Art

Original acrylic painting on canvas, circa 1982. Size: 16 x 20 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: From a series of landscape paintings by Ian Ho...

Anthony Mastromatteo re-introduced himself to the Grenning Gallery with his 2023 exhibition "Hello, My Name Is: Anthony Mastromatteo." The works included in the show were incredibly ...

This highly technical and evocative work by Pablo Santibanez Servat is another in a series of sensual works featuring a female subject. His use of light creates a "glossy" almost wet...

David Bowie Aladdin Sane contact sheet print from Brian Duffy, taken during the phot shoot for the Aladdin Sane album cover. The print features the Aladdin Sane album cover in color ...

An underwater black and white photograph of a female dancer in the pool. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with ...

Gregory Block's (US based) "Trypophilia No.2" is an original, handmade oil painting that depicts an open box of pastries filled with multi-colored donuts. Gregory was born in Kansa...

A technical masterpiece, Santibanez exhibits his prowess in creating amphoras of different sizes hanging in space in front of a striped background. The pottery, examples of indigenou...

Oil on canvas, signed in the bottom right corner His father was a lace designer and set him up to work in adecoration workshop. Later, he became heavily influenced by impressionist ...

A beautiful and deceptively simple example of Sloan's work. The King Tide is a seascape, speaking on climate change - specifically sea level rise. Adding to the surrealistic nature ...

"Paysanne dans un bois", oil painting on wooden panel, signed in the bottom left corner, 48.9x32.4cm. Origin: -Christie's New York, sale on May 29th 1981, lot no. 24 -Rindoko Museum, in Tochigi, Japan -Private collection in 2020, after sale Museum collection As a young man, Richet followed painting classes from Détrez, an old student of Léon Cogniet's. In Paris, he built a friendship with Teinturier (painter from Valencia) and became a student of Jules Lefebvre's but most importantly the disciple of Narcisse Diaz de La Pena, with whom he collaborated ( some canvas bare both their signatures). They both share a remarkable audacity in their enameled way of treating reflections of light on water as well as the the effects of the sun on the clouds. At the Salon de Paris...

Signed limited edition 20x24"" print of Willie Nelson taken in 1978 by Lynn Goldsmith. Limited edition number 5/20 Modern C-type print. Available for immediate shipping. Lynn Gold...

Serge Marshennilov's "Small Shadow," is an original, handmade hyper realistic oil painting that depicts a female figure in profile wearing an elaborate blue bonnet in beautiful light...

Anthony Mastromatteo re-introduced himself to the Grenning Gallery with his 2023 exhibition "Hello, My Name Is: Anthony Mastromatteo." The works included in the show were incredibly ...

Signed limited edition 16x20"" print of June Carter and Johnny Cash taken during a performance in 1980 by Lynn Goldsmith. Limited edition number 2/20 Modern C-type print. Available...

Photograph of Mary Pickford - Melbourne Spurr Photography Photograph depicting Mary Pickford by Hollywood photographer Melbourne Spurr (Canadian-American, 1892-1979). Mary Pickford is depicted wearing a white sleeveless dress, sitting in a lounge chair, facing forward, the side of her face is the focal point. Pickford's blonde hair is shown in tight finger curls, her hands on her lap, with a single pearl...

Anthony Mastromatteo re-introduced himself to the Grenning Gallery with his 2023 exhibition "Hello, My Name Is: Anthony Mastromatteo." The works included in the show were incredibly intricate trompe l'oeil oil paintings ranging in size from 7 x 5 inches to 48 x 36 inches. In supplement to the exhibition, Mastromatteo painted 10 pictographs on the recognizable "Hello My Name Is" nametags and put them in plastic sleeves one would clip on their person for any kind of large function. There is always a bit of tongue and...

Gregory Block's (US based) "Stack One (Parlor)" is an original, handmade oil painting that depicts a tall stack of five glazed donuts, with toppings, piled on top of each other. A...

Hungary, 1936 – 2015 Gyula Bubarnik was born in 1936 in a village near Budapest where he spent his childhood in the countryside. Surrounded by pure nat...

Anthony Mastromatteo re-introduced himself to the Grenning Gallery with his 2023 exhibition "Hello, My Name Is: Anthony Mastromatteo." The works included in the show were incredibly ...

Anthony Mastromatteo re-introduced himself to the Grenning Gallery with his 2023 exhibition "Hello, My Name Is: Anthony Mastromatteo." The works included in the show were incredibly intricate trompe l'oeil oil paintings ranging in size from 7 x 5 inches to 48 x 36 inches. In supplement to the exhibition, Mastromatteo painted 10 pictographs on "Hello My Name Is" nametags and put them in plastic sleeves one would clip on their person for any kind of large function. There is always a bit of tongue and cheek...

This 24 x 17 inch oil on canvas painting by British artist Michael Hlousek-Nagle, is titled ''The Hidden Language.' . The work depicts a portrait of a young female and a butterfly. I...

Hungary, 1936 – 2015 Gyula Bubarnik was born in 1936 in a village near Budapest where he spent his childhood in the countryside. Surrounded by pure nat...

"Bords de l'Yonne" also referred to as "Le Canal" Oil on canvas, signed in the bottom left corner, 33x41cm, circa 1867 Origin: -Sotheby's sale July 05-06 1961, lot no. 131 -Walter ...

Ramon Pujol Grabulosa (1947) - Landscape with river - Oil on canvas Oil measures 60x73 cm. Frameless.

Gouache on paper, signed in the bottom left corner His father was a lace designer and set him up to work in adecoration workshop. Later, he became heavily influenced by impressionis...

Gregory Block's (US based) "Blue Sprinkle" is an original, handmade oil painting that depicts a donut covered with blue glaze and rainbow sprinkles. Gregory was born in Kansas City...

A French Barbizon School oil on canvas forest view by Emile Roux-Fabre. The painting is signed and dated bottom left with a dedication. A charming view of forest glade leading out to a valley landscape beyond. The artist has captured the magic feeling of the cool forest shade against the sunshine of the landscape beyond. The texture of the bark on the silver birch trees, the contrast of the leaves on the trees all framing the perspective to the view beyond. An extremely accomplished and atmospheric painting. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...

Audrey Flack A Course in Miracles, 1984 Kodachrome 35mm Color Dye Transfer Print Dry mounted to 4 ply 100% cotton fiber board\ Hand signed and titled by Audrey Flack on the front 20 ...

Study of the sleeping woman from “La meridienne”, Black pencil drawing on paper (sketchbook), stamped from the widow's sale in 1894 (Lugt L.3728) lower left, Paper 9.2x13.2 cm, drawi...

Walking in the Woods French School, late 19th century signed Maurice Bernard signed oil on canvas, framed framed: 24 x 28 inches canvas: 21 x 26 inches provenance: private collection...

David Bowie Aladdin Sane "Eyes Open" print from Brian Duffy, taken during the phot shoot for the Aladdin Sane album cover. This "Eyes Open" shot was introduced for the first time to promote the hugely successful David Bowie Is...

Oleg Turchin's "Ferrari Enzo" is an oil on canvas that measures 36" x 54". Get ready to immerse yourself in the world of Italian car culture with Oleg T...

Original acrylic painting on double layered Masonite, 1985. Size: 16 x 19 inches. Inscription: Signed, recto; signed, dated, and titled, verso. Provenance: Armstrong Gallery (57th St...

Artist: Ian Hornak (1944-2002) Title: Raphael’s Stairway Year: 1978 Medium: Acrylic on Canvas Size: 48 x 36 inches Condition: Excellent Inscription: Signed recto; signed, dated, and ...

Original acrylic painting on Masonite with artist’s painted wood frame, 1985. Size: 37 x 31 inches. Inscription: Signed, recto; titled, and double signed and dated, verso. Provenance...

Original acrylic painting on Masonite with artist’s painted wood frame, 1985. Size: 31 x 37 inches. Inscription: Signed, recto; titled, and double signed and dated, verso. Provenance...

Charles Francois Daubigny's etching from around 1865 is an example of the Barbizon painters' preoccupations. Entitled "Les Vendages," the work depicts peasants bringing in the harves...

Original oil painting on panel, circa 1998. Size: 15.5 x 11.5 inches. Inscription: Signed, recto; titled in artist’s handwriting on label, verso. Provenance: Estate of Ian Hornak, Ea...

Khawam’s first genre of paintings started in 1980 during the heights of the Superrealism movement in New York City where Khawam was the youngest among the group and in his first year...

Black pencil drawing, stamped from the widow’s sale in 1894 (Lugt L. 3728), dimensions 7x10.2cm. It is most likely the first thought for this subject, circa 1846. On the reverse si...

Hungary, 1936 – 2015 Gyula Bubarnik was born in 1936 in a village near Budapest where he spent his childhood in the countryside. Surrounded by pure nat...

Fine art print of Debbie Harry of Blondie by acclaimed photographer. Lynn Goldsmith, taken in New York City in 1977. Signed limited edition 20x24" print, edition #8/20 Lynn Golds...

Original acrylic painting on canvas, 1976. Size: 20 x 26 inches. Inscription: Signed, titled, and dated, recto. Provenance: Estate of Ian Hornak, East Hampton, New York. IAN HORNAK ...

Antique American modernist signed still life oil painting. Oil on board. Signed. Framed.

Gregory Block's (US based) "Love Triangle No. 1" is an original, handmade oil painting that depicts an open box of donuts with rainbow sprinkles. Gregory was born in Kansas City, M...

Black pencil drawing, stamp from the widow’s sale in 1894 (Lugt L. 3728), dimensions 10.5x14.2cm. This is a detail study of the hand of the peasant holding a lunge rein, represented...

Tolulope Adigbo's artwork, "Wandering Wheels (Ajala 2)," is a mesmerizing portrayal of a young woman seated in a car, her arm casually resting on the seat handle and wearing a pair o...

Hungary, 1936 – 2015 Gyula Bubarnik was born in 1936 in a village near Budapest where he spent his childhood in the countryside. Surrounded by pure nat...

Reflection Pearls II is an oil painting on prepared paper, sheet size 29.75 x 41.25 inches, signed, titled and dated verso, 'Ben Weiner Reflection Pearls II 2019' and framed in a contemporary white frame. Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs. "My paintings of pearls and hair gel merge varied notions of art as creation with biological and mythological concepts of creation. Visually, the pearls seem to emerge from the hair gel, suggesting biological processes such as cellular division, or the primordial soup that preceded life on earth. The all-over, abstract qualities of the hair gel recall the abstract expressionists’ concepts of the sublime art object and art as a transcendent act of creation. Additionally, the pearl itself is a naturally produced object of profound beauty. I use it to symbolize my understanding of creation as a feminine power, intrinsically linked to beauty (as in Boticelli’s The Birth of Venus). Finally, the pearls are an ode to Audrey Flack, one of my early artistic influences." - Ben Weiner Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...

Jimi Hendrix, London 1967 by Gered Mankowitz A portrait of Jimi looking serious while in an embroidered jacket. "Shot during my first session with Jimi at my Studio in early 1967." ...

Mirror Pearls is an oil painting on prepared paper, sheet size 12.25 x 16.25 inches, signed, titled and dated verso, 'Ben Weiner Mirror Pearls 2019' and framed in a contemporary white frame. Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs. "My paintings of pearls and hair gel merge varied notions of art as creation with biological and mythological concepts of creation. Visually, the pearls seem to emerge from the hair gel, suggesting biological processes such as cellular division, or the primordial soup that preceded life on earth. The all-over, abstract qualities of the hair gel recall the abstract expressionists’ concepts of the sublime art object and art as a transcendent act of creation. Additionally, the pearl itself is a naturally produced object of profound beauty. I use it to symbolize my understanding of creation as a feminine power, intrinsically linked to beauty (as in Boticelli’s The Birth of Venus). Finally, the pearls are an ode to Audrey Flack, one of my early artistic influences." - Ben Weiner Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...

Hungary, 1936 – 2015 Gyula Bubarnik was born in 1936 in a village near Budapest where he spent his childhood in the countryside. Surrounded by pure nat...

Hungary, 1936 – 2015 Gyula Bubarnik was born in 1936 in a village near Budapest where he spent his childhood in the countryside. Surrounded by pure nat...

Hungary, 1936 – 2015 Gyula Bubarnik was born in 1936 in a village near Budapest where he spent his childhood in the countryside. Surrounded by pure nat...

Oceanic Pearls is an oil painting on prepared paper, sheet size 15.75 x 22 inches, signed, titled and dated verso, 'Ben Weiner Oceanic Pearls 2019' and framed in a contemporary white frame. Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs. "My paintings of pearls and hair gel merge varied notions of art as creation with biological and mythological concepts of creation. Visually, the pearls seem to emerge from the hair gel, suggesting biological processes such as cellular division, or the primordial soup that preceded life on earth. The all-over, abstract qualities of the hair gel recall the abstract expressionists’ concepts of the sublime art object and art as a transcendent act of creation. Additionally, the pearl itself is a naturally produced object of profound beauty. I use it to symbolize my understanding of creation as a feminine power, intrinsically linked to beauty (as in Boticelli’s The Birth of Venus). Finally, the pearls are an ode to Audrey Flack, one of my early artistic influences." - Ben Weiner Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...

Hungary, 1936 – 2015 Gyula Bubarnik was born in 1936 in a village near Budapest where he spent his childhood in the countryside. Surrounded by pure nature, his interest in the beaut...

Kevin A. Moore's "The Soul That Sees Beauty," is an original, handmade hyper realistic oil painting that depicts a female figure in profile wearing a red dress and holding a skull. T...

Hungary, 1936 – 2015 Gyula Bubarnik was born in 1936 in a village near Budapest where he spent his childhood in the countryside. Surrounded by pure nat...