Evelyn & Jerome Ackerman On Sale

When Evelyn and Jerome Ackerman met and married in Detroit in 1948, they began a seven-decade love affair and creative partnership that would have a major impact on the aesthetic of California mid-century modernism. 

At the time, Jerome was a charismatic World War II veteran, Evelyn a young assistant at Luce Lipton Interior Design Studio, where he first spied her folding fabric samples and presented her with a Milky Way bar.

Working out of their studio in Los Angeles, where they moved in 1952 to be part of California’s burgeoning design scene, the two would produce handcrafted case pieces, tapestries and other decorative objects in a variety of media, including ceramics, textiles, carved wood, mosaics and enamel. 

The multifaceted pair collaborated with firms and designers such as Victor Gruen; Skidmore, Owings & Merrill; Paul McCobb; Steve Chase; and Arthur Elrod, an incredibly influential talent whose own clients included Frank and Lucille Capra, Hoagy Carmichael, Claudette Colbert, and more.

The Ackermans’ prolific body of work is distinguished by a hand-wrought sense of warmth and texture; a mix of folk art — like figuration and colorful abstraction; depictions of flowers, animals, children and mythical figures; and a belief in the Bauhaus principles of design. These days, their oeuvre proves very much in demand, and the Ackermans, in the tradition of husband-and-wife creators like the Eameses and Les Lalanne, rank among the most influential design couples in history.

Evelyn died in 2012 at age 88, while Jerome, known as Jerry, died in 2019. A testament to the renewed interest in their work, Pointed Leaf Press published Hand-in-Hand, Ceramics, Mosaics, Tapestries, and Woodcarvings by California Mid-Century Designers Evelyn and Jerome Ackerman in 2014, the first book to document the lives and careers of the couple.

Find vintage Jerome and Evelyn Ackerman furniture on 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Every time you move into a house or an apartment — or endeavor to refresh the home you’ve lived in for years — life for that space begins anew. The right home accent, be it the simple placement of a decorative bowl on a shelf or a ceramic vase for fresh flowers, can transform an area from drab to spectacular. But with so many materials and items to choose from, it’s easy to get lost in the process. The key to styling with decorative objects is to work toward making a happy home that best reflects your personal style. 

Ceramics are a versatile addition to any home. If you’ve amassed an assortment of functional pottery over the years, think of your mugs and salad bowls as decorative objects, ideal for displaying in a glass cabinet. Vintage ceramic serveware can pop along white open shelving in your dining area, while large stoneware pitchers paired with woven baskets or quilts in an open cupboard can introduce a rustic farmhouse-style element to your den.

Translucent decorative boxes or bowls made of an acrylic plastic called Lucite — a game changer in furniture that’s easy to clean and lasts long — are modern accents that are neutral enough to dress up a coffee table or desktop without cluttering it. If you’re showcasing pieces from the past, a vintage jewelry box for displaying your treasures can spark conversation. Where is the jewelry box from? Is there a story behind it?

Abstract sculptures or an antique vessel for your home library can draw attention to your book collection and add narrative charm to the most appropriate of corners. There’s more than one way to style your bookcases, and decorative objects add a provocative dynamic. “I love magnifying glasses,” says Alex Assouline, global vice president of luxury publisher Assouline, of adding one’s cherished objects to a home library. “They are both useful and decorative. Objects really elevate libraries and can also make them more personal.”

To help with personalizing your space and truly making it your own, find an extraordinary collection of decorative objects on 1stDibs.