Furniture

A very stylish and extremely well made Danish vintage armchair / desk chair. This was recently imported from Denmark, it dates from the 1960-70’s. This is of outstanding quality, it is beautifully designed and comfortable too. It is a perfect size for use as a desk chair or as an occasional side chair. It actually sits perfectly underneath the Norwegian desk...

Tavolo da pranzo italiano anni ’50 attribuito a Gianfranco Frattini. E’ stato recuperato da un bellissimo attico a Milano completamente arredato da Gianfranco Frattini con i suoi arr...

For your consideration is this authentic Eames for Herman Miller vintage soft pad chairs in dark brown leather. Adjustable tilt and height with manual lift. These authentic examples ...

Adorned in a luxurious petrol green upholstery, this unique set by georges van rijk for beaufort exudes a cool, confident vibe that’s both retro and refreshingly contemporary. The vi...

aldo Tura nasce nel 1909 ed è designer produttore, fondando la sua casa di produzione nel 1939 in Lombardia. Lavorando tra lo stile Art Decò e quello modernista , Tura crea mobili ed...

Mid-Century Modern Wooden Cabinet, Italy, 1960s

Modern circular Spanish mirror designed by L.A. Studio. Made of brass frame with pyramidal semi precious stones inlaid, such as pink quartz, black quartz, white quartz, tiger eye and...

1 of 3 Mushroom Shaped Glass Lamp in Chrome, Germany 1960s Dimensions Height: 7.08 in. (18 cm) Diameter: 10.23 in. (26 cm) The fixture need 1 x E27 standard bulb with 60W max. Lig...

The two club armchairs are in original comndition. They provide comfortable seating. The unique colour of the upholstery will fit in rooms with period furniture.

A fine quality side table from Italy circa 1960's. All brass construction with inlayed clear glass top. Signed made in Italy

With an updated Neo Classic design, is crafted from Prima Vera in our Bistre finish that is complimented by a beautifully honed inset Crema Marfil marble stone top. It features an el...

Rare fractal resin table lamp, 1970, France Similar to Pierre Giraudon, Marie-Claude de Fouquières, Henri Fernandez, François Godebski...

Jacques & Dani Ruelland coupe in black gunmetal glaze. France c. 1970. Signed. Christie’s label on underside. Measurements: 2 3⁄8 height x 9 width x 8 7⁄8 in depth Provenance: C...

Sylcom Murano production, set of three Murano Graniglia glass appliques, each composed of three leaves, each applique is equipped with two lamp holders for E14 bulbs, we can make the...

Very original Murano glass wall lamp with a very elongated design of the glass plate and a unique smoky color. The applique is composed of a gold-colored metal structure to which on...

Pair of floor lamps in brass and lacquered metal produced by Hans-Agne Jakobsson, Markaryd, Sweden, 1970s. Very good condition.

Hanna W Pair of sculptures designed by Hanna W, Sweden, 1983 Signed. Carved Stone.

A stylish and extremely well made pair of vintage brass table lamps with velvet shades. They were made in France, they date from around the 1970’s. The quality is outstanding, the s...

W80.5 H42 D4 Headboard in black vinyl , a black ebony base and nice subtle burlwood. Item is In excellent vintage condition with no major areas of wear. Listing is for the headboar...

Danish Cocktail Chairs 1960s

Mid-Century, Hans-Agne Jakobsson style copper geometric wall sconce. The wall mounted sconce has an asymmetrical cylinder base a single socket in...

A beautiful and extremely rare vintage sideboard by Robert Heritage for Heal’s. This was made in England, it dates from the 1950’s. The quality is exceptional, this has a very styli...

Serving trolley, anonymous, for DUX, Sweden, 1960s. Rattan and bamboo. H: 78 cm W: 48 cm L: 91 cm

Rug ‘Sun Spots’ designed by Barbro Nilsson for Märta Måås-Fjetterström AB, Sweden, 1966. Wool. Signed. Tapestry technique. Provenance: From a private Swedish collection. The int...

"Parola" table lamp from Studio Tetrarch, 1968 Bibliography: Casa Amica by Giuliana Gramigna.

A stylish and very well made pair of vintage brass and glass side tables. They were made in France, they date from around the 1970’s. They are very well made, the frames are actuall...

Svend Aage Holm Sørensen (1913-2004), Very nice and subtle grasshopper shaped floor lamp designed by Svend Aage Holm-Sørensen, manufactured by Holm Sørensen & Co, Denmark 1950. This ...

Mid-Century Modern Table Lamp,Metal and Glass, Italy, 1950s

This round coffee table is a true masterpiece crafted with unparalleled artistry and timeless elegance. This stunning piece combines the rich history of antique steel plate for its b...

A very stylish and useful 1970’s vintage French brass & glass drinks trolley / bar cart. The quality is fantastic, this is a great size and is beautifully designed, with fluted bras...

Set of 3 superbly designed rosewood tables designed by Johannes Andersen for CFC Silkeborg, Denmark. The tables feature tapered octagonal legs with chamfered tops and a lovely ros...

A pair of architectural constructivist oak accent chairs. These well constructed solid oak chairs feature peg joinery and architectural angels.

A stylish and comfortable Danish teak vintage desk chair. This was made by Billund Stolefabrik, it dates from the 1960’s. It is of excellent qualit...

For your consideration are up to 5 Aluminium Group Management chairs in black mesh designed by Eames for Herman Miller. These are the most comfortable of all Eames aluminum Group cha...

The table lamp has a contemporary and elegant shape that reproduces the Italian Mid-Century style. This pair of stunning table lamps has been made in light green ceramic and has th...

A beautiful and extremely well made 1970’s vintage Italian brass & chrome lamp. The quality is outstanding, the frame is beautifully designed and the metal has acquired a beautiful ...

Mid-Century Modern Pair of Armchairs by Carlo Hauner, 1950s

Black painted metal coffee table with teak top by ISA Bergamo. Packaging with bubble wrap and cardboard boxes is included. If the wooden packaging is needed (fumigated crates or boxe...

Pair of lamps "TEGOLINE AMBRA" Brass structures patinated and protected with clear lacquer, made handcrafted and specifically to accommodate the pair of glass vintage amber curved ...

Lampada a forma di funga di grandi dimensioni La lampada e vetro di murano di colore bianco con striature trasparenti crea una luce morbida La lampada e alta 38 cm con un diametro ...

Mid-Century Modern Glass Wall Light/ Ceiling light, 1960s

Pretty in Pink! Pair of beautifully restored vintage Midcentury modern Russell Woodard tall back arm chairs. These stunning chairs consist of metal with a tall back and curved arms with matching curved seat and detailed curved legs. If you have any additional questions or would like additional photos please feel free to inquire and we'd be happy to assist. dimensions: 17.5" x 17" x 41.5". Russel Woodard son of Lee L. Woodard assisted his father in starting a furniture line consisting of metal in the 1930s. The furniture line in 1930 introduced a wrought-iron set of patio dining furniture...

W32 D24 H21 Modern Chrome side table with rectangular glass top.

Showcase sideboard restored Art Deco midcentury around 1950 vintage oak Features: Two-door model with two sliding door compartments One shelf each on the left and right, one with a drawer underneath Very high quality processing Shelves with inlaid edge Nice veneer pattern...

Set of 3 Italian Mid-century Modern Wooden and Green Velour Chairs, 1948 Coveted set of 3 chairs in perfect shape, beautiful details on the wooden structure and precious cushioning in great conditions. BBPR was a studio of architects, urban planners and designers, composed by Gian Luigi Banfi, Lodovico Barbiano di Belgiojoso, Enrico Peressutti and Ernesto Nathan Rogers. Founded in Milan in 1932, the studio was a vivid part of the debate of the modern movement, becoming one of the leading exponents and masters of the Italian design. The first important intervention project was designed in 1946, after the war and the loss of Banfi: the planning of the reconstruction of Milan. At the IX Triennale in Milan, when the birth of Italian design (1951) began, they organised the exhibition “The shape of usefulness” (with Francesco Buzzi Ceriani and Max Huber...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

Rare pair of chairs designed for the project « La Cascade », the grouping of tilted apartments at Les Arcs 1600 ski resort supervised by the french designer Charlotte Perriand. Made ...

Large chrome & opaline glass floor lamp by VeArt, Italy 1970s. Unusual design composed of primary shaped elements such as a glass cone, a cylindrical base and column with their squar...

Dining table By Giulio Moscatelli, circa 1964, made by Meroni.

Rohé Noordwolde; Rattan; Chair; Armchair; Herman broekhuizen; Noordwolde; Dutch Design; 1960s; Netherlands; Rattan chair designed by H. Broekhuizen for Rohé Noordwolde in the 1960s....

"THE ORIGIN OF GOD", white egg light holes sculptural white ceramic table lamp by Lorenzo Ciompi limited edition 2023 a tribute to Lucio Fontana, inspired ...

small chandelier in lacquered sheet metal, Italy circa 1950/1960 some paint missing

Sweden midcentury Lounge chair.

Splendida lampada da parete disegnata da Gino Sarfatti per Arteluce nel 1972. Questa lampada è stata disegnata e prodotta ad hoc per una villa privat...

Gorgeous pair of Italian 1950 design table lamps/lights in the style of stilnovo. Patinated brass frame with white metal shades. The shades can be ...

Original Italian Sconce in the style of Stilnovo with ivory shade. The length of the sconce is articulated. Italy 1960s.

Large glazed ceramic fish Italian production 1960s. Hand-decorated ceramic with airbrush decoration. In excellent condition.

Behold the illustrious Drumond Armchair, a distinguished creation birthed in 1950 under the skilled hands of Oca, a venerable atelier situated in the heart of Brazil. Reverberating w...