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2 Piece Mcm Hutch

MCM 2-Piece China Hutch Cabinet Buffet by Heywood Wakefield Contessa Collection
By Heywood-Wakefield Co.
Located in Topeka, KS
Mid-Century Modern 2-piece china hutch, cabinet, or buffet by Heywood Wakefield for the Contessa
Category

Mid-20th Century American Mid-Century Modern Cabinets

Materials

Metal

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Heywood-Wakefield Co. for sale on 1stDibs

Created by the 19th-century merger of two venerable Massachusetts furniture makers, Heywood-Wakefield was one of the largest and most successful companies of its kind in the United States. In its early decades, the firm thrived by crafting affordable and hugely popular wicker pieces in traditional and historical styles. In the midst of the Great Depression, however, Heywood-Wakefield reinvented itself, creating instead the first modernist furniture — chairs, tables, dressers and more — to be widely embraced in American households.

The Heywoods were five brothers from Gardner, Massachusetts, who in 1826 started a business making wooden chairs and tables in their family shed. As their company grew, they moved into the manufacture of furniture with steam-bent wood frames and cane or wicker seats, backs and sides.

In 1897, the Heywoods joined forces with a local rival, the Wakefield Rattan Company, whose founder, Cyrus Wakefield, got his start on the Boston docks buying up lots of discarded rattan, which was used as cushioning material in the holds of cargo ships, and transforming it into furnishings. The conglomerate initially did well with both early American style and woven pieces, but taste began to change at the turn of the 20th century and wicker furniture fell out of fashion.

In 1930, Heywood-Wakefield brought in designer Gilbert Rohde, a champion of the Art Deco style. Before departing in 1932 to lead Herman Miller — the prolific Michigan manufacturer that helped transform the American home and office — Rohde created well-received sleek, bentwood chairs for Heywood-Wakefield and gave its colonial pieces a touch of Art Deco flair.

Committed to the new style, Heywood-Wakefield commissioned work from an assortment of like-minded designers, including Alfons Bach, W. Joseph Carr, Leo Jiranek and Count Alexis de Sakhnoffsky, a Russian nobleman who had made his name in Europe creating elegant automotive body designs.

In 1936, the company introduced its “Streamline Modern” group of furnishings, presenting a look that would define the company’s wares for another 30 years. The buoyantly bright, blond wood — maple initially, later birch — came in finishes such as amber “wheat” and pink-tinted “champagne.” The forms of the pieces, at once light and substantial, with softly contoured edges and little adornment beyond artful drawer pulls and knobs, were featured in lines with names such as “Sculptura,” “Crescendo” and “Coronet.” It was forward-looking, optimistic and built to last — a draw for middle-class buyers in the Baby Boom years. 

By the 1960s, Heywood-Wakefield began to be seen as “your parents’ furniture.” The last of the Modern line came out in 1966; the company went bankrupt in 1981. The truly sturdy pieces have weathered the intervening years well, having found a new audience for their blithe and happy sophistication.

Find vintage Heywood-Wakefield desks, vanities, tables and other furniture for sale on 1stDibs.

A Close Look at Mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Materials: Cane Furniture

If the interiors people have been saving on Instagram lately are any indication, we’ll be seeing a lot more antique, new and vintage cane furniture in the years ahead.

Cane — the material of the moment that is inspiring a new generation of designers — has been cropping up everywhere, from sleek armchairs to lounge chairs, side tables and desks.

In case you’re wondering, cane refers to the peeled-off bark of rattan, an Old World species of climbing palm, while wicker may be used to describe natural or synthetic materials that were woven into a pattern. Raffia, another term thrown around when discussing woven furniture, refers to a palm tree native to tropical regions in Africa.

Of course, designers’ obsession with traditional artisanal techniques is nothing new. Marcel Breuer’s tubular Cesca chair, a design originally conceived in the 1920s, has drawn renewed attention in the past few years. And the popularity of materials like raffia and wicker reflects our desire for all things handmade.

Find a wide range of antique, new and vintage cane furniture on 1stDibs.

Finding the Right Bookcases for You

Whether you proudly shelve your books in regal mahogany or behind glass cabinet doors, an antique bookcase — or perhaps more than one — is essential to creating a cozy nook for any book lover.

As long as curious people have collected stories, we have needed a place to stow them away and preserve them. When auction houses and book dealers proliferated by the late 17th century, the bibliophile was born. And, of course, as with any treasured decorative objects or collectibles, a book lover’s volumes were suddenly worthy of a luxurious display — enter the bookcase.

Americans of means during the 19th century took to amassing art as well as rare books, and bookcases of the era — rife with hand-carved decorative accents and architectural motifs — were ideal for displaying their handsome leather-bound wares.

Although our favorite titles may change over the years, the functionality and beauty of their home within our home is timeless. Even those who don’t covet the perfect home library can benefit from an attractive display case, as bookcases can easily double as charming étagères

Contemporary and customizable options make it easier for you to find the perfect bookcase for your style and stacks. If you don’t wish to fill your storage piece so that your collection is snug within its confines, incorporate extra space to allow for additional displays and decorative objects. And by introducing a striking dark wood Art Deco bookcase or low-profile mid-century modern design by Paul McCobb into your living room, your signed first editions won’t be the only items making a statement. 

Find barrister bookcases, Globe Wernicke bookcases, bookcases with doors and other vintage and antique bookcases on 1stDibs now.