Art

Three vertical links make up this piece that transmits firmness and solidity. The chain, always a symbol of unity, security and permanence, can also have a playful sense reflected in...

Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Pla...

large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations, an homage to the photo realistic ...

Aspen Study II by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

Acrylic, dye, pencil on canvas.

Reflections Abstract - Two Sided Abstract Expressionist Painting on Paper Brilliant abstract expressionist work by Jack Madson (American, b-1927). A Felton, Caliornia artist. Madson ...

This lithograph was printed at the Atelier Mourlot in Paris in 1959 and is a part of the "La Ville" portfolio. It is annotated "Epreuve de l'atelier Mourlot /...

Aspen Study I by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

Edition 15 More sizes on request For several days I went out with these baby elephants of the David Sheldrick Wildlife Trust to the bush in Tsavo East, Kenya. Together with their ke...

Vintage original Alexander Calder Three Legged Man Lithograph 1975: Lithograph in colors. 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. ...

Gouache painted on cardstock, intended for a greeting card design, painted circa 1970. Unsigned. Displayed in a red archival mat. Cellophane tape on board.

Jacqueline Marval was close friends with Kees van Dongen and her work is of the same school as, Matisse and Marie Laurencin. Les Odalisques is quite contemporary looking with it's main figure having joyful life and vitality to her. Some refer to her as a Fauve and some as a post-impressionist. Clearly, she is an overlooked female artist. This work is over...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

El Nene. Como Comiendo Mamon, 1993 Fom the Vendedores series Photocollage Image size: 10 in. H x 7.5 in. W Sheet size: 28 in. H x 20 in. W Unframed Unique The root of these unique p...

Hand Signed. Etching and aquatint. Artist's Proof. Edition of 90 prints. Image Dimensions : 48 x 62 cm

Original gouache, probably Belgian for matchbox covers. Mid-20th Century.

'Evening Dress' Limited Edition V&A Portfolio silver gelatin fibre print. Jean Shrimpton modelling a dress, John French (1907-66), England, 1961 © Victoria and Albert Museum, London...

Oil Painting of River Bank with Silver Birch Trees and Misty Hills & Mountains by British Artist Charles Wyatt Warren (1908-1993) Art measures 35...

Head of apostle or Christ in carved limestone. Elongated face with a large forehead and long hair with thick wavy locks on the sides. The almond-shaped eyes are underlined by the hem...

Gorgeous aquatint in reds and oranges by Piero Dorazio (Italian 1927-2005). This aquatint is on heavy "Umbria" Fabriano paper. It is signed and dated 1964 in the lower margin in penc...

This painting is bright and cheery and the jewel-tone colors are superb. "Jour d'Orage, La Garde (Var) (Stormy Day) 1921" Louis Pastour (France, 1876-1...

James Rosenquist F-111 announcement: Vintage original folding exhibition pamphlet published on the occasion of a 1960’s exhibition in Stockholm at the Museet Moderna: September 29th-October 18th 1965. Features a reproduction of Rosenquist’s famed “F-111”. Folding out to four portions, the reverse chronicles an extensive interview (in Swedish) between Rosenquist & the museum. Rare and highly collectible. Medium: Offset printed fold-out museum pamphlet. Condition: Quattro fold-lines as issued; good overall vintage condition. Dimensions: 5.5 x 11 inches (opening to 5.5 x 44 inches). Unsigned from an edition of unknown; rare. Rosenquist began the painting F-111 in 1964, in the middle of the Vietnam War. He positioned his main subject, the F-111 military plane, which was in development at the time, flying through fragmented images of consumer products and references to war. Through its expansive network of colliding visual motifs, F-111 addresses the connections between the Vietnam War, income taxes, consumerism, and advertising. James Rosenquist was an American Pop artist known for his monumental paintings and prints. Often appropriating commercial imagery, his montage-like works combined popular culture, surrealism, and historical painting methods. “Much of the aesthetic of my work comes from doing commercial art,” the artist once said. “I painted pieces of bread, Arrow shirts...

Stamped on top of deck: Made by Medicom Toy, Brandalism

Untitled is a colored lithograph on paper, realized in 1973 by the French artist, Henry Maurice, and published by La Nuova Foglio, a publishing house of Macerata. Hand-signed and numbered in pencil on lower margin. Edition of 100 prints. This contemporary artwork representing a surreal composition with flying monsters surrounded by a wall and fire like in a hell, a scene to decipher as a rebus game, is in excellent conditions. Maurice Henry...

Degas - Poster is an original poster print. The artwork was realized on the occasion of the artist's exhibition In Paris in 1960. Good conditions except for being aged and some fol...

THOMAS HART BENTON (1889-1975) INSTRUCTION 1940 (Fath 41) Lithograph, signed edition of 250 as published by Associated American Artists. 10 ¼” x 12 ¼”. Full margins, deckle edges....

"WHEN YOU FOCUS ON THE GOOD" Painting 47" x 59" inch by Masha Iv ABOUT: Masha Iv is a Russian artist, performer and fashion designer who works in various ...

In this lovely abstract painting, the sky often represented in Noreen Taylor’s work, is a collage of colours—pink, orange, mauve, blue, and white. Taylor...

Salvador Dali - Nude at the Window - Original Handsigned Lithograph Dimensions: 76.5 x 57 cm 1970 Signed in pencil and numbered Edition : /CXX References : Field 70-8 Salvador Dali Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...

Original screen print after a painting realized by J. Gris 1924, printed in 1986. Limited edition of 600 prints, hand numbered in pencil. Includes a contemporary wooden frame 45x32...

Oil on canvas. Signed lower right, signed, dated, and titled verso. 59 x 62.75 in. 60.75 x 64.5 in. (framed) Custom framed in a matte white hardwood floater, with gilded metallic front. Roger Mühl was born on December 20, 1929 in Strausbourg, France, where he attended the National School of Decorative Arts. He spent most of his life living and working in Provence, while regularly exhibiting in London, Paris, Geneva, Tokyo, and New York. Mühl is best known for his brightly colored, heavily textured landscape renderings of the south of France. His bucolic paintings...

Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Ya...

"Silent Reality Everywhere" Print 53" × 40" inch Ed. 1/10 by Kate Garner Signed and numbered by the artist. Not framed. Ships in a tube. Kate Garner is an English photographer, fine artist, and singer. Garner has photographed a wide range of musicians and celebrities, including Dr. Dre, Leigh Bowery, JT LeRoy, Angelina Jolie, Cate Blanchett, Anne Hathaway, David Bowie, Cameron Diaz, PJ Harvey, John Galliano, Björk, and Kate Moss. Her work has appeared in the American and British versions of Vogue and Harper’s Bazaar as well as W magazine, Interview, GQ, Vanity Fair, Elle, and The Sunday Times. Kate Garner was expelled from high school at the age of 16 and became a runaway who joined The Children Of God. To escape the grasp of the cult she hitchhiked from London through Eastern Europe to India in 1970, where she lived for a year as a traveler before being located by her parents. She attended art school at Blackpool in the North of England and later moved to London, where she began to both photograph and model for up-and-coming magazines such as The Face and i-D. Kate Garner first came widely into the public eye as one-third of the 1980s avant-garde, new wave pop project Haysi Fantayzee, along with other members Jeremy Healy and Paul Caplin. Emanating from street art scenes such as the Blitz Kids that were cropping up in London in the early 1980s, Haysi’s music combined reggae, country, and electro with political and sociological lyrics couched as nursery rhymes. Catapulted to stardom by their visual sensibilities, Haysi Fantayzee combined their extreme clothes sense – described as combining white Rasta, tribal chieftain, and Dickensian styles – with a quirky musical sound comparable to other new wave musical pop acts of the era, such as Bow Wow Wow...

Artist: Jack Graves III (American, 1988-) Title: "Diamond XLII" Series: Diamond *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2022 Medium: Original Acrylic Painting on Canvas Canvas size: 26" x 22" Condition: The stretched canvas was custom built by the artist himself. In mint condition Biography: Jack Graves III is an American artist, born in 1988 in Jacksonville, Florida. He grew up surrounded by inspiration having an art dealer as a father, John Graves...

America Martin "Women Watch Eclipse" Oil & Acrylic on Canvas 61.5" x 62" Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration fr...

Aerial Views, Adria 05 is a limited-edition photograph by German contemporary artist Bernhard Lang. Available dimensions and editions: H 60 x W 90 cm: edition of 10 H 80 x W 120 cm ...

Artist: Jack Graves III (American, 1988-) Title: "Female Face Icon VIII (Bambi)" Series: Icon *Signed by Graves lower left. It is also signed, dated, and ...

Artist: Jack Graves III (American, 1988-) Title: "Female Face Icon VII (Alexandra)" Series: Icon *Signed by Graves lower right. It is also signed, dated, ...

NUREMBERG CHRONICLE, 1493 THE GOLDEN CALF (THE CALF OF GOD) 1493 Woodcut. from "Liber Chronicarum." Printed by Anton Koberger text by Hartmann Sc...

This piece represents a human figure with a tail and a headdress in feather. In this sculpture the birdcatcher, a man who is catching birds with nets and traps, seems to transform into a bird himself. In recent years, animals have taken an increasingly important place in the artist's production: "All sorts of animals and hybrid forms inhabit my work, chimeras, somewhere between animal and human figures." (Mémoires de Braise, by Cécile Raynal...

This portrait is part of a series of sculptures designed by the artist during an eight-week art residency at a private hospital in Lyon (France). During several stays, the artist immersed herself into maternity life, crisscrossing the corridors with her sketchbook or modeling there and then in clay the portraits of the people who she came across, health professionals as well as patients. These sessions, marked with sensitive exchanges, created clay figures caught within the very particular circumstances of these encounters: the expectation of a happy event, always tinged with uncertainty for the future parents; passion and tension, constantly linked in the healthcare teams work.

Calgary’s Aron Hill continues his exploration of colour and form in this fun minimalist painting. Inspired by modernists like Jack Bush, in this piece Hill plays with organic shapes ...

AYAKAMAY, "Mad Supper," 2013: The work of the late New York based artist, AYAKAMAY (1985-2019), combines reality with fantastically constructed traditional Japanese cultural aesthetics to create a dialogue between contemporary American urban identity and femininity. Medium: Acrylic & Spray Paint on Canvas. Dimensions: 36 x 48 x 1 inches. Very good overall condition. Unique. Signed & titled on the verso in black marker. Provenance: Ideal Glass Studios New York. Ayakamay (1985-2019) Biography: Born in 1985 in Tennessee, Ayakamay’s family moved several times in the US due to her father’s job and also traveled back and forth to Japan where the family decided to settle down when she was ten. Having been raised in an American lifestyle, the shift to Japan was especially confusing and overwhelming. As she was being forcibly shoved into a cultural mold that did not fit, she sought solace in art. Eventually Ayakamay’s parents decided art was a negative distraction and took away her art supplies. This led to the darkest period in her life, but served as an impetus for her to find new ways of expression via photography. At nineteen, Ayakamay headed for New York City and prior to her tragic passing in 2019, exhibited & performed with great consistency in both New York & Tokyo while being featured in publications such as, I-D magazine, Hyperallergic, The New York Times & Artnet News. Related Categories: Pop Art, Tokyo Artists, Comic/Cartoon, Japan, Contemporary Pop, Japanese Manga...

"Womb" Painting 36" x 48" inch by Ty Joseph From 7 L's series 2017 * * * The meaning of L series * * * Although influenced by Pop Art, with its bold, eye...

2020, Unique Artwork Mix Media wax and plexyglass with protective Cap Plexiglas with LED 28 × 11 × 7 9/10 in - 71 × 28 × 20 cm The artwork is dated, numbered and signed on a metal la...

Wait (with Carole), by contemporary French artist Cécile Raynal. Smoke-fired stoneware sculpture, pigments, cypress plinth, 155 cm × 36 cm × 60 cm. Dimensions of the woman : 30 cm H...

The artwork come directly from the Artist studio The artwork is dated, signed and numbered by the Artist on verso of the Diasec.../7 The artwork come accompanied with an original Ce...

Standard Lillian (1877-1944) Exceptional, detail oriented art work. "Manner House", 10"H x 14"W, overall size is 14" x 18". Watercolor on paper, signed on lower left. She was a painter, best known as a painter of English country gardens. Worked in a style of George Samuel Elwood, Alfred Parson and Beatrice...

2009, unique artwork oil on canvas 42 1/2 × 63 3/4 in - 108 × 162 cm The artwork is signed by the Artist & stamped with the logo of the Artist's studio on verso of the canvas The art...

"Rigid" From 7 Deadly Sins series by Alina Karo Aluminum 36” x 24” Edition 1/5 Comes with COA "7 Deadly Sins" series Now inspired by the Vatican’s...

"The Obscenely Wealthy" From 7 Deadly Sins series by Alina Karo Aluminum 36” x 24” Edition 1/5 Comes with COA "7 Deadly Sins" series Now inspired ...

A fountain of colour in lemon yellow, mauve, lime green and turquoise draws the viewer’s eye to this intriguing work by Aron Hill. The Calgary artist is playing with space, form and ...

Signed lower right, 'W.Georgetti', and created circa 1950. Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young Museum...

Published by Rosenthal, Germany in 1990, this exquisite glazed porcelain plate is from an image created by Roy Lichtenstein. The brilliantly colored plate, accompanied by its origin...

Floral Composition is an Oil painting realized by Giuseppe Ingegno in 1990. Hand-signed and dated on the lower. with the label on the rear "Fondazione di Paolo" Good conditions. This beautiful colored oil paiting...

Published anonymously c. 1920, Vienna, in an edition of 100, after the original gouache, watercolor and pencil on paper, signed and dated in the plate by the artist in middle right: ...

Framing charges includes As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconven...

Roy Lichtenstein Kiss II, Reversible Beach Blanket/Towel, 2013 Cotton Terry LARGE: 59 × 70 × 3/10 inches (approx. 30 x 20 when folded) (note that the mea...