Chair Gerrit Thomas Rietvild

Best known for his Red and Blue chair, a modernist icon created using only two plywood plates and 15 connecting bars, Dutch designer Gerrit Thomas Rietveld trained as a cabinetmaker, and his bold vision for furniture was supported by his expertise in construction and craftsmanship.

Born in Utrecht, Rietveld learned goldsmithing in addition to the cabinetry apprenticeship he had in his carpenter father’s workshop. He studied draftsmanship with architect Piet Klaarhamer at the Utrecht Museum of Applied Arts and opened his own furniture workshop in 1917. In the 1930s, Rietveld began to experiment with then-unusual materials like plywood and aluminum, and he pursued intellectual concepts through his design, even considering a seat as a resting place for the body and the soul.

Designed in 1918, the minimalist Red and Blue chair is widely coveted by collectors and gained admirers in the likes of legendary American sculptor and designer Donald Judd over the years. (Examples of Rietveld’s designs can be found in Judd’s restored home-museum in New York City.) The Red and Blue chair is so stunning in its geometric simplicity that it is one of the most important symbols of the Dutch art and design movement of the early 20th century called De Stijl, of which Rietveld was an important part. De Stijl means “the Style” and was an effort to express utopian values through pure abstraction in design and the use of primary colors.

Another example of Rietveld’s celebrated seating furniture is the Zig-Zag chair, which was commissioned by the Dutch department store Metz & Co. and intended to be mass-produced. The resulting design — to which the rights to manufacture were bought by Cassina in 1971 — is the essence of the De Stijl movement and an example of Rietveld’s experiments with jointless chairs made from a single material, wood. The Zig-Zag chair’s armless, legless, elegant form is pure abstraction, yet it is also sturdy and comfortable.

Later in his career, Rietveld worked more often as an architect, designing buildings in prestigious settings like the Venice Biennale. He was a pioneer in more ways than one: The first building he designed, Rietveld Schröder House in Utrecht in 1924, is a radically modern space and has been a UNESCO World Heritage Site since 2000.

Find vintage Gerrit Rietveld furniture on 1stDibs.

Chairs are an indispensable component of your home and office. Can you imagine your life without the vintage, new or antique chairs you love?

With the exception of rocking chairs, the majority of the seating in our homes today — Windsor chairs, chaise longues, wingback chairs — originated in either England or France. Art Nouveau chairs, the style of which also originated in those regions, embraced the inherent magnificence of the natural world with decorative flourishes and refined designs that blended both curved and geometric contour lines. While craftsmanship and styles have evolved in the past century, chairs have had a singular significance in our lives, no matter what your favorite chair looks like.

“The chair is the piece of furniture that is closest to human beings,” said Hans Wegner. The revered Danish cabinetmaker and furniture designer was prolific, having designed nearly 500 chairs over the course of his lifetime. His beloved designs include the Wishbone chair, the wingback Papa Bear chair and many more.

Other designers of Scandinavian modernist chairs introduced new dynamics to this staple with sculptural flowing lines, curvaceous shapes and efficient functionality. The Paimio armchair, Swan chair and Panton chair are vintage works of Finnish and Danish seating that left an indelible mark on the history of good furniture design.

“What works good is better than what looks good, because what works good lasts,” said Ray Eames. 

Visionary polymaths Ray and Charles Eames experimented with bent plywood and fiberglass with the goal of producing affordable furniture for a mass market. Like other celebrated mid-century modern furniture designers of elegant low-profile furnishings — among them Ludwig Mies van der Rohe and Finn Juhl — the Eameses considered ergonomic support, durability and cost, all of which should be top of mind when shopping for the perfect chair. The mid-century years yielded many popular chairs.

The Eameses introduced numerous icons for manufacturer Herman Miller, such as the Eames lounge chair and ottoman, molded plywood dining chairs the DCM and DCW (which can be artfully mismatched around your dining table) and a wealth of other treasured pieces for the home and office. 

A good chair anchors us to a place and can become an object of timeless appeal. Take a seat and browse the rich variety of vintage, new and antique chairs on 1stDibs today.