Furniture

18th Century French carnation plate , Manufacture of Sceaux. Border déchiqueté. Sceaux ceramics are presented at The Getty Museum and The MET. The ceramic manufactory at Sceaux, outs...

Antique Gorham & Co coin silver Mary Todd Lincoln tea and coffee set, 1861. Gorham & Co had made this set and it was gifted to Mary Todd Lincoln dur...

Pair of Capodimonte-style ceramic floral table lamps with flower peddle-like fanned edges and gold flake painted and scrolling. The lamps feature a white base with pastel pink and bl...

Pair of custom Carnavalet patterned Fortuny textile pillows in pink & cream. The 17th Century inspired French design-with magnificent and intricate garden urns abundant with flowers...

Houndstooth calcite crystals in matrix on a wood base with 18th century Italian molding.  

This is an extraordinary Venetian console in carved, perforated, lacquered and gilded wood with polychrome flowers on the light blue and green background. Some parts of it are in gil...

A completely original 19th century French polished cast iron fire basket grate in the Rococo style. A shaped high back complete with its original fire stone, with a four bar serpen...

Antique Limoges Porcelain Plates with Ornate Gold Gilding and Intricate Snowflake Medallion Design This breathtaking set of antique p...

An exaggerated serpentine shaped wall console in the Venetian manner in cream paint with gilt details. The frieze with a gilt ruffled center motif. Raised on tall scrolled legs with...

Elegant 3-arm wall sconce, crafted in the 1950s, reflects the timeless charm of French Louis XV design. Made from solid bronze, it features intricate leaf and flower details that enh...

A pair of very fine Northern Italian Rococo carved and gilded wood mirrors. Of grand scale and elaborately carved in symmetrical form with flowers, scrollwork and rocailles. A metal...

c. 1770s pedal harp manufactured by Georges Cousineau (1733-1800), a French luthier who specialized in harps; Cousineau's signature is present on the soundboard as well as the city o...

***Reduced Delivery Rates - See Below or Click “Ask The Seller” to Request a Quote*** Antique Eli Terry School American Empire Flame Mahogany Open Escapement Mantle Clock with Folia...

Large Ornate French Rococo Style Carved Ornate Gilt Wood Frame. This gorgeous hand-crafted frame has lots of charming details including shell motifs and cross hatch features. This su...

Pair of George III style Rococo giltwood brackets, the supports carved as phoenix birds atop C-scrolls with fruit pendants.

18th century Italian gilded fragment mounted on a golden, polished hematoid slab and adorned with tangerine quartz crystals. The piece is put together by Jean O'Reilly Barlow, the a...

Nomi linen pillow in red & gold print, filled with lavender. These make great host gifts or any gift. You can buy three and tie them together with a great ribbon and you are good.

Pair of American wrought iron and brass dome shaped hanging lanterns with decorative floral corner medallions, scroll work, and circular ring finials. Early 19th Century. Pair were o...

Petite Italian bombe nightstand, circa 1940s. A serpentine form made from walnut a with lattice inlaid geometric parquetry design. The commode features two drawers, long cabriole leg...

Rococo console crafted from pine, meticulously stripped by a conservator to reveal its original, beautiful gray-marbled finish with natural patina. The console is topped with its or...

An American Empire games or card table with cylinder column resting on quatre-form base terminating with turned feet on casters. Swivel-top opens to a square with storage compartment for games. American, circa 1835. Measurements: 36" long x 17" deep x 30" high (Open: 36" square) Every home could use at least one card or games tables. Not only do they contribute aesthetically to a home's interior, but they are immensely practical and function well as a side table, end table, lamp table, and/or as a small breakfast table. Because of their narrow depth, game tables are useful in hallways, behind a sofa in a living room or as a small serving table...

This pair of elegant oval-shaped pearlware baskets and stands were made by Thomas Fell & Co**, St Peter’s Pottery, Newcastle upon Tyne, circa 1830. The baskets were made to hold brea...

Framed 'Mimoides Pausanias,' 'Dione Juno,' and 'Haetera Piera' butterflies with coordinating 18th century Italian fragments. The butterflies all share beautiful color and pattern com...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

A fine Dresden style covered urn. By Carl Thieme / Potschappel porcelain factory. Of Campagna urn form with scrolling twin handles and a pierced lid or cover with stylized artichoke finial. Decorated throughout with typical Deutsche Blumen floral sprays, bands of green flower head and s-scroll devices, and rich gilding throughout. Fully marked to the base. Simply a wonderful antique porcelain urn! Date: Late 19th or Early 20th Century Overall Condition: It is in overall good, as-pictured, used estate condition. Condition Details: The base has apparently been re-secured at one point with overpaint to the bolt. (One can twist the base to rest firmly in place, but it can rotate the other direction to loosen some.) Otherwise, there are some fine & light surface scratches and other signs of expected light wear consistent with age. Maker: Carl Thieme / Potschappel Pattern Name: Dresden Potpourri...

Outstanding finely carved palatial Rococo style mirror with gold leaf finish in a very big size. France, 1850. A superb example of gilt Rococo style framework. The frame has a beau...

This is a large and bright red and yellow lacquered wooden box, entirely decorated with prints cut and applied with the tecnique called "arte povera" . At the centre of the lid a large country landscape with figures inspired by 18th Century Venetian views that recall the themes of Arcadia. The prints come from the manufacture of Remondini Bassano, that was the most important printers in the Europe at that time. This surprising lacquered box is an elegant piece that can be useful as a jewelry case, perfect to match in any elegant home. One of the distinctive characteristics of Venetian Baroque and Rococo furniture and decorative objects is the skilful use of lacquers. Lacquer is a natural resin that was very rare in the past, imported from the East and used to create smooth and colored surfaces on furniture, ready to be finely decorated with refined floral designs or exotic animals. Venetian artisans became masters in lacquer processing which required time and patience because it was made with many steps. The Venetian style deeply influenced furniture design throughout Europe, but none reached the Venetian level in terms of beauty. The skillful use of lacquer and carvings defined Venice's unique style during the Rococo period, its Golden Age. The piece is in excellent state of maintenance and guaranteed original in every parts. The surface was only cleaned not restored and it is original. The wooden red and yellow lacquered box...

Recently needlepoint reupholstered American Empire mahogany side chair. Measures 19" in width, 19" in depth and stands 35" tall. Seat height is 18".

Late 19th century French fireplace dogs set with adjustable fender hand made in bronze in Rococo style.

A handsome and robust late 19th century American Empire-style mahogany veneer chest of drawers with swivel vanity mirror, and two small drawers over four large drawers, made by the Cowan Furniture Company of Chicago. The perfect dresser in the guest room...

Green leaf form with red flower heads. Electrified. No glass.

Piedmontese painter of the second half of the 18th century Two "Still Lifes with composition of flowers, fruits and mushrooms" Measurements: Frames: cm W 63 x H 74 x D 8.5 frames...

Materials: Carved Wood, Wood, New Linen Shade Condition: Newly Rewired, New Linen Shade Dimensions: 30.50”H x 9”W x 9”D Shade: 9"H x 15"W x 15"D

This is a superb, absolutely stunning antique Italian Rococo secretary desk that's from the 1780s-1810s era. The piece is elaborately painted and has wonderful lines. The piece needs...

An 18th Century South Staffordshire Snuff Box, decorated with a couple with Cupid in parkland, the white base with flowers on a gilt diaper ground ...

Antique 18th C. Italian Venetian Rococo Hand Painted Marble Top Commode Chest of Drawers. Item features an inset pink rouge marble top, gold gilt trim, hand polychrome painted flower...

A Fine 18th c Dutch polychrome painted Delft charger, decorated with vibrantly colored stylized tulips and flowers painted in manganese, green, yellow...

Fine and unusual Swedish 18th century Rococo armchair in Its original colour. Ca 1770 Sweden.

A very fine museum quality Italian 19th-20th century life-size marble sculpture titled "Searching for Love" by Vito Pardo (Italian, born in Venice in 1872) Depicting a semi-nude life...

Impressive finely carved gold gilt wood Rococo style wall mirror or console mirror. Italy 1930-1940s. This highly decorative wood carved scrolls and leaves decorated frame is covere...

20th century French Empire style carved wood lounge chair Rich upholstery compliments the beautiful curves of this Henredon chair.

Pair of 18th century Italian Venetian Rococo painted and gilt pine wall brackets.

Discover a work of rare elegance, now available on our site: a finely sculpted marble medallion from the renowned Wyon family, celebrated for their contributions to the art of medal-...

Chandelier from the 1950s in iron and painted with a natural vintage patina. It has six candle lights surrounded with flowers and leaves in different shapes and colors. The lightbulb...

Lovely 20th Century French Gilt Bronze Mounted Porcelain Vessel with Lid. This vessel features fine porcelain craftsmanship with decorative elements of gold to create an elegant piec...

A beautifully engraved silver snuff box from Jerusalem from the late 19th century is finely crafted and is a piece that reflects the rich cultural heritage and craftsmanship of the r...

Step into the elegance of the 18th century with this extraordinary Italian hand-painted bombe commode, a stunning example of craftsmanship and artistry from the third quarter of the ...

Elegant Empire style bench in walnut. Canes seat and sides, generous size-44" wide. Practical and sturdy.

Wall mirror, having a rectangular gadrooned frame, surmounted by a pierced pediment of elaborate foliate scrollwork, accented by coquillage and rosette...

18th century Italian hand-carved and gilded angel wing adorned with citrine and quartz crystals and mounted on a polished hematoid slab. The hand-carved angel wing was once part of a...

Pair of American cast iron dachshund fire place andirons with painted eyes, mouth, and curled tails. Late 19th century.

A fine and large Dresden porcelain tray or platter by Richard Klemm. With a ribbed, scalloped border and deep central well. Richly decorated with ...

A fine antique French porcelain potpourri cachepot. In the Sevres style. Mounted with a bronze finial to the lid, 4 bronze masks to the circumference, and set with a removable ...

A Louis XV period giltwood wall mounted console table with pierced apron, serpentine shape with conforming original marble top. Originati...

A magnificent bronze gilt French Rococo chandelier with golden leaves and 4 bas-reliefs. With 16 flames on four arms. Completely rewired for EU standard (we can change to US standar...

This 18th century Italian Capodimonte white glazed porcelain centrepiece is an oustanding sculptural artwork expertly hand carved with finely detailed figurines, putto angels playing...

19th century Austrian porcelain centerpiece bowl or jardinière beautifully enameled in rich colors with floral sprays and gilt highlig...

An impressive rounded rectangular mirror in Rococo style in a fine gilt frame detailed with a leafy flourish at the pediment. The interior perimeter of the frame features columnar ...