Ethan Allen Dining Chairs And Table

No other American mid-century furniture line has become as synonymous with a certain type of curvilinear decoration as Broyhill’s Brasilia group. While its revered cabinets, dressers, dining chairs and more were made in the United States, the inspiration for the distinguishing characteristics of vintage Broyhill Brasilia furniture can actually be found in Latin American architecture.

Broyhill Furniture Industries was launched in Lenoir, North Carolina by brothers Thomas H. and James Edgar “Ed” Broyhill. Ed had been working for his brother’s furniture manufacturing company, the Lenoir Furniture Corporation, which produced bedroom furnishings in the 1920s, when a nearby supplier’s factory, Bernhardt Chair Company, burned in a fire.

Ed founded Lenoir Chair Company and expanded its operations while remaining an employee at Lenoir Furniture Corporation. He subsequently partnered with Thomas and together they purchased Harper Furniture Company, a local producer of Colonial Revival-style furniture, in 1929.

By the 1940s, Broyhill Furniture Industries had absorbed more factories and gained footing as a strong competitor of Lenoir’s Kent-Coffey Manufacturing Company and a rebuilt Bernhardt Furniture.

In the mid-1950s, responding to changing tastes and to an appetite for what is now universally known as mid-century modern furnishings, the firm launched its Broyhill Premier line with the Sculptra series. Sculptra pieces featured a square-within-a-square motif and horizontal cat’s-eye-shaped drawer pulls. Later, in 1962, the Broyhill Brasilia furniture group debuted at the Seattle World’s Fair. The collection was heavily inspired by Oscar Niemeyer’s modernist buildings for the eponymous Brazilian capital.

Designed and built by Niemeyer between 1956 and 1960, the modernist architecture of Brasília’s state capitol buildings has since taken on iconic status. The elegant curves of Niemeyer's works — those that characterize the white concrete structures that encase Palácio do Planalto in addition to the fluid inverted arches of the Supreme Federal Court Building — can be seen in the pronounced decorative elements that adorn the Broyhill Brasilia group’s sleek walnut highboy dressers, specifically in their striking brass drawer-pull arches and carved moldings. While considerably popular during the 1960s, the production of the Brasilia line — with its beloved two-tiered bedside tables and tasteful credenzas — was discontinued in 1970.

On 1stDibs, browse vintage mid-century Broyhill Brasilia furniture, such as its walnut dressers, dining chairs, case pieces and more.

Chairs are an indispensable component of your home and office. Can you imagine your life without the vintage, new or antique chairs you love?

With the exception of rocking chairs, the majority of the seating in our homes today — Windsor chairs, chaise longues, wingback chairs — originated in either England or France. Art Nouveau chairs, the style of which also originated in those regions, embraced the inherent magnificence of the natural world with decorative flourishes and refined designs that blended both curved and geometric contour lines. While craftsmanship and styles have evolved in the past century, chairs have had a singular significance in our lives, no matter what your favorite chair looks like.

“The chair is the piece of furniture that is closest to human beings,” said Hans Wegner. The revered Danish cabinetmaker and furniture designer was prolific, having designed nearly 500 chairs over the course of his lifetime. His beloved designs include the Wishbone chair, the wingback Papa Bear chair and many more.

Other designers of Scandinavian modernist chairs introduced new dynamics to this staple with sculptural flowing lines, curvaceous shapes and efficient functionality. The Paimio armchair, Swan chair and Panton chair are vintage works of Finnish and Danish seating that left an indelible mark on the history of good furniture design.

“What works good is better than what looks good, because what works good lasts,” said Ray Eames. 

Visionary polymaths Ray and Charles Eames experimented with bent plywood and fiberglass with the goal of producing affordable furniture for a mass market. Like other celebrated mid-century modern furniture designers of elegant low-profile furnishings — among them Ludwig Mies van der Rohe and Finn Juhl — the Eameses considered ergonomic support, durability and cost, all of which should be top of mind when shopping for the perfect chair. The mid-century years yielded many popular chairs.

The Eameses introduced numerous icons for manufacturer Herman Miller, such as the Eames lounge chair and ottoman, molded plywood dining chairs the DCM and DCW (which can be artfully mismatched around your dining table) and a wealth of other treasured pieces for the home and office. 

A good chair anchors us to a place and can become an object of timeless appeal. Take a seat and browse the rich variety of vintage, new and antique chairs on 1stDibs today.