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Orrefores Chandelier

Three-Light Smoked Gray Glass and Brushed Steel Chandelier att. to Orrefores
By Carl Fagerlund, Orrefors
Located in New York, NY
Chic architectural light fixture attributed to Carl Fagerlund for Orrefors. This chandelier has a
Category

Mid-20th Century Swedish International Style Chandeliers and Pendants

Materials

Steel

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1 of 3 pairs of Carl Fagerlund Pendant Lamps for Orrefors, Sweden, 1960s
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A Close Look at international-style Furniture

The International Style, a modernist movement within architecture and furniture design that was given its name by American architect Philip Johnson and historian Henry-Russell Hitchcock, was born during the 1920s and ’30s. It gained steam initially in Europe and then in the United States as a response to the first World War. Building projects associated with the movement, as well as vintage International Style chairs, tables and other furnishings, are minimal and pared back. 

Pioneers of the International Style — architect Walter Gropius and his Bauhaus colleagues Ludwig Mies van der Rohe and Marcel Breuer, De Stijl advocate and Dutch architect J.J.P. Oud and visionary designer Le Corbusier — stripped away decorative elements and placed considerable value on functionality and clean lines, integrating the use of industrial materials like steel, concrete and large sheets of glass in their work. Quite aptly, this mode of design and architectural style coincided with an era now known as the Machine Age and became a global symbol of modernism. The primary motive of its practitioners was to address the changing needs of a rapidly industrializing society, especially the demand for office complexes and apartments in large cities, through economical, technologically advanced, yet aesthetically pleasing designs for furniture and buildings. 

“Space and light and order. Those are the things that men need just as much as they need bread or a place to sleep,” said Le Corbusier of the philosophy behind his practical modernist architecture

The International Style’s designers and architects were inspired by the advantages afforded them by the era’s new technology and industrial machinery as well as state-of-the-art materials. Le Corbusier was fond of framing his buildings in steel but reinforced concrete made far more economic sense. He is probably most admired for the iconic private homes and commercial buildings that he designed or codesigned with his cousin Pierre Jeanneret, which are spread across the world, from New York City to Paris to Chandigarh, India. Today, Breuer’s Wassily Lounge chair; the elegant LC series created by Le Corbusier, Jeanneret and Charlotte Perriand; and Mies van der Rohe’s Barcelona chair, crafted with his romantic partner, designer Lilly Reich, are emblems of progressive modernist design and all make prominent use of tubular steel. Vintage originals are the prized cornerstone of collections.

“The International Style is probably the first fundamentally original and widely distributed style since the Gothic,” posited Johnson in the book that accompanied “Modern Architecture: International Exhibition,” an architectural show he cocurated with Hitchcock that featured the work of Frank Lloyd Wright, Le Corbusier, Richard Neutra and others. While the term “International Style” had previously been circulating in Europe, when the show opened at the Museum of Modern Art in 1932, it yielded a much broader application of this important style of design. 

Find International Style furniture on 1stDibs.

Finding the Right chandeliers-pendant-lights for You

Chandeliers — simple in form, inspired by candelabras and originally made of wood or iron — first made an appearance in early churches. For those wealthy enough to afford them for their homes in the medieval period, a chandelier's suspended lights likely exuded imminent danger, as lit candles served as the light source for fixtures of the era. Things have thankfully changed since then, and antique and vintage chandeliers and pendant lights are popular in many interiors today.

While gas lighting during the late 18th century represented an upgrade for chandeliers — and gas lamps would long inspire Danish architect and pioneering modernist lighting designer Poul Henningsen — it would eventually be replaced with the familiar electric lighting of today.

The key difference between a pendant light and a chandelier is that a pendant incorporates only a single bulb into its design. Don’t mistake this for simplicity, however. An Art Deco–styled homage to Sputnik from Murano glass artisans Giovanni Dalla Fina (note: there is more than one lighting fixture that shares its name with the iconic mid-century-era satellite — see Gino Sarfatti’s design too), with handcrafted decorative elements supported by a chrome frame, is just one stunning example of the elaborate engineering that can be incorporated into every component of a chandelier.

Chandeliers have evolved over time, but their classic elegance has remained unchanged. Not only will the right chandelier prove impressive in a given room, but it can also offer a certain sense of practicality. These fixtures can easily illuminate an entire space, while their elevated position prevents them from creating glare or straining one’s eyes. Certain materials, like glass, can complement naturally lit settings without stealing the show. Brass, on the other hand, can introduce an alluring, warm glow. While LEDs have earned a bad reputation for their perceived harsh bluish lights and a loss of brightness over their life span, the right design choices can help harness their lighting potential and create the perfect mood. A careful approach to lighting can transform your room into a peaceful and cozy nook, ideal for napping, reading or working.

For midsize spaces, a wall light or sconce can pull the room together and get the lighting job done. Perforated steel rings underneath five bands of handspun aluminum support a rich diffusion of light within Alvar Aalto's Beehive pendant light, but if you’re looking to brighten a more modest room, perhaps a minimalist solution is what you’re after. The mid-century modern furniture designer Charlotte Perriand devised her CP-1 wall lamps in the 1960s, in which a repositioning of sheet-metal plates can redirect light as needed.

The versatility and variability of these lighting staples mean that, when it comes to finding something like the perfect chandelier, you’ll never be left hanging. From the whimsical — like the work of Beau & Bien’s Sylvie Maréchal, frequently inspired by her dreams — to the classic beauty of Paul Ferrante's fixtures, there is a style for every room. With designs for pendant lights and chandeliers across eras, colors and materials, you’ll never run out of options to explore on 1stDibs.