Art

Figures is a drawing realized by Alberto Ziveri in 1938. Watercolor on paper. Hand-signed and dated. In good conditions with slight foxing. The artwork is represented through def...

Portrait is a drawing realized by Alberto Ziveri in 1938. Ink and watercolor on paper. Hand-signed and dated. In good conditions. The artwork is represented through deft strokes ...

Portrait is a drawing realized by Alberto Ziveri in 1938. Oil Pastel on paper. Hand-signed and dated. In good conditions. The artwork is represented through deft strokes masterly...

Portrait is a drawing realized by Alberto Ziveri in 1938. Ink and Oil Pastel on paper. Hand-signed and dated. In good conditions. The artwork is represented through deft strokes ...

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being splashed by accompanying literature from a medical physician. However, his illustrations did not depict people drinking wine...

Zena Kavin, 'Judgment of Souls', lithograph, c. 1935, edition 20. Signed, titled, and numbered '17/20' in pencil. A fine, richly-inked impression, on cream wove paper, with full marg...

Painter is a drawing realized by Alberto Ziveri in the 1930s. Charcoal on paper. Hand-signed. In good conditions with slight foxing. The artwork is represented through deft strok...

Heron Butor - Bittern French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of il...

Portrait is a drawing realized by Alberto Ziveri in the 1930s. Charcoal on paper. Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Albe...

The Shell is a drawing realized by Alberto Ziveri in the 1930s. Ink on paper. Hand-signed. In good conditions with slight foxing. The artwork is represented through deft strokes ...

Signed lower right, 'Combs' for Frances Hungerford Combs (American, 1876-1973) and painted circa 1935. This early Washington, D.C. painter and teacher was a member of the Washington Watercolor Club, Miniature Painters, Sculptors & Gravers Society and the Washington Art Club. Combs was employed as a drawing teacher at the Corcoran Gallery and School of Art (1902-1914) and her work was included in their exhibition, 'Woman at the Corcoran'. Thomas Jackson Simmons, college president of Wake Forest University...

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

The Portrait is an original drawing realized by Alberto Ziveri in the 1930s. Ink on paper. Hand-signed. In good conditions with slight foxing. The artwork is represented through ...

Ex Libris - Gianni Mantero is an Etching print created by Michel Fingesten in 1937. Signed on plate and dated on the lower right margin. Good conditions except some foxings that ...

Ex Libris - Albert Delage is an Etching print created by Michel Fingesten. Hand signed on the lower margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painter an...

Portrait is a drawing realized by Alberto Ziveri in the 1930s. Ink and Watercolor on paper. Hand-signed. In good conditions. The artwork is represented through deft strokes maste...

Tuscany Landscape is a beautiful pen and pencil drawing on cream-colored paper, realized in the 1930s by an Italian artist. Good conditions with some foxing. The artwork is realize...

This portrait depicts Rivera's second wife, the artist Frida Kahlo (1907-54), sitting on a bed wearing stockings and shoes and fastening rows of beads around her neck. An accident wh...

Ex Libris- W. Talbot is an Etching print created by Michel Fingesten. Hand Signed on the lower right margin. The work is glued on cardboard. Total dimensions: 24.5 x 17.5 cm. Ve...

Ex Libris is an Etching print created by Michel Fingesten in 1937. Hand Signed on the lower right margin. The work is glued on cardboard. Total dimensions: 32.5 x 24 cm. Very Go...

Elsie Palmer Payne, the wife of Edgar Payne, was noted for her contributions as an artist in her own right. She worked in various artistic mediums, ...

Ex Libris - Gabriele D'Annunzio is an Etching print created by Michel Fingesten in 1936. Hand signed on the lower margin. Good conditions. Michel Fingesten (1884 - 1943) was a Cz...

Josef Jungwirth (Austrian, 1869-1950) Sclien, 1921 Oil on wood panel 19 x 16 1/8 in. Framed: 21 3/4 x 18 3/4 x 7/8 in. Signed, dated, and inscribed lower right: J. Jungwirth, Sclien,...

The pastel portrait of Stella Samuel, very likely a starlet from the thirties, created in the style of Charles Sheldon, emanates timeless elegance. With a delicate interplay of color...

Ex Libris - Gianni Gheri is an Etching print created by Michel Fingesten. Hand Signed on the lower right margin. Very good condition. Michel Fingesten (1884 - 1943) was a Czech p...

Hunting is a drawing realized by Alberto Ziveri in 1938. Ink and Watercolor on paper. Hand-signed and dated. In good conditions. The artwork is represented through deft strokes m...

Ex Libris - Violette Talbot is an Etching print created by Michel Fingesten. Hand signed on the lower margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painter ...

Nude is an original drawing realized by Alberto Ziveri in the 1930s. Charcoal on paper. Hand-signed and dated. In good conditions with slight foxing. The artwork is represented t...

MAX KAUS (German 1891-1977) KOPF (Head( (Rifkind 1387) Woodcut, unsigned, monogram in block. As issued as plate 1 from “Genius” Zeitschrift für werdende und alte Kunst, vol. 2, no. ...

Ex-Libris - Jac de Groot is an Artwork realized in 1935 by A. Schellart. Woodcut B./W. print on ivory paper. The work is glued on ivory cardboard. Signed on plate and dated on back...

Provenance: The Artist. Menikoff collection (friends of the artist) About this artist: Born in Little Italy in 1907, Gregorio Prestopino first set out to become a sign painter as th...

The original advertising poster for Veedol, with the slogan "Even faster, surely further", is an iconic work that embodies the spirit of innovation and performance in the automotive ...

Lovers is a drawing realized by Alberto Ziveri in 1938. Watercolor on paper. Hand-signed and dated. In good conditions. The artwork is represented through deft strokes masterly. ...

Ex Libris - Kurt Hermann Mendel is a Woodcut print created by Michel Fingesten in 1936. Hand signed on the lower margin. Good conditions. Michel Fingesten (1884 - 1943) was a Cze...

Teacher and Pupil is a drawing realized by Alberto Ziveri in 1938. Charcoal on paper. Hand-signed on the lower and dated. In good conditions The artwork is represented through de...

A small, exquisite, Precisionist painting of a yellow rose by New York artist Harry Lane. Lane's work can be found in the collections of the Met...

The Man is an original drawing realized by Alberto Ziveri in the 1930s. Ink on paper. Hand-signed. In good conditions with slight foxing. The artwork is represented through deft ...

Signed "James Montgomery Flagg" Lower Right by Artist "'I've found a woman to sew on buttons,' he said politely. 'Have I?' he inquired of Nancy. 'Big Boy, you have.'" Illustration ...

Kees van Dongen (b. 1877, Delfshaven – d. 1968 Monte Carlo) He is considered a Fauvist, but his style is still nevertheless closely related to the German Expressionists. He is appr...

Signed "James Montgomery Flagg" Lower Right by Artist "Mr. Corroway was wearing a broad smile. He slapped Dave jovially on the shoulder and said: 'No hard feelings, I hope, about o...

'Canard Nyroca - Canard Milouinan' (Ferruginous Duck) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series o...

Nude is a drawing realized by Alberto Ziveri in 1938. Watercolor on paper. Hand-signed and dated. In good conditions. The artwork is represented through deft strokes masterly. A...

Ex Libris -Sammelt und Briefmarken is a woodcut print created by Michel Fingesten. Hand signed on the lower margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech pa...

Signed on Reverse by Artist Advertisement for the Interwoven Stocking Company, New Brunswick, NJ.

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Edwards (1878 - 1966) The Quorn Hu...

Ex Libris - M.G. Van Wees is an Etching print created by Michel Fingesten in 1940. Hand signed on the lower margin. Numbered on the left corner, ex. 149/150 Good conditions. Mich...

Travel back in time to 1932 with Falcucci's vintage poster for PLM, an invitation to explore Auvergne Chatel Guyon. This poster is a masterpiece, transporting viewers to a time when travel was an experience. Falcucci's artistry shines as the poster captures the scenic beauty of Auvergne Chatel Guyon, with rolling hills and soothing waters. What makes this poster special is its ability to evoke the spirit of the past. It transports us to an era when travel was leisurely and full of anticipation. The aesthetics and typography reflect the elegance of the early 20th century. Today, Falcucci's 1932 poster...

Ex Libris - André de Raynal - Ex Biblioteca Macabrum is an Etching print created by Michel Fingesten. Hand Signed and dated on the lower margin. Good conditions. Michel Fingesten...

Original Balsam, Aperitif au Quinaquina vintage stone lithograph printed in 1923. The great artist Jean d’Ylen created this poster after assuming the head of Vercasson after Leone...

What does Cognac do? It warms you! Featuring a sun in the glass, this poster by Cappiello visually represents the warmth of the drink as sunshine bursts out of the glass. The text be...

HARRY CARLETON ATTWOOD (1907-1985) Resurrection – Mural Design for Eltham Hall Signed with initials, dated and inscribed l.c.: Designs for Eltham Hall / 17/4/36 / HCA Watercolour ...

Ex Libris - In Memoriam Dr. Th. Simon is a woodcut print created by Michel Fingesten in 1935. Hand signed on the lower margin. Good conditions. Michel Fingesten (1884 - 1943) was...

Beautiful print of Jean Cocteau 🇫🇷 (1889-1963) a French poet, painter, draughtsman, playwright and film maker. In the workshop of Madeleine Jolly and Philippe Madeline in Villefran...

Le Verre Francais Charder Collection. Signed "Charder" on one of the sides of the vase and "Le Verre Francais" on the base. Similar works are published in the book "Charles Schneider...

Ex Libris - Eug. Strens is an Etching print created by Michel Fingesten in 1939. Hand Signed on the lower right margin. Very Good conditions. Michel Fingesten (1884 - 1943) was a...

Nude is an original drawing realized by Alberto Ziveri in the 1930s. Watercolor and ink on paper. Hand-signed and dated. In good conditions with slight foxing. The artwork is rep...

Writing Man is an original drawing realized by Alberto Ziveri in the 1930s. Ink and watercolor on paper. Hand-signed. In good conditions The artwork is represented through deft s...

Signed "F. R. Gruger" Upper Right "'I shall count to five before I fire.' said Davidson. 'One!'" Illustration for "House of Darkness" by C. E. Scoggins, published in The Saturday Ev...