Furniture

A fantastic vintage Danish curved cocktail ‘banana’ sofa, recently imported from Denmark and dating from the 1950s. This is of outstanding qual...

This very special unique piece is the last of a great series. The shade can be adjusted in any colour and size to either get a very modern or traditional outlook. The table lamp is a...

Antique Room-Size Persian Heriz Rug, Mid-20th Century Additional information: Dimensions: 9'10" W x 12'10" L Origin: Persia Period: Mid-20th Century Rug ID: 15364

Pretty in Pink! Pair of beautifully restored vintage Midcentury modern Russell Woodard tall back arm chairs. These stunning chairs consist of metal with a tall back and curved arms with matching curved seat and detailed curved legs. If you have any additional questions or would like additional photos please feel free to inquire and we'd be happy to assist. dimensions: 17.5" x 17" x 41.5". Russel Woodard son of Lee L. Woodard assisted his father in starting a furniture line consisting of metal in the 1930s. The furniture line in 1930 introduced a wrought-iron set of patio dining furniture...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

Bessarabian Kilim Fragment Rug, Mid-20th Century Additional Information: Dimensions: 3'3" W x 9'4" L

1920s Bronze Elephant bookends. Heavy Bronze. Beautiful Patina.

This awesome pair of original mid century light shades have a particularly architectural look to them! Dating from the 1960s, they’re constructed from sheet metal which has been cut ...

The vase is in good condition, but as this is a second-hand assortment, there are minor cosmetic flaws. See close-up of the vase. Overall, the vase is in very nice condition. Nice to...

Rare slatted bench designed by Walter Antonis for the 't Spectrum in 1969. The slatted bench can be used as a bench or coffee table.

Very unique wrought iron and wicker Gossip Bench from the 50s. in the very simple yet sophisticated style of Arthur Umanoff (doesn´t have authentication)....

Black painted metal coffee table with teak top by ISA Bergamo. Packaging with bubble wrap and cardboard boxes is included. If the wooden packaging is needed (fumigated crates or boxe...

Mid-Century Modern Pendant Lamp by Achille Castiglioni , Italy, 1960s.

Pair of carved wood stools with beautiful carved detail on the foot. New upholstery.

Beautiful deco display case in briar and wood, with double shelf and double glass doors of Italian manufacture from the 1960s. The display case has been thoroughly cleaned and polis...

Pendant light chandelier, France, midcentury Iron and brass. This lamp from the 60s has been brought up to date with a recently created bulb. This can be rewired to USA, UK and E...

Mid-Century Modern Fornasetti Plate, Italy

Mid-Century Modern Glass Wall Light/ Ceiling light, 1960s

Dining table By Giulio Moscatelli, circa 1964, made by Meroni.

Giant oriental carpet from Pakistan 457 X 315 cm Hand-knotted carpet from Pakistan with Tekke center balls. Wool on a cotton warp. High bond density of approx. 360,000 knots per m2....

Original Italian Sconce in the style of Stilnovo with ivory shade. The length of the sconce is articulated. Italy 1960s.

Sweden midcentury Lounge chair.

Rare pair of chairs designed for the project « La Cascade », the grouping of tilted apartments at Les Arcs 1600 ski resort supervised by the french designer Charlotte Perriand. Made ...

Mid-Century Modern Pair Of Candlestick Table Lamp, Crystal, 1930s

small chandelier in lacquered sheet metal, Italy circa 1950/1960 some paint missing

Gorgeous pair of Italian 1950 design table lamps/lights in the style of stilnovo. Patinated brass frame with white metal shades. The shades can be ...

Pair of 1950s Italian gilt metal and olive green light fixtures. Single light. Sold individually. Measurements: Drop:17" Diameter:4.5"

Rohé Noordwolde; Rattan; Chair; Armchair; Herman broekhuizen; Noordwolde; Dutch Design; 1960s; Netherlands; Rattan chair designed by H. Broekhuizen for Rohé Noordwolde in the 1960s....

Azerbaijan has a rich history of rug weaving, stretching back several centuries. The country stands at the crossroads of various cultures, and its carpets reflect this in their creat...

Mid-Century Modern Mirror, Leather, Italian, 1950s

Set of 3 ceramic alcohol bottles by roger capron, vallauris, circa 1960. Bottle "ouisky": h36cm. Bottle "cognac": h37cm. Bottle "gin": h30cm. Excellent condition, nothing to rep...

A set of 2 antique silver CG Hallberg, a pair of Rococo-style silver candlesticks, pressed, cast and chased. Circular, curved feet with hinged. Tested with the scratch test, height a...

Ceiling lamp in opaline glass and brass details, with elliptical geometry.

Yngve Ekström was one of the most important figures in the evolution of the Scandinavian Modernism movement and co-founder of the furniture design company Swedese. The sofa is forme...

Roger Capron 1 of 21 blue ceramic vases, France - 1950s, Labeled. Please get in touch regarding the exact measurements of each vase Roger Capron (1922-2006) was a French ceramic ar...

Rare Ivar Åhlenius Björk, Lily / Liljan Candlestickscandle holders made by Ystad Metal in Sweden. Please note these are the much rarer smaller versions. Price is for a pair. Sold in ...

This Space Age pendant light was manufactured and designed during the 1960s in Germany. It is made of amber bubble glass and has got a brass cylinder. The lamp comes without canopy. ...

Behold the illustrious Drumond Armchair, a distinguished creation birthed in 1950 under the skilled hands of Oca, a venerable atelier situated in the heart of Brazil. Reverberating w...

Interesting Art Deco africanist pedestal table, circa 1930 patina to redo.

Philips desk lamp dating from the 1950s. Inspired by Charlotte Perriand in the way she designed objects that met the needs of life and were accessible to the greatest number of peopl...

Painted on cardboard, Angels in prayer, Longaretti Complex painting made on cardboard depicting a group of praying Angels, the painting simulates this representation as if it were pa...

Mid-Century Modern Hungarian mirror, leather, 1960s.

One of the ten beautiful and elegant modern brass wall lights or sconces, manufactured by J.T. Kalmar Austria in the 1970s. Lovely design, executed to a very high standard. Each w...

Descrizione: bellissimo posacenere in marmo rosa con decorazione in ottone rappresentante un gufo reale Origini : Italia Periodo di produzione : 1930 Raffigurazione :...

Bulldog in bronzo - scultura bronzea - bulldog scultura - dog - vintage - xx sec Periodo del design prima meta xx secolo Paese di produzione italia Stile Art Déco, Vintage ...

Small presentation island made from an old Jieldé machinelamp, nice for lichting jewelry or other small items. Special “floating” effect with the switchable tree colored bottomlight ...

Original solid steel 24 inch square side tables by Florence Knoll with floating laminate walnut tops. We have multiple tables that can be used tide by side as a longer coffee table. ...

Sideboard designed by Paolo Tilche and produced by Arform, italy '60. Rare version with central space to accommodate a seat, ideal as an entryway or bedroom cabinet. Rear finished, ...

Brutalist pair of Spanish Industrial working tables or stools, to be used for different purposes, seating or as a table, the stools have a beautiful old patina and shine of the Blond...

Mid-Century Wrought Iron Tripod Floor Lamp with Shelf, Italy, 1960s

Stunning midcentury bar buffet unit by Branco & Preto, in solid and veneered Caviúna. The wood is beautiful in colour and pattern. The details are perfect...

1400 pair of French large trumpet sconces Two pair available

Large glazed ceramic fish Italian production 1960s. Hand-decorated ceramic with airbrush decoration. In excellent condition.

Mid-century teak lounge chair armchair, Denmark 1960. Set of 2 ! New uoholstery in torquois blue.

This vintage Tabriz rug, crafted by the renowned weaver Javan Amir Khiz, is a true testament to the mastery of Persian rug-making. With each knot and intricate detail, it reflects th...

This Bellis coffee table was designed by Tobjorn Afdal in the 1960s for Bruksbo. It is a very functional coffee table, measuring 50cm high and 107c...

Set of 3 Italian Mid-century Modern Wooden and Green Velour Chairs, 1948 Coveted set of 3 chairs in perfect shape, beautiful details on the wooden structure and precious cushioning in great conditions. BBPR was a studio of architects, urban planners and designers, composed by Gian Luigi Banfi, Lodovico Barbiano di Belgiojoso, Enrico Peressutti and Ernesto Nathan Rogers. Founded in Milan in 1932, the studio was a vivid part of the debate of the modern movement, becoming one of the leading exponents and masters of the Italian design. The first important intervention project was designed in 1946, after the war and the loss of Banfi: the planning of the reconstruction of Milan. At the IX Triennale in Milan, when the birth of Italian design (1951) began, they organised the exhibition “The shape of usefulness” (with Francesco Buzzi Ceriani and Max Huber...

Splendida lampada da parete disegnata da Gino Sarfatti per Arteluce nel 1972. Questa lampada è stata disegnata e prodotta ad hoc per una villa privat...