Modern Teak Credenza Cambre

In its inaugural days, iconic mid-century modern furniture brand Craft Associates was largely the work of founder and forward-thinking designer Adrian Pearsall and his wife, Dorie. The pair assembled sexy, stylish furniture in their Pennsylvania basement that they later sold from the back of a truck to the era’s marquee department stores in Philadelphia and New York City.

The New York–born Pearsall (1925–2011) served in the Navy before earning his architectural engineering degree from the University of Illinois in 1950. He abandoned architecture after only a couple of years and turned instead to furniture design, opening Craft Associates in 1952 to sell his sophisticated living room seating, dining room furnishings and more. Flush with dynamic angles and clean lines, Pearsall’s sculptural, expressive designs — coffee tables, luxurious lounge chairs and more — helped define the style of the Atomic Age. With the help of Dorie and working in partnership with his brother Richard, Pearsall oversaw the expansion of Craft Associates into a leading employer of Wilkes-Barre, Pennsylvania, with popular furniture including architecturally striking tables as well as plush beanbag chairs.

From Craft, there was Pearsall’s low-slung Gondola sofa, which embraces the sitter with its enveloping, geometrically rich form, his range of glass-topped tables — most boasting provocatively shaped wood slabs that serve as bases — as well as his skinny, high-backed upholstered walnut armchairs. Pearsall drew on his background in architecture for the organic and eye-catching structures of these pieces in addition to his larger scale work. One of his biggest projects was the complete design of his family’s 10,000-square-foot Pennsylvania home in Forty Fort, which boasted an indoor pool, sauna, tennis court and ice cream bar.

After growing his business to 800 employees, Pearsall sold Craft Associates in 1968 to Lane Furniture, which continued producing his pieces into the late 1970s before halting production. With business partner John Graham, Pearsall established a new company, Comfort Designs, in the 1970s, while also devoting time to his lifelong hobbies of sailing and restoring classic yachts.

A company called New Craft Associates revived Pearsall’s brand’s name, referencing mid-century-era furniture design in its current projects while not formally associated with Pearsall or his family. Restoration Hardware has also reissued some of his Craft Associates designs, with Pearsall and his company’s distinctive furniture remaining popular statement pieces adaptable to any home.

Find a range of vintage Craft Associates furniture on 1stDibs.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Antique and vintage credenzas can add an understated touch of grace to your home. These long and sophisticated cabinet-style pieces of furniture can serve a variety of purposes, and they look great too.

In Italy, the credenza was originally a small side table used in religious services. Appropriately, credere in Italian means “to believe.” Credenzas were a place to not only set the food ready for meals, they were also a place to test and taste prepared food for poison before a dish was served to a member of the ruling class. Later, credenza was used to describe a type of versatile narrow side table, typically used for serving food in the home. In form, a credenza has much in common with a sideboard — in fact, the terms credenza and sideboard are used almost interchangeably today.

Credenzas usually have short legs or no legs at all, and can feature drawers and cabinets. And all kinds of iterations of the credenza have seen the light of day over the years, from ornately carved walnut credenzas originating in 16th-century Tuscany to the wealth of Art Deco credenzas — with their polished surfaces and geometric patterns — to the array of innovative modernist interpretations that American furniture maker Milo Baughman created for Directional and Thayer Coggin.

The credenza’s blend of style and functionality led to its widespread use in the 20th century. Mid-century modern credenzas are particularly popular — take a look at Danish furniture designer Arne Vodder’s classic Model 29, for instance, with its reversible sliding doors and elegant drawer pulls. Hans Wegner, another Danish modernist, produced strikingly minimalist credenzas in the 1950s and ’60s, as did influential designer Florence Knoll. Designers continue to explore new and exciting ways to update this long-loved furnishing.

Owing to its versatility and familiar low-profile form, the credenza remains popular in contemporary homes. Unlike many larger case pieces, credenzas can be placed under windows and in irregularly shaped rooms, such as foyers and entryways. This renders it a useful storage solution. In living rooms, for example, a credenza can be a sleek media console topped with plants and the rare art monographs you’ve been planning to show off. In homes with open floor plans, a credenza can help define multiple living spaces, making it ideal for loft apartments.

Browse a variety of antique, new and vintage credenzas on 1stDibs to find the perfect fit for your home today.