Art

Anthony Palliser was born in 1949 of an English father and a Belgian mother. He studied at Downside school and graduated from New College Oxford. In 1...

Slim Aarons - Eagle Club - Estate Stamped Edition Limited to 150 only Holidaymakers dining at the Eagle Club, Gstaad, Switzerland, March 1969 (Photo by Slim Aarons). This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'attractive people in attractive places, doing attractive things'. A beautiful and classic Slim Aarons C-type photograph (unframed). Limited edition to 150 only numbered and stamped by The Slim Aarons Estate on verso. Supplied with certificate of authenticity. Gorgeous print measuring 40 x 30" inches / ca 101.6 x 76.2 cm’s paper size. Stamped by the Estate on right and numbered in ink on left - limited edition to 150 only. Produced utilising the original transparency held at archive source. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. We ship regularly using Fedex Express services and shipping to all international locations. Keywords fashion 60s 1960s late 60s ski fashion women's ski clothes vintage ski wear...

Slim Aarons - On The Slopes Of Sugarbush - Estate Stamped Edition Limited to 150 only Three skiers inspecting their skis on the slopes of the Sugarbush Mountain ski resort in Warren, Vermont, USA, circa 1960. The Sugarbush resort is one of the largest ski resorts in New England (Photo by Slim Aarons). This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'attractive people in attractive places, doing attractive things'. A beautiful and classic Slim Aarons C-Type photograph (unframed). Limited edition to 150 only numbered and stamped by The Slim Aarons Estate on verso. Supplied with certificate of authenticity. Gorgeous print measuring 20 x 30" inches / ca 50.8 x 76.2 cm’s paper size. Stamped by the Estate on right and numbered in ink on left - limited edition to 150 only. Produced utilising the original transparency held at archive source. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. We ship regularly using Fedex Express services and shipping to all international locations. Keywords skiing in the 60s 1960 skiing in USA winter in Vermont sunny day in the slopes dark blue light blue white snow skiing clothes blue and white woo;;en hats blue trousers white jumpers...

Slim Aarons - Cortina d'Ampezzo - Estate Stamped Edition Limited to 150 only Skiers at Cortina D’Ampezzo in Italy, 1962 (Photo by Slim Aarons). This photograph epitomises the tr...

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. Wi...

'Porto Ercole' by Slim Aarons The waterfront at Porto Ercole, Italy, August 1967. A group of young and stylish girls dressed in capri pants and colourful shirts sit atop vespas an...

Hand-signed and dated "H Burkhardt '63" lower right. Provenance: The artist to his daughter Elsa. By descent to her son. Chronology of the artist: 1904 Hans Burkhardt was born in ...

Lisa Matrundola was born the youngest of five children in Montreal, Quebec. Her parents immigrated to Canada from Italy and England in the mid 1950’s. Self-sufficiency, hard work and...

1950, Fashion photographer John Rawlings (1912 - 1970) on the beach at Montego Bay, Jamaica. (Photo by Slim Aarons / The Getty Images Archive & Darkroom, London, England) This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'beautiful people in beautiful places, doing beautiful things'. A beautiful and classic Slim Aarons C-type photograph, limited edition to 150 only, numbered and stamped by The Slim Aarons Estate on verso. Supplied with certificate of authenticity. Gorgeous print measuring a Huge 30 x 30" inches / ca 76 x 76 cm's. Produced utilising the original transparency held at archive source. GALERIE PRINTS works in close partnership with the prestigious Getty Images Archive and Slim Aarons Estate, London England - to bring you officially certified prints from this beautiful collection. Our prints are produced as Original Colour C-type or Black & White Silver Gelatin Photographs – utilising the original transparencies and negatives housed at the Archive. We ship regularly using Fedex Express services and shipping to all international locations is complimentary. Beach vintage Car 1950...

'Speedboat Landing' (Slim Aarons Estate Edition) A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Ital...

V&A - John French - Soft Helmets - Limited Edition Pattie Boyd and Celia Hammond modelling feathered capsule hats, John French (1907-66), London, 1960s © Victoria and Albert Museum,...

'Lake Tahoe Couple' Slim Aarons Estate Edition A couple relax at a swimming pool in the summer sunshine near Lake Tahoe, California, 1959. The line on the bottom of the pool marks t...

'C. Z. Guest' by Slim Aarons American socialite Mrs. Winston F. C. Guest (aka C. Z. Guest, 1920 - 2003) with a Great Dane at her ocean-front estate, Villa Artemis, in Palm Beach, Fl...

Weltevreden, Kebon Sirih, & Vlucht voor de bui (Fleeing the rain) Executed between February 20 and March 2, 1918 Double sided drawing in graphite pencil on paper Images: c. 33 x 5...

'Lounging In Verbier' by Slim Aarons Holidaymakers in sun loungers on the slopes at Verbier, Switzerland, February 1964. This photograph epitomises the Travel, Lifestyle and Glamou...

'Swimming Pool On The Beach' (Limited Slim Aarons Estate Edition) 'Skiing At Courchevel' (Limited Slim Aarons Estate Edition) edition size 150 only Typically 'Slim' this photog...

'Carlton Hotel' by Slim Aarons The entrance to the Carlton Hotel, Cannes, France, 1958. A couple dressed elegantly in all white tennis outfits with rackets in hand, wander past the...

Poolside Poodle by Slim Aarons Set to become another true Slim Aarons Classic - it's better known cousins 'Poolside Gossip' and 'Desert House Party...

Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals. Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp. Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133). Two Wood Ducks...

'Hotel Du Cap Eden-Roc' by Slim Aarons Guests relax by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. A simply gorgeous scene. Fashionable and stylish guests ...

'Evening Elegance' V&A Portfolio Limited Edition print A model wearing a fur stole, John French (1907-66), London, 1955 © Victoria and Albert Museum, London Fashion Photograp...

Louisa Lizbeth Chase was born in 1951 to Benjamin and Wilda Stengel Chase in Panama City, Panama, where her father, a West Point graduate, was stationed. The family moved to Pennsylv...

'Jean Shrimpton In Evening Dress' Limited Edition V&A Portfolio silver gelatin fibre print. Jean Shrimpton modelling a dress, John French (1907-66), England, 1961 © Victoria and Alb...

American, 1897-1986 Reuben Nakian, born August 10, 1897 in College Point, New York enjoyed a long and distinguished career, maintaining his innovative spirit and creativity over mor...

'Scottsdale Home' by Slim Aarons Guests by the pool at the home of Wayne Beal in Scottsdale, Arizona, January 1973. You cannot almost feel the heat! Guests relax around the beautif...

The United Nations Building is positioned next to the Chrysler Building. Two iconic New York City architectural masterpieces are juxtaposed from the precise lens of veteran New York ...

Lithograph

'Tennis In The Bahamas' by Slim Aarons It really doesn't get much more fabulous than this. A realtively new discovery in the Archive -two fashionably dressed women in tennis outfit...

The rich blue color bursts from the page in Georges Braque Untitled (Fleur Tombe), 1962, overtaking the black lettering and white background. Drawn onto the title page of the book “Braque Le goût de notre temps” by Albert Skira this hand applied watercolor is striking. In several strong stokes, a flower is presented with its blue petals seeming to float down the page until almost reaching the bottom.  The delicate blue touches the page which in turn lights up with brilliant flowers. The petals are slightly smudged, and you can see the brushstrokes that Braque applied to the page. PArt of what makes this unique watercolor so wonderful is that the viewer can so clearly see and feel the hand of the artist. Caught in between the flower and falling petals is the black hand...

'Pool On Amalfi Coast' by Slim Aarons A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984. Gorgeous blues in this image with the ocean and swimming ...

'Catherine Wilke' by Slim Aarons Catherine Wilke joins the topless sunbathers on the island of Capri, 1980. A typical 'Slim' photograph chronicling the young and glamorous relaxing...

From Mehbaran : Notes' is an elegant wool embossed shag rug. It is a part of the Design Rhymes Collection which pulls inspiration from different aspects of architecture. Don't let th...

'Tania Mallet In Mme Paulette Hat' V&A Portfolio Limited Edition print A model wearing a Nina Ricci dress, John French (1907-66), London, 1963 © Victor...

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec (2002 - present) China (2011-...

Jim’s of Lambertville is proud to offer this artwork by: Bror Julius Olsson “B.J.O.” Nordfeldt (1878 – 1955) Bror Julius Olsson was born in Tullstrop, Sweden in 1878. He immigrated to the United States in 1891, later adopting his mother’s maiden name of Nordfeldt. Beginning his art studies at the Art Institute of Chicago where he was chosen to assist fellow artist, Albert Herter, with a large mural project for the McCormick Harvester Company. In 1900, he was sent to Paris by McCormick to help set up the completed mural at the Paris Exposition. While there, he studied briefly at the Academie Julian before traveling to England to study woodblock printmaking under F. Morley Fletcher. Returning to Chicago in 1903, Nordfeldt would spend the next ten years painting mainly figurative works in an academic style similar to that of the Old Masters. By the mid-teens he had developed a bold dramatic modernist style and divided his time between New York and Provincetown, Massachusetts. There, he invented the “Provincetown Print...

Jennifer J L Jones was born in Virginia U.S.A. in 1971 and received her Bachelor of Fine Arts from the School of the Art Institute of Chicago, Illin...

Study for Sculpture of Nude Woman Balancing Baby, 1949, by Chaim Gross (1902-1991) Ink on paper 10 ½ x 7 ½ inches unframed (26.67 x 19.05 cm) 1...

Graduated from the Prilidiano Pueyrredón National School of Fine Arts. He also studied set design, was a student of Osvaldo Attila and Armando Sapia, among other artists. He held so...

Louisa Lizbeth Chase was born in 1951 to Benjamin and Wilda Stengel Chase in Panama City, Panama, where her father, a West Point graduate, was stationed. The family moved to Pennsylv...

Artist

Shipping should be around $100. New building rises as old building falls and a new Miami is created. Shot on Brickell Avenue. Signed, dated and numbered 3/15 lower left recto , unf...

Louis Durot was born in Paris on April 22, 1939. He was something of an enfant terrible, and managed to be expelled from various schools for bad conduct. His ambition, as stated to his parents, was to earn money without having to work, and for a time, he was an “escort-boy” for a Parisian Grande Dame. He did, however, manage to get a good education in spite of himself, and received his Baccalaureate degree from Lycee Louis Pasteur in 1956. In 1960, he enrolled in the Facultie de Sciences, where he studied mathematics. He terminated his math studies in 1963, and turned his attention to engineering, working for Equipel, where he was responsible for calculating and measuring resistance for prototype nuclear generators. Equipel became a research facility, and offered Durot the opportunity to study organic chemistry. Durot directed numerous research projects for Equipel between 1966 and 1972. During this time, in fact, starting in 1964, he made many friends in the art world, gathering together artists from a variety of disciplines to form an artists commune — the Freelane Studio. Among the members were jazz journalist Gilles Brinnon, and a young painter, Jean Ihallero — a friend of the painter Maxime Defert. Through them, he met the artist Francois Arnal, who was interested in Durots’ engineering expertise for his sculptures. They got on well, and worked together for two years. Also in this circle were the actress Micheline Presle and the actor Daniel Gelin. In 1968, Arnal and Presle created Le Festival de Theatre de Chateauvallon, and through this, Durot became friends with the noted film director Ulysse Reynaud. In 1966, Francois Arnal introduced Durot to the artist Cesar, with the idea that Durot’s talents as a chemical engineer would be useful. Durot spent a year helping Cesar to master the techniques of working with polyurethane foam, with Durot searching for ways to make this fragile and ephemeral substance more stable and permanent, and more amenable to control. Cesars’ first works in this medium were flat, due to the difficulty of controlling the foam, but he went on to create his famous “expansions”. In 1968, Durot conceived a project to create more three-dimensional sculptures following a simple and precise design. It was during this time that Durot made his first polyurethane sculptures — the Champignons and Plantes Carnivores. Also in 1968, he He opened his first technical studio at 35, rue Leon. In order to support this new endeavor,( he needed more space, equipment, time and money), he created La Societe Durgalith. 1971 saw the Durat’s first works exhibited at the Salon Batimat in Paris. With this exhibition, Durot was hoping to attract the attention of architects with whom he could collaborate. Between 1971 and 1974, Durot created sixty sculptures inspired by fantastical “alien” life, mushrooms, and carnivorous plants. In 1974, Durot”s Societie Durgalith ran into problems with the Italian firm that owned Batimat. Credit Lyonnaise seized his studio and many of his sculptures, and quite a number of them were destroyed. This same year, Durot worked with the architects Sloan and Lecouter on an inflatable structure for the Pavillion Franaise in Osaka. Unfortunately, the project was never realized. Durot continued to pursue his research on polyurethanes, and gained world-wide recognition for his developments in this field. In 1977, a “student prank” had un-expectedly bad consequences. Durot was employed as an engineer at L’Usine Francaise de la Monnaie (the French mint) in Pessac. He took three kilos of “blanks”, and used them for playing slot-machines. For this, he spent seven weeks in jail, which was ended by an amnesty granted by Mitterand in 1981. During Durot’s time in prison, he took up weight-lifting, and also designed his next generation of sculptures. The spirals, feet, lips, and a series of erotic chairs...

Silvana Robert was born in 1965 in Argentina. She took first row between the artists of her generation. Well-educated at the National School of Fine Arts and having gone through work...

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec (2002 - present) China (2011-...

David Géry's paintings are mostly black and textured. For him, it is only possible to perceive the mysteries and truths of life through black. David Géry creates an interraction between his paintings and the viewer; the painting is always different depending on the viewer's position or the intensity and direction of light. He takes us into the kingdom of the night, in a secret world wainting for light. David Géry is also a theatre director. The main plays he directed were Bartleby by Herman Melville at the Théâtre de la Tempête (Paris), Autum Dream by Jon Fosse at L’Athénée-Théâtre Louis Jouvet and an adaptation of Fahrenheit 451 by Ray Bradbury.

Approximate Date: 1920-1925 Medium: Oil on Canvas Signature: Signed Lower Right Size: 29.50" x 23.00" Interwoven Socks Advertisement Literatu...

Joyce Tenneson is an accomplished American photographer best known for her mystical and sensual photographs of the female form. At once haunting, enigmatic, and evocative of dreams a...

Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same city. Though he enrolled to study ...

Joyce Tenneson is an accomplished American photographer best known for her mystical and sensual photographs of the female form. At once haunting, enigma...

Official Painter of the Navy appointed in 2010. Official Painter of the Armies appointed in 2000. Official Painter of Air and Space appointed in 1996. It was friendship and then the discovery of the art of painting that prompted Jacques Rohaut to visit Philippe Lejeune's studio in Etampes in the 1970s during his law studies. He also worked for a restorer of paintings. Emulation within what has become the "Etampes School" allowed him to continue the necessary learning before making many personal exhibitions: the first in 1984, at the Taylor Foundation (Paris), then at the Orangerie de Villeroy, at the VIP lounge for ministerial air links in Villacoublay, in Düsseldorf, at the Saint-Roch gallery (Paris), at the Musée de l'Ordre des Avocats (Hôtel de la Porte in Paris), at the Hôtel du Conseil Général d'Eure et Loire (Chartres), in the Jehan de Beauce tower of Chartres cathedral, at the Etampes Museum, at the Inès Bonlieu gallery, Guest of honor at several Salons in the provinces, he also regularly participates in major Parisian Salons: French Artists, Autumn, Comparisons. His profession as a lawyer practiced in Paris for thirty years, within the firm Ader Jolibois, inspired him many paintings of which the judicial life and the courthouses were the pretext; his country of birth, Morocco, allowed him to rediscover the lights that usually make up his paintings; the air and the sea are another source of inspiration. Among the main distinctions he has received: Bronze medal at the Salon de la Marine, Gold medal at the Salon des Artistes Français, Prix de la Fondation André et Berthe Noufflard...

Exhibitions: It's a Man's World, Illustration Art by and for Men: November 14-17 2012, Illustration House NYC

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an expanding universe of abyssal...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

Helene and Eric Bess are a team who have been collaborating for over 20 years. Both are professional artists with extensive experience in both the commercial and fine art fields. They presently work out of their studio in Florida, creating original art for gallery display, fine art crafts and taking commissions for murals & embellishments. Helene was born in Canada in 1949. She studied art in Europe as a young adult and attended Phoenix Pratt School of Design in New York and St. Petersburg Community College in Florida. She worked for advertising agencies and freelance art projects such as theater design and t-shirt designs for several companies. She owned and operated an art studio (“Artistic Endeavors”) in Melbourne, Fl. for five years. She started doing murals and embellishments (residential and commercial) from 1992 till present. She considers her early life in Europe the major source of her artistic influence as well as the works of Modigliani. Eric was born in Missouri in 1950. He started drawing literally as an infant and has never stopped. He was taking commissions for book covers & wall designs in his teens and studied art at Auburn University and The University of Alabama. He taught art in public schools in Alabama in the ‘70s. He worked as art director at Huntsville Educational Television for 6 years, as art director at Southern Sportswear in Daytona for 9 years, at Creative Signs & Designs in Flagler, Fl. for 6 years, and as a freelance artist and co-owner (with his wife Helene) of “BessStudio” (formerly “Artistic Innovations Inc.”) since 1998. His artistic influences include Michelangelo, Vermeer, Blake, Maxfield Parish...

Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benjamin sustained an active career for over seven decades. D...

Born in Moscow, Idaho,and raised in Seattle, Robert Jessup received his BFA from the University of Washington in 1975 and his MFA from the University of Iowa in 1979. His work has be...

“Making sculpture is a very complex matter. A word added to a form, ultimately helping to better define it. And ultimately helping to understand the whole.” Ugo Riva is probably the...

Signed (at lower right): Louisa Chase