Engraving Prints and Multiples

Illustrated Plate, from Rues et Visages de Paris is a hand-colored etching and drypoint by Chas Laborde. This original print is hand-colored with tempera and watercolor. In excellent...

Crucifixion Engraving, 1958 Signed, dated, titled, and annotated 'Printers Proof II' in pencil A printed by Master Printer Jon Clemens, c. 2000 A brilliant impression full of burr Im...

Artist: Joan Miró Title: Series “Enrajolats” Year: 1979. Technique: Etching with aquatint on Arches paper, copy 26/30. Signed and numbered in pencil. The series “Enrajolats” consists...

Jean-Emile Laboureur (1877-1943), Causerie Villageoise (Village Chat), engraving with touches of roulette and etching, 1924, signed in pencil lower left, numbered and inscribed “imp”...

Walruses Engraving, 1952 Signed, dated, titled and numbered (see photos) Edition: 100, this from the second printing with the artist's initials in an edition of 25 (16/25) Condition:...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts) in the studios of professors Władysław Strzemiński, Adam Rychtarski, Stefan Wegner and Ludwik Tyrowicz. He graduated with special award from the Academy of Fine Arts in Krakow in 1954. In 1958 he became a member of the Piąte Koło association ("Fifth Wheel...

Engraving, 1953 Handsigned by the artist in pencil and numbered 210/250 Catalog : Schmücking 15 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) 41.00 cm. x 32.50 cm. 16.14 in. ...

Aardvark Engraving, 1951 Signed, dated, titled in pencil by the artist (see photo) Annotated "To Jon from Ray" (see photo) Printed by Jon Clemens, Master Printer, c. 1990 Condition: ...

Rembrandt's Mother with Black Veil I is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1631. This ...

Cincinnati Union Terminal, Perspective From East Drypoint, 1930-1931 Signed in pencil lower right (see photo) Initialed and dated the the plate above the pencil signature From: Cincinnati Series (8 Plates), this No. 2 Edition: 155, completed May 4, 1931 Delivered to Fellheimer & Wagner, 1931 Louis Conrad Rosenberg 1890-1983 An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...

City is an original zincography artwork realized by Mino Maccari. Included a white Passepartout: 49 x 34 The state of preservation is very good. The artwork represents a landscape...

Trees is an lithograph on paper realized by an unknown artist in the 20th Century. The artwork is in good condition.

Wonderful and evocative abstracted dry point etching of honey bee drinking water and barbed wire titled "Rebirth" by Tomoya Uchida (Japanese, b. 1947). Presented in new double mat. Unframed. Image size: 8.5"H x 7.5"W Titled "Rebirth" along the bottom edge. Signed and dated "T. Uchida" in the lower right corner. Presented in a new double mat mat with foam core backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...

Study of Five Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810). Five study of heads of which two profiles (a female and a male) are lightly sketched with the drypoint technique, and we could appreciate the incredible draftsmanship. Instead, the bigger three portraits are very detailed and etched with a superb technique. Although the subjects are drawn in different scales and with different degrees of finish, each portrait has the dignity of a unique piece and the composition is very balanced. In particular on the lower margin at the center there is the portrait of "Le Père Cotrot, Garçon Teinturier à Lyon'", an elderly man, toothless and with a large-nosed, slightly turned to left, with a hat and unbuttoned jacket over waistcoat, shows all his wrinkles in a very realistic way. Signed on plate on lower right margin “De Boissieu”. This old master’s original print with fresh impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time and light foxing along the margins, do not affect the image. Jean-Jacques de Boissieu (Lyon,1736 –1810) Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught. His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...

Provenance: Marina Picasso Estate, her number verso Purchased from Jan Krugier Gallery, NY References And Exhibitions: Georges Bloch, Picasso: Catalogue de l'oeuvre grave et lith...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Jesus College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Jesus College, Cambridge, engraved by P...

Figures is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Good conditions. Mino Maccari (Siena, 1924-Rome, June ...

The Cat is an Original etching and drypoint print on paper realized by an Anonymous artist in 1950 ca. Good conditions with some foxing.

Untitled is an original artwork realized by Eugène Corneau in the first years of the 1930s. Etching and drypoint on paper. Monogram of the artist on the lower left. Excellent conditi...

Aquatint on wove paper. Hand signed and numbered by Pablo Picasso. Plate 106, from the serie "347 gravures" (B. 1586; BA. 1602 II B b 1). Published by Galerie Louise Leiris, Paris. ...

From a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis Arches and Columns London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x39cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Samuel Sparrow (active 1800) after John Kirby Baldrey (1750 - 1823) Emmanuel College...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) St John's College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of St John's, Cambridge, engraved by P...

To see our other architectural drawings and engravings, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot ...

Engraving, 1976 Handsigned by the artist in pencil Edition : 115 Publisher : Galerie Schmücking (Braunschweig) Printer : Lacourière et Frélaut (Paris) 28.00 cm. x 37.50 cm. 11.02 in. x 14.76 in. (paper) 19.50 cm. x 25.50 cm. 7.68 in. x 10.04 in. (image) Original drypoint etching by Zoran Music...

Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper Minimalist landscape with two figures walking along the shore by Doris Ann Warner (American, 1925-201...

Hybrid Creature is etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009). Hand-signed on the lower right and numbered on the lower left in p...

James Basire & John Carter Floor plan of St Albans Cathedral Engraving 61 x 95 cm This engraving was originally published by the Society of Antiquaries of London, an organisation ...

Chrysanthemums by Judith Rothchild - 40/100 Judith Rothchild is an American born artist, having grown up in Boston, Massachusetts. She now lives in the Languedoc region of France, w...

Rembrandt's Mother with Black Veil I is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching after Rembrandt's original eng...

Figure and Creek is a unique contemporary print by Graham Fransella. The warm oranges starkly contrast the bold use of black lines and intersperse the monotone colour scheme - making...

'Construction des Parclauses et Le Profil des Museaux' French copper-line engraving by Milsan after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper. From Roubo's...

'Elevations de Divers Especes de Dessus de Portes' French copper-line engraving by JB Bichard after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper. From Roubo's...

Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...

Medium: Drypoint Image Size: 8.5 x 6.5 inches Edition 15 Year: 1990 John Russell wrote in a review in the New York Times that "several of Norrman’s images could hang with drawings b...

An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...

Engraving, 1967 Catalog : Passeron 156 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) 32.00 cm. x 25.00 cm. 12.6 in. x 9.84 in. (image) Annoted "EA" Handsigned by the artist i...

Limited edition. KRYSTYNA JASZKE She graduated from the Academy of Fine Arts in Wrocław where she studied at the faculty of Painting and Sculpture at the atelier of professor Józef H...

Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.46 is from a series of original engravings published by Lodovico Mirri in the late 18th century and engr...

Engraving, 2002 Handsigned by the artist in pencil 24.00 cm. x 18.00 cm. 9.45 in. x 7.09 in. (paper) 16.70 cm. x 14.00 cm. 6.57 in. x 5.51 in. (image) A beautiful etching by the...

The Tribute Money is an engraving on ivory-colored paper realized after Rembrandt by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belo...

Fishermen is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realize...

Untitled (Portrait) Drypoint printed in blue-black graphite mixed with silver, 1974 Signed and dated lower ight (see photo) From: Series entitled Six Drypoints Edition: 23 (4/23) Numbered lower left (see photo) Print Shop: Crown Point Press Printer: Jeannie Fine Publisher: Parasol Press, New York Note: A portfolio is in the collection of the National Gallery, Australia, Fine Arts Museums of San Francisco- de Young/Legion of Honor, Davis Museum at Wellesley College and the Yale University Art Gallery. Condition: Excellent Image/Plate size: 6 3/8 x 5 3/8 inches Sheet size: 24 x 20 inches From a portfolio of six drypoints, printed with unqiue combination of blue-black graphite shavings combined with silver to create the appearence of an original drawing. I know of no other artist to use a similar printing technique. William Bailey studied art at the University of Kansas, Yale University and Yale School of Art where he studied with Josef Albers receiving his MFA in 1957. Mr. Bailey’s first exhibition in New York was at Robert Schoelkopf Gallery in 1968, where he showed regularly until its closing in 1990. During the 90’s he exhibited at the Andre Emmerich Gallery and on its closing, exhibited at the Robert Miller Gallery. In 2004 Bailey moved to the Betty Cuningham Gallery where his most recent exhibition was held from April 30 - June 11, 2016. Mr. Bailey’s work has been exhibited extensively in both America and Europe. He is represented in the collections of The Whitney Museum of American Art, The Museum of Modern Art, the Pennsylvania Academy of Fine Arts, and the Hirschhorn Museum and Sculpture Garden, among others. He was awarded a Guggenheim Fellowship in painting in 1965. Mr. Bailey was elected to The National Academy of Design in 1983 and to The American Academy of Arts and Letters in 1986. Mr. Bailey taught at The Yale School of Art from 1958 to 1962 and from 1969 to 1995. He has also taught at The Cooper Union, University of Pennsylvania and Indiana University. He maintains studios in New Haven and in Umbertide, Italy. Courtesy Betty Cunningham Gallery Tribute to William Bailey THE NEW YORK TIMES William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep. Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than life. “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the William Harrison Bailey...

Artist: Dali, Salvador Title: Marie Curie Series: Medicine and Science Date: 1970 Medium: drypoint Framed Dimensions: 20.25" x 17.5" Signature: Pencil signed Edition: /125 Li...

Signed, title and numbered by the artist Image Size: 8.25 x 10.25 inches Year: 2009 Edition: 50 Bozon's abstract imagery recalls the colors and textures of Morocco and southern Spai...

Self-Portrait, Frowning is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition...

Edition of 25, signed, numbered AGNIESZKA LECH-BIŃCZYCKA Graduated from University of Rzeszów in a field of Artistic Education with specialisation in g...

Peterhead is an etching realized in the Early-20th Century by R.Brandard. Signed in plate. The artwork is realized in a well-balanced composition.

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

Marsh, Reginald GIRL WALKING - PILLAR - SOLDIER. S. 219. Engraving, 1942. State II of II. One of two proofs in this State, annotated "State II, 1/2" and signed by Marsh in pencil. Sa...

Self-portrait in a Cloak with a Falling Collar: Bust is an engraving on ivory-colored paper realized after an etching by Rembrandt by charles Amand Durand (1831-1905). This wonderful...

Franciscus de Neve (c.1632-1704) 'Landscape with Shepherdess Playing a Tambourine' and 'Echo & Narcissus' Engravings Both signed in the lower margin: 'Franciscus de Neue In. e fecit' and 'Si Stampano in Roma da Gio: Iacomo de Rossi alla Paca' Each 31.5 x 38.5cm (plate) Franciscus (or Frans) de Neve was a Flemish painter and engraver, born in Antwerp in 1632. His father, also an artist, was called by the same name, resulting in some confusion for art historians. The younger de Neve was working in Rome from 1660-1670, producing paintings for the Palazzo Doria-Pamphili (alongside Pietro da Cortona) and was known for his religious subjects, mythological scenes and landscapes. He was part of a network of Dutch and Flemish artists in the city, who helped to promote and support his career. Many of his works are known only from the engravings which in Rome were produced by Giovanni Giacomo de Rossi alla Pace (including these examples). After 1670 he travelled to Augsburg and Munich, then to Austria and Moravia, where he completed numerous commissions for altarpieces. Towards the end of his life he returned to his native Flanders and became Master of the Guild of Saint Luke. De Neve had a reputation as a gifted landscape painter, and these two engravings show his keen interest in the details of the natural world, as well as the influence of Claude Lorrain in the extensive vistas. The painting of ‘Narcissus and Echo...

Wood engraving The Battle of Berlin was the last land battle of the Second World War in Europe. Launched on April 16, 1945 by the Soviets, it ended on May 2, 1945 with the surrender of...

Artwork Size: 12 x 19 in Edition 1 of 40 "Flood and Weather Gauge" is a multi-colored print from hand-carved engravings, matted and framed, by Ke Francis. As a writer as well as a visual artist, many of Francis' artworks have a literary aspect to them, whether it is pure illustration or an implied narrative. "Flood and Weather Gauge" was created as a purely visual image without any accompanying text. However, Francis creates an implied narrative within the piece through the relationship and dialogue between the overwhelmed homemade weather gauge and the intensifying weather conditions of the flood. Over ten years after the original work's creation, a version of Flood and Weather Gauge accompanied Michael Hannon...

Engraving, 2007 24.00 cm. x 18.00 cm. 9.45 in. x 7.09 in. (paper) 18.00 cm. x 13.00 cm. 7.09 in. x 5.12 in. (image) Piza's gouge etching offers a bird's-eye view of an abstract ...

Beautiful proof on verge, with note “Pl.194” and signed by the artist in pencil. Full margins. Ex-coll. H.H. Benedict (Lugt 1298), with dry stamp not identified. Ref. Cat. Harrington...

Cozy domestic scene of a romantic Jackalope couple in their home. The jackalope is a mythical animal in North American folklore described as a jackrabbit with antelope horns. Medi...

"Coastal Ti Tree" Drypoint Etching in Ink on Paper No. 30/100 Detailed etching attributed to Ernest Edwin Abbot (British, 1888-1973). Several trees grow along the coast at the edge of the water at Ti Tree, Australia. In the far distance, a mountain range can be seen on the opposite shore. Titled and numbered "Coastal Ti Tree 30-100" in the left corner. Signed "G. Cope" in the right corner. Presented in a new black mat with foamcore backing. Mat size: 11"H x 14"W Paper size: 5.5"H x 10.25"W According to The Centre for Australian Art: Prints + Printmaking, Abbot often produced work under the pseudonym "G. Cope" Ernest Edwin Abbott was born in 1889 and grew up in Bideford United Kingdom, With his younger siblings Violet, Reginald, Olive and his parents Charles and Sarah Abbott, His Farther worked as a upholsterer. Abbott decided in 1911 to migrate to Western Australia on the ship Tainui, Settled in Western Australia he then married his wife Florence Radcliffe Olde in 1913 whom also came to Australia in 1912 from Bideford. They had two sons, Reginald Douglas Abbott and Kenneth John Abbott. They moved to South Australia where he taught art at Stott’s for four years. Later in 1920 the family moved to the suburb of Kew in Melbourne Victoria, where he took a studio in Oxford Chambers at 475 Bourke Street. He also built a studio later at his home in Black Rock. In about 1920 or 1930 he took up dry-point etching, and gave up his city studio to concentrate on printmaking at his home. Abbott made his own engraving tools...

Medium: Mezzotint Year: 2004 Edition: 100 Image Size: 15.5 x 11 inches Art Werger’s prints show a keen observation of quiet and normally unnoticed moments. Pedestrians passing each ...

Crucifixion Engraving, etching, and ground printed in colors, 1947 Signed, titled and numbered in pencil (see photos) From the second printing by Jon Clemens, master printer in the 1990's Done while the artist was at the Iowa Print Group, MFA Program, University of Iowa . Condition: excellent Image/Plate size: 15 3/4 x 15 3/4 inches Provenance: Estate of the artist Printmaker, painter, and sculptor Ray H...