Lelii 12712

Angelo Lelii’s energetic and imaginative floor lamps, sconces and chandeliers often reflected his singular personality — whimsical but practical. He is responsible for some of the most delightfully eye-pleasing but functional works in the history of Italian mid-century modern lighting design.

Lelii was born Paolo Angelo Lelii in the seaport town of Ancona and moved to Milan when he was quite young. Not much is known about his early life — online resources frequently have his last name misspelled “Lelli” — except that he studied at the Superior Institute of Industrial Art in nearby Monza.

While there was no shortage of pioneering work being done in the field of mid-century modern lighting design, Lelii was a visionary whose dream was to create technologically advanced lighting that embodied the simple lines of modern design but would be defined by his own imaginative twists. In 1943, Lelii opened his first workshop in a tiny basement in Monza, under the name Arredoluce. A few years later, he designed the single-light, bent-arm Tris floor lamp. Later that year, he exhibited his Triennale floor lamp at the Milan Triennale VIII and garnered wide acclaim. This iconic, slender lamp features three adjustable arms with enameled aluminum shades.

Lelii’s sculptural fixtures in brass and cast iron appeared in the acclaimed design journal Domus, and he embarked on high-profile collaborations with Italian modernist legends such as Gio Ponti — a giant of architecture and design as well as a founder of Domus — Memphis Group member Ettore Sottsass Jr. and the brothers Castiglioni (formally known as Achille, Pier Giacomo and Livio).

Massive success followed for Arredoluce from the late 1950s and into the 1960s. For Lelii, there was his seminal Stella ceiling lamp, featuring opaque, acid-etched glass globe shades; his minimalist Cobra table lamp, which was one of the world’s first low voltage light fixtures; and his aptly named Eye floor lamp. Lelii continued to oversee design and production at his revolutionary lighting firm until his death in 1979.

Find vintage Angelo Lelii lighting on 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

The right table lamp, outwardly sculptural chandelier or understated wall pendant can work wonders for your home. While we’re indebted to thinkers like Thomas Edison for critically important advancements in lighting and electricity, we’re still finding new ways to customize illumination to fit our personal spaces all these years later. A wide range of antique and vintage lighting can be found on 1stDibs.

Today, lighting designers like the self-taught Bec Brittain have used the flexible structure of LEDs to craft glamorous solutions by working with what is typically considered a harsh lighting source. By integrating glass and mirrors, reflection can be used to soften the glow from LEDs and warmly welcome light into any space.

Although contemporary innovators continue to impress, some of the classics can’t be beat. 

Just as gazing at the stars allows you to glimpse the universe’s past, vintage chandeliers like those designed by Gino Sarfatti and J. & L. Lobmeyr, for example, put on a similarly stunning show, each with a rich story to tell.

As dazzling as it is, the Arco lamp, on the other hand, prioritizes functionality — it’s wholly mobile, no drilling required. Designed in 1962 by architect-product designers Achille & Pier Giacomo Castiglioni, the piece takes the traditional form of a streetlamp and creates an elegant, arching floor fixture for at-home use.

There is no shortage of modernist lighting similarly prized by collectors and casual enthusiasts alike — there are Art Deco table lamps created in a universally appreciated style, the Tripod floor lamp by T.H. Robsjohn-Gibbings, Greta Magnusson Grossman's sleek and minimalist Grasshopper lamps and, of course, the wealth of mid-century experimental lighting that emerged from Italian artisans at Arredoluce, FLOS and many more are hallmarks in illumination innovation. 

With decades of design evolution behind it, home lighting is no longer just practical. Crystalline shaping by designers like Gabriel Scott turns every lighting apparatus into a luxury accessory. A new installation doesn’t merely showcase a space; carefully chosen ceiling lights, table lamps and floor lamps can create a mood, spotlight a favorite piece or highlight your unique personality.

The sparkle that your space has been missing is waiting for you amid the growing collection of antique, vintage and contemporary lighting for sale on 1stDibs.