besides the wonderful decrease of Taxes!! - O Dear - O Dear I hardly know how to express myself, I feel so enraptured. - O that fine brass countenance how it shines with conscious Integrity!"
The engraving is presented in a gold-colored wood frame and a tan-colored mat, with curved upper corners. The frame measures 18" high, 13.13" wide and 0.5" deep. The framing and mounting utilizes acid-free archival materials and it is glazed with UV conservation clear glass. There are a few faint areas of discoloration and spotting and an apparent short barely visible crease in the lower right corner of the inscription area. The print is otherwise in very good condition.
William Holland was printmaker as well as a prominent dealer of satirical prints in London in late 18th and early 19th century. He carried works by the best known satirists of the time: Gillray, Rowlandson, Newton and Woodward, as well as his own creations. Holland along with the other prominent print-sellers of the time, Hannah Humphrey and Samuel Fores, were responsible for promoting the golden age of British caricature...
Category
Early 19th Century Bay Area - Prints and Multiples
Materials
Etching
Tomb of the Virgin Mary: An Early 19th C. Aquatint after a Luigi Mayer Drawing
By Luigi Mayer
Located in Alamo, CA
"Tomb of the Virgin Mary", Pl. 10 in Luigi Mayer's publication 'Views in Egypt, Palestine, and Other Parts of the Ottoman Empire', published by Robert Bowy...
Category
Early 19th Century Bay Area - Prints and Multiples
Materials
Engraving
La Negra (The Black Woman)
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "La Negra (The Black Woman)" from the suite "The Mujeres File" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 150/150 in pencil by the artist. The image size is 26.85 x 21.25 inches, sheet size is 29.5 x 22.15 inches, framed size is 42 x 35 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #109 page 107. Custom framed in a wooden silver frame, with silver spacer and fabric matting. It is in excellent condition.
About the artist:
A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business.
In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women.
In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States.
After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art).
Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York.
In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
Category
Mid-20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph
North and South America: An 18th Century Hand-colored Map by Johann Homann
By Johann Baptist Homann
Located in Alamo, CA
This early 18th century hand-colored copperplate map of North and South America entitled "Totius Americae Septentrionalis Et Meridionalis Novissima Repraesentatio" was created by Johann Baptist Homann and published in Nuremberg, Germany, between 1710 and 1731. The map details cities, forts, mountains, forests and lakes, as well as districts. There is a decorative cartouche in the lower left which depicts a volcano, scenes representing the people in their native costumes, as well as animals and plants of the Americas. A village is seen in the background on the left. A second smaller decorative cartouche in the upper right includes text and a series of allegorical figures. A large portion if the north central and western portions of North America is left without detail, because the region was largely unexplored at the time this map was created. The map also shows "Terra Esonis Incognita", representing a mythical continuous land bridge from North America to Asia, a northwest passage. The map preceded the French and...
Category
Early 18th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
Ball Figures I
By Jonathan Lasker
Located in San Francisco, CA
Artist: Jonathan Lasker– American (1948- )
Title: Ball Figures I
Date: 2003
Medium: Three Color lithograph on BFK Rives paper
Publisher: Tamarind Institute. Tamarind number: 03-304
...
Category
Early 2000s Abstract Bay Area - Prints and Multiples
Materials
Paper, Lithograph
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