Art Deco Spiegel

The development of bentwood for use in furniture is one of history’s most significant innovations in design. A range of renowned mid-century modern designers such as Alvar Aalto, Arne Jacobsen, and Charles and Ray Eames drew heavily on this technological advancement, and the success of their enduring works owes to the efforts of pioneering German-Austrian industrialist and designer Michael Thonet — founder of Thonet and widely considered the father of bentwood furniture. 

Bentwood furniture dates as far back as the Middle Ages, but it is the 19th-century cabinetmaker and master of parquetry Michael Thonet who is most often associated with this now-classic technique. Thonet in 1856 patented a method for bending solid wood through the use of steam, and from there, the bentwood look skyrocketed to furniture fame. He experimented with bending birch rods into rounded shapes — forming delicately seductive, curving Art Nouveau creations that were a daring departure from the heavy, hand-carved designs attributed to his contemporaries. 

The Boppard-born Thonet honed his carpentry skills in his father’s workshop, where he carried out experiments with plywood and modified the Biedermeier chairs that populated the studio. He received an invitation from Austrian Chancellor Prince Metternich to contribute Neo-Rococo interiors to the Liechtenstein City Palace in Vienna. From there, the cabinetmaker gained international recognition, including at London’s Great Exhibition of 1851, which featured works created by members of the Arts and Crafts movement as well as industrial products. Thonet showed a range of furniture at the fair and won the bronze medal for his bentwood chairs. He ​​incorporated his family’s company, the Thonet Brothers — or Gebrüder Thonet — with his sons in 1853. 

Considered the world’s oldest mass-produced chair, Michael Thonet’s ubiquitous Chair No. 14 demonstrated that his patented bentwood technology made it possible to efficiently produce furniture on an industrial scale.

Often called the Coffee House chair — the company’s first substantial order was for a Viennese coffeehouse — the No. 14 remains an icon. Thonet originally designed the chair in 1859, and it is considered the starting point for modern furniture. Composed of just six parts, the chair, with its simple, lightweight design, belies its durability. The No. 14 was followed by the No. 18, or the Bistro chair, in 1867, and the 209, or the Architect’s chair, of which Le Corbusier was a fan. (The influential Swiss-French architect and designer used Thonet furniture in his Pavillon de l’Esprit Nouveau at the 1925 International Exposition of Decorative Arts in Paris.)

The business began mass-producing furniture. By the end of the 1850s, there were additional Thonet workshops in Eastern Europe and hundreds of employees. Michael Thonet’s reputation attracted the attention of notable architects including Otto Wagner, Marcel Breuer and Ludwig Mies van der Rohe. 

Thonet’s patented bentwood technology also yielded an improvement to rocking chairs for his company — in the middle of the 19th century, Michael produced a series of rockers in which the different curved parts were integrated into fluid, sinuous wholes. Thanks to Thonet, the humble rocker acquired something unexpected: style. And bentwood furniture was embraced by a series of design greats — the innovation can be found in the seating that Josef Hoffman designed for Thonet, in the elegant Superleggera chair created by Gio Ponti and Alvar Aalto’s expressive Paimio armchair. 

The No. 14 chair earned a gold medal at the 1867 Paris World’s Fair and reportedly sold 50 million copies prior to World War I. Today it’s a staple furnishing in countless movies, television shows, restaurants, bars and homes. 

On 1stDibs, find an array of antique Michael Thonet seating, tables and more.

Art Deco furniture is characterized by its celebration of modern life. More than its emphasis on natural wood grains and focus on traditional craftsmanship, vintage Art Deco dining chairs, tables, desks, cabinets and other furniture — which typically refers to pieces produced during the 1920s and 1930s — is an ode to the glamour of the “Roaring Twenties.” 

ORIGINS OF ART DECO FURNITURE DESIGN

• Emerged in the 1920s 
• Flourished while the popularity of Art Nouveau declined
• Term derives from 1925’s Exposition Internationale des Arts Décoratifs et Industriels Modernes (International Exhibition of Modern Decorative and Industrial Arts) in Paris, France
• Informed by Ancient Egypt, Cubism, Futurism, Louis XVI, De Stijl, modernism and the Vienna Secession; influenced Streamline Moderne and mid-century modernism 

CHARACTERISTICS OF ART DECO FURNITURE DESIGN

• Bold geometric lines and forms, floral motifs
• Use of expensive materials such as shagreen or marble as well as exotic woods such as mahogany, ebony and zebra wood
• Metal accents, shimmering mirrored finishes
• Embellishments made from exotic animal hides, inlays of mother-of-pearl or ivory

ART DECO FURNITURE DESIGNERS TO KNOW

• Émile-Jacques Ruhlmann
• René Lalique
• Eileen Gray
• Jean Dunand
• Donald Deskey
• Jean Perzel

VINTAGE ART DECO FURNITURE ON 1STDIBS

Few design styles are as universally recognized and appreciated as Art Deco. The term alone conjures visions of the Roaring Twenties, Machine Age metropolises, vast ocean liners, sleek typography and Prohibition-era hedonism. The iconic movement made an indelible mark on all fields of design throughout the 1920s and ’30s, celebrating society’s growing industrialization with refined elegance and stunning craftsmanship.

Widely known designers associated with the Art Deco style include Émile-Jacques Ruhlmann, Eileen Gray, Maurice Dufrêne, Paul Follot and Jules Leleu.

The term Art Deco derives from the name of a large decorative arts exhibition held in Paris in 1925. “Art Deco design” is often used broadly, to describe the work of creators in associated or ancillary styles. This is particularly true of American Art Deco, which is also called Streamline Moderne or Machine Age design. (Streamline Moderne, sometimes known as Art Moderne, was a phenomenon largely of the 1930s, post–Art Nouveau.)

Art Deco textile designers employed dazzling floral motifs and vivid colors, and while Art Deco furniture makers respected the dark woods and modern metals with which they worked, they frequently incorporated decorative embellishments such as exotic animal hides as well as veneers in their seating, case pieces, living room sets and bedroom furniture.

From mother-of-pearl inlaid vitrines to chrome aviator chairs, bold and inventive works in the Art Deco style include chaise longues (also known as chaise lounges) and curved armchairs. Today, the style is still favored by interior designers looking to infuse a home with an air of luxury and sophistication.

The vintage Art Deco furniture for sale on 1stDibs includes dressers, coffee tables, decorative objects and more.

The road from early innovations in reflective glass to the alluring antique and vintage mirrors in trendy modern interiors has been a long one but we’re reminded of the journey everywhere we look.

In many respects, wall mirrors, floor mirrors and full-length mirrors are to interior design what jeans are to dressing. Exceedingly versatile. Universally flattering. Unobtrusively elegant. And while all mirrors are not created equal, even in their most elaborate incarnation, they're still the heavy lifters of interior design, visually enlarging and illuminating any space. 

We’ve come a great distance from the polished stone that served as mirrors in Central America thousands of years ago or the copper mirrors of Mesopotamia before that. Today’s coveted glass Venetian mirrors, which should be cleaned with a solution of white vinegar and water, were likely produced in Italy beginning in the 1500s, while antique mirrors originating during the 19th century can add the rustic farmhouse feel to your mudroom that you didn’t know you needed.

By the early 20th century, experiments with various alloys allowed for mirrors to be made inexpensively. The geometric shapes and beveled edges that characterize mirrors crafted in the Art Deco style of the 1920s can bring pizzazz to your entryway, while an ornate LaBarge mirror made in the Hollywood Regency style makes a statement in any bedroom. Friedman Brothers is a particularly popular manufacturer known for decorative round and rectangular framed mirrors designed in the Rococo, Louis XVI and other styles, including dramatic wall mirrors framed in gold faux bamboo that bear the hallmarks of Asian design. 

Perhaps unsurprisingly, mid-century modernism continues to influence the design of contemporary mirrors. Today’s simple yet chic mantel mirror frames, for example, often neutral in color, owe to the understated mirror designs introduced in the postwar era.

Sculptor and furniture maker Paul Evans had been making collage-style cabinets since at least the late 1950s when he designed his Patchwork mirror — part of a series that yielded expressive works of combined brass, copper and pewter — for Directional Furniture during the mid-1960s. Several books celebrating Evans’s work were published beginning in the early 2000s, as his unconventional furniture has been enjoying a moment not unlike the resurgence that the Ultrafragola mirror is seeing. Designed by the Memphis Group’s Ettore Sottsass in 1970, the Ultrafragola mirror, in all its sensuous acrylic splendor, has become somewhat of a star thanks to much-lauded appearances in shelter magazines and on social media.

On 1stDibs, we have a broad selection of vintage and antique mirrors and tips on how to style your contemporary mirror too.