Partnerships come and go within the community of glass-making artisans on the Venetian island of Murano, where business relationships seem as complex as the shifting alliances in the notoriously acrimonious Italian parliament. Formed in 1942 by members of families with centuries of experience in the craft, Barovier&Toso has proven to be one of the most enduring and prosperous Italian glass manufactories of recent decades. Under the nearly 50-year artistic directorship of cofounder Ercole Barovier (1889–1974), the company created buoyant traditional pieces such as chandeliers, sconces and other lighting fixtures, and it pioneered an array of innovative modernist glass designs with bold colors, patterns and surfaces.

The Barovier dynasty began in 1295, when Jacobello Barovier, mentioned in historical documents as a master glassblower, began pinching, cutting, blowing and twisting a molten mixture of sand and minerals into incandescent works of art. It remained entirely family-owned until the mid-20th century, when it merged with another glassworks to become Barovier&Toso.

To appeal to gentler, more conservative tastes, Barovier&Toso produced a range of lilting, sinuous lighting pieces that are often described as embodying “Liberty Style” — the Italian term for Art Nouveau, taken from the name of famed London department store Liberty & Co., which promoted 19th-century organic textile designs and Arts and Crafts-style furniture in the manner of William Morris. The hallmarks of the style in Barovier&Toso works are elements of glass in the shape of thick leaves, fronds and flower petals, deployed along with other naturalistic ornament in sconces, pendants and chandeliers.

Ercole Barovier began his personal aesthetic transition toward modernism in the 1930s with his Primavera series of vases and animal sculptures — idiosyncratic milky-white and clear glass filled with tiny bubbles and hairline interior fissures that he produced for Artisti Barovier, a firm headed by his father and uncle. Later, with Barovier&Toso, he would explore such novel styles as the mosaic-like Pezzato glass; fluid Spiral patterns; the pebbly textured Barbarico line and the complex, layered and highly colored abstractions of the Oriente series of vases and bowls.

Traditional or modern, Barovier&Toso — still under family control — has produced one of the finest and most diverse catalogues of Murano glass in the last 100 years.

Find antique Barovier&Toso chandeliers, serveware, decorative objects and more on 1stDibs.

A Close Look at mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

Emerged during the mid-20th century
Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
A heyday of innovation in postwar America
Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

Simplicity, organic forms, clean lines
A blend of neutral and bold Pop art colors
Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood
Light-filled spaces with colorful upholstery
Glass walls and an emphasis on the outdoors
Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

Charles and Ray Eames
Eero Saarinen
Milo Baughman
Florence Knoll
Harry Bertoia
Isamu Noguchi
George Nelson
Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively.

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer.

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right flush-mount-ceiling-lights for You

Antique and vintage flush mount lighting fixtures can help you create inviting, ambient lighting in your space, and who doesn’t want that?

While electric light bulbs were a huge improvement over gas and oil lamps for lighting our homes, we still had much work to do in order to arrive at the broad range of table lamps, pendants, sconces and other fixtures that are available today.

Lighting technology and design improved substantially over time. Engaging engineers, scientists, architects and designers alike, the field of lighting became a major proving ground for state-of-the-art materials like plastics, inventive new mechanisms and emotionally resonant styles that included the ethereal (Isamu Noguchi’s Akari light sculpture), the whimsical (Gino Sarfatti’s 2109 ceiling light and Sputnik chandelier) and the eclectically postmodern (the Toio floor lamp crafted by Achille and Pier Giacomo Castiglioni). Eventually, flush mount light fixtures became a practical option for home lighting.

Flush mount lighting fixtures are among the most convenient ways to light a small room with a low ceiling. These structures sit directly against the ceiling’s surface and cast light downward, illuminating a large area and defining the room. Semi-flush mount lighting fixtures hang several inches from the ceiling. They also produce ambient light but can be a little more decorative and lean toward the style of chandeliers.

Flush mount lighting is versatile. Larger fixtures distribute more ambient light across the center of the room, while smaller flush mount fixtures are best for accent or task lighting. The main drawback of flush mount fixtures is that they don’t make a strong statement. You can remedy this by strategically arranging decorative accents that flourish in soft lighting.

Lighting is an essential part of any interior design project. Often, having the right light fixture is key to creating an attractive, radiant room. Ample lighting paired with enticing design creates an elevated, inviting atmosphere, helping to set the desired mood. Selecting the right lighting for your home, however, isn’t merely about creating an especially bright bedroom or a moody dining room. There are many different kinds of fixtures and illumination to consider, with flush mount lighting fixtures among them.

Make a statement with a<a href=/furniture/lighting/flush-mount-ceiling-lights/material/metal/ target="_blank" rel="noopener noreferrer"> metal flush mount lighting fixture — a copper or chrome fixture can prove dazzling in your living room. Art Deco flush mount lighting fixtures, with their geometrical shapes and unique detailing in crystal, glass and brass, will go toward creating a cohesive look amid your collection of authentic Art Deco era posters and other wall decor.

Hollywood Regency fixtures — defined by a flamboyant design style for which we credit decorator Dorothy Draper — can introduce glamour and glitz to your living room with their mirrored finishes and complex floral motifs.

Explore a collection of antique and vintage flush mount lighting fixtures on 1stDibs to see what style best suits your space.