Decorative Objects

16th century Cambodian vessel found from shipwreck of the coast of Cambodia. Beautiful natural shells and barnacles from being under water for hundreds of years. Museum quality

Cast brass Georgian candlestick with scolloped base and matching scolloped edge bobesh. England, circa 1770.

A scent bottle in pale blue jasperware, with original silver lid. Decorated with Venus and Cupid, as allegories of Night - the one shedding poppies, the other drawing the veil of s...

Seam cast brass Queen Anne candlestick with knobbed shaft & candle cup. The casting of the shaft is in two parts, silver soldered together and peened to a domed and scalloped edge ba...

Made in the late 18th century into the early 19th century in the style of Georgian, and made from strong mahogany wood. Clamped together by metal hardware. There was once a key to lo...

Hallmarked in Sheffield in 1790 by John Parsons & Co., this handsome pair of George III period, Antique Sterling Silver Candlesticks, are in the neoclassical style, with bright cut e...

A small, svelte French portico clock from the Directory Era, 1795-99. In the "Retour d’Egypte” style that became quite the hot thing following Napoleon’s - ahem! - incursion into Egy...

Important 16th-century polychrome and gilded wood carving depicting Saint, Italy. The work features exceptional gilding on the dress and hair. Extremely important is the size of th...

Cast brass Queen Anne candlestick with urn form candle cup with circular bobeshe, supported by a baluster with a four sided knob above ring and knob turnings peened to a raised squar...

This huge, Museum-quality Spinosaur tooth is completely in tact with no repairs. This incredible specimen includes a display box for preservation and display purposes. Spinosaurus (m...

A Wedgwood Black Basalt Library Bust of Cicero (106–43 BC) Roman Orator and Statesman Impressed ‘Wedgwood’ and ‘Cicero’ to the reverse England Circa 1780 – 1795 Size: 29cm high - ...

Mid-century pattern Vetrata 13 x vases and 3 x bowls / set 16 peaces by Aldo Londi for Bitossi Italy. Black, blue, orange and yellow on a brushed background. 1966 ( Raymor Ceramic )...

A very beautiful 17th century Bougeoire - Candlestick from the South of France. Beautifully crafted from hand forged iron. Terrific patina. A perfect table top accessory.

A masterful large classical statue in cast bronze of a beautiful young woman in stride wearing a flowing ionic chiton. The exquisite casting of ...

Beautiful 18th-19th century hand forged iron candleholder. A wonderful example of primitive folk art. A perfect balance between utility and aesthetics. Southern France, Spain, 18th...

Carcharodontosaurus (Dinosaur) tooth in a glass display box From Tegana Formation, North Africa. Cretaceous Age 65 million years Carcharodontosaurus is one of the longest and heavi...

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

AN ORMOLU-MOUNTED SEVRES COBALT-BLUE GROUND VASE AND COVER EARLY 19TH CENTURY (81 cm.) high

Hallmarked in London in 1775 by Walter Brind, this charming, George III period, Antique, Sterling Silver Tea Caddy, is cylindrical in shape, with wonderful engraved decoration to the...

Small Scandinavian grandfather clock Sweden Wood, coloured 18th century Dimensions: H x W x D: 187 x 38 x 21 cm Description: Stepped case standing on a plinth. Straight box with r...

Originally from 18th-century Italy, this pair of winged cherubs were hand-carved from wood as reflections of each other, meaning that their bodies are orientated as mirror images. Bo...

A savage or folk-art figure in bronze on a (recent) bluestone base. The figure with his long pointed beard is wearing a cape with hood. In front is a cross. In his hands he holds a ...

A rare, large vase in a classical shape, decorated with figures in a landscape. Large pieces of delftware are not often found. See CIRC 43-1963 in the V&A for a similar example.

Indo-Portuguese sculpture "Lady Conception" 17th century, H 147cm. Our Lady Conception Indo-Portuguese teak wood carving from the 17th century. Upholstered and polychrome . T he ...

This huge, Museum-quality Spinosaur tooth is completely in tact with no repairs. This incredible specimen includes a display box for preservation and display purposes. Spinosaurus (m...

Sourced in a sumptuous Roman villa, never before seen on the antiques market, these Italian large scale Louis XIV urn vases originally used as enormous palm holders exude royalty, a ...

This huge, Museum-quality Spinosaur tooth is completely in tact with no repairs. This incredible specimen includes a display box for preservation and display purposes. Spinosaurus (m...

Maker: Samuel Haug, Augsburg. Germany. Description: An early 17th century gilt-copper quarter-striking table clock with alarm and adjustable striking by Samuel Haug of Augsburg. ...

The Netherlands Amsterdam Circa 1625 – 1650 A blue and white Dutch tile with a decoration of a Dutch soldier from the period of the 80 Years War. This soldier could be a member of t...

Here we offer you the chance to own a unique piece of history circa 1787. Here is a turret clock face and most of the movement reclaimed from rosendal palace in sweden. 'rosendal p...

Weight: 70.85 Carats Dimension: 3.5 x 2.4 x 0.7 Cm Origin: Africa Colour: Red Pink and Green Shape: Carving Quality: AAA Tourmaline helps to create a shield around a person or room t...

Hand Carved Stone Vide poche Basin Jardinière bowl planter vessel sink Antiques . 17th C. Possibly earlier Gothic Container . A Water Trough Benitier in a ...

Vollplastisch geschnitzte Heiligenfigur des frühen 17. Jahrhunderts, polychrome originale Farbfassung. Höhe 83cm, Farbe bereichsweise stark blättrig bzw. fehlend. Ausdrucksstarker G...

Wood Hand Carved Planter Vase Jardinière Cachepot Antique, this one-of-a-kind Hungarian Corn Grinder stands as a captivating statement piece for any home....

An exceptional, fine and impressive antique Georgian English sterling silver locking tea caddy; an addition to our silver teaware collection. This exceptional antique George III ste...

Alabaster group of three lions playing on a naturalistic base, raised on a gilt-edged plinth. From England, Spain, and France, to the Low Countries, Germany, and Poland, alabaster w...

Antique grandfather clock with date, moon phase and central second hand Liverpool Mahogany around 1785 Dimensions: H x W x D: 246 x 53 x 26 cm Description: Antique Lancashire long...

162.85 Carat Tri Colour Fluorite Pair Carving From Pakistan Weight: 162.85 Carat Dimension : 3.8 x 2.3 x 0.7 Cm Origin: Pakistan Fluorite (also called fluorspar) is the mineral for...

76.55 Carat Tri Colour Fluorite Pair Carving From Pakistan Weight: 76.55 Carat Dimension : 1.3 x 1.5 x 0.5 Cm Origin: Pakistan Fluorite (also called fluorspar) is the mineral f...

Collection of Three Ancient, Heavily Patinated Iridescent Roman Glass Bottles. Dimensions vary from 2-4” H and 1-2” Diameter.

Rare late 17th century Italian rustic miniature blanket chest in solid poplar wood. This miniature blanket chest is ideal for decorating your home and can be used to store your preci...

Fine 18th Century bronze figures of a military drummer and a soldier loading his musket. Both bronzes are placed on a square shallow plinth base with titled ...

Green Glazed Ceramic Buddha's Head

A fine, large vase in black basalt, decorated with an en grisaille painted illustration of Orpheus playing his lyre, with a stag sitting quietly by, listening to his playing - and perhaps singing, although his mouth is shown closed. Orpheus's talent on the lyre is one of the most celebrated aspects of his mythological character. In Greek mythology, Orpheus is renowned as a musician without equal, possessing a skillful mastery of the lyre, a stringed instrument similar to a small harp...

An impressive and decorative 18th Century Arita Imari vase / lamp. Having wonderful bold colouring, classical scrolling foliate and motif decoration, with ...

This important antique vase was crafted in France, circa 1780. Octagonal in shape with gadrooned body style and a tall neck, the elegant potiche features a hand painted medallion dep...

During Yongzheng era, such miniatures were appreciated for their craftsmanship and aesthetic value. They were also often used in scholars' studios as part of the 'wenfang', or study ...

It is a very old jar in Japan. This is a pottery called Tokoname ware. Tokoname is a kiln located in Aichi prefecture, Japan. It is said to have originated around the 12th century. A...

Large clock face, made of wood. The dial is signed G. Northam, London 1797. There was a clockmaker active in London around that time named George Northam so that is most likely the...

A small low table with lacquer and intricate mother-of-pearl inlay design from Ryukyu Islands kingdom circa 17-18th century. Ryukyuan kingdom was used to be an independent island cou...

This beautiful small cartel clock dates from the late 1760’s. This rare survivor is in excellent original condition, the large circular eight day movement strikes the hours on a bell...

Christ enthroned South America, 17th century cm 64x22x18,5 Polychrome wooden sculpture representing Christ, wrapped in a red cloak edged with gold, who, crowned and seated on a th...

18th Century Dutch delft 3-piece garniture lidded vase set, blue and white with floral panel and relief foliate decorations, with foo dog finials, each vase marked LPK on the base fo...

O/6416 - Large fossil stone shell - Ammonites were predatory Prehistorie cephalopod mollusks which existed between 400 and 66 million years ago before dying out during the exinction ...

18th century Italian "Florence fragment" with a fossil coral head on a fossil coral cluster base. This fragment is from a church in Florence. It was found ...

The Netherlands Circa 1660 – 1680 A blue and white Dutch tile with the decoration of two carnations. One in the bud and one in bloom. With small oxheads as corner decoration. The t...

The Netherlands Gouda Circa 1625 – 1650 A polychrome Dutch tile with the decoration of a proud hawk with a prey, a duck?, under his paw. This t...

Coppia di putti stanti in una palma, legno dorato, epoca Luigi XIV, fine XVII secolo, altezza 33.5 cm, larghezza massima 18 cm, base 10x5 cm. Le due sculture erano, probabilmente, la...