Art

Watercolour on paper circa 1925 by Henri Duhem depicting a view of the sea from the promenade at Juan les Pins on the French Riviera. A flower box of pur...

ANNA MASIUL-GOZDECKA Graduated from Warsaw Academy of Fine Arts in 2000. She studied painting at prof. Krzysztof Wachowiak`s atelier, photography under the guidance of prof. Rosław S...

Salvador Dali - Sator - Original Etching Stamp Signed Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1 / Michler & Lopsinger 305

Salvador Dali - Attack on the Windmils - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Atelier Mourlot. SIGNATURE : printed in the image LIMITED : 197 copies. SIZE : 64.5...

An India sunrise over the foothills of the Himalayas. The lush landscape tickled by the sun, adorned by Tibetan Prayer Flags. This artwork is a l...

Medium: hardcover book, acrylic varnish TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his ...

Marc Chagall - Original Lithograph The Red Rider From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1957 See Mourlot 191 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Work on paper, by Łukasz Blikle

Untitled #2011, 2024 Graphite on paper 12 x 9”

Sophie is an expressive and highly individualistic Post Impressionist work reminiscent of Chaim Soutine. Cottavoz isn known and celebrated for using incredibly thick paint that is a...

Original Lithograph by Jean Cocteau Title: Torero's Son 1961 printed signature in the stone Dimensions: 38 x 28 cm Lithograph made for the portfolio "Gitans et Corridas" p...

Although the title 'Lobster Fleet' calls to mind numerous vessels at sea in a single spot (and there's a group in the distance), in fact the print features a lone fisherman in a smal...

Lithograph by Jean Cocteau Title: Europe and the World Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky 1961

Paper Size: 38.5 x 26.5 inches ( 97.79 x 67.31 cm ) Image Size: 38.5 x 26.5 inches ( 97.79 x 67.31 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additional Details: Original Cyrk circus poster created by Jan Sawka...

We present this pair of fascinating coastal views, the fruit of the author's imagination, executed with an elegant descriptive taste and conceived with the scenographic sensitivity t...

Roy Lichtenstein Mermaid Original lithograph on Arches paper from the estate of one of the original donors to the sculpture. 8 Color litho on pap...

Artist: Marc Chagall Title: Christ in the Clock Portfolio: Chagall - Jacques Lassaigne Medium: Lithograph Year: 1957 Edition: 6,000 Sheet Size: 9" x 7 7/8" Image Size: 9" x 7 7/8" Si...

Jackie in Pink Dress in Yellow Room nb_114a -- A portrait of Jackie and JFK. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AND EDITION OF 15. Image size is 16" x 16" (for 17" x...

"The Atmosphere Of Knowledge" is an impressionist landscape painting by Maestro Lili Sotirova. The painting is unframed. About the artwork: TECHNIQUE: Oil painting STYLE: Impress...

Jean Cocteau - Marine Mountains - Original Lithograph Dimensions: 38 x 28 cm Edition: 200 In Rives From: COCTEAU. — VERDET (André). Montagnes marines. S. l. (Paris), Les Messagers du...

Self Portrait, 2007 9 color screen print on Somerset Satin paper 38 x 30 inches Edition of 118 Printed at Watanabe Press Publisher: Lincoln Center for the Performing Arts Chuck Close was best known for the monumental heads...

Salvador Dali - Cup of Chocolate - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

Hand initialed and numbered by the artist. Etching and aquatint in colors, on handmade paper. Image size: 13.5 X 21.25 in. Sheet size: 22.5 x 31.25 in. Framed. Edition of 50. Artwor...

Lithograph 4.00 x 3.00 in (10.2 x 7.6 cm) From a limited edition of 1500. The piece was presented by the British Consulate as a gift to the attendees of the Biennale Venice in 200...

Salvador Dali - Magician - Original Etching Stamp Signed Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1 K / Michler & Lopsinger 305 Salvador Dali Salvador Dali was born a...

A bright and bold colorfield abstract by Martin Aguilar (American, 20th Century). Signed monogram signature on verso. Image size, 24"H x 18"W. Unframed. Growing up in New Mexico’s b...

Original Lithograph by Jean Cocteau Title: The Voice Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumbered as issued

A stunning oil painting scene depicting figures by the beach in a sunny day at Nice, France done in the 20th Century. The vibrant colors and impressionistic brushwork is done with bo...

Salvador Dali - The Grand Inquisitor - Original Signed Engraving Handsigned in pencil and Numbered Edition: F195/195 - Printer: Atelier Rigal. - ...

Will Mentor received his BFA at the Rhode Island School of Design and arrived on the New York art scene in the early 1980’s, gaining instant success for what critics referred to as h...

Honesty in a Pink Vase and Marguerites in a Green Jug diptych Overall size cm : H120 x W120 Honesty in a Pink Vase by Amy Christie is a limited edition pri...

Radek Smach - Original abstract painting on canvas. Mixed media. My works are part of many private collections all over the world. Ready to hang. No framing required (it can be...

Artist: Kenny Scharf, American (1958 - ) Title: Kraka Jackie Boom Year: 1997 Medium: Serigraph, Signed and Numbered in pencil Edition: 150 Image Size: 32 ...

Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (Unframed) His work has been shown in Reina Sofía M...

Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds...

Original Lithograph by Jean Cocteau Title: Europe's Diversity Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky 1961 Jean Coc...

Artist: Andre Masson (French) Title: Surrealist Woman Year: 1970 Medium: Color lithograph Edition: Numbered 146/200 in pencil Image size: 24 x 18.5 inches Signature: Hand signed in...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Sepia Tone, Water, contrast, wave, movement, action shot, photograph, photography, warm, barbados, black & white, b&w, black & white, sepia, vignette, high contrast, carribean, tropi...

(after) Bernard Buffet Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimension...

This beautiful floral triptych on acrylic is by Cara Enteles. Her work is motivated by a fascination with nature and a concern for the environment. She...

Jean-Michel Basquiat Enrico Navarra Gallery Paris 2000: Rare vintage Basquiat announcement published on the occasion of: Jean-Michel Basquiat, Gallery Enrico Navarra Paris during the...

From his body of "Illustrated Set" work, this print by Terry Winters takes the printmaking process itself as subject. Winters became inspired by how his prints appeared before press,...

Salvador Dali - Henry Wadsworth Longfellow - Original Handsigned Etching Dimensions: 38 x 28 cm 1967 Signed in pencil EA in Sanguine Jean Sc...

after Roy Lichtenstein Title: As I opened Fire Poster Dimensions: 64 x 52 cm This work was conceived in 1966 and published by the Stedelijk Museum, Amsterd...

ANNE-VALÉRIE DUPOND (b. 1976, France) Anne-Valérie Dupond, born in 1976, studied at Marc Bloch University in Strasbourg, and obtained her Master’s degree in Fine Arts in 2000. Sinc...

A vintage heliogravure after Spanish artist Pablo Picasso (1881-1973) titled "La Comedie Humaine", 1954. Published by Verve, Paris France 1954. Produced from Picasso's sketches fro...

After Pablo Picasso 1881 - 1973 The Dwarf Dancer (Barcelona Series) - 1966 Framed Offset Color lithograph signed, dated and dedicated at the bottom "For L...

Original Mudd Club poster, New York 1979: A must have for any true Jean Michel Basquiat, Keith Haring collector - this piece is featured in the 2017 Jean-Michel Basquiat documentary, 'Boom For Real.' Promotional poster. 1979. Dimensions: 18x24 inches. Very good overall vintage condition condition; some minor fading consistent with age. Provenance: Obtained directly from the original art designer. The Mudd Club was founded by filmmaker Steve Mass, art curator Diego Cortez, and downtown punk scene figure Anya Phillips in 1978. Mudd Club featured an art gallery curated by Keith Haring on the upper floor. Live performances by New York No Wave bands such as, DNA, the Contortions, Talking Heads & Basquiat's band Gray. On the dance floor, DJs, Anita Sarko and Johnny Dynell played an eclectic mix of punk, funk and curiosities. From the start it functioned as an antidote to the uptown disco glitz of Studio 54. Six months after it opened, the Mudd Club was mentioned in People: "New York's fly-by-night crowd of punks, posers and the ultra-hip has discovered new turf on which to flaunt its manic chic. It is the Mudd Club ... . For sheer kinkiness, there has been nothing like it since the cabaret scene in 1920s Berlin". After its first few years, Studio 54 celebrities like Andy Warhol, Grace Jones and David Bowie began to show up. In 1981, the Mudd Club's Steve Mass began showing up at the more informal Club 57 on St. Mark's Place, and began hiring Club 57 regulars including Keith Haring to help attract the downtown art & music scene. The Mudd Club was frequented by many of Manhattan's emerging emerging cultural figures, such as, Lou Reed, Johnny Thunders, David Byrne, Debbie Harry, Arto Lindsay, John Lurie, Nico with Jim Tisdall, Lydia Lunch, X, the Cramps...

Salvador Dali - The Biblia Sacra was published in 1969 by Rizzoli of Rome - SIGNATURE : printed in the image - LIMITED : 1499 - SIZE : 19 x 13 3/4" - REFERENCES : Michler and Lopsi...

Mario (Grin) 2018 16”x16.5”x1.25” inches Sumi ink and pencil on Japanese Washi Paper Mario, the main character from the Super Mario Bros. video game is one of the most recognizable images and a true archetype of our contemporary society. This traditional hand-drawn portrait of Mario in ink on paper, renders his likeness akin to a snapshot, or cell, removing him from the digital realm and freezing him in our tangible world of reality. Shelter Serra’s paintings, sculptures, and drawings explore mass consumption and cultural identity. He juxtaposes subject matters that are both common and recognizable: a Campbell's Soup Can, a copper plated baseball hat, and a Hermes Birkin bag...

This piece is part of Will Wilson's ambitious ongoing project 'Connecting the Dots: For a Just Transition'. This project reckons with the deleterious, enduring effects of uranium mining on and around Dinétah (the Navajo Nation...

Watercolour on paper circa 1920 by French Impressionist painter Henri Duhem depicting white, red, pink and yellow flowers. Signed lower right. This painting is not currently framed b...

Paper Size: 39.5 x 27.5 inches ( 100.33 x 69.85 cm ) Image Size: 31.25 x 20.5 inches ( 79.375 x 52.07 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age A...

Salvador Dali - Moshe Dayan - Original Handsigned Etching Dimensions: 38 x 28 cm 1968 Signed in pencil EA in Sanguine Jean Schneider, Basel References : Fi...

Salvador Dali - The Biblia Sacra was published in 1969 by Rizzoli of Rome - SIGNATURE : printed in the image - LIMITED EDITION: 1499 - SIZE : 19 x 13 3/4" - REFERENCES : Michler an...

Artist: Yue Minjun Title: Untitled (Smile-ism No. 20) Year: 2006 Medium: Lithograph on Rives BFK paper Edition: 45; signed and numbered in pencil Sheet: 43.50 x 35.25 in. (110.5 x 8...

Kartick Chandra Pyne - Untitled - 18 x 29 inches ( unframed size without mount ) Watercolor on rice paper Signed in Bengali Lower right. This would will be shipped mounted without th...