Furniture

Architectural Dining Table - Carlo Scarpa Table - Marble Table Set of two table bases in black marble, designed by Italian architect Carlo Scarpa for Cattelan Italia. The two legs a...

Early Easy Lounge chair by Warren Platner for Knoll. The groundbreaking Easy chair was designed in the 1960s by Warren Platner and produced by Knoll in the early 1980s. This mid-ce...

Classic and timeless design authentic Krefeld brown leather lounge chair. Mid-Century Modern was originally Designed by Ludwig Mies van der Rohe in 1927 for the Esters and Lange residences in Krefeld, Germany. One of the most popular designs of the 20th century a masterpiece that fits seamlessly into any environment. Classic detailing, clean lines and exceptional comfort make the Krefeld lounge appropriate for residential and commercial use. Specifications: Upholstery: Leather, color brown saddle. Cushions are high-density foam with a Dacron top layer. The seat uses coil-spring suspension for enhanced comfort. The back uses dynamic suspension for added flexibility and support. The inner frame is constructed in engineered hardwood and plywood. Legs are ash hardwood in a medium cherry finish. The seat cushion is reversible. Model: 751 Krefeld lounge chair...

Listed for sale is a single Risom dining chair in ebonized maple with black cotton webbing designed by Jens Risom and produced by Knoll. This example was produced in 2021 and came di...

Listed for sale is an exceptionally rare vintage petal dining table, produced by Knoll and Designed by Richard Schultz. This table has a fabulous patina ...

Classic Tulip dining chairs designed in 1956 by Eero Saarinen for Knoll International. A defining accomplishment of modern design and a timeless addition to your home—a true Classic....

Original solid steel 24 inch square side tables by Florence Knoll with floating laminate walnut tops. We have multiple tables that can be used tide by side as a longer coffee table. ...

Set of 10 vintage Charles Pollock executive desk chair for Knoll. The ultimate ergonomic, office desk chair designed by this George Nelson apprentice, Charles Pollock. Sold separately.

Knoll Brno armchair was designed by Meis van der Rohe in 1930 and is celebrated for its lean profile, clean lines and meticulous attention to detail. These chair are a faithful homag...

We have been restoring Saarinen executive chairs for years in every fabric one can imagine, right in our very own workroom. We’ve restored these chairs using a supple Italian Leather...

Venini Murrine Romane bowl in multicolor by Carlo Scarpa. Numbered Edition. These Murrine are called “roman” due to their graphic signs and because they...

Originally designed in the 1970s the Lunario table is a truly unique cantilevered table. The table top is a clear polished oval glass with polished stai...

We’ve restored this set of 6 Eero Saarinen for Knoll executive chairs using a 100% Cotton Italian Velvet in the color Emerald. Skilled craftsmen h...

This Iconic original Womb Chair and accompanying ottoman is by famed Finnish/ American designer Eero Saarinen and produced by Knoll. The chair and ...

This set of eight bentwood oak dining armchairs by Don Pettit for Knoll, circa 1970s, epitomizes the elegance of mid-century modern design. Model 1105 is a testament to the ingenuity...

2009 production. Inspired by the surprising strength of the apple crates he played on as a child, Frank Gehry created his thoroughly original collection of bentwood furniture name H...

Iconic Postmodern Mandarin chairs designed by Ettore Sottsass for Knoll in amazing period Uphostery original and in good condition. Black enamel steel legs and sculptural undulating ...

A lovely example of the Iconic Womb Chair and Ottoman designed by Eero Saarinen for Knoll. We have had it re-upholstered in a genuine Knoll fabric, Crossroads in a Honey Bee color. T...

A very early and rare segmented topped onyx coffee table or bench with satin black T angled metal base . This architectural styled piece would fit into almost any interior room or en...

A set of 8 original Spoleto b33 chairs for Knoll, circa 1970s. A timeless piece of modern design. Seamless, tubular steel frame with the original cowhide leather. The chairs are stru...

Iconic and original 'Tulip' dining table with a wooden top from the 1970s. Designed by Eero Saarinen in 1956. The table is in very good vintage condition, with slight signs of use. M...

Carlo Scarpa chair lacquered in red and upholstered with Hermès fabric. About the artist: Carlo Scarpa (1906, Venice - 1978, Sendai, Japan) was an Italian architect who graduated fr...

Carlo Scarpa (1906- 1978) was an Italian architect and designer heavily influenced by the history of Venetian culture, materials and landscape. in 1926 obtained his diploma of Profes...

Round table with marble top and aluminium base designed by Eero Saarinen and produced by Knoll International. Wear due to time and age of the table.

The adjustable Model 242 MR Chaise Lounge was designed by Ludwig Mies van der Rohe in 1927. Produced in 1980 by Knoll International in the USA, with Brown leather and a chrome steel ...

A vintage large drum cylindrical shaped Poliedri chandelier. Pale green, blue and clear color Poliedri glass components on one silver lacquered metal structure designed by Carlo Sc...

Florence Knoll Mid-Century Modern manner linen upholstered couch, upon four gold-tone metal bracket feet. 31" H x 92" W x 35" D; seat: 19" H. D...

Florence Knoll for Knoll International, sofa, model '67A', steel, fabric, United States, design 1958, production 1960s/70s This sofa model 67A is designed by Florence Knoll for Knol...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Enhance your space with this timeless pair of Mid-Century Organic Modern Executive Armchairs by renowned designer Eero Saarinen for Knoll. These iconic chairs feature a classic 4-leg...

Designed by Bruce Hannah and Andrew Ivar Morrison for Knoll, this Sling sofa is a fantastic example of 1970s design. Inspired by sail boats, the Sling sofa features an industrial ...

Marcel Breuer for Knoll Cesca Side/Dining Chairs, 1980. Newly reupholstered green boucle. 6 of the green chairs have sold. We have a large quantity of these chairs. You are welcome t...

Arguably one of the most elegant desk chair designs from the mid-century era, this Morrison/Hannah design for Knoll Studios is utilitarian sculpture at its best. Chair features a cur...

Vintage authentic Eero Saarinen's executive arm chair. Completely restored with a touch of gold. We've been restoring Saarinen Executive chairs for years in every fabric one can imag...

Vintage Charles Pollock for Knoll executive chair in burnt orange leather. This executive desk chair has a tilt and swivel base with adjustable height. Base with all wheels in workin...

Rare large version of the "Model 2001" designed by Bruce Hannah and Andrew Ivar Morrison around 1970. The two armchairs offered here are upholstered in black leather and come from a...

What a bold statement! Not the obligatory black leather, this Florence Knoll 72" Bench for Knoll is executed in the most exquisite red spinneybeck leather. Classic Knoll Design, fits...

A classic outdoor low cocktail table designed by Richard Schultz for Knoll. It features gray frame with chocolate brown porcelain top. Clean ready to use condition.

Set of six armchairs designed by Warren Platner for Knoll, composed of a steel structure with welded rods creating curved shapes and upholstered with bouclé white wool. Table also a...

Pair Knoll Pfister Black Leather Lounge Chair, 1980. Original black leather is great condition.

Wonderful 1970s rosewood and black base side table designed by Warren Platner for Knoll Associates from the estate of a Knoll employee in East Greenville, PA. The last photograph...

Mid century vintage leather sling lounge chair ‘657’ by Charles pollock. Light tan thick hide leather sling with black cushion. Labeled knoll. Go...

Iconic dining table with oval top model 'Samo' designed by Carlo Scarpa in 1970 and produced by Simon; in white saccaroid marble.

Amazing vintage executive desk designed by architect and furniture designer Florence Knoll in the United States, circa 1960s. This iconic design...

An exquisite set of six dining chairs designed by Warren Platner for Knoll. These iconic dining room chairs would look great in any Contemporary, Transitional, or Traditional interio...

The adjustable Model 242 MR Chaise Lounge was designed by Ludwig Mies van der Rohe in 1927. This particular example was produced in 1980 by Knoll International in the USA. The chaise features a high quality white leather channel-upholstered cushion that rests atop a tubular steel frame. The cushion is attached to the frame with leather strips which wrap around the belting support straps and are secured with snap buttons. The seamless stainless steel tubular frame is bright and has no damage. The white leather has developed a nice patina. Overall, this chaise is in good condition with light wear. Please see photos. This Chaise Longue was designed by Mies van der Rohe in 1927 as part of his contribution to the Weissenhof exhibit in Stuttgart, Germany. The MR Collection represents some of his earliest steel furniture designs. Made of tubular chromed steel and leather, this iconic piece was edited by Knoll International in the 70s. As a company that produced many of the most famous and iconic furniture designs of the 20th century, Knoll was a chief influence in the rise of modern design in the United States. Their work would help change the face of the American home and office. The Bauhaus Master Marcel Breuer influenced Ludwig Mies van der Rohe's use of tubular steel. This was apparent in his design of the MR Adjustable...

Iconic pair of tulip swivel chairs designed by Eero Saarinen for Knoll Associates. These chairs date to the late 1950s and early 1960s as determined by the vertical bow tie label. ...

A pair of Mr Lounge Chairs with Arms designed my Mies Van Der Rohe for Knoll. Brown suede seat pad / tubular chrome steel frame Leather straps Knoll manufacturer labels dating: Nov ...

Pair of wall lights with four lightpoints,“Poliedri” model designed by Carlo Scarpa, edited by Venini. Composed by Murano crystal pieces over a structure made in white lacquer metal....

A 1990s High Table designed by Joseph D’Urso for Knoll International in the 1980s. This table features a square Calacatta marble tabletop with gorgeous gray and taupe veining. It st...

Very cool and collectible "Knoll" diecast tractor trailer truck toy with original box by Winross USA of Rochester, NY, circa 1980's. This is new old stock and appears to have never ...

A Warren Platner coffee table for Knoll. A simply stunning piece of design from the mid century modern era. These tables featuring an iconic base design, with a curving cone of steel...

This beautiful mid century table lamp was designed by Peter Hamburger for Knoll. The gooseneck Lucite stem is capped with chrome hardware and base. The base is 8" dia and the la stan...

An iconic classic designed by Eero Saarinen and produced by Knoll. It features a white top with white base. Excellent overall condition. Manufactures stamp.

This pair of vintage mid century modern white Barcelona chairs designed by Mies van der Rohe were manufactured by Knoll International, Inc. circa 1970. This iconic Bauhaus chair orig...

I don't think there could be a cooler color / fabric combination Pollock chair in existence. The blue velour looks both original and in exceptional condition. The chrome edge band se...

Armchair in metal and blue fabric by Harry Bertoia. Large Diamond model. Seat height: 39 cm. Wear due to time and age.

Wooden sideboard with metal legs and marble top with 4 doors, each containing a shelf and locking with a key. Wear due to time and age