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Doree Guzzini

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Lampadaire arc par Harvey Guzzini, édition limitée "ligne dorée"
By Harvey Guzzini
Located in Busserolles, FR
Ce grand lampadaire arc a été réalisée par Harvey Guzzini, un célèbre designer italien, dans les
Category

Vintage 1960s Italian Mid-Century Modern Floor Lamps

Materials

Breccia Marble, Brass

Lampadaire arc par Harvey Guzzini, 1970
By Guzzini, Harvey Guzzini
Located in Busserolles, FR
Ce grand lampadaire arc a été réalisée par Harvey Guzzini, célèbre designer italien, dans les
Category

Vintage 1970s Italian Mid-Century Modern Floor Lamps

Materials

Breccia Marble, Brass

Lampadaire arc par Harvey Guzzini, 1970
Lampadaire arc par Harvey Guzzini, 1970
H 78.75 in W 70.87 in D 11.82 in
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Harvey Guzzini for sale on 1stDibs

Harvey Guzzini may sound like a single designer, but it was actually a mid-century Italian lighting company started by six brothers in the Guzzini family: Giovanni, Raimondo, Giuseppe, Adolfo, Virgilio and Giannunzio. The first part of the name was an homage to the 1950 film Harvey. Compounding the historical record even further, it seems that the Guzzini company rebranded many times in the 20th century, going by, at various points, Harvey Creazioni, Guzzini, Illuminazione Guzzini and iGuzzini

The Harvey Guzzini brand produced a range of fixtures during the postwar years, including table lamps, floor lamps and pendant lights

Harvey Guzzini was founded in 1959 in a room of Giovanni's home in the town of Recanati. Initially, the company was focused on making copper decorative objects. The brothers quickly established their own studio space and, in 1963, they expanded into lighting production. The following year, they hired prolific Italian designer Luigi Massoni as head of design. In addition to Harvey Guzzini, Massoni was involved with many of Italy’s most influential brands, such as Poltrona Frau and Alessi

Another key to the growing success of Harvey Guzzini was partnerships with a number of Italy's most prominent designers, including Gio Ponti, Fabio Lenci, Rodolfo Bonetto, Cesare Casati and Ennio Lucini.

From 1967 to 1968, Harvey Guzzini also participated in “Domus: Formes Italiennes,” an exhibition held at the Galeries Lafayette in Paris. By 1969, the company had grown into one of the best-known design firms in the country and opened a retail outlet in central Milan. Famous Harvey Guzzini designs include Massoni and Luciano Buttura's Mushroom table lamp (1965) as well as the in-house designed Arc floor lamp (1968), Faro table lamp (1970) and Toledo table lamp (1973). 

In 1974, Harvey Guzzini rebranded as iGuzzini. The company introduced a range of new and technically advanced lighting fixtures, including low-voltage halogen lamps. In 1977, iGuzzini organized the first Italian lighting design conference. In 1991, it was awarded the Compasso d'Oro for its commitment to design.

Today, iGuzzini remains headquartered in Recanati and is a leading international architectural lighting group with a rich heritage spanning more than six decades since its early days as Harvey Guzzini. The company creates lighting fixtures for workplaces, city infrastructure and even cultural heritage sites.

On 1stDibs, find a collection of vintage Harvey Guzzini table lamps, floor lamps and other lighting.

A Close Look at mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Materials: brass Furniture

Whether burnished or lacquered, antique, new and vintage brass furniture can elevate a room.

From traditional spaces that use brass as an accent — by way of brass dining chairs or brass pendant lights — to contemporary rooms that embrace bold brass decor, there are many ways to incorporate the golden-hued metal.

“I find mixed metals to be a very updated approach, as opposed to the old days, when it was all shiny brass of dulled-out silver tones,” says interior designer Drew McGukin. “I especially love working with brass and blackened steel for added warmth and tonality. To me, aged brass is complementary across many design styles and can trend contemporary or traditional when pushed either way.”

He proves his point in a San Francisco entryway, where a Lindsey Adelman light fixture hangs above a limited-edition table and stools by Kelly Wearstleralso an enthusiast of juxtapositions — all providing bronze accents. The walls were hand-painted by artist Caroline Lizarraga and the ombré stair runner is by DMc.

West Coast designer Catherine Kwong chose a sleek brass and lacquered-parchment credenza by Scala Luxury to fit this San Francisco apartment. “The design of this sideboard is reminiscent of work by French modernist Jean Prouvé. The brass font imbues the space with warmth and the round ‘portholes’ provide an arresting geometric element.”

Find antique, new and vintage brass tables, case pieces and other furnishings now on 1stDibs.

Finding the Right floor-lamps for You

The modern floor lamp is an evolution of torchères — tall floor candelabras that originated in France as a revolutionary development in lighting homes toward the end of the 17th century. Owing to the advent of electricity and the introduction of new materials as a part of lighting design, floor lamps have taken on new forms and configurations over the years. 

In the early 1920s, Art Deco lighting artisans worked with dark woods and modern metals, introducing unique designs that still inspire the look of modern floor lamps developed by contemporary firms such as Luxxu

Popular mid-century floor lamps include everything from the enchanting fixtures by the Italian lighting artisans at Stilnovo to the distinctly functional Grasshopper floor lamp created by Scandinavian design pioneer Greta Magnusson-Grossman to the Paracarro floor lamp by the Venetian master glass workers at Mazzega. Among the more celebrated names in mid-century lighting design are Milanese innovators Achille and Pier Giacomo Castiglioni, who, along with their eldest brother, Livio, worked for their own firm as architects and designers. While Livio departed the practice in 1952, Achille and Pier Giacomo would go on to design the Arco floor lamp, the Toio floor lamp and more for legendary lighting brands such as FLOS

Today’s upscale interiors frequently integrate the otherworldly custom lighting solutions created by a wealth of contemporary firms and designers such as Spain’s Masquespacio, whose Wink floor lamps integrate gold as well as fabric fringes. 

Visual artists and industrial designers have a penchant for floor lamps, possibly because they’re so often a clever marriage of design and the functions of lighting. A good floor lamp can change the mood of any room while adding a touch of elegance to your entire space. Find yours now on 1stDibs.