Skip to main content

Drypoint Prints and Multiples

to
439
762
201
152
46
32
Overall Width
to
Overall Height
to
413
162
126
81
65
27
17
14
10
2
2
2
94
35
35
30
24
8
114
998
133
27
103
145
88
31
82
81
130
47
25
4
772
399
21
762
576
429
229
211
197
137
85
78
63
57
39
37
36
35
35
28
26
25
25
1,313
35,885
19,299
17,658
10,522
180
233
767
327
Medium: Drypoint
A Shattering Entrance to the USA
Located in Boston, MA
Artist: Dali, Salvador Title: A Shattering Entrance to the USA Series: After 50 Years of Surrealism Date: 1974 Medium: drypoint engraving with hand coloring on Arches Unframed D...
Category

1970s Surrealist Drypoint Prints and Multiples

Materials

Engraving, Drypoint

Bassin d'Apollon, Versailles (Fountain of Appollo, Versailles).
Located in Storrs, CT
Bassin d'Apollon, Versailles (Fountain of Appollo, Versailles). Drypoint. Menpes 364. 7 1/8 x 9 1/8 (sheet 8 13/16 x 10 7/8). A very rich impression with drypoint burr and plate tone...
Category

Early 20th Century Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

SUNSET IN IRELAND (undescribed state?)
Located in Santa Monica, CA
SIR FRANCIS SEYMOUR HADEN (British 1818 -1910) SUNSET IN IRELAND 1863 (Schneiderman 47 - Appears to be an undescribed state between XI and XII) Etching and drypoint, signed in penci...
Category

1860s Impressionist Drypoint Prints and Multiples

Materials

Drypoint

Hiboux et Chouettes #5, portrait of an owl by Marjan Seyedin
Located in Palm Springs, CA
Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches Portrait of a plump and possibly perplexed owl in a nocturnal setting, by Franco-Iranian artist M...
Category

2010s Contemporary Drypoint Prints and Multiples

Materials

Drypoint, Aquatint

Man By a Radiator
By Clifford Isaac Addams
Located in Columbia, MO
Clifford Isaac Addams (May 25, 1876 – November 7, 1942) was an American painter and etcher, and a protégé of James McNeill Whistler.
Category

Early 20th Century Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category

1950s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Nude with Snail
Located in Boston, MA
Artist: Dali, Salvador Title: Nude with Snail Series: Secret Poems of Appolinaire Date: 1967 Medium: Drypoint etching Unframed Dimensions: 15" x 11" Framed Dimensions: 25.25" ...
Category

1960s Surrealist Drypoint Prints and Multiples

Materials

Drypoint, Etching

The Centenarian
Located in Storrs, CT
The Centenarian. 1930-31. Drypoint. Appleby 144. 10 5/16 x 10 3/8 (sheet 17 3/8 by 12 3/8). Edition 100. A rich impression on cream-colored 'Whatman' laid paper with full margins. Signed and numbered in ink. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category

1930s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Nude - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Nude is an original print in etching and drypoint on white paper realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through confid...
Category

Mid-20th Century Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Portrait of E.D.
Located in Chicago, IL
This impression is signed and numbered 24/25. The references for this work are: Auberty & Perussaux 191 and Ginestet & Pouillon E. 277. This is one of Jacques Villon’s great 1913...
Category

1910s Cubist Drypoint Prints and Multiples

Materials

Drypoint

Tondo Portfolio, by Jenny Robinson
Located in Palm Springs, CA
Please note that these are six individual prints, Drypoint on Okawara paper. The main image is meant to show how them might look grouped together. Each is signed and numbered by the ...
Category

21st Century and Contemporary Contemporary Drypoint Prints and Multiples

Materials

Drypoint

Tete De Femme, Modern Drypoint Etching by Fernand Leger
Located in Long Island City, NY
Tete De Femme Fernand Leger, French (1881–1955)\ Date: 1952 Drypoint Etching, stamp signed and numbered in pencil Edition of 100 Image Size: 7.75 x 4.75 inches Size: 12.5 x 9.25 in. ...
Category

1950s Drypoint Prints and Multiples

Materials

Drypoint, Etching

Mr. Thirteen (the insignificance of the significant)
Located in New Orleans, LA
"Mr. Thirteen" is an etching, engraving and drypoint created in 1995, edition: 12 signed in pencil. The print has an embossed chop in the lower right corner, a capital P in a circl...
Category

1990s Surrealist Drypoint Prints and Multiples

Materials

Etching, Engraving, Drypoint

Boissy Les-Perches
Located in Santa Monica, CA
MAURICE de VLAMINCK (1876 - 1958) BOISSY LES-PERCHES, 1951 (W148) Drypoint and etching. Unsigned but initialed in drypoint lower right in image, MV. 10 1/4 x 12 3/8 inches. Full sh...
Category

1950s Post-Impressionist Drypoint Prints and Multiples

Materials

Drypoint

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Voyages fantastiques ...
Category

1950s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Enrique Martinez Guillen, ¨La cara del tambor¨, 2001, Drypoint, 25.6x19.3 in
Located in Miami, FL
Enrique Martinez Guillen (Cuba, 1964) 'La cara del tambor', 2001 dry point on paper Guarro Super Alpha 250g. 25.6 x 19.3 in. (65 x 49 cm.) Edition of 30 ID: MA...
Category

Early 2000s Contemporary Drypoint Prints and Multiples

Materials

Paper, Drypoint

Figure - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Figure is an original etching and drypoint on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes,...
Category

Mid-20th Century Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

The Cabin
Located in Roma, IT
Beautiful proof on vélin fort, with stamp “Lugt 1048”. Full margins. Ref. Cat. Harrington 170; Schneiderman 163.
Category

1870s Modern Drypoint Prints and Multiples

Materials

Drypoint

Portrait de Rimbaud, 1962 Drypoint Etching by Jacques Villon
Located in Long Island City, NY
Portrait de Rimbaud Jacques Villon French (1875–1963) Date: 1962 Drypoint Etching on thin laid paper, signed in the plate lower right Image Size: 9 x 6.5 inches Size: 12.5 x 9.5 in...
Category

1960s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Raimundo Orozco, Untitled, 2004, Dry point, 29.6x12 in n6.3
Located in Miami, FL
Raimundo Orozco (Cuba, 1949) 'Untitled', 2004 dry point on paper Guarro Biblos 250g. 29.7 x 12 in. (75.2 x 30.4 cm.) Edition of 30 ID: ORO-306-3 Hand-signed ...
Category

Early 2000s Contemporary Drypoint Prints and Multiples

Materials

Paper, Drypoint

The Fair
Located in Storrs, CT
The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
Category

Late 19th Century American Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

La Luna
Located in New York, NY
G.Sils, "La Luna", Abstract Drypoint/Etching/Aquatint Prints signed on Paper, 8.50 x 8.50 (In Frame 13.75 x 13.75), Mid to Late 20th Century, 1969 Colors: Bro...
Category

1960s Abstract Drypoint Prints and Multiples

Materials

Drypoint, Etching, Aquatint

Composition, Feuilles éparses, Valentin Hugo
Located in Auburn Hills, MI
Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...
Category

1960s Surrealist Drypoint Prints and Multiples

Materials

Etching, Drypoint

"Dame a la Toque", fabulous drypoint etching by Paul Cesar Helleu
Located in Hinsdale, IL
HELLEU, PAUL CÉSAR (1859 - 1927) "La Dame a la Toque" (Lady in Fur Hat) Drypoint printed in colors on pale cream wove paper, c. 1906 Signed in black crayo...
Category

Early 20th Century Post-Impressionist Drypoint Prints and Multiples

Materials

Drypoint

Il Barocciaio - Etching and Drypoint by A. Checchi - 1939
Located in Roma, IT
Il barrocciaio is a superb etching, drypoint and burin on an ivory-colored laid paper, realized in 1939 by the Italian artist Arturo Checchi (1886-1971)...
Category

1930s Drypoint Prints and Multiples

Materials

Drypoint, Etching

Vieux Faust (Old Faust) - Etching - 1960s
Located in Roma, IT
Vieux Faust (Old Faust) is an artwork realized in 1968/69, from the Series "Faust" (La Nuit de Walpurgis).  Etching, Drypoint, Watercolor and Roulette on Japon Paper, Hand signed an...
Category

1960s Surrealist Drypoint Prints and Multiples

Materials

Paper, Watercolor, Drypoint, Etching

Ruhende (vom Rücken)
Located in New York, NY
Drypoint on paper, 1913. Signed by the artist and titled in pencil, in the lower margin. Framed dimension is 11"x14". Catalogue raisonne reference: Petermann 58.
Category

1910s Expressionist Drypoint Prints and Multiples

Materials

Drypoint

Nude Figure Posterior View, Figurative Drypoint Etching
Located in Soquel, CA
Limited edition drypoint etching of a nude figure from a posterior view by Jim Smyth (American, b. 1938). Numbered and signed by hand "7/15 Jim Smyth" along the bottom edge. Presented in a new cream and off-white double mat. No frame. Image size: 14.75"H x 10.75"W Jim Smyth (American, b. 1938) has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy and the Art Students league. He is also a graduate from UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with an extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deep etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian. In 2002 Jim was invited to study at the Academy of Art in St. Petersburg, Russia, where he worked in Life Drawing and Life Painting. Smyth is a popular lecturer, a sought after demonstrator and juror. He is the recipient of many awards for both his painting and his teaching. In 1988 and again in 2003, he received the Kenneth Washburn...
Category

Late 20th Century American Impressionist Drypoint Prints and Multiples

Materials

Paper, Ink, Drypoint

The Examination - Original etching - 1951
Located in Paris, IDF
Andre DERAIN The Examination Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition
Category

1950s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Sisters - Figurative Etching Print Monochromatic Surreal Black & white
Located in Warsaw, PL
Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...
Category

2010s Contemporary Drypoint Prints and Multiples

Materials

Paper, Drypoint

Le Buste - Etching - 1960s
Located in Roma, IT
Le Buste, from the Series "Faust" (La Nuit de Walpurgis), is an artwork realized in 1968/69. Etching, Drypoint, Watercolor and Roulette on Japon Paper. Hand signed and numbered. Ed...
Category

1960s Surrealist Drypoint Prints and Multiples

Materials

Paper, Watercolor, Drypoint, Etching

Le Buste - Etching  - 1960s
$1,982 Sale Price
25% Off
Lumbermen.
Located in Storrs, CT
Lumbermen. 1923. Etching. Appleby 91. 9 x 12 (sheet 12 3/8 x 18 1/8). Edition 100. A cleanly-wiped impression printed on off-white 'FG Head & Co' laid paper with full margins. Signed...
Category

1920s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Lumbermen.
Lumbermen.
$500 Sale Price
33% Off
Soup
Located in Storrs, CT
Soup. 1920. Drypoint. Appleby 65. 9 x 8 1/8 (sheet 15 x 11 9/16). Edition 100. Illlustrated: Print Collector's Quarterly 13 (1926): 85. Signed in pencil. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category

1920s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Branches Gold, Limited edition print, Landscape, Tree, Nature art
Located in Deddington, GB
Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...
Category

2010s Contemporary Drypoint Prints and Multiples

Materials

Drypoint, Etching

Carlos Rios, "El Salto", 2010, Drypoint, 27.8x19.1 in
Located in Miami, FL
Carlos Rios (Cuba, 1958) 'El Salto', 2010 dry point, engraving on paper Guarro Super Alpha 250g. 27.8 x 19.1 in. (70.5 x 48.5 cm.) Edition of 10 ID: RIO-10...
Category

2010s Contemporary Drypoint Prints and Multiples

Materials

Paper, Engraving, Drypoint

Early 20th Century European Architecture Drypoint Etching c.1930
Located in San Francisco, CA
Early 20th Century European Architecture Drypoint Etching c.1930 This fine etching is pencil signed in the lower right corner (illegible - see i...
Category

Early 20th Century Impressionist Drypoint Prints and Multiples

Materials

Drypoint

Mission Dolores
Located in Boston, MA
Artist: Dali, Salvador Title: Mission Dolores Series: San Francisco Date: 1970 Medium: Drypoint with lithographed color Framed Dimensions: 33" x 27" Signature: Pencil signed E...
Category

1970s Surrealist Drypoint Prints and Multiples

Materials

Drypoint, Lithograph

Eduardo Roca (Choco), ¨Mother II¨, 2004, Drypoint, 19.3x15.4 in
Located in Miami, FL
Eduardo ¨Choco¨ Roca Salazar (Cuba, 1949) 'Mother II ', 2004 dry point on paper Guarro Super Alpha 250g. 19.3 x 15.4 in. (49 x 39 cm.) Edition of 20 ID: CHO-112 Unframed
Category

Early 2000s Contemporary Drypoint Prints and Multiples

Materials

Paper, Screen, Drypoint

Tool Drypoint: Wrench by Jim Dine, black and white tool still life sketch
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category

1970s Modern Drypoint Prints and Multiples

Materials

Drypoint

Alpino - Etching by Anselmo Bucci - 1917
Located in Roma, IT
Image dimensions: 10 x 9.5 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Anse...
Category

1910s Futurist Drypoint Prints and Multiples

Materials

Drypoint, Etching

Woodland
Located in New York, NY
Adams Wirt Garrett was a Texas native who was raised in Oklahoma and came to New York City. He earned a Masters Degree in Art from Columbia University and attend the Art Students Lea...
Category

1930s Abstract Impressionist Drypoint Prints and Multiples

Materials

Drypoint

Flight above manor. Figurative Etching Print, Black and white, Polish Art
Located in Warsaw, PL
Black and white figurative drypoint etching print by Polish artist Czeslaw Tumielewicz. Artwork depicts three people flying above a residency. There is moon, sun and a sea in the bac...
Category

2010s Contemporary Drypoint Prints and Multiples

Materials

Paper, Drypoint

"Dark Box" Drypoint Etching with Aquatint (no. 10/20)
Located in Soquel, CA
Finely balanced etching by Benjamin Vasserman (Estonian, b 1949). A squash sits atop a small black box with a latch. There is a drapery behind the squa...
Category

1980s Expressionist Drypoint Prints and Multiples

Materials

Paper, Ink, Drypoint, Aquatint

Chester Cathedral - Drypoint Etching in Ink on Paper
Located in Soquel, CA
Chester Cathedral - Drypoint Etching in Ink on Paper Dramatic drypoint etching by J. Alphege Brewer (British, 1881-1946). This composition shows the interior of Chester Cathedral in Brewer's characteristic style - highly detailed and with strong contrast. The scene encompasses the cathedral from floor to ceiling, capturing the immense size of the building. There are several people in the scene which contribute to the sense of scale. Signed by hand "J. Alphege Brewer" in the lower right corner. Titled "Chester Cathedral" in plate, lower left corner. Includes original card with artist's name. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 7.75"W James Alphege Brewer was well known in the early 20th century as a producer of color etchings of European cathedrals and other scenes of church, college, and community. He was born July 24, 1881, in the Kensington section of London, England, the son of Henry W. Brewer, noted artist of historical architecture and prominent convert to the Catholic Church, and the grandson of John Sherren Brewer, Jr., “the brilliant editor of the Calendar of Letters of Henry VIII.” His great uncle was E. Cobham Brewer, the polymath who compiled Brewer’s Dictionary of Phrase and Fable. Among his older siblings were the artist Henry C. Brewer and the organist and writer John Francis Brewer. Brewer attended the Westminster School of Art in London, where his brother Henry also trained. In 1910, he married Florence Emma Lucas, an accomplished painter in oil and watercolor, whose father was the noted landscape artist George Lucas and whose great uncle was David Lucas, the famous engraver for John Constable. Florence's brothers Edwin and George assisted Brewer in the printing of Brewer's etchings. Brewer exhibited at the Royal Academy (RA) and the Royal Institute of Painters in Watercolour (RI), at the Paris Salon of the Académie des Beaux-Arts, and in the shows of the Royal Cambrian Academy (RCA). He became an associate of the Royal Cambrian Academy in 1929 and a full member in the last two years of his life. He was also a member of the Hampstead Society of Artists, the Society of Graphic Art, and the Ealing Arts Club, where he was first Honorary Art Secretary and then Honorary Art Chairman. Most of Brewer's larger etchings were published by Alfred Bell...
Category

Early 20th Century Romantic Drypoint Prints and Multiples

Materials

Paper, Ink, Drypoint

Oedipus - Etching by Giacomo Manzù - 1968
Located in Roma, IT
A Scene from King Oedipus is an original etching realized by Giacomo Manzù in 1968. Racolin Press inc New York, Officina Bosoni Verona. Numbered on th...
Category

1960s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Hiboux et Chouettes #10, portrait of an owl by Marjan Seyedin
Located in Palm Springs, CA
Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches Portrait of a plump and possibly perplexed owl in a nocturnal setting, by Franco-Iranian artist M...
Category

2010s Contemporary Drypoint Prints and Multiples

Materials

Drypoint, Aquatint

Group of three Clowns - Etching and Drypoint by Jean Lurçat - 1921
Located in Roma, IT
Hand Signed and signed on plate. Edition of 35 prints. Image Dimensions : 30 x 20 cm This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created ove...
Category

1920s Post-Impressionist Drypoint Prints and Multiples

Materials

Drypoint, Etching

Summer
Located in Storrs, CT
Summer. 1914. Drypoint. Appleby 46. 6 7/8 x 4 7/8 (sheet 11 5/8 x 9 3/16). Edition 77. A fine impression printed on cream wove paper on the full sheet with deckle edges. Signed in pe...
Category

1910s Modern Drypoint Prints and Multiples

Materials

Drypoint

Bernard Sanders, (Mesopotamian Figure)
Located in New York, NY
Clearly Sanders was looking at ancient Mesopotamian figures. Even the elaborate feathered wings can be found there -- made about 5000 years ago! There's an initial 'S' in the plate...
Category

Early 20th Century American Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Model
Located in Roma, IT
Charming original drypoint on ivory coloured plate realized by Giuseppe De Nittis between 1870 and 1880. Signed on plate lower left margin, not numbered and in perfect conditions. In...
Category

1870s Modern Drypoint Prints and Multiples

Materials

Drypoint

Model
$2,342 Sale Price
25% Off
The Drunk King - Original etching - 1951
Located in Paris, IDF
Andre DERAIN The Drunk King Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition
Category

1950s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

The Wrestlers - Original etching - 1951
Located in Paris, IDF
Andre DERAIN The Wrestlers Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition
Category

1950s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Poggio a Caiano - Etching and Drypoint by A. Soffici - 1964
Located in Roma, IT
Poggio a Caiano is an original black and white etching realized by Ardengo Soffici in 1964. Hand written dedication on the right margin "Per Ardengo Soffici, Maria Soffici". Number...
Category

1960s Drypoint Prints and Multiples

Materials

Drypoint, Etching

The Wasp, 1942 (Histoire Naturelle - Textes de Buffon, B.351)
Located in Greenwich, CT
The Wasp is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, u...
Category

20th Century Modern Drypoint Prints and Multiples

Materials

Drypoint, Aquatint

Laurencin, Tête de jeune fille (Marchesseau 250), Du cubisme (after)
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category

1940s Modern Drypoint Prints and Multiples

Materials

Drypoint

The Spirit Of Dutchess County Extending Her Blessings (Edition 6/15)
By Margaret Harris
Located in New York, NY
Margaret Harris (American) " The Spirit Of Dutchess County Extending Her Blessings" Edition 6/15, Figurative Etching/Drypoint/Aquatint signed and numbe...
Category

Mid-20th Century Abstract Drypoint Prints and Multiples

Materials

Drypoint, Etching

Dans la Poudrière - Etching and Drypoint by Anselmo Bucci - 1917
Located in Roma, IT
Dans la Poudrière - from "Le Croquis du Front Italien" is an Etching and Drypoint realized by the Italian Artist Anselmo Bucci, in 1917. Hand signed on the right margin . Edition n. 68/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Good conditions, except for a light yellowing of the paper. Anselmo Bucci (1887-1955) was an Italian painter and printmaker. He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category

1910s Modern Drypoint Prints and Multiples

Materials

Etching, Drypoint

Capturas
Located in New Orleans, LA
4 individual drypoint engravings sold as a grouping that forms the whole. There are only 5 sets. This is #2 of 5. Paper size is 30 x 32 cm. Paper is Grabado, Punta seca. Graduat...
Category

21st Century and Contemporary Modern Drypoint Prints and Multiples

Materials

Engraving, Drypoint

Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category

1950s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Original Drypoint Art and Other Fine Art Prints

Original drypoint prints and other types of fine art prints can help enhance any room in your home while supporting your effort to tie an interior design together.

Similar to engraving, with drypoint, an artist incises a metal plate with a sharp tool. As the metal is carved, metal shavings, also called the burr, build up in the grooves. But unlike with engraving, the burr is not cleaned away with drypoint, resulting in very soft, velvety lines. Since the burr slowly wears away with each printing, fewer impressions can be made, and the first impression tends to be stronger than the last — a characteristic that sets the technique apart from many other printing methods.

Drypoint is a simple technique used to produce intaglio prints. Intaglio is a broad term for the variety of methods used to create images by incising a metal plate, either with a sharp instrument (engraving, drypoint and mezzotint) or with acid (etching, aquatint and photogravure). 

“If you talk to great artists, they see printmaking as another part of their practice that often informs what they do,” says Sharon Coplan Hurowitz, a print specialist and art adviser who has worked on major print projects over the years with Johns and Ellsworth Kelly and authored the catalogue raisonné of John Baldessari’s prints

Find a collection of drypoint art and other types of prints on 1stDibs.

Recently Viewed

View All