Art

Charles Pfahl, American (1946 - 2013) - Decomposition, Medium: Pencil drawing, signed in pencil lower right, Image Size: 8 x 8 inches, Frame Size: 19.75 x 21.25 inches

Fish Supper signed by Georges Bordonave (French contemporary) dated 1978 oil painting on board, unframed board: 17 x 20 inches condition: very good provenance: from a large private c...

Laura M. GREENWOOD (1897-1951). Portrait of Woman in Winter Coat Oil on canvas, 18 x 24.5 inches. Signed lower left. Excellent condition. Would beneifit from a cleaning. Origina...

'Il Pellicano Beach' A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. 40 x 30" inches / 101 x 76 cm paper size Estate...

Medium: Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Year: 1951 Paper Size: 12.5 x 9.5 inches; image size: 10.24 x 7.48 inches Inscription: Signed in th...

Pablo PICASSO Cubist Still Life with a Glass, 1944 Original engraving (printed on letterpress) Printed signature in the plate On heavy paper 32 x 24 cm (c. 12 x 10 in) REFERENCES...

OK Corral - part 2 - (Stranger than Paradise), - 1999, 20x20 cm, Edition 5/10, digital C-Print based on the Polaroid, Artist Inventory 318_2.18, Not mounted. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) Exhibitions Selected (selected) 2018 Participation Bombay Beach Biennale, Bombay Beach, USA (G) March Available to All, Rough Play Projects - Site Specific, Joshou Tree, USA (G) curated by Deborah Martin with Adam Berg, Doron Gazit, Kellan Barnebey, Chris Sanchez, Aili Schmelzt 2017 BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
 Rosegallery, Bergamot Station, Santa Monica (G) Magie des Moments, Kunstverein Bad Homburg Artlantis, Bad Homburg (G) 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky The Ballery in Heat, The Ballery, Berlin (G) 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog) 
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
 Heather's Dream, Short, German Competition Short Film Festival Oberhausen 
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
 The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth...

Title: Mid Century French Male Study Artist: Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper Size: 25 (height) x 19 (width) Stamped: Verso Condition: ...

Oil on canvas by Yves Dieÿ (1892-1984), France – The Nude. A striking oil on canvas by the renowned French artist Yves Dieÿ (1892-1984), depicting a sensual and elegant nude. This wo...

Salvador DALI (1904-1989) Don Quixote and Sancho Panza, 1968 Original etching and aquatint (Rigal workshop) Second state, with the aquatint overlay Signed in pencil Numbered / 200 c...

Screenprint Edition of 100 53 x 61 cm (20.9 x 24 in) Framed 71 x 78.5 x 5 cm, 28 x 31 x 2 in Signed, numbered, dated and titled on the front Excellent condition. Minor imperfections ...

REFLECTIONS AT THE GROVE Size: 59.5 x 69.5 cm (including frame) Oil on canvas A very pleasant modernist abstract landscape oil composition dated 1974, and painted by the established...

The Hay Barge, Paris Pont Saint-Marie French Impressionist artist, c. 1918 signed with monogram verso, dated 1918 oil on board, unframed board : 8.25 x 10.25 inches Provenance: priva...

Artist: Salvador Dali Title: "THE VOICE OF MY BELOVED! BEHOLD!" from the Portfolio Song of Songs of Solomon Year: 1972 Medium: Color Etching with Gold Dust on Arches Paper, signed in...

Anita Johnson Untitled (Red Theater), c. late 1960s Oil on canvas Framed dimensions: 21 in. H × 41 in. W Contemporary black floater frame With its cinematic horizontality and comman...

This oil painting is original and signed by the artist. I have owned this piece since the early 1970's. The oil depicts a village and is vibrant in color.

Original 1982 Pink Floyd, The Wall vintage movie poster. Archival linen backed International edition in the size of 27” x 41” ready to frame. Excellent condition. No restoration...

Oil on canvas by Robert Louis Raymond DUFLOS (1898-1929), France, 1920s. Naked woman lying in front of her mirror. With frame: 95x61.5 cm - 37.4x24.2 inches - without frame: 73x40cm ...

Medium: Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Year: 1951 Paper Size: 12.5 x 9.5 inches; image size: 11.02 x 8.66 inches Inscription: Signed in th...

Pablo PICASSO (1881-1973) Comédie Humaine, The King's Muse, 1954 Lithograph (Mourlot workshop) Unsigned On paper 26 .5 x 35.5 cm (c. 10,2 x 13.7 in) INFORMATION : Created for port...

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format...

Julie London - Portrait of Singer Julie London at Beverly Hills Hotel Hollywood by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Artist: Pablo Picasso Title: La Pique (I), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of three transfer lithographs Date: 1961 Edition...

The Old Town, Nice France Tony Minartz (French 1873 - 1994) watercolor on artist paper, unframed painting : 17 x 12.75 inches Provenance: private collection in the South of France Co...

Sailing Ships at Sea English School, late 20th century oil on board, unframed board : 12 x 16 inches provenance: private collection, UK condition: very good and sound condition

Joseph Fiore (1928-2005) Untitled, ca. 1955. Oil on canvas, 18 x 24 inches. Measuring 24 x 30 inches in custom modernist frame. Signed lower left. Excellent condition. Joseph Albe...

Title: Rambla de Barcelona Artist: Jordi Curós Ventura (1930-2017) Technique: Oil on canvas Dimensions: 28.7 x 23.6 in (73 x 60 cm) Support: Canvas Framing: Unframed Style: Expressiv...

Otto Eglau (1917 Berlin - 1988 Kampen), Wadden spirits, 1982. Aquatint etching, 14.5 cm x 18 cm (plate size), 32 cm x 33.8 cm (frame), signed “Eglau” and dated “[19]82” in pencil low...

Rafael Duran Benet (1931-2015) - River port - Oil on canvas on board Oil measurements 22x27 cm. Frame 24x29. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan paint...

Salvador DALI (1904-1969) Casanova : Sommelier Love with Cucumber, 1967 Original etching Signed in the plate On vellum Rives 38 x 28 cm (c. 14.9 x 11 inch) REFERENCES : - Catalog r...

Medium: original lithograph. This original Henry Moore lithograph was printed in 1972 for XXe Siecle and published in Paris by San Lazzaro. Size 12 1/4 x 9 3/8 inches (310 x 238 mm)....

Mediterranean Landscape by G. Grillon-Leduc, French mid 20th century signed oil on on board, framed framed: 29 x 24.5 inches board : 26 x 21 inches Provenance: private collection, F...

Medium: Collotype, héliogravure, recto and verso, on grand vélin Renage filigrané paper, as issued Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.05 x 6.3 inches Inscription:...

Salvador Dali (1904-1989) Hell 12 - The Minotaure Woodcut Printed signature in the plate 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10") REFERENCES : Fie...

Daisies Still Life by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 29 x 36 inches condition: overall very good, minor surface scuf...

A French Impressionist Fauvist Colour-Field watercolour and pastel on paper landscape by G Ricard. The painting is signed and dated bottom right. Presented in a fine period wood fram...

Title: French Impressionist Oil Painting of Two Women at the Beach By Fanch Lel (French b. 1930) Size: 8.75 x 10.75 inches (height x width) Oil painting on board, unframed Condition:...

This striking and dynamic painting, attributed to the 20th-century Spanish School, captures the raw intensity and drama of a traditional Spanish bullfighting scene, focusing on the r...

'Jackie K' Premium Rates Apply. Jacqueline Kennedy (Jackie Onassis) (1929 - 1994) wife of Senator Jack Kennedy at an 'April in Paris' ball. Paper Size 24x20 inches / 60 x 50 cm ...

Title: French Coastal Oil Painting of Moored Boats and Walled Seaside Town in Pastels By Fanch Lel Size: 13 x 16.25 inches (height x width) Oil painting on board, unframed Condition:...

Portrait of a Fashionable Lady French School, early 20th century oil on canvas framed: 28 x 24 inches canvas: 22 x 19.5 inches Provenance: private collection, Paris Condition: very g...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 18.75 x 12.625 inches Inscription: Signed in the plate and unnumbered, as issued Catalogue raisonné reference: Or...

Framed in an ornate wood frame with a front profile of 1 1/2 inches and a side profile of 1 inch, this piece is elegantly seated behind a 4-inch mat. This is Edition #669/900, publis...

Title: Mid-20th Century Post-Impressionist Pastel of Beachgoers with Sailboat by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 12.5 inches (heig...

Large antique oil painting of a naked woman/reclining nude by French artist Léon Laurent Galand. This gem of an oil painting on stretched canvas is simply stunning. It sits within ...

Bathers at Asnieres by Peter Darnell, signed and dated 1991 to the reverse after the earlier original painting by Seurat (bears that signature to the lower front corner) oil on canva...

'Head of a Gaul' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the imag...

The name “Hetzel” has long been associated with Pennsylvania history. George Hetzel (1826-1899) was a French-born American painter who settled near Pitts...

"Of Ships and Men" - Nautical Trompe l'Oeil Composition in Oil on Board Maritime still life by Russell Tripp (American, 1942-2025). This hyper-realistic painting captures a collecti...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

A Vivid, Expansive Watercolor of Mexico, "Summer Landscape with Country Villa" by Noted Chicago Modern Artist, Rudolph T. Pen. Most likely depicts a picturesque country estate near ...

This late 1970s landscape photograph, captured by society photographer Slim Aarons, features spectators dining in the open air as the horses go by at Baden Baden racecourse, Germany....

Title: Mid Century French Elegant Ink Drawing of Women in Various Poses Artist: Josine Vignon (French 1922-2022) Medium: Ink on paper Size: 8.25 (height) x 5.25 (width) Stamped: ...

Signed oil on canvas still life painting circa 1909 by French impressionist painter Maxime Maufra. The piece depicts pink roses and fuchsias in a garden. Signature: Signed lower l...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: New Mexico Museum of Art, Phoenix Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

Artist: PABLO PICASSO (AFTER ) Title: 'La Ronde de la Jeunesse (The Youth Circle)' Year: 1961 Published by: Combat Pour La Paix, Paris Medium: Lithograph on wove paper Printed by Mourlot Edition: 200 plus EA Size: 26 x 20 inches Signed and numbered in pencil by the master CERTIFICATE OF AUTHENTICITY INCLUDED ARTWORK IS IN EXCELLENT CONDITION Through the use of crisp vibrant colors and the fluid use of line, Picasso creates a sense of optimistic energy that is focused around the dove of peace in Pablo Picasso La Ronde de la Jeunesse...

Up for sale is a large original oil painting on canvas depicting a sailing ship breaking through the waves leaving a white trace behind, signed by Listed Artist Hewett R. JACKSON ...

I try not to buy too many views of Paris, as I am aware that not all of you are as attached to the the city as I am. However, this bright, dynamic and fun view of the Seine and its b...

Henri Matisse and Aimé Maeght had a close and influential relationship. Aimé Maeght, a prominent art dealer and publisher, was instrumental in supporting and promoting Matisse’s work...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...