Case Pieces and Storage Cabinets

The wall-mounted, tidal shelf is formed out of 1/4 inch thick, powder-coated aluminum. Each shelf has a welded U-channel to the reverse of the shelf and ea...

Indoor steel cabinet with four doors. Doors and sides realized with flat metal strips welded at varying angles, which allow to look through. Internal shelf in steel.    

A Chinese Qing Dynasty period red lacquered cabinet from the 19th century, with chinoiserie décor. Created in China during the Qing dynasty, this cabinet captures our attention with ...

Eccentric Italian futurist showcase cabinet from the 20's. The cabinet has applications inserted later, such as skull-shaped designs and designs on the sides of the cabinet in the sh...

Elegant metal shelving unit with plenty of space for all your favorite possessions. Parade is perfect for putting your belongings on display with the shelving unit serving as a beautiful frame. It comes either as a complete shelving unit or as an extended version with extra shelves, inspired by 1960s-style wooden shelves or luggage racks on trains, with the same lightweight idiom and functionality. This means that parade can be used in an infinite number of ways: from the stylish storage of teapot, cups and plates in the kitchen to the display of books, pretty vases...

Indoor steel cabinet with two doors. Doors and sides realized with flat metal strips welded at varying angles, which allow to look through. Two internal shelves in steel.

The inspiration comes from the sea. A dive with the talent and the keen eye of Sergio Matos, the designer from Mato Grosso, Paraíba, which brings to the surface the products of his c...

An antique Chinese Ming Dynasty style red lacquered console cabinet from the early 20th century, with five drawers and double doors. Born in ...

A Chinese red lacquered Qing Dynasty period cabinet from the 19th century, with round brass medallion, drawers and carved gilded apron. Created in China during the Qing Dynasty perio...

Tommi Parzinger design Chinese red lacquer credenza with polished brass mounted hardware. High quality construction and attention to details, newly lacquered in the original color ...

A Japanese Meiji period red cabinet from the late 19th century, with sliding doors and drawers. Created in Japan during the Meiji period, this cabinet attracts our attention with its...

A Chinese Qing dynasty period red lacquered cabinet from the 19th century, with gilt chinoiserie motifs and scalloped brass hardware. Created in China during the Qing dynasty, this c...

A Chinese Qing Dynasty period cabinet from the 19th century, with original red lacquer, hand-painted golden scenes and carved apron. Created in China during the Qing Dynasty, this red lacquered cabinet features two doors fitted with ornate bronze hardware, opening to reveal inner shelves, two hidden drawers and a removable panel concealing an additional compartment. Adorned with traces of a golden hand-painted Chinoiserie décor, the cabinet showcases a carved apron in the front. With its red and gold tones and Chinoiserie motifs, this 19th century Chinese Qing Dynasty lacquered...

Hollywood Regency low chest of drawers with high polished red lacquer. Having three drawers with brass Greek Key handles / hardware on inset plinth b...

A Chinese Qing Dynasty style red lacquer cabinet from the 20th century, with gilded chinoiserie motifs and carved apron. Created in China during the Qing Dynasty, this cabinet featur...

Red lacquer cabinet with painted motif and painted calligraphy. Two drawers inside and one removable shelf. We carry fine quality furniture with elegant ...

Elegant and sophisticated, this sideboard will infuse any room with its bold and imposing character. Exquisitely crafted of red-lacquered steel, it features four doors (45-cm height)...

The splendid steel panels composing the silhouette of this stunning cabinet are welded in a geometric array of different directions to create an exterior visual aesthetic that reveal...

Scroll down and click "view all from Seller" to see more than 400 other unique products. (1.8) Toolbox is a modular container with drawers and aluminum numbered handles so you won’t...

This is an antique Victorian mahogany serving table or buffet, circa 1850 in date. It is made from mahogany, has a moulded top with twin frieze drawers over two tiered shelves and i...

Soko 3-cabinet sideboard is available here in a lacquered finish and internal shelving, as well as in 9 color finishes to choose from. The doors are milled with drawings on their sur...

A Chinese red lacquered three-section stackable cabinet from the early 20th century, with polychrome lacquer. Created in China during the early years of the 20th century, this red la...

A Late 19th Century Gilt Bronze Mounted Louis XVI Style Vitrine By Paul Sormani Bronze gallery above a centred glass door, flanked by glass panels, four bronze mounted tapering leg...

Iconic Paul Frankl 10-drawer chest with freshly polished brass X pulls, refinished and shown in Moroccan Red Lacquer from Frankl's Debonair Collection for Johnson Furniture. Pair Available. Please note buyer has the option to select any color for professional refinishing to match the desired interior. Certainly one of Paul Frankl's most celebrated designs, the chest is timeless and pairs well with contemporary, eclectic and mid century decor. Paul Frankl was known in the Art Deco period for his architectural skyscraper...

Red lacquer cabinet with gilt motif with inside two drawers shelf and bottom space. We carry fine quality furniture with elegant finished and has been appea...

Palace drink cabinet with two doors, one sliding shelf, two interior adjustable shelves and with interior lighting. Electrification only approved for Europe. Lacquered with tie dye ...

Highly decorated desk in red lacquer with stacked drawers and painted scenes, Chinese, 1950's.

Italian Sideboard Bar Cabinet with four drawers and brass handles and sabots.

This custom sideboard in English yew wood has a stately appearance augmented by turned and fluted column supports and rosewood inlays and crossbanding. The shape of the top is, with ...

Luxury style wardrobe trunk case with wheels designed by Shigeru Uchida. Aluminum body upholstered with red leather, inside wood is bubinga. Never used condition. Displayed at exhi...

Defined by pure geometry, this bar cabinet is as functional as it is sophisticated and will elevate any dining room with its bold colors and modern lines. The red china polyurethane ...

A Chinese red lacquered apothecary-inspired cabinet from the early 20th century, with 32 drawers and petite double doors. Created in China durin...

A statement piece in any dining or living room, this bar cabinet combines bold colors in a sleek and essential silhouette enhanced by sophisticated details. The glossy red china poly...

Bar cabinet by Gio Frigerio. Red lacquer doors and mirrored interior. Makers label affixed to back.

Serpentine-shaped ottoman, mid-19th century, English, Victorian, with mahogany skirt and feet and upholstered in burgundy leather This handsome ottoman is really practical offering ...

19th century French 8-drawer red painted cabinet.

Antique Lacquered Chinese Cabinet With Original Paint. The unique shape and paneling on the cabinet doors creates the great visual impact of th...

This pair of early 19th century red lacquer cabinets is an extraordinary find. When placed beside each other, what remains of the finely-painted decoration comes together to form a s...

Pair of assimetrical wooden nightstands with single door and original key, raised on curved legs. France, circa 1920.

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

English chinoiserie two door painted cabinet with fitted inerior shelving, original bronze locking mechanism, and ending on original carved squared feet.

An eclectic piece of luxurious sophistication, this cabinet will make a statement in any interior. Bold and elegant, it features a Canaletto walnut structure that comprises an elongated top and base enclosing two tall doors...

Haberdasher with ten drawers with silent grooves. Off-inn cabinet with artistic intervention by Ricardo Alevizos. In the photo: Haberdasher lacquered in RAL 3004...

1980s German abstract design heart shaped iron TV cabinet.

Very rare pair of black lacquer with cinnabar doors cabinets with handsome cast and carved brass hardware with excellent patina.

2 door Art Deco solid mahogany and burl armoire w/3 drawers inside by Louis Sue (1875-1968) & Andre Mare (1885-1932)

Cabinet with interior lighting (Electrification only approved for Europe) with artistic intervention of Joana Rego. Door handmade painted in acrylic materia...

We designed this breakfront to look the part of an 18th century piece, but offer 21st century functionality. From the glass shelves that allow for the option of interior lighting to ...

Sezession Cabinet – early Art Deco cabinet upper section with vitrine, mirror and marble. Lower section with 2 large doors and interior shelves. Manuf...

A rare Italian Sicilian red scarlet and polychromed Rococo style commode 19th century. The shaped top over three graduated drawers above a sh...

A red lacquered modern red vintage plastic wall shelf, which fits for 65 pieces of compact discs. The wall shelf was designed by Enzo Calabrese and produc...

Fresh from a most recent French auction, with a fresh newly refinished on all surfaces. This stunning modernist style cabinet has all the earmarks of an important design. Nice two-to...

Extremely rare, possibly one of a kind, secretary cabinet with bookcase by the godfather of exotic modernism, James Mont, circa 1950. Hand rubbed cinnabar lacquered...

An elegant red lacquer armoire, red lacquer front with fine hand-painted muted gold gilt motif, black lacquered sides, brass fitting. Beautiful col...

A wonderful design by an important designer. The cabinet is in great condition including the original feet.

This nine-drawer vintage sideboard/credenza is a unique design attributed to Luciano Frigerio (Desio, 1928 – Sanremo 1999), an Italian designer, artist and musician. His pieces are distinguished by a great attention to details like the molded surround frame, unusual combinations and colors (like this lacquer, in dark burgundy not in red, on solid palisander) and a distinguished use of as many excellent materials as possible to make the furniture precious, "Mobili Scultura" (furniture sculpture): this dresser is decorated with custom-made cast bronze handles...

Elegant mahogany and brass nine drawer long dresser (with mirror) from the Viscount collection made by Gibbard Furniture Company of Canada in March 1956. Only 60 were made. The V...

18th century Mexican Colonial cabinet made of white cedar, intervened first in the 19th century, restoration in some of gilt drawings.