Wall Decorations

16th Century Brussels Tapestry Great condition Beautiful color and design

Shield form with a crown over a coat of arms with different symbols, the frame carved and gilded in the baroque style. From the Michael Kittredge collection.

A gold, large antique French Louis XVI period barometer, signed by Torricelli in gilded wood and of oval shape with original scientific illustrations, in good condition. The detailed wall décor piece is consisting its original glass. Framed with gilt foliate trim and important pediment. Minor fading, due to age. Wear consistent with age and use, circa 1750, France. The Italian scientist Evangelista Torricelli...

Unusual and rare large scale glazed ceramic hand painted tiles depicting Native Americans (?) in a ceremonial dance. Likely natives of Brazil, when it was a colony of Portugal. The f...

The 39-year-old gentleman had himself portrayed as an aristocrat in an idyllic landscape. At the time, parks and forests were associated with the nobility's lands and pastimes. The s...

Great image of cats. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Published,...

This is a gorgeous antique late 17th century Flemish verdure landscape tapestry depicting a beautiful and rich summer scene of a countryside with lush trees and vegetation, with two ...

Antique map titled 'Diversa Orbis Terrae. Visu Incedente per Coluros Tropicorum, Ambos Ejus Polos, et Parciularis Sphaerae Zenith, in Planum Orthographica Projectio (..) Plat Ontwerp van verscheyde Aert-klooten (..)'. One of the earliest Dutch World Maps to focus on a more modern cartographic style, based on Carel Allard's map of 1696. This map represented a noteworthy shift from the traditional decorative Dutch 17th century maps where the margins would be full of classical mythological...

An 18th century Italian Venetian-style wall mirror with original silvered patina.

It is not easy to find this kind of hand drawed and hand-made French wallpaper in good conditions. The shining turquoise and the scenes of the games of the characters and jugglers i...

An antique 17th century Flemish Verdure Landscape Tapestry An antique 17th century Flemish verdure landscape tapestry, size: 7.4 H x 4.9 W. This fine handwoven European wall hanging...

Venetian school of the second half of the 18th century. Oil painting on canvas depicting an Arcadian landscape of pastoral genre. This type of pictorial representation established it...

Antique French painting from 18th century. Oil painting on canvas, depicting landscape with ruins and characters of good pictorial quality. Wood and plaster frame of the 20th century...

Collection of European Pine Primitive Hay Forks, priced per item/hayfork

Persian shekastesh nastaliq calligraphy panel. Calligraphy panel with gold and blue borders, handwritten in Farsi with intricate Khatam inlay frame consisting of wood and bone work....

Bahama Finch Engraving by J.M. Seligmann after George Edwards, Hand-Colored, 18th Century This exquisite 18th-century hand-colored engraving features the Bahama Finch, a vibrant b...

Artist or Maker: Johann Wilhelm Weinmann Title: "Lilium album peregrinum. Lilium buliferum, Knöpfigte Feuer Lilien. Lilium croceum minus, Feuer Lilien." Medium: Colored etching Catal...

Finely woven of wool and linen, this large, ancient, museum level Coptic textile depicts figures derived from classical antiquity, some playing musical ...

Germany Ansbach 18th century A set of 16 blue and white, with manganese tint, tiles with decorations of animals and figures. Very fine painting and much detail in the animals and fi...

Largest collection of Portuguese tiles in the world 17th Century Portuguese Tile Panel Restored 56cm x 56cm 14cm x 14cm tiles With certificate of authenticity and export issued by ...

Wonderful image of a bust of Alexander The Great Copper-plate engravings Published by Monaldini, Rome, 1776 Good quality wove paper Free shipping  

Wonderful image of classical Roman masks Copper-plate engravings Published by Monaldini, Rome, 1776 Good quality wove paper Free shipping  

Wonderful images of classical Roman masks Copper-plate engravings Published by Monaldini, Rome, 1776 Good quality wove paper Free shipping  

Wonderful images of Relief Carvings Copper-plate engravings Published by Monaldini, Rome, 1776 Good quality wove paper Free shipping  

A fine example of a large engraving assembled from six printing plates, by well known German artist Peter Paul Rubens (1577-1640). Rubens was born in Siegen, Westphalia, Germany and ...

Title: "Antique Fossil Engraving - Multivalves and Marine Fossils - Plate LXVII" Description: This antique engraving is a detailed illustration o...

Beautiful oil painting on canvas depicting a gentleman belonging to the ancient chivalric order of Saints Maurice and Lazarus, founded in 1572 by the House of Savoy. The protagonist ...

An antique late 17th century Flemish Biblical tapestry, size: 9'5 H x 6'5 W, envisioning the Old Testament Biblical conflict between Cain and Able, with ...

Oil on canvas painting. Western European, presumably 17th to 18th century. In the style of Dirck van Bergen, 1645 to 1700, a Dutch Golden Age landscape painter. The artwork depicts a...

Please note this the painting is dark as original photograph displays. This exceptional late 18th-century Neoclassical hand-painted panel, crafted on canvas and mounted to a board,...

17th century Antique Flemish Tapestry Wool & Silk Verdure Art Nouveau 4x6ft 122cm x 178cm "This is a very fine high quality rare authentic Antique Frenc...

This engraving is from the Johann Michael Seligmann's collection, based on the works of George Edwards that was published in 1743. The text in the image is in both German and Latin...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

Title: Der Amerikanische Pelican - Rare 19th Century Hand-Colored Engraving by Seligmann, Depicting the American Pelican This rare hand-colored engraving, titled *Der Amerikanische ...

Olive green Chinoiserie George III hanging corner cupboard dating to the late 18th century. In excellent condition. Original dark, olive green painted finish embellished with painted...

Set of Four Chinese Paintings in Rosewood Frames, Signed, 19th Century, Oil Canvas Stunning example of Oriental works on canvas on wood. Each in a fine custom rosewood frame, matted. The set depicting a story of a band leader...

Title: Allegorical Print of Lithology and Conchology by Boucher Fils, 18th Century Description: This exquisite 18th-century allegorical engraving, titled La Lithologie & La Conchyli...

Dutch (possibly 18th century) faience earthenware square mulberry tile with Biblical scene.        

Decorate a wall with this important pair of wall mounted carvings. Hand crafted in France circa 1780, and almost 7.5 feet tall, the large architectural elements depict two intricatel...

Late 17th century antique tapestry with woodland scene and floral border, rug 17-0401, country of origin / type: France / Adam style t...

Huge 17th C. Regal Flemish baroque Historical tapestry Royal court Antique LA CA . The period followed Renaissance and preceded Rococo and Neoclassical styles. The movement exuberant...

Hand-woven in the 1600s in Brussels, Belgium, this silk and wool tapestry depicts a citizen paying homage to a Roman general. During the 17th century, Brussels tapestries were highly...

Title: 1632 Decorative Map of the Holy Land with Insets of Jerusalem and Biblical Artefacts Description: This richly detailed map of the Holy Land, published in 1632, offers a fa...

Antique tempera Icon depicting St. John the Baptist holding his own head, a reference to his execution by beheading. This came as a result of John publicl...

The Jousting Tournament: Knights in Combat Description: This hand-colored lithograph showcases an intense moment in a medieval jousting tournament, with two knights charging at ea...

This antique print is titled "A Section of Mr. Hawk's Orrery, an Ancient Wooden Church, the Shrine of St. Edmund, and an Apparatus for Drawing the Moon's Path." The illustration pr...

Great image of lions. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown with original hand color. Pub...

A black ink and sepia wash drawing by French artist Jean-Baptiste Le Prince of a classical scene of Roman soldiers with camel signed and dated lower left. T...

Title: Striking 18th-Century Engraving of Papal Chronology and Symbols of the Vatican This beautifully detailed 18th-century engraving, 'Pontificum Romanorum Series Chronologica'...

Antique map of Italy titled 'Carta Nova accurata del Passagio et strada dalli Peis Bassi per via de Allemgna per Italia et per via di Pesi Suizeri a Geenea, Lione et Roma (..)'. Detailed trade route and shipping map...

This magnificent tapestry was woven in Flanders during the middle of the European Renaissance, in the late 1500s. At this time, Flanders was creating some of the best textiles in the world, and many of the rich wooded scenes with animals and hunting motifs began to appear. Tapestries subjects were thick forests and park lands, hunting scenes filled with deer, birds, exotic animals, and even mythological creatures. These were later referred to as Game Park tapestries...

1106 - a very beautiful 18th century Aubusson tapestry with very pretty color.

Beautiful 18th century Spanish colonial oil on canvas painting of Saint Anthony with the infant Jesus. There are a few old repairs as shown on photos...

Pair of 18th century Italian ecclesiastical, hand-embroidered decorations mounted on antique mercury mirror. The intricate ecclesiastical decorations are hand-embroidered with four ...

Kaiho Yusetsu (1598-1677) Tiger and Dragon Early Edo Period, Circa 1650 A Pair of Six-fold Japanese Screens. Ink and slight color on paper. Dimensions: Each screen: H. 171 cm x W. 380 cm (67.5’’ x 149.5’’) In this pair of early Edo period Japanese screens a group of tigers prowl in a bamboo grove whipped with fierce wind, while a dragon claws through clouds and mist. The dragon embodies elemental qualities - looming out of the mist, the coils of its body disappearing in the clouds. The dragon is calling for rain, symbolizing spring which is considered the fountain of life. On the other side, the tigers calls for the wind, symbolizing autumn which is considered the end of life. Tigers were familiar motifs within Japanese art from ancient times though the animals were imaginary to the people in the 17th century. While dragons and tigers are usually associated as sacred and ferocious, in this painting, both animals have rather amusing expressions. The tigers appear to glare at the dragon with cat-like eyes, and the look on the swirling dragon’s face appears almost affectionate - lending a playful flair to an otherwise magnificent theme. The tiger and dragon are cosmological symbols of the balancing forces in the world. Screens such as this were originally meant to express the fluctuating nature of the world. For Japanese in the early Edo period, they likely suggested the powers of the cosmos. In Japan the tiger and dragon motif was originally absorbed into the circles of Zen monasteries before spreading into the secular world. The theme especially appealed to the military classes with the Kano school, the official painters to the Shogun and the samurai, being the leading contributors. The painter of this pair of screens, Kaiho Yusetsu (1598-1677), was closely patronized by the third Shogun Tokugawa Iemitsu. In his later years he worked with Kano school artists...

A late 18th century French painting depicting a romantic couple in a pastoral setting. Oil on canvas. Unsigned. Original gilded wood frame. Small repair to canvas in the upper left c...

All featuring the communes of northern France including Rethel, Dunkirk, Mouzon, Gravelines etc. Framed and matted. By C.N. Cochin. Uninspected out of frames. Likely 19th century.

This evocative 18th-century engraving titled "Sir Walter Raleigh Beheaded in Old Palace Yard" illustrates the somber and historical execution of Sir Walter Raleigh, one of the most celebrated figures of the Elizabethan and Jacobean eras...