Tapiovaara Kiki

During the mid-20th century, Finnish furniture designer Ilmari Tapiovaara worked with pine, teak and his country’s native birch to create sleek and sculptural chairs, dining room tables and bookcases in the Scandinavian modern style. Tapiovaara’s areas of expertise expanded beyond furniture to include interior architecture, wooden sculptures, film posters and cutlery.

After completing his studies at the Central School of Applied Arts in Helsinki, Tapiovaara embarked on a design career that would envelop his entire life. As a young man, Tapiovaara idolized revered architect and furniture designer Alvar Aalto — whom, with his wife, Aino Aalto, cofounded Artek, the company that would eventually manufacture the majority of Tapiovaara’s creations. The budding designer had one of Aalto’s chairs in his apartment while he was a student. After graduating, he worked as an assistant in an office at Le Corbusier, then as a designer and artistic director at Asko. 

By 1951, Tapiovaara and his wife, Annikki, had established their own studio. A few years previous, the pair had designed the now-legendary Domus chair while creating interiors and furnishings for a new student housing complex in Helsinki. Made of molded plywood and easily stackable, the ergonomic Domus chair, with its slender form, featured a modest silhouette — its lightweight structure allowed for easy exporting, and iconic mid-century modern furniture manufacturer Knoll added a low-backed version to its offerings in the early 1950s. (It was marketed as the Finn chair in the United States.)

Tapiovaara went on to design pieces for Pihlgren ja Ritola and Santa and Cole. His experience earned him teaching positions at the Institute of Applied Arts, the Helsinki University of Technology and the Illinois Institute of Technology. While in Chicago for the latter, he worked in the office of Mies van der Rohe.

Tapiovaara centered his passion for design on social responsibility. He wanted his creations to be accessible to everyone, which was the concept behind his democratic approach. In Finland’s postwar era, the goal was exemplary, affordable designs. With this in mind, he created products such as stackable chairs and “knock-down” pieces packed flat, so they shipped efficiently and cost less. 

An influential champion of his profession, he spent two decades as a United Nations ambassador, working to improve design’s contribution to society. His lasting, collectible furniture is a testament to the designer’s goal to create humane, radiant and intimate spaces. The United Nations project included traveling to Paraguay to create much-needed furniture. A similar project followed in Mauritius.

Tapiovaara’s success as an industrial and mass producer of everyday furniture was widely recognized and awarded. He received six gold medals for his chairs alone at the Milan Triennials. He also accepted a Good Design award, the Finnish State Design Award, a prize from the Finnish Culture Foundation and the Furniture Prize of the SIO Interior Architects’ Association of Finland.

Find vintage Ilmari Tapiovaara seating, tables and lighting on 1stDibs.

Scandinavian modernism is perhaps the warmest and most organic iteration of modernist design. The work of the designers associated with vintage Scandinavian modern furniture was founded on centuries-old beliefs in both quality craftsmanship and the ideal that beauty should enhance even the humblest accessories of daily life.

ORIGINS OF SCANDINAVIAN MODERN FURNITURE DESIGN 

• Emerged in the 1930s 
• Originated primarily in Denmark, Sweden and Finland
• Introduced in the United States in mid-20th century
• Informed by the Bauhaus and modernism; influenced American mid-century modernism  

CHARACTERISTICS OF SCANDINAVIAN MODERN FURNITURE DESIGN

• Bold, clean lines and simple, sturdy symmetries
• Use of natural materials — native woods such as pine, ash and beech
• Open, airy spaces
• Promotion of functionality
• Emphasis on craftsmanship; rooted in cabinetry profession and traditional construction techniques
• Minimal ornamentation (little to no embellishment)
• A neutral or light color palette owing to prominence of light woods

SCANDINAVIAN MODERN FURNITURE DESIGNERS TO KNOW

• Alvar Aalto
• Hans Wegner
• Kaare Klint
• Arne Jacobsen
• Greta Magnusson Grossman 
• Finn Juhl
• Arne Vodder
• Verner Panton

ICONIC SCANDINAVIAN MODERN FURNITURE DESIGNS

• Ant chair
• Grasshopper table lamp
• Wishbone chair
• Stool 60
• Artichoke lamp

VINTAGE SCANDINAVIAN MODERN FURNITURE ON 1STDIBS

The gentle, organic contours that are typical of Scandinavian design appear in the furnishings and decor created by Danish, Finnish and Swedish designers not as a stylistic gesture, but rather as a practical, ergonomic — and, as importantly, elegant — response to the human form.

Each nation produced exceptional talents in all areas of the applied arts, yet each had its forté. Sweden was home to Greta Magnusson Grossman and Bruno Mathsson — creators of the classic Grasshopper lighting series and Berlin daybed, respectively — but the country excelled most notably at ceramics. In the 1920s at the great Gustavsberg porcelain manufactory, Wilhelm Kåge introduced pieces in the Scandinavian style based on influences from folklore to Cubism; his skills were passed on to his versatile and inspired pupils Berndt Friberg and Stig Lindberg.

Likewise, Finland produced a truly ingenious Scandinavian modern furniture designer in the architect Alvar Aalto, a master at melding function and artistic form in works like the Paimio chair, created in collaboration with his first wife, Aino. Yet Finnish glassware was pre-eminent, crafted in expressive, sculptural designs by Tapio Wirkkala and Timo Sarpaneva.

The Danes excelled at chairs. Hans Wegner and Arne Jacobsen were exemplars of the country’s facility with wood, particularly teak. 

Wegner created such iconic pieces as the Round chair and the Wishbone chair; Jacobsen — while the revolutionary architect and furniture innovator produced the best-selling plywood Ant chair — designed two classic upholstered pieces of the 1950s: the Swan chair and Egg chair. The list of great Danes could go on and on, including Finn Juhl, a stylistic maverick and maker of the bold Chieftain chair; Poul Kjaerholm, with his lean metal-and-rattan aesthetic; and Verner Panton, who introduced a vibrant Pop note into international design.

Today, decades after their heyday, the prolific, ever-evolving Scandinavian modernists continue to amaze and delight, and interior designers all over the world use their pieces to bring warmth to any given space.

On 1stDibs, you will note both instantly recognizable vintage Scandinavian modern chairs, sofas, rugs and tables — those that have earned iconic status over time — and many new discoveries.