Pastoe Cu01

Find many varieties of an authentic pastoe cu01 available at 1stDibs. Each pastoe cu01 for sale was constructed with extraordinary care, often using hardwood, teak and wood. You’ve searched high and low for the perfect pastoe cu01 — we have versions that date back to the 20th Century alongside those produced as recently as the 20th Century are available. Each pastoe cu01 bearing Mid-Century Modern hallmarks is very popular.

Prices for a pastoe cu01 can differ depending upon size, time period and other attributes — at 1stDibs, they begin at $3,090 and can go as high as $5,082, while the average can fetch as much as $4,140.

Dutch furniture company UMS Pastoe was established in 1913 by German-Jewish entrepreneur Frits Loeb and became rapidly successful largely owing to its reputation for well-made tables and chairs. Today, however, the brand is best known by collectors for the modular sideboards, storage cabinets and other spare, streamlined case pieces that it produced during the postwar years. 

Influential mid-century modernist designer Cees Braakman had been creating furniture since his teenage years when he was promoted to head of design at Pastoe in 1948. The Utrecht-born designer took over for his father, Dirk Braakman, who had by then been managing the company for more than 20 years and had designed a variety of furnishings for the manufacturer by himself. A year before he assumed his new role at Pastoe, Cees visited the United States where he became enamored with the designs of Charles and Ray Eames and the other creative minds associated with legendary American furniture manufacturer Herman Miller. 

While many Dutch designers who are now celebrated by vintage furniture collectors — names like Gerrit Rietveld and Friso Kramer are in this list — found inspiration in Piet Mondrian and the country’s De Stijl art movement, they also looked to Scandinavian modernists such as Alvar Aalto and Americans such as the Eameses. Cees Braakman was no different. 

Braakman’s 1940s-era tour to the States included a visit to the Herman Miller factory in Zeeland, Michigan. At the time, architect-designer-journalist George Nelson was director of design at the firm and had enlisted a range of designers to collaborate with Herman Miller and create what are now icons of mid-century modernism. Braakman took notice of industrial manufacturing techniques at HM and in particular, the company’s innovations in furniture design owing to experimentation with molded plywood and fiberglass-reinforced plastic. 

The Dutch designer introduced the first line of modern furniture at UMS Pastoe thereafter — a table, a chair, a bed and more created in molded plywood and featuring oak veneers, specifically tailored for smaller living spaces. Braakman was convinced that Pastoe should move on from the restrictions that a collection or set of furniture presented to consumers. Furniture for a bedroom, for example, should be practical and built as individual pieces that could be adapted as more space became available. New production methods and creative marketing came into focus under Braakman’s leadership, and his own lines of oak and birch furniture — which were created around cupboards that could be reconfigured as needed, or armchairs that could be combined to form a sofa — earned acclaim and were commercially very successful.

UMS Pastoe was recognized for its innovative furniture at the Milan Triennial in 1957 and Le Signe d’Or in Belgium, and Cees Braakman’s work can today be found at the Stedelijk Museum in Amsterdam. Over the years, designers such as Jan van Grunsven, Radboud Van Beekum and Rob Eckhardt collaborated with UMS Pastoe. 

Find vintage UMS Pastoe furniture on 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Although traditionally used in the bedroom to store garments that would not be hung in a closet, an antique or vintage cabinet can easily find a purpose in rooms throughout your entire house.

The world's first storage cabinets, reportedly constructed in Renaissance-era Europe, were demonstrative of excellence in carpentry and the work of master carvers. These robust bureaus or sophisticated chests of drawers were typically built from common woods, such as oak or walnut. Although they were fairly uniform in structure and lacked the bright colors of modern-day furniture, case pieces and storage cabinets that date from the 18th century and earlier were often found in the homes of nobility.

Their intricate carvings and various embellishments — adornments made from ivory, ornate lacquer work and, later, glass shelvings — reflect the elegance with which these decorative furnishings were associated. Given its valuable purpose and the beauty of the early furnishings' designs, the storage cabinet is an investment that will never go out of style.

The practical design that defines the earliest storage cabinets has inspired the creation of household must-haves, like minimalist drink trolleys and marble wood bookcases. From hiding outdoor gear in the mudroom to decluttering your kitchen with a tall kitchen pantry cabinet, these versatile furnishings have now become available in enough sizes, styles and colors to accommodate any space. After all, these aren't your run-of-the-mill filing cabinets.

A sophisticated storage cabinet — wood storage cabinets with doors and shelves, for example — can serve as a room divider when necessary, while the right vintage wall unit or floor-to-ceiling cabinetry solutions can seamlessly become part of any space without disrupting the energy of the room. And although you may hide items away in its drawers, bookworms might prefer a storage cabinet with open shelving for displaying favorite books or other media.

One-of-a-kind solutions for the modern consumer abound, but enthusiasts of understated, classical beauty may turn to Baroque-style storage cabinets. Elsewhere, admirers of mid-century modernism looking to make a statement with their case pieces will warm to the dark woods and clean lines of vintage storage cabinets by Paul McCobb, Florence Knoll or Edward Wormley.

Sometimes the best renovation is a reorganization. If you're ready to organize and elevate your space, a luxury storage cabinet is the addition you need.

Find a variety of vintage and antique storage cabinets on 1stDibs, including unique Art Deco storage cabinets, chinoiserie cabinets and more.