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Lb7 Modular Bookcase

Franco Albini Rosewood Mid-Century Modern “LB7” Modular Bookcase for Poggi, 1957
By Poggi, Franco Albini
Located in Vicenza, IT
LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore
Category

Vintage 1950s Italian Mid-Century Modern Shelves

Materials

Brass, Iron

Franco Albini Walnut Bookcase LB7 for Poggi Pavia, 1956
By Franco Albini, Poggi
Located in Madrid, ES
A two modular teak bookcase, Designed by Franco Albini and edited in 1956 by Poggi, Pavia, Marked
Category

Vintage 1950s Italian Mid-Century Modern Bookcases

Materials

Metal

Mid-Century Modern LB7 Bookcase by Franco Albini for Poggi . 1950s
By Franco Albini, Poggi
Located in Madrid, ES
A three modular bookcase designed by Fanco Albini and edited by Poggi in the 50s.It is composed of
Category

Vintage 1950s Italian Mid-Century Modern Bookcases

Materials

Metal

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Franco Albini Modular Bookcase LB7 in Wood by Poggi Pavia 1956
By Franco Albini, Poggi
Located in Montecatini Terme, IT
LB7 Modular bookcase (2 modules) with cabinets and shelves, in solid wood, veneered and teak
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Italian Midcentury bookcase LB7 by Franco Albini, Italy, 1956
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Located in Piacenza, Italy
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Italian Midcentury Bookcase Lb7 by Franco Albini, Italy, 1956
By Franco Albini
Located in Piacenza, Italy
Modular bookcase designed by Franco Albini in 1956 for Poggi Pavia. An extremely flexible bookcase
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Vintage 1950s Italian Mid-Century Modern Bookcases

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Bookcase LB7 by Franco Albini for Poggi in Rosewood & Brass
By Franco Albini, Poggi
Located in Byron Bay, NSW
LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore
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Floor-to-Ceiling Bookcase by Franco Albini Vintage Design, Italy, 1960s
By Franco Albini, Poggi
Located in Milano, IT
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LB7 Modular Bookcase by Franco Albini for Poggi
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LB7 Modular Bookcase by Franco Albini for Poggi
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H 118.12 in W 68.9 in D 13.78 in
Franco Albini Modular Bookcase LB7 in Solid Teak Wood by Poggi Pavia 1956
By Franco Albini, Poggi
Located in Montecatini Terme, IT
LB7 modular bookcase composed of two modules with one storage unit and shelves, the bookcase is
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LB7 bookcase by Franco Albini for Poggi Pavia
LB7 bookcase by Franco Albini for Poggi Pavia
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Mid-Century Modern "Lb7" Bookcase by Franco Albini for Poggi, Italy, 1950s
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LB7, “Infinito” Bookcase by Franco Albini, Poggi
By Franco Albini
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In the LB7 library of the Poggi production (1956), we find all the principles long treated by
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Midcentury Modular Wood Italian Albini's LB7 Style Bookcase, 1960s
By Franco Albini
Located in Cassina de'Pecchi, IT
the 1960s. The bookcase' style reminds us the famous LB7 model by Franco Albini. It is composed by
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Franco Albini Bockshelf Mod LB7 for Poggi Original 1957, Italy
By Franco Albini, Poggi
Located in Morbio Inferiore, CH
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Franco Albini for sale on 1stDibs

While working under the polymath Gio Ponti — arguably the most important figure in 20th-century Italian modernism — furniture designer Franco Albini nurtured a love for modern forms combined with traditional craft techniques.

Albini is widely known for working with organic materials such as rattan and cane for his chairs and other seating, but he also played a pivotal role in the Italian rationalist movement of the early 20th century, which saw architects and furniture makers applying a strict emphasis on geometry in their work. Rationalists drew on Ancient Roman architecture but rejected ornament, much in the way that Le Corbusier and celebrated Bauhaus figures such as Ludwig Mies van der Rohe had in their modernist furniture.

Albini received his degree in architecture from the Polytechnic University of Milan in 1929, and, in 1931, he founded his practice in Milan, where he tackled workers’ housing and other reconstruction projects. A gifted urban planner, he also developed the Palazzo Bianco, Palazzo Rosso and Tesoro di San Lorenzo museums in Genoa. While Albini is revered for his Margherita chair — a Triennale Milano award winner created for Bonacina in 1951 — he also collaborated with manufacturers Poggi and Cassina in the 1940s on seating, tables and more that embodied his artistic vision. Of that mid-century work, the one piece that perhaps best captures this vision is the iconic Luisa chair.

With its cherry red upholstery and sinuous wooden legs that seem to float aboveground, the Luisa is a genuine masterpiece. It is also a testament to Albini’s perfectionism, as it endured several prototypes — including one made by Knoll in the late 1940s — and took approximately 15 years to design. Poggi launched the final version of the armchair in 1955, earning Albini the prestigious Compasso d’Oro from Italy’s Association for Industrial Design. It is produced today by Cassina. Albini named the chair for someone who likely saw the process firsthand: his personal secretary of two decades, Luisa Colombini.

Find vintage Franco Albini furniture on 1stDibs.

A Close Look at mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right bookcases for You

As long as curious people have collected stories, we have needed a place to stow them away and preserve them. When auction houses and book dealers proliferated by the late 17th century, the bibliophile was born. And, of course, as with any treasured objects, a book lover’s volumes were suddenly worthy of a luxurious display — enter the bookcase. Americans of means during the 19th century took to amassing art as well as rare books, and antique bookcases of the era, rife with hand-carved decorative accents and architectural motifs, were ideal for displaying their handsome leather-bound wares.

Although our favorite titles may change over the years, the functionality and beauty of their home within our home is timeless. Whether you proudly shelve your books in regal mahogany or behind glass cabinet doors, a bookcase — or perhaps more than one — is essential to creating a cozy nook for any book lover. Even those who don’t covet the perfect home library can benefit from an attractive display case, as bookcases can easily double as charming étagères

Contemporary and customizable options make it easier for you to find the perfect bookcase for your style and stacks. If you don’t wish to fill your storage piece so that your collection is snug within its confines, incorporate extra space to allow for additional displays and decorative objects. And by introducing a striking dark wood Art Deco bookcase or low-profile mid-century modern design by Paul McCobb into your living room, your signed first editions won’t be the only items making a statement. 

Find your dream bookcase on 1stDibs now.