Mid-Century Modern Dining Room Tables

Very beautiful teak table with oak legs model 162 designed in 1953 by Borge Mogensen, completely in its simple, functional and elegant style. The top is made of teak, the legs in oak...

A small square sized table designed and made by Carl Auböck II, Vienna, Austria, circa 1950. The table's frame is made from slender steel bar which has bee...

Custom Slate with Rosewood 36" round table with a black painted wood base. Great side table or center table. Located in Brooklyn nyc. Measures 36” dia x 27” high

This rectangular dining table features a beautiful Gan Edan quartz and handcrafted quarter straight-cut oak veneer for the trestle-style base. Dimensions: 102.25" W x 51.25" D x 3...

Dining table or desk, solid wengé, Northern Europe, 1960s This rectangular shaped table is completely executed in solid wengé. The corpus is structured in a horizontal manner, whic...

American Walnut 3x12" Extension Leaves Boards Boat Shape Dining Table MINT 3x12” leaves with an extended table length of 92”

Dining table in oak veneer, blackened tubular metal base small lack of veneer, scratches  

During a residence in Kyoto, Japan, studying Japanese wood joinery, One of Figure Grounds' Founding Partners, Tyler Putnam, struck inspiration for this table. There was never enough space to host dinner parties in tiny apartments in modern cities. The table design expands on the Dutch Pull Out Table...

A Mid-Century Modern 'petal' dining table designed by Richard Shultz. This table features a flower-like pine top on a white enameled eight-point cast iron pedestal base. Manufactured...

Mid-Century Modern rosewood and chrome conference table with cylindrical chromed steel legs. Industrial table. Can also be used as a dining table.

Table designed by Lucian Ercolani for the renowned Ercol furniture makers. We currently have 6 of these tables available, quite a rare table with a very useful magazine rack undernea...

Italian midcentury nodern design dining table “Davide “ model designed by Studio Simon and produced by Simon Gavina with partially foldable chrome-plated steel frame and clear glass ...

Beautiful live edge table usable as a dining or console table. Terrific Nakashima style. (Please confirm item location - NY or NJ - with dealer).  

Italian mid-century garden table in white wrought iron and glass, 1960s. Garden table in white painted wrought iron structure. The legs have decorative curls. The rectangular top in...

A mahogany drop-leaf table with ebonized gate-leg base. Measures: Console table depth of 16.5" deep when closed.

Nicos Zographos marble stainless steel dining table 78" richly veined Italian Nero Marquina marble, with a recently polished surface. Stainless steel base alpha four star base. Hi...

Mid-century modern teak dining table with leaves. Soft, simple design with curved edges and tapered legs. Each leaf is 19" wide. Please confirm location.

This gorgeous vintage modern dining table features a drop leaf design with gate legs. When this unique table is fully extended is measures at 7...

Mid Century Danish Rosewood Gate Leg Dining Table The expanded table measures: 65 wide x 30 deep x 30.25 inches high, with a chair clearance of 29.5 inches, when not expanded the wi...

This beautifully refinished exotic wood inlay 1960's California Modern dining table by Milo Baughman for Directional features highly grained exotic woods creating contrasting lines s...

Il tavolo modello M in marmo Calacatta di Angelo Mangiarotti per Tisettanta, realizzato negli anni '60, è un autentico capolavoro del design che incarna l'eleganza e l'eccellenza del...

Introducing the Mangiarotti style dining table: a timeless Tribute to elegance and craftsmanship. This is a made to order table so the stone pattern and colour may differ from the pi...

An exceptional and rare 1960s 'Tree Leg' extendable teak dining table designed by Willy Sigh and crafted by his renowned company, H. Sigh & Søn. The table's distinctive 'Tree Leg' ...

An outstanding Mid-Century Modern Parsons extension dining table in stunning book-matched olive ash burl wood By Milo Baughman for Thayer Coggin USA, 1970s Measures: 66"W x 39"D x...

The table was produced in Denmark in the 1970s. Table top made of walnut. The furniture is after a comprehensive carpentry renovation, cleaned of the old coating, finished with high-...

A modern Italian spiral table base from the 1970s. It consists of a spiral leg made of black Maruina that is attached to an ellipse base made of ...

Sculptural dining table model 'Acanto' by Enzo Mari (Novara 1932 - Milan 2020) for Zanotta, Italy 1990. The design immediately catches the eye due to the asymmetrical sculptural base...

This oak plank table, featuring a sleek black metal frame, exudes modern elegance with a touch of rustic charm. Crafted from two solid oak planks with ...

Guillerme and Chambron, oak dinning room table Victorine, Edition Votre Maison 1970 Leaves 2x 35 cm Votre maison : a style, a concept, a mindset. The Votre Maison story begins in 1940 in Prussia, near the Mazaurien Lake. A stalag, a wooden camp... Gathered by the absurd consequences of war, men from different universes are here. Among them, Jacques Chambron and Robert Guillerme struggle daily to preserve what matters most to them : human dignity. The war is endless. To bear the present they design a project for future. Winter 1944 : the war comes to an end. With other companions in exile, Chambron and Guillerme escape and cross the Nazi line, and join the port of Odessa, the Bosphore and Marseille in France. It is now 1946 and war –torn France is a land of severe restrictions in need of reconstruction. Both men return to their original occupations. Guillerme with a 1934 major from “Ecole Boule” moves back to Lille to design furniture for Atelier Rogie. Chambron, who holds an art degree, returns to his studio in Paris to paint. Because of time and distance contact is limited between them. In 1948 Jacques Chambron and his family move to Lille and the initial project begins to take shape. Chambron and Guillerme meet Emile Dariosecq, a furniture manufacturer, and in 1949 the company Votre Maison sees the light. Guillerme designs the furniture, Chambron markets it and Dariosecq manufactures it. Together they define a new style and impose a new concept. The originality of their collaroration reflects on the furniture. Quickly the style Votre Maison is defined as quality furniture that is easy to leave with. Guillerme designs chests, sideboards, chairs, sofas, lighting, all complementing one another and manufactured in limited editions. Wood, leather, ceramic and fabric, all design are sincere and authentic. Chambron plays an important part in making the public accept this new furniture and convinces them to move away from the common place. Distribution of the furniture is done primarily through the company itself, on some occasions by architects and interior designers. In the early seventies, Hervé Chambron, Jacques'son, joins the Votre Maison company. Also a graduate from Ecole Boule, he becomes Robert Guillerme's assistant and creates his own designs from 1983, bthe year when Jacques Chambron and Robert Guillerme retire. Today, the designs of Robert Guillerme are referred to as “French wood furniture...

Very fine Pace Collection dining table featuring a 3/4" glass table top with four polished lucite legs, and Pace signature polished steel caps. A wonderful size at 68" X 42" will com...

Vintage Midcentury Modern Dutch Design Extendable Dining or Kitchen Table by Cor (Cornelius Louis) Alons for C. De Boer / Gouda Den Boer. Designed in 1949. Made in the Netherlands, 1...

A Dining table by Joaquim Tenreiro made of solid Imbuia with beautiful grain and veins. A wide solid wood border underlines the modernity of the lines. The table can be use as a ...

We are delighted to offer for sale this very well made, solid English Oak Habitat refectory dining table and eight Potocco leather and oak dining chairs This is a lovely, lightly used suite...

Kipp Stewart for Calvin Mid Century Walnut Expanding Dining Table with 1 Leaf This table measures: 62 wide x 40 deep x 29.25 inches high, with a chair clearance of 28.25 inches, the...

Original Tulip table from the Tulip collection by Knoll International, designed in 1957 by Eero Saarinen. The table could initially be pulled out and was given a table top made of Ca...

Beautiful and super rare round dining table by Joaquim Tenreiro, Brazil 1960. The precision and attention to detail by Tenreiro are visible in every inch of this creation. Each curve and joint speak of his masterful understanding of the medium, transforming solid wood into an ethereal masterpiece. Made of solid rosewood, the table's thin, round structure gracefully holds a smooth, transparent glass top, allowing to see the beauty of the minimalistic cross base. The legs of this table are slender, accentuating the table's lightness. This incredibly rare dining table by Joaquim Tenreiro goes beyond just being useful. Its design is timeless, giving us a glimpse into the creative mind of a true artist. Joaquim Tenreiro was born into a family of woodworkers and carpenters in Melo, Gouveia Municipality, Portugal. In the late 1920s, he moved to Rio de Janeiro, Brazil, and started working for the company Laubisch Hirth...

Danish Modern Mahogany dining table, designed by Frits Henningsen, Denmark, circa 1930s. This dining table is currently being refinished and the leaves will be re-veneered, as their veneer was missing when we purchased the set. It expands from a compact 43" circle to an impressive 108.5" oval with all three of it's leaves installed. We also have the matching dining chairs from the same estate currently listed on 1stdibs. Please see last photos. This listing and pricing is for the dining table only.

Table de Salle à Manger Ronde T69 en Marbre par Osvaldo Borsani pour Tecno, 1970

Rare early rectangular dining table in maple bent plywood designed by Ray and Charles Eames and produced by Evans Plywood Division for Herman Miller. Dubbed the DTW-1 (“Dining Table ...

Pierre Guariche Adjustable Extension Dining Table – Mid-Century French Design, Circa 1950. Presenting an elegant adjustable extension dining table designed by the renowned French d...

The dining table was designed in the 1950s by Bohumil Landsman and Hubert Nepozitek. It was produced in the 1960s by the Jitona Soběslav furniture factory in Czechoslovakia. Legs mad...

Danish Mid Century Modern Walnut Stretcher Base Walnut Dining Writing Table MINT (no Leaf)

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and handle all the shipping details. However, if you let us know what 1st Dibs is quoting you and give us your zip code, we can sometimes ship it for less and get it to you faster. For a shipping quote, click on "ASK THE SELLER" under the purchase button and provide your zip code. Offering one of our recent Palm Beach Estate fine furniture acquisitions of a Merle James Edelman for Casa Bique Tessellated Dining...

Vintage Midcentury Modern Belgian Design Dining Table / Desk designed by Jean Batenburg for MI. Made in Belgium, 1969. Mi is little known, but their furniture shows craftsmanship and...

Dining Table by Alfred Hendrick for Belform, 1960s Measures : 179cmx120cm H:69cm This piece has been assigned based on archival materials, such as vintage catalogs, designer archives...

Italian round smoked glass and chromed steel dining table, 1970s Elegant and modern round dining table with smoked glass top and massive chromed ste...

Beautiful extendable dining table with chrome legs that form a beautiful contrast with the dark veneer wood, designed in 1960 by the famous Belgian designer Alfred Hendrickx. The ext...

Minimalist dining table, lacquered with a high-gloss black paint finish (with a slightly metallic sheen to it). The table is raised on elegantly slender, tapering legs. The ends of t...

Oval ebonized wood, mahogany and black glass table, 1950s. Under-top cross vault, feet and borders are ebonized. Under the top stands out the finely inlaid rhomboid-patterned base th...

Stunning 1970's Pinnacle dining table designed by J Wade Beam for Breuton The highly polished Steel and glass base support the 60" diameter glass...

Rare Mid Century Studio Craft Sculptural live edge Walnut Dining Table or Desk by James Martin. Handmade in the USA - New Hope, PA. All Solid American black walnut wood. James Martin...

Milo Baughman Style double pedestal olive wood base dining table with thick glass top. We love the chunky olive wood clad cube pedestals with the chromed plinth bases. Check out the ...

Mid Century Modern Free Form T.H. Robsjohn-Gibbings Brass Leg Cloud Coffee Table Elevate your living space with the MCM Free Form T.H. Robsjohn-Gibbings brass leg cloud coffee table...

Late Mid-century Tulip inspired Steelcase 42″ office dining lunch round table with a laminate grey top and chromed steel base.It features a sleek, neutral surface that resists wear w...

American Studio craft solid beautiful Hardwood & walnut dining table style of Wharton Esherick with 4 carved legs. Curved organic table design made in the style of Wharton Esherick. ...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Dining pedestal table composed of a 4-legged central base made of oak and a cream marble top, Italy, 1950s. Every item LA Studio offers is checked by our team of 10 craftsmen in our...

Mid-Century Modern Italian dining table, wood and brass, 1960s.

Mid century Teak Rectangle Danish Modern extension dining table with (2) nesting pull out leaves. This table has Solid teak apron and tapered legs. This table is in beautiful conditi...

The table produced in the 1960s in Scotland by A.H. McIntosh. It is made from teak. The old surface has been cleaned, painted in oak stain and finoished with strong a semi-matt lacq...