Art

Farmhouse in Autumn, Early 20th Century Landscape by Florence Helena McGillivray A vibrant and colorful late 1920's landscape by Florence Helena McGillivray (Canadian, 1864-1938). This beautiful 1929 landscape depicts a quaint farmhouse in autumn, surrounded by a landscape full of fall foliage in goldenrod yellow, bright orange, and deep red, with soft purple hills receding into the distance. Signed "F. McGillivray" lower left. Displayed in a new Arts & Crafts style giltwood frame. Board size: 16"H x 20"W. Framed size: 19.25"H x 23.25"W x 1"D. McGillivray (1864–1938) garnered admiration for her modern landscape paintings, as well as for her mentorship of young artists, including Tom Thomson. She has been credited in some instances as an influence for what would later be known as the Group of Seven. A prolific sketcher and painter, Florence McGillivray...

La Chapelle de la Protection in Cagnes, circa 1925 Oil on panel, signed with the monogram lower left 27 x 34.5 cm Bibliography: The Painters of Cagnes, exhibition catalogue, Château-Musée Grimaldi, 2011, p.62 Paul Leduc...

Original WW1 poster: Keep this Hand of Mercy at its work. War Fund Week. One hundred Million Dollars. Original WW1 lithograph, archival line...

William Jean Beauley Great Kills, circa 1917 Signed lower right Oil on panel 40 x 50 inches Housed in its original Newcomb-Macklin gilt frame Pro...

Mother and child is an original watercolored ink drawing on ivory-colored paper, in the 1920s realized by Luigi Bompard (1879-1953). Hand-signed in pen on the lower margin. In goo...

Farm and Farmers is a charcoal drawing realized by Jean Chapin in the early XX century. Signature stamp of the artist on the lower right margin. The drawing is detached from a note...

Gorgeous 1930s landscape of mountain lake on windy day with peek of a cabin by L. St. C. Fitzpatrick (American, 19th/20th Century), circa 1920. Signed lower left corner. Condition: V...

Palm Springs Courtyard with Fountain - Drypoint Etching on Paper Stately drypoint etching of the courtyard of a Palm Springs house by Leland "Lee" Fuller (American, 1899-1962). The focus of this piece is the courtyard of a house with a fountain. Behind the garden and fountain, there is a section of the house with an arched doorway and tile roof. This was likely a house that Fuller designed. From the Robert Azensky Fine Art Mary Pickford...

Otto Dill, "Deer", 1918, oil painting, two grazing fawns. Beautiful and rare motif of the world famous artist Otto Dill. Outstanding painting and colors. Signed and dated. Dimensi...

Original "Forbidden Paradise" vintage silent movie window card. Production from the play "The Czarina" by Lajos Biro and Menyhert Lengyel. This poster has been archivally paper backed and is in excellent condition. This movie window card was printed as a stone lithograph. Pola Negri was born Apolonia Chalupiec in 1897. She adopted the pseudonym "Pola Negri," after the Italian poetess, Ada Negri. The Ernst Lubitsch-Pola Negri combination was very successful and the roles that Pola played were earthy, exotic, strong women. One of her films, 'Madame DuBarry...

Le Masque De La Mort Rouge is a phototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felu...

Charles-Victor Guilloux (1866-1946) Landscape in Provence Oil on canvas (Without stretcher) 31 x 23 cm Signature stamp on the bottom left (slightly faded) Framed under glass (Frame...

“The Locket” An enchanting Pre-Raphaelite inspired painting of a young woman examining a locket. Painted on canvasboard, signed, dated 1912 and presented in a magnificent carved Flo...

Jug and Still Life in Purple with Apples by Alvin R. Raffel 1928 Oil on Linen of An Urn with a bowl and apples in a Purple background by Alvin R. Raffel (American, 1905-1987.) Linen ...

Métiers des Hommes is an Original Rare book written by Pierre Courthion (1902-1988) and illustrated by Kurt Seligmann (Basel, 1900 - Middletown, 1961) in 1936. Original Edition. Pu...

A delightful pencil sketch on watermarked laid paper by Camille Pissarro’s son, George Manzana Pissarro. Signed by means of his studio stamp and with auct...

Jean-Jacques Berne-Bellecour (1874-1939) A North African Horseman in the forest, Watercolor on paper signed and dated 1915 lower right, 32 x 27.5 cm In a modern frame : 53 x 48 cm ...

Golden Flowers and Blue Oaks - California Rural Landscape in Watercolor on Paper Vibrant landscape by listed California artist Marie Williams (American, 1878-1969). Yellow flowers c...

Not signed. Very good conditions.

Artist: Harold Bennett, British (1880 - 19??) Title: Brigsley Village, Lincolnshire Year: 1920 Medium: Oil on Board, signed Size: 13 in. x 15.75 in. (33.02 cm x 40.01 cm) Frame Size:...

Antique early 1900's still life on stretched canvas, signed in the bottom right corner, Morel. A very attractive interior scene oil painting of cherries...

Gorgeous early 20th Century American Impressionist landscape of Connecticut red house by George M. Bruestle (American, 1871 - 1939), November 1914. Signed lower left and on verso. Dated on verso. Presented in gilt-toned wood frame. Image size: 8"H x 10"W. George Matthew Bruestle is an American Realist/Impressionist painter known for his intimate landscapes. Born and raised in New York City, Bruestle studied at the Art Students' League of New York in 1886 at the young age of fifteen and later in Paris. That same year, Bruestle visited Essex, CT and eventually purchased a second home in Hadlyme, Old Lyme as the Art Colony formed. Bruestle's main studio was in New York City. Inspired by Jean-Baptiste-Camille Corot [1796-1875] and other French landscape painters, Bruestle's style was a mix of Early Realism and Early Impressionist techniques. He was an adept draftsman and his paintings favored earlier European examples but, later took on a brighter Impressionist palette and brushy quality of the Old Lyme Art...

La Poursuite by Orovida Pissarro (1893-1968) Etching with aquatint 17.2 x 12.5 cm (6 ³/₄ x 4 ⁷/₈ inches) Signed and dated lower right Orovida 1917 Inscribed lower left Final State Trial proof no. 1 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

The Dining Room is an Etching realized by Georges Jeanniot in the late 19th Century. Signed in the lower. Good condition.

Original “Drafted Men” W. S.S. 5 Dollars vintage poster. World War 1. Linen backed and restored. This poster is rare and doesn’t appear in the Library of ...

Medium: original etching. Printed in 1926 at the atelier Lacourière on Montgolfier paper and published by Au Sans Pareil in a limited edition of 995 for "Dix filles dans un pré". Pla...

"Harvest" Working Women Hungarian European Modernism Expressionism 1926 WPA Era. 10 x 11 inches oil on board. Painted in Hungary. Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association. Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth. Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...

Antique French impressionist woodland landscape by French artist, Hippolyte Lety (1878-1959), signed and dated in the bottom left corner. Atmospheric oil painting on thick card. Yo...

Bradley Walker Tomlin Bird, circa 1927 Signed upper center Oil on brown paper 22 1/2 x 18 3/4 inches Provenance: Miss Dorothy MacTeague, Chester...

Le Ranocchie Turchine , Edition of  1909, edited by edizioni di "Poesia", Milano : via Senato n°2. with Manifesto del Futurismo. Very good conditions. 

Edition of 143 copies. One of 25 copies on pur fil. Near perfect conditions and partially uncut.  Louis Aragon was born in 1897 and died in 1982. He was a French poet and writer,long...

Paris la Nuit. Les Plaisirs de la Capitale, ses bas fonds et ses jardins secrets. Considerations by Louis Aragon on different aspects of Paris, seen from...

Poster. Measures 39.5 x 30.5 inches and is Unframed. Good/Fair Condition (i.e. white borders have been cropped).

Work on paper Beige wooden frame with glass pane 85 x 67 x 2,5 cm

Original WW1 poster. Put Fighting Blood in Your Business. Here’s his record! Does he get a Job? Arthur Woods, Assistant to the Secretary of...

Mary Pickford and Douglas Fairbanks at Walpi First Mesa Hopi Village 1920 Photograph Original Sepia toned Silver gelatin photographic print by Charles Roshe (British, 1885-1974). Provenance: Mary Pickford, Elizabeth (Bess) Huggins. Image 10.75"H x 13.75"W He was Mary Pickford's favorite cinematographer and a personal friend, shooting all of the films in which she starred from 1918 to 1927, before they had a falling out during production of Coquette (1929). He was the first cinematographer to receive an Academy Award, along with Karl Struss, for Sunrise: A Song of Two Humans (1927), and won again for The Yearling (1946), with Leonard Smith and Arthur Arling. He was also nominated four times. Walpi, pueblo (village), Navajo county, northeastern Arizona, U.S., on the edge of a high mesa in the Hopi Indian Reservation. It comprises a group of angular stone houses of two to three stories crowded on a narrow tip of the steep-walled mesa at an elevation of 6,225 feet (1,897 metres). The original pueblo (founded c. 1700) was on a lower part of the mesa, but following the Pueblo Rebellion, the inhabitants moved to the top as a defensive measure against Spanish retaliation. Walpi is known for an antelope ceremony and for snake dances, held during odd years in August and generally closed to non-Hopi spectators. Shitchumovi (Sichomivi) pueblo is adjacent and Hano is nearby. Pickford was the first Canadian to win an Oscar. She was also the second to win best actress and the first for a role in a film with sound. She was one of the founding members of the Academy of Motion Picture Arts and Sciences. In 1919 Pickford took the lead in organizing the United Artists Corporation with Griffith, Charlie Chaplin, and Douglas Fairbanks. In 1920, after the dissolution of her first marriage (1911–19) to actor Owen Moore, she married Fairbanks (divorced 1936). Pickford’s popularity continued unabated in Pollyanna (1920), Little Lord...

Edition of 1650 copies. Copy number on Hollande Van Gelder paper. Includes an original litograph by Maurice Barraud on the frontispiece. Seventh volume of the "Ceinture du Monde" col...

Medium: pochoir (after the oil painting). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 1/2 x 6 inches (193 x 150 mm). A text inscription...

Medium: woodcut (engraved by Jacques Beltrand after Cezanne). This impression on cream laid paper was printed in 1914 and published by Bruno Cassirer and Theodore Duret. Image size: ...

Original poster: FILL UP THE RANKS PILE UP THE MUNITIONS! Artist: F. Gardner. Year: 1915. Horizontal original British WW1 poster. Very good cond...

Turn of 20th Century American Impressionist Chicago Landscape -- Frost Bound Luminous turn of the century American Impressionism landscape of Chicago in winter titled "Frost Bound" by Henning Ryder (Swedish/American, 1869-1939), circa 1900. Signed lower right corner. Exhibited in the 1915 Panama Pacific...

Edition of 563 copies including 19 original engravings by Dubreuil. Exceptionally fine and rare copy. One of the only 18 copies on Japon Ancien including one original drawing by Dubr...

Image dimensions. 30x40.5 cm Hand signed. Edition of 10 prints and one artist's proof. This is a rare and beautiful lithograph belonging the serie "Metamorphosis: Suite de Six Lithog...

Graceful watercolor portrait of an elegant auburn haired female in profile, 1912. Signed "Laure" and dated lower right. Over 100 years old. Original vintage one-of-a-kind artwork on...

Amicalement is a hand-colored etching and drypoint, signed by Chas Laborde on the lower right margin. Hand-titled on the lower left margin. This original print is hand-colored with t...

"Self Portrait" by Philadelphia born modernist painter Leon Kelly, is a moody and atmospheric self portrait of the artist in younger years at age 24. The 18" x 16" oil on board, fram...

"Dés Landscape" by noted Hungarian painter Dési Huber István (1895 - 1944) is an ink wash on paper created sometime in the 1920's. The artwork repres...

Limited edition of 125 copies, including 6 original woodcuts by André Derain, 4 of whch out of text and full page. Realised by the poet René Dalize, friend of Guillaume Apollinaire a...

"Mexican Orchestra" is one of the George Overbury Hart's largest pieces. It is #14 from a limited edition of 50. The image captures a festive event with hanging lanterns, an orches...

Estate Stamped Exhibited: Provincetown Art Museum Margery Ryerson was a pupil of Charles Hawthorne at the Cape School of Art in Provincetown, MA and with Ashcan artist...

'Mademoiselle Ledran Rue de l'Hotel Colbert Paris', charcoal and ink on fine art paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - ...

Edition of 835 copies, Copy on Lafuma paper. Includes an original frontespiece by Alexeieff. Language: french. Perfect conditions. Uncut.

Artist: Ernest Beaumont, British (1871 - 1933) Title: Gloucester, MA Year: 1926 Medium: Oil on Canvas, signed l.r. Size: 20 x 24 inches; 50.8 x 60.96 cm Frame: 27 x 30.5; 68.58 x 77....

One of 500 copies on papier de Madagascar, including illustrations by Gondouin. Rare book in very good conditions and uncut. 

Origiinal WW1 poster: AT THE FRONT! Every fit Briton should join our brave men at the front. Enlist NOW. . Artist: Lionel Edwards. Original, Mint, Linen-backed original World War 1 rare stone lithographic poster. At the front! Every fit Briton should join our brave men at the front. Enlist now / printed by E.S. & A. Robinson Ltd., Bristol. London: Parliamentary Recruiting Committee, [1915]. Poster showing cavalry in battle, with horses reacting to an explosion in the foreground. Until March 2, 1916, when the Military Service Act introduced conscription, Great Britain’s World War I army was comprised entirely of volunteers. Many of the most famous wartime posters...

'Reposing Nude and Tree', pencil on art paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - many are sketches for his larger oil pain...

Artist: Paul Klee, After, Swiss (1879 - 1940) Title: Drei Hauser Grun-violette Stufung (Troi Maisons Gradation vert-violet) Year: 1964, after 1922 Drawing Medium: Pochoir on Rice Pap...

Margery Ryerson was a pupil of Charles Hawthorne at the Cape School of Art in Provincetown, MA and with Robert Henri at the Art Students League in New York. For a twenty-year perio...