Elogio Sofa

Widely recognized as superstars of postmodern Italian design, husband-and-wife team Afra and Tobia Scarpa (1937–2011; b. 1935) collaboratively created chairs, sofas and other furniture that work equally well in both traditional and cutting-edge environments.

Ranging from architecture and interior design to furniture and clothing, the Scarpas’ practice from its beginnings in the mid-1950s to the 21st century has included a diverse scope of projects combining new technology with thoughtful function and sculptural yet simple forms.

Afra Bianchin and Tobia Scarpa met as architecture students at the Università Iuav di Venezia. In a class led by architect and furniture designer Franco Albini, they created their first collaborative piece, the Pigreco armchair, later produced with Gavina. After graduating in 1957, Tobia worked for Murano glass company Venini & Co. before the couple opened a studio in Afra’s hometown, Montebelluna, in 1960. (Tobia, the son of famed glass artist and architect Carlo Scarpa, was born in Venice.)

For Afra and Tobia, a close collaborative process was pivotal to the success of their designs. The duo was also prolific — they designed for the most influential European manufacturers, including B&B Italia, Cassina, Knoll and FLOS. With respect to the latter, Afra and Tobia were among the legendary Italian lighting maker’s earliest collaborators, and their pioneering designs for the brand included the Papillon lamp, one of the first fixtures to use halogen technology. Their most recognized designs include the Bastiano sofa (1962), the Vanessa bed (1959), the Coronado sofa (1966) and the Soriana seating collection (1970). Work on the Soriana sofa began in late 1969 for an early 1970 debut, and it feels as radical today as it did in its heyday.

Architecture was also a central part of Afra and Tobia’s practice, which spanned residential buildings and factories for Italian companies such as Benetton. Their commissions for the global fashion brand included numerous industrial projects, from textile plants to storefronts. By 1985, Afra and Tobia Scarpa’s work was celebrated in a 30-year retrospective at Center Four in Queens, New York. Looking around the 30,000-square-foot exhibition space, Afra joked to the New York Times, “Seeing all those things makes us feel very tired, and now we feel that maybe we worked too much.”

It was not too much for their legacy, as Afra and Tobia Scarpa’s work continues to inspire new generations. Scarpa designs are in collections at the Louvre, the Museum of Modern Art and the Victoria and Albert Museum. The couple was awarded the Compasso d’Oro in 1970 for the Soriana armchair.

Find vintage Afra & Tobia Scarpa lounge chairs, dining chairs, floor lamps and other furniture today on 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

An antique, new or vintage sectional sofa is a versatile and practical style of seating that makes for a great addition to your living space.

A traditional sofa is typically a long upholstered seat that features a back and arms and is intended for two or more people, whereas a sectional sofa consists of multiple pieces that can be arranged in several different layouts. While a conventional couch or sofa can definitely seat a fixed number of houseguests, sectional sofas allow for customizing. We all know that maximizing your square footage in a small space can prove difficult, so the modular characteristics of sectional sofas are especially appealing when you’re thinking about design ideas for your modest-sized living room. This furnishing can be arranged in a semicircle, an L-shape or other configuration and will seat more people than a standard sofa will.

When it comes to home decor, the trick is to find a balance between functionality and style. Sectional sofas are available in a wide variety of shapes, sizes, colors and fabric options, so you’re sure to find one that perfectly complements your interiors and needs. But there are several factors to consider when choosing the perfect sectional sofa for your space.

According to Charleston designer Angie Hranowsky, “the most important thing to know when choosing the perfect sofa is its purpose. Is it for conversation or for watching TV and lounging? Then you can determine the right depth and seat height.”

The size of your sectional sofa will depend on how much real estate you’re working with in your living room and exactly how you use the space. If you’re trying to define a common area in your sprawling loft apartment or you’ve got a large family to think about, a large, sleek contemporary sectional or sculptural sectional sofa designed by Milo Baughman, say, could be ideal for comfort as well as a conversation piece, particularly if you intend to entertain with regularity. Think about seat height and depth — high seats, for example, can yield an air of formality that might not be a great fit for your crowd.

For movie nights, holiday parties or the occasional but totally fabulous dinner party, a large sectional sofa means getting multiple uses out of a singular piece of seating. In smaller rooms, it might make sense to position your small sectional sofa against the wall, whereas in a wide-open space, the sofa’s components can occupy the center of the room. Measure accordingly and make sure your doorways can accommodate on delivery day.

Bring comfort and class to your living space with a sectional sofa from the world’s best dealers on 1stDibs. For your mid-century modern-inspired living room, find fun spage-age sectional sofas, chic leather sectional sofas and a range of vintage mid-century sectional sofas designed by the likes of Harvey Probber, Vladimir Kagan and others.