Art

Cerchia di Marco Ricci (Belluno 1676 – Venezia 1730) – River landscape with characters. 34 x 26 cm without frame, 43 x 35 cm with frame. Oil on canvas, in carved and gilded wooden ...

Pierre-Antoine Demachy (Paris 1723 - 1807) Architectural capriccio oil painting on canvas 92 x 70 cm Criticism and expertise of Prof. Giancarlo Sestieri (Rome [...] With regard to ...

Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.46 is from a series of original engravings published by Lodovico Mirri in the late 18th century and engr...

Hand signed, titled and numbered by the artist. Ginestet Pouillon 390. Sheet size 10.7 x 7 in. Image size 8 x 6 in. Framed. Edition of 140. Artwork is in excellent condition. Certi...

Cahiers d'art, Surrealist Composition 1 Pochoir, 1934 Unsigned as issued in Cahier's edition Published in Cahier's d'art, 1934 Unsigned Edition of 1200 There was also a pencil signed...

This early to mid-20th-century self-portrait by Henri-Georges Bréard (1873-c.1939) depicts the artist deep in thought. He’s holding a pipe. Henri-Georges Bréard was an accomplished ...

Young woman seated with drapery by Pierre-Marie POISSON (1876-1953) Bronze sculpture with nuanced green patina signed on the base "P. Poisson" old cast France circa 1935-40 height...

This large double portrait depicts the sisters Lady Catherine and Lady Jane Brydges, the daughters of John Brydges, the Marquess of Carnarvon (1703-1727). They are seated on a stone...

Unknown (European, probably Eighteenth Century) Shepherds and Peasants in a Landscape Ink, watercolor, and gouache on vellum; 12 5/8 x 19 3/8 inches Framed: 20 x 28 inches (approx.)

Frida with Granizo by Nickolas Muray is a black and white portrait of Mexican surrealist painter Frida Kahlo with her pet fawn, Granizo. Platinum Print Image size: 11 x 10.5 in. Pa...

‘Fire and Moonlight’ by Abraham Pether FSA (1752–1812). The painting – which depicts an extensive moonlit view across the City of London with a cottage on fire in the foreground – w...

Signed figurative oil on canvas by Spanish romantic painter Mariano Alfonso Perez. The piece is a post design for the launch of the Bugatti Aerolithe. A woman dressed in red is sitti...

Francesco Piranesi was born in Rome, the eldest son of Giovanni Battista Piranesi and his wife, Angela Pasquini. He was educated in printmaking by his father, along with his older sister Laura (1755–1785), also a noted printmaker at the time of his untimely death. He both engraved his own works of art and assisted his father's work in 1775. He then began to study with other experts: engraving with Giovanni Volpato, landscape painting under the German Jacob Philipp Hackert and his brother Georg and architecture under Pierre-Adrien Pâris. Piranesi accompanied his father on two trips to the ancient Roman ruins of Paestum, Pompei and Ercolano, first in 1770 and then again in 1778. In this he was part of a group of engravers who collaborated with Benedetto Mori and the architect Augusto Rosa, considered the inventor of felloplastica, the art of building models of ancient monuments in cork. Giovanni Battista created a series of preparatory drawings on Paestum, which were completed by Francesco. Upon his father's death, shortly after the second voyage, Francesco acquired his father's publishing house and was responsible for printing most subsequent editions of his prints. Piranesi collaborated with French artist Louis Jean Desprez...

Going to Market, Jamaica Image: 24.0 x 14.0 cm Mount: 36.8 x 25.8 cm Wood engraving 1932 One of Fourteen Wood Engravings, from drawings made on Orient Line Cruises by Robert Gibbings...

Follower of Adriaen Coorte (1665-1707) 18th Century Still Life c1795 A sumptuous still life painting depicting peaches, grapes, plums, exotic birds and butterflies in the style of ...

Large English School Portrait of lady with Oranges. Circle of Michael Dahl (1659 - 1743). The painting finds many similarities with the stylistics and setting of portraits of the Pet...

Jozef Popczyk Cubist Art Deco Painting Still Life oil on poster board. Joseph Popczyk is a Polish artist known for his vivid palette and love of Cubism, and in this case, the chevrons and wavy patterns of Art Deco can also be detected. Like many of his contemporaries in Eastern Europe, the artist was born in Poland and gravitated toward Paris in the 1910s. He loved to depict the flash and jazz of club life in Paris, always with stamina and energy. This still life has outstanding elements: drinking glasses...

Art Deco elephant sculpture on marble stylized base. Spelter metal with ivoroid ( synthetic) tusks is in the lucky position to go upward. This is a great piece, showing style and mov...

An important authenticated & documented 18th century portrait by John Russell R A (1745-1809), England, signed & dated 1789. This rather charming & sensitive portrait of a young girl...

An Art Deco bronze sculpture of a man gripping a rope and pulling a rowboat ashore. It is a strong and unusual image, in contrast to the many images of men throwing spears or bending...

Fred Astaire was an American dancer, singer, actor, choreographer, and television presenter. He is widely regarded as one of the most influential dancers in the history of film and t...

This black and white portrait features Clark Gable pose on a sound stage, circa 1931. Clark Gable was an American film actor and military officer, often referred to as "The King of...

GOBILLARD Paule (1869 - 1946) Bunch of Flowers Oil on canvas signed low right Framed with gold leaves Dim canvas : 47 X 39 cm Dim frame : 67 X 59 cm GOBILLARD Paule (1869 - 1946) ...

WPA Landscape American Scene Social Realism Mid 20th Century Modern Farm Rural James McCracken (1875 – 1967) WPA Landscape 28 x 36 inches Oil on canvas, c. 1930s Signed lower right ...

Signed and dated oil on board figures in landscape by French post impressionist painter Gustave Cariot. The piece is set in Wiesbaden, Germany depicts a breathtaking view of the Rive...

Reclining Female Nude Graphite on wove paper, heightened with colors, c. 1930 Signed with the artist's initials BLL lower left (see photo) Sheet size: 8 7/16 x 6 inches Condition: Go...

Lithograph, 1930 Edition: 20; this print numbered 9/20 Printed by Meister Schulz, Berlin Excellent condition Signed, numbered and titled in pencil Provenance: Estate of the Artist Cr...

Signed still life oil on canvas circa 1936 by French cubist painter Jean Metzinger. The work depicts two peaches, a knife, four sugar cubes, a glass of red wine, a small red notebook...

Lithograph on vélin du Marais paper. Inscription: Signed in the plate. Good condition; lithograph by Miro on verso, with signature, date, and title, verso, as issued. Notes: From the...

A beautiful large signed and dated 1937 watercolour by Roland Vivian Pitchforth RA depicting the River Medway at Rochester in Kent. Fine quality and important pre-war view of Roche...

This work, offered by Titan Fine Art, formed part of the collection of paintings and family heirlooms of Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) and his wife, Baroness Marguerite (née d’Harcourt) de Cabrol de Moute (1915-2011). The couple had unimpeachable and enviable family backgrounds, and were descendants of ancient princelings; together they were one of the most prominent high-society couples of the twentieth century and counted the Duke of Duchess of Windsor amongst their closest friends. This portrait is that of Marie-Madeleine de Chamillart (died 28 May 1751) nee Nicolas de Lusse. She had a daughter, Anne, in 1692. In 1700 she married Clément Chamillart (1663-1708), President of the Accounts of the King's Chamber. The couple had a daughter, Madeleine (born 1701), who married Louis, the only son of Guillaume de Guitaut and Antoinette de Vertamont in 1719. Guillaume de Guitaut resided at Château d'Époisses in Burgundy France and his descendants still live today. A portrait of our sitter is still held at the Château. Clément Chamillart died in 1708 and our sitter remarried Jean-Baptiste de Johanne de la Carre (1678-1726), marquis de Saumery, maréchal de camp, in 1713. This marriage produced two daughters, Marguerite (died 1729) and Marie Madeleine (born 1720). Much of the beauty of this elegant portrait resides in its graceful composition – it is a fine example of French portraiture. Beautifully and meticulously rendered throughout, the sitter has been depicted three quarter length in an outdoor setting beside a potted orange tree. The lady is shown in a blue dress with silver detailed décolletage and large voluminous sleeves turned over to reveal elaborately detailed lining. The sumptuous fabrics convey a sense of wealth and prestige. The portrait is striking in its portrayal of the sumptuous fabrics and their decorative richness. The prominent sprig of orange blossom that she is holding is a traditional representation of marriage and eternal love in art, but it also alludes to youth and freshness, and by virtue of the great expense and difficulty with which it was often grown, to great wealth. In accordance with the sitter's age and the style of clothing and hair with the curls on the forehead, this portrait can be dated to the 1720s. Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) was the son of Roger de Cabrol de Moute and Helen Mary de Lassence. He was one of the more engaging personages in that delightful social constellation of social figures who animated what has become known as "Cafe Society" which was international but inevitably most at home in Paris from the 1920's until the 1960's. He married Marguerite d'Harcourt (1915-2011), known as Daisy, in Paris in 1937, the only daughter of Étienne, Marquis d'Harcourt, and his wife, Marie de Curel. The Harcourt family belongs to the circle of the oldest families in France; the founder of the family, Bernard le Danois, received the seigniory of Harcourt in the tenth century, following the conquest of Normandy. In the 11th century, his descendants took part in the conquest of England alongside William the Conqueror. Later, the Harcourt family was divided into a French branch and an English branch, which successively received the titles of barons, viscounts, and counts. Marguerite "Daisy" Marie Brigitte Emmanuelle Ghislaine d'Harcourt, Baronne de Cabrol was one of the last survivors of twentieth century French high society. Through her mother, Daisy was a descendant of the great industrial family of Wendel, with iron and steel enterprises in Lorraine; she also descended from Nicolas Soult, one of Napoleon's Marshals and three times Prime Minister of France. The couple became friends of the Duke and Duchess of Windsor in 1947, and were invited to the Chateau de la Croë, their rented house on Cap d'Antibes. There they found the exiled Windsors living in unusual post-war luxury, serving delicious food and providing fresh sheets every day. Daisy suspected that the Windsors were bored, but, having nothing else to do, were condemned to an endless round of social engagements. She and Fred were among the few allowed to see the Duchess laid out after her death in 1986. Daisy was a considerable hostess, giving a ball every year for her charity, L'Essor, to which le tout Paris would come. One of these, in 1954, was at the Palais des Glaces, in Paris (later used in the film Gigi), at which she entertained Charlie Chaplin, the Begum Aga Khan and the Windsors. According to Nancy Mitford...

This black and white portrait features Clark Gable pose on a sound stage, circa 1931. Clark Gable was an American film actor and military officer, often referred to as "The King of...

Follower of Pierre Gobert 18th century French The Duke and Duchess of Burgundy Oil on canvas Refinement and intricacy characterize these royal portra...

Artist: Saverio Manetti (Italian, 1723-1785) Title: "Eagle" (Plate V - 5) Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds) Year: 1767-1776 Medium: Original Hand-Colored Engraving on watermarked laid paper Limited edition: Unknown Printer: Unknown Publisher: heirs of Francesco Mouck (Vols. I-III), Gaetano Cambiagi (Vol. IV), Giuseppe Vanni (Vol. V), Florence, Italy Sheet size: 16.75" x 14.5" Platemark size: 13.63" x 10.88" Condition: Some minor surface marks mainly in margins. In excellent condition with strong colors Rare Notes: Provenance: private collection - Haarlem, Netherlands. Engraved and hand-colored by Italian artists Lorenzo Lorenzi (Active: 1750-1780) and Violante Vanni (1732-1776). Latin and Italian texts by Saverio Manetti. Comes from Manetti's monumental 5 book volume "Storia Naturale Degli Uccelli (The Natural History of Birds)", (1767-1776), which consists of 600 hand-colored prints, miniature and life-size prints, made from engraved plates. Unidentified watermark in very center of sheet. Comes with its accompanying information sheet. Eagle is the common name for many large birds of prey of the family Accipitridae. Eagles belong to several groups of genera, some of which are closely related. Most of the 60 species of eagle are from Eurasia and Africa. Manetti's extraordinary "Storia Naturale Degli Uccelli (The Natural History of Birds)", 1767-1776 was commissioned by Maria Luisa, the Grand Duchess of Tuscany. It is a massive 5 book volume set...

Portrait of Young Gentleman, Lord George Douglas, in an Arcadian Landscape c.1710 Attributed to Charles D'Agar (1669-1723) Depicted with bow in hand and situated against an Arcadian...

Artist: (Follower of) Nicholaes Berchem (The Elder) (Dutch, 1620-1683) Title: "Herdsmen Resting" *No signature found Circa: 1790 Medium: Original Ink Drawing on wove paper Framing: Not framed, but matted with white rag matting from Holland and gold filet Matted size: 15.25" x 17.75" Sheet size: 7.25" x 10" Condition: Light toning to sheet. A few foxmarks and a small area of discoloration upper left. In otherwise very good condition Biography: Nicolaes Pieterszoon Berchem (1 October 1620 – 18 February 1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn...

This black and white capture features Orson Welles posed seated and leaning on a chair in the studio. Orson Welles was an American actor, director, writer, and producer who worked ...

Artist: Mark Catesby (English, 1638-1749) Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62) Portfolio: Natural History of Carolina, Florida & the Bahama Islands *Monogram signed by Catesby in the plate (printed signature) lower right Year: 1771-1810 (third edition) Medium: Original Hand-Colored Etching on cream J. Ruse handmade paper Limited edition: Unknown Printer: Unknown Publisher: Benjamin White, London, UK Framing: Not framed, but recently matted in 100% cotton linen fabric matting with acid-free foam board backing Matted size: 18.88" x 22.38" Sheet size: 13.75" x 21.13" Platemark size: 10.25" x 13.75" Condition: UV staining to sheet and mat stain in margins. Some soft handling creases. In otherwise good condition Very rare Notes: Provenance: private collection - Miami, FL. Comes from Catesby's famous two volume portfolio "Natural History of Carolina, Florida & the Bahama Islands" (1771-1810) (third edition), which consists of 220 hand-colored etchings. "J. Ruse 1800" watermark lower right. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Skunks are North and South American mammals in the family Mephitidae. While related to polecats and other members of the weasel family, skunks have as their closest Old World relatives the stink badgers. The animals are known for their ability to spray a liquid with a strong, unpleasant scent. Biography: Mark Catesby (24 March 1683 – 23 December 1749) was an English naturalist. Between 1729 and 1747 Catesby published his Natural History of Carolina, Florida and the Bahama Islands, the first published account of the flora and fauna of North America. It included 220 plates of birds, reptiles, amphibians, fish, insects, mammals and plants. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Little is known of Catesby's early life. He was born in eastern England in 1683. Although Catesby does not appear to have attended university or studied for the Bar, he was sufficiently educated to write clear English and Latin. His interest in and knowledge of plants may have derived from his uncle, who maintained a botanical garden. Catesby also appears to have benefited from an acquaintance with John Ray, a leading English naturalist of the 17th century and the co-author of an early classic study of birds...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Figurative 1930's illustration of a just married couple in a classic car by Charles Kinghan (American, 1895-1984). Signed "Kinghan" in the lower left c...

The Tax Collectors Italian School, early 18th century oil on copper panel, framed framed: 14 x 11.5 inches copper panel : 11.5 x 9 inches provenance: private collection, UK conditio...

Swans Startled by Dog Flemish Old Master, 18th century oil on bevelled wood panel, framed framed: 14.5 x 17 inches panel: 10 x 13 inches provenance: private collection, UK condition:...

"Oil On Canvas Portrait Of The Eighteenth Century Entourage De Largilliere Unframed" 18th Century French School, Surroundings of Nicolas de Largilliere Presumed portrait of Pierre C...

Large still life oil painting by French artist, Constantin Font signed in the lower left. This very attractive oil on canvas hails from the 1930's. A composition that is perfecti...

Sir John Wynn, 5th Baronet Canvas Size: 50 x 40" (127 x 102cm) Outside Frame Size: 58 x 48" (147 x 122cm) Sir John Wynn, 5th Baronet (1628 – 11 January 1719) was a Welsh landowner a...

Landscape river and barn _ from Georges Gratigny Georges Gratigny was a French painter from XIX -XX. (1881-1970) Normandy He was member of the society of Normans painters. There ...

Paper Size: 16 x 12.5 inches ( 40.64 x 31.75 cm ) Image Size: 13 x 9.5 inches ( 33.02 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

Circle of Antoine Pesnes 1725 Margravine of Bayreuth Old Master Portrait A delightful portrait of a young noble woman ascribed on a label verso as la margravine de Bayreuth, 1725. P...

Sea, France, Brittany France, Impressionist, 20th, 1930, Gray, Blue, Celestial Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and ...

Italian painter (early 18th century) - Four Evangelists. 25.5 x 19 cm without frame, 29 x 22.5 cm with frame. Ancient oil painting on panel. in wooden frames. Condition report: In...

Giacomo Guardi (Venice, 1764 - Venice, 1835) View of Venice with the Giudecca Canal and the Gesuati Church oil on canvas 34 x 42 cm. - framed 40 x 50 cm. Expertise dott Federica Sp...

The Dawn - By Guido Reni (Bologna 1575 - 1642) Late Baroque painter, 18th century Oil on canvas (98 x 148 cm - Framed 108 x 159 cm) This large painting depicts the young Apollo, cr...

Giuseppe Nogari (Venice 1699 - Venice 1763) - San Rocco. 54.5 x 43.5 cm without frame, 69.5 x 59.5 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden fram...

This awesome black and white capture features Anna Wong sitting, posed against a large shadow of a dragon. Anna Wong was an American actress, considered to be the first Toisonese (T...

Pablo Picasso executed the Vollard Suite, a set of etchings depicting classically inspired imagery (the suite is name after Ambroise Vollard, the dealer who commissioned the work). T...

This early 20th-century oil painting by German artist Eugenie Dillmann (1858-1940) depicts a brisk coastal landscape with cart, figures, distant cliff-top building, and cloudy sky. ...

Anatomy veterinary is an artwork realized  in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et particulière avec la de...

Anatomy of Animals is an etching realized by Jacques Baron in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du ...