Art

Vibrant plein air painting of blooming meadows, and oil on paper landscape by J. A. Johnson (American, 20th C.). Presented in a wooden frame. Pr...

Girl Nude (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Signature label and Certificate. Artist inventory Number ...

Title of the Artwork: Alineació, París Artist: Josep Maria Vayreda Canadell Technique: Oil on canvas Dimensions without frame: 16.1 x 13 inches Dimensions with frame: 22.8 x 19.7 inc...

Artist: Anders Zorn (Swedish, 1860-1920) Title: "Dance at Gopsmor" *Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower left Year: 1906 (second state of two) Medium: Original Etching on cream Van Gelder Zonen laid paper Limited edition: approx. 50 impressions Printer: the artist Zorn himself, Mora, Sweden Publisher: the artist Zorn himself, Mora, Sweden Reference: Asplund No. 197; Hjert & Hjert No. 205; Loys Delteil No. 192 Framing: Recently framed in a gold ornate moulding and 100% cotton rag matting with 99% UV protective Museum Glass. All archival Framed size: 22.75" x 18.25" Sheet size (irregular margins): 16.5" x 11" Image size: 11.88" x 7.75" Condition: A strong impression in very good condition Very rare Notes: Provenance: private collection - Chicago, IL; acquired from Rothschild & Company, Chicago, IL in the early 1900's. Fleur-de-lis shield with text underneath (Van Gelder Zonen) watermark in center of sheet. "Towards the end of the nineteenth century and at the beginning of the twentieth century, Anders Zorn became increasingly interested in the history and ancient traditions of his native town Mora and its wider cultural territories which at the time, as a result of industrialisation and urbanisation, were begining to disappear. In 1904, Anders Zorn purchased an ancient farmhouse which he moved to the parish of Gopsmor, situated by the river Dal, North-West of Mora. The simple ritualistic lifestyle of its people, with whom he felt affinity, and Gopsmor's geographical isolation, became for Zorn, a place of refuge for the cosmopolitan artist". - Christie's, London, UK Biography: Anders Leonard Zorn...

"Composition with Blue Gentians and Chrysanthemums" Jean Fournet (French 1878-?) Oil on canvas on wood panel 13 1/2 x 11 1/2 frame size Signed front and back While little is known ...

This painting measures 15.8" x 14" inches. The technique imitates fresco painting. It depicts an ancient Greek vase. It is part of a series depicti...

This beautiful Scottish Impressionist Edwardian architectural oil painting is by noted artist James Kay. Painted circa 1900 the painting is of Exeter Cathedral in Exeter in Devon in ...

Official poster designed and created for the tennis tournament held at Roland Garros French Open every year. The poster is a limited edition of 2000. First edition, unsigned and not ...

Still Life with Purple Echinops Globe Thistle Flowers in a Pewter Tankard, set within a Rustic French Farmhouse Interior by 20th Century Artist, Robert Chailloux...

A limited edition silkscreen poster Keith Haring designed for Playboy. This limited edition run of 1000 was published in 1990 by Special Editions Ltd. The signature and date 'KH 86' ...

Helen Frankenthaler A Paintings Retrospective: vintage LACMA Museum poster, 1990 Offset lithograph museum poster (Unsigned & Unnumbered) Limited Edition - though exact number produced unknown 37 × 25 inches Unframed This was printed in the artists lifetime - making it more collectible - on the occasion of the exhibition, "Helen Frankenthaler: A Paintings Retrospective from February to April, 1990 at the Los Angeles County Museum of Art (LACMA) Print is published by Editions Limited Galleries, San Francisco for Los Angeles County Museum of Art (LACMA), LA, CA The work depicted is Helen Frankenthaler, The Bay, 1963, acrylic on canvas, Detroit Institute of Arts, Michigan (Incidentally, this beautiful work is featured on the cover of the book Water and Art' by David Clarke.) Accompanied by gallery issued Certificate of Guarantee “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work...

Rice Bowl, interior photograph from Richard Heeps Ordinary Places series, it was captured in the final years of British Hong Kong in a colonial home on the Peak. The almost monochrom...

Evocative seascape, circa 1900, by artist Constantin Alexandrovitch Westchiloff (1877-1945) Signed on bottom left corner and on verso. Titled "Maine" on verso. Presented in a contemporary giltwood frame. Image size: 9"H x 12"W. Framed size: 10.60"H x 14"W x 1"D Westchiloff is an American-Russian artist. He was born in Russia in 1877, and studied at the Academy of Fine Arts in St. Petersburg; as an artist he traveled extensively in Europe and in the USA. He finally settled in New England, where he died in 1945. He is probably best-known for seascapes (particularly of the New England coastline), but was also well regarded for his landscapes, portraits and figures, and genre subjects. His work, especially after his travels in Europe and then in America, is closest to Impressionist in style. His favored medium was oil, which was well suited to his confident and strong technique. This in turn imbued his paintings of the rugged landscapes and seascapes of New England...

Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic...

Artist: Branko Bahunek, Croatian (1935 - ) Title: The Flautist Year: 1990 Medium: Bronze Sculpture, Signature and number inscribed Edition: 10/15 Size: 20.5 in. x 8 in. x 8 in. (52....

Dark & Atmospheric Abstract Expressionist Painting by Contemporary British Painter Angela Wakefield - a rare early work. Entitled 'Accrington #2',...

Original oil painting by Lelia Pissarro, "Steve, the Fisherman, On The River, Wallingford" Oil on canvas Signed and dated lower left and verso along with title and illustration "fig....

Artist: Donald Sultan Title : Yellow Peppers   1993 Medium: Print - Screen Print Paper size : 22.75'' x 21.75'' inches Image size : 12" x 12" inches Edition: signed in pencil, title...

Sam Gilliam Cuatro, 1994 Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper Hand signed, dated, titled and annotated P/P by Sam Gilliam...

COASTAL TRANQUILLITY Size: 46 X 63 cm (including frame) Oil on canvas This serene composition that captures the essence of a quiet coastal village, executed in oil onto canvas and d...

The image is original drawing by Virgil Ross featuring Marvin the Martian pointing a gun at Daffy Duck as Duck Dodgers. It's based on the 1953 cartoon "Duck Dodgers in the 24½th Cen...

Tim Engelland (American, 1950-2012) A little freshly ground black pepper?, 1996 Linocut 11 x 7 in. Signed and dated lower right: T. Engelland 996 Signed and numbered lower left: 102/200 Edition of 200 printed by hand on an 1892 Poco Proof Press A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue...

This exquisite watercolor by the Swedish artist Olle Hjortzberg (1872–1959) captures a serene view of Montreux, Switzerland, in July 1902. Known for his masterful use of color and li...

John Baldessari JBCRIAL1VY-98 (Unique Variant, Hand Signed), 1998 Ink jet print on paper. - Unique Variant Hand signed by John Baldessari on the front 1 of 96 similar works completed...

This large landscape oil painting by John Traynor captures a scene in New England. Cows are visible in front of a long picket fence, with a red barn and house behind the fence and lush green trees on either side and along the hills in the horizon. Fluffy, almost abstracted clouds sit above the hills, with a patch of blue skies shining through toward the top of the image. The painting is 48" x 72", and 58" x 82" framed. It is professionally framed in a classic, antiqued, gold leaf frame. It is signed by the artist in the bottom right-hand corner of the canvas, and is wired and ready to hang. John C. Traynor's painting style is reminiscent of some 19th century painters and the Dutch Masters. He uses his knowledge of light and color to create a certain mood in each of his works. The creation of atmosphere is an important element in Traynor's paintings. Painting outdoors, on location, is a prime source of inspiration and ideas for his landscapes. John travels extensively, painting the landscapes around him. John was born in 1961 and spent his early years in Chester and Mendham, New Jersey. His art studies began at Delbarton School in Morristown, New Jersey, and from there he furthered his education at Paier College of Art in New Haven, Connecticut. He studied figure painting at the Art Students League of New York, as a merit scholar, with Frank Mason. Traynor continued his studies in Vermont with Mr. Mason on landscape painting, drawing with Carroll N. Jones Jr. of Stowe, Vermont and sculpture with Brother Jerome Cox...

Original Vintage Poster by the Austrian artist Ferdinand Ludwig Graf, a member of the Hagenbund. This Viennese artist association moved as soon a...

Untitled 08 (Saigon) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signature label. Artist Inventory #19813. Not ...

Haiti From the Mani series H 27.5 in. x 35.5 in. W Edition 6 Unframed This series of photographs were taken for a European calendar. The idea was to create postcards with several co...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Vintage Israeli American modernist oil painting. Oil on board. Signed. Framed. Measuring 17 by 23 inches overall and 12.25 by 18.75 painting alone.

Frame size 73x81 cm. Oil on canvas laid on cardboard. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of the also painter Rafael Benet. He is a di...

Charming mid century oil painting of two horses at watering trough by William M. Lemos, Santa Cruz and San Francisco artist (American, 1861-1942), circa 1900. Writing on verso is in ...

Enclosures, contemporary abstract drawing on canvas, red yellow, white, green unique will be shipped with display frame

Regina Maris, 1908 by Louis Letouche (French 1924-2015) oil painting on linen canvas, stretched over board framed Framed size: 16 x 19.25 inches Superb oil painting by the well li...

Elizabeth Hurley photographed by British celebrity and fashion photographer John Stoddart. This risqué iconic black and white photograph expresses her incredible figure, capturing the actress completely naked, against the head of a large Grecian bust...

Claude Vermette R.C.A. is a Canadian ceramist and painter who was born in Montreal, Quebec, August 10, 1930 and who died in Sainte-Agathe-des-Monts, April 21, 2006. Artist of international reputation, he made important contributions to the ceramic arts in Canada As a ceramist who worked in the architecture field, Claude Vermette is a pioneer in Québec and in Canada with regards to this type of artistic expression. The bursts of colours of his ceramics, the warmth of their hues and the play of their textures brought a human dimension in architectural spaces that were often grey and frigid. In his abstract paintings as well as in his prints and watercolours, Claude Vermette pursued this bold approach while constantly renewing and expanding the possibilities of colour and light. His work works with gradations of color field and shifting light. A native of Montreal, Quebec, Claude Vermette studied art under the guidance of Brother Jerome, c.s.c. at Notre-Dame College while also attending the Collège Saint-Laurent and the college of the Clercs de Saint-Viateur for his academic studies. Through his contact with Brother Jerome, he met Paul-Emile Borduas and joined the Automatiste group of emerging artists. They were influenced by Surrealism and its theory of automatism. Members included Marcel Barbeau, Roger Fauteux, Claude Gauvreau, Jean-Paul Riopelle, Pierre Gauvreau, Fernand Leduc, Jean-Paul Mousseau, Marcelle Ferron and Françoise Sullivan...

Hermaphrodite I is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 31 cm × 25 cm × 20 cm (12.2 × 9.8 × 7.9 in). Dimensions of the metal base: 10 cm x 31 cm x 2...

"By the Canal" Limited Edition Lithograph on Archival Paper Vibrant lithograph of a red-headed woman near a canal by Michael Leu (Taiwanese, b. 1950). The woman is holding a bouquet of tulips. Nearby, a bicycle is parked alongside the canal. There is a bridge over the canal, connecting to a small town in the distance. This piece is whimsical, bold, and expressive. Numbered "31/198" in the lower left corner. Signed and dated "Michal Leu 95" in the lower right corner. Presented in a black aluminum frame with a white mat. Frame size: 32.75"H x 27.25"W Image size: 24"H x 19"W Born in Taipei, Taiwan, Michael Leu (b. 1950) studied fine art and design in his home town in the late 1960s and learned printmaking techniques at Otis Parsons...

Impressionist oil painting of Scotland's Pittenweem harbor at twilight, title 'Pittenweem Evening' East Neuk of Fife, by Scottish artist John McGhie. Signe...

This speckled and sparkling glass vase is an exemplary piece of the Art Nouveau period of France and was created by legendary glass-smith Charles Schneider. The pink and blue speckle...

Claude Renoir, la Tete Baisee (Claude Renoir, Head Lowered) Lithograph, 1904 Edition 1,000, this one of 950 on wove paper with the stamp signature (there were also 50 impressions pri...

Paper Size: 31.5 x 23.75 inches ( 80.01 x 60.325 cm ) Image Size: 31.5 x 23.75 inches ( 80.01 x 60.325 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Yale University Art Gallery (Thinking of Him)" Series: Yale University Art Gallery Posters Year: 1991 Medium: Original Offset-Lithograph, Poster on smooth wove paper Limited edition: Unknown Printer: Springdale Graphics, Springdale, CT Publisher: Yale University Art Gallery, New Haven, CT Sheet size: 27" x 26" Image size: 22.25" x 22.5" Condition: Never framed, has been professionally stored away for decades. In excellent condition Notes: Provenance: acquired directly from the printer Springdale Graphics, Springdale, CT. Comes from the 1991 "Yale University Art Gallery" series of three offset-lithograph, posters: "Thinking of Him", "Blam", and "Washing Machine". The image featured on this poster is Lichtenstein's 1963, 68" x 68", magna on canvas painting "Thinking of Him" which is part of the Yale University Art Gallery's permanent collection. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweler Laurence Graff...

Oil Painting of a Trout Run in a Woodland River in the English Countryside by 20th Century Artist, John Caesar Smith (British, Born 1930) Art measures 20 x 16 inches Frame measure...

Reclining Nude Figure in Oil on Linen This original painting is a beautifully depicted nude figure study in a cozy interior space with southwest elements by San Jose, California art...

Title of the work: Costa Brava Artist: Rafael Durán Benet Technique: Oil on canvas mounted on board Dimensions: 15 x 18 inches Support: Board Condition: Unframed Period: 1990s ...

Artist: Raya Sorkine Title: "La Roue Qui Tourne" Title: Wedding in Venice Year: 1999 Print - Lithograph on Arches Archival Paper   39'' x 29.5'' Edition: signed in pencil and number...

The image shows a captivating early 20th-century Scottish river landscape painting by Joseph Henderson, a renowned Scottish artist celebrated for his evocative depictions of nature, ...

Artist: Noh Sang-Kyoon, Korean (1958 - ) Title: The Whole Towards the Hole II Medium: Sequins on Canvas, signed, titled and dated verso Size: 54 x 54 inches Frame Size: 55 x 55 inch...

Gelatin silver print Signed, dated, and numbered, verso 10 x 8 inches, sheet 7 x 7 inches, image (Edition of 10) 14 x 11 inches, sheet 10 x 10 inches, image (Edition of 10) 20 x 1...

This lovely Scottish Edwardian Impressionist exhibited landscape oil painting is by noted artist George Whitton Johnstone. Painted in 1901 it was exhibited at the Royal Scottish Acad...

This wonderful abstract print is the second in an edition of ten, signed by the artist. The print works as an abstract, and landscape piece, with the background of soft yellow-green ...

Sophie - Signed limited edition archival pigment print, 1995 - Edition of 10 This image was captured on film. The negative was scanned creating a digital file which was then prin...

Branko Bahunek, Croatian (1935 - ) - Dreaming Clown. Year: 1992, Medium: Oil on Canvas, Size: 28.5 in. x 23.5 in. (72.39 cm x 59.69 cm)

For the 1994 Pirelli Calendar shot on the Paradise Island in the Bahamas, photographer Herb Ritts set out to capture in a series of nudes what he called “the gentle innocence” of Kat...

This original exhibition poster from 1993 showcases the works of Pierre Soulages, one of the most renowned French painters of the 20th century, at the prestigious Galerie de France. ...

Faye Dunaway Oscar Outtake (Stare) Los Angeles 1977, Printed Later Silver Gelatin Print 30 x 30 inches Edition of 50 Estate signature stamped and numbered edition of 50 with certific...