Wall Decorations

Historic Orchids: A 1904 Catalogue Illustration The images are original antique botanical prints from the book 'Abbildungen der in Deutschland und den angrenzende Gebieten vorkommen...

French Faience Blue & White Bird Plate Moustiers Style Moustiers style Martres Tolosane, circa 1900.  

French Majolica Duckling and insect and plate Keller & Guerin Saint Clement circa 1900. Border with poppies.

Glorious set of 12 prints of English family coats of arms or armorials Chromo-lithographs Published C.1900 Unframed. The measurement given is the paper size of one print. Free s...

Early 20th Century oil on canvas portrait of a Society Lady thought to be Dame Anna Neagle. Dimensions: Framed H 175cm W 113cm Picture H 161cm W 100cm Origin: English Date: 1947

Edward S Curtis (1868-1952) Title: Autumn - Apsaroke Plate: 130 Portfolio: Volume IV Printer: John Andrew & Son Medium: Photogravure Date: 1908 Edwar...

Engraved pink tinted glass panel, circa 1940.

This classic example of WPA-period mural painting, executed by Verona Burkhardt for the Immigration and Naturalization Center in Los Angeles, depicts five Pueblo Indians in the foreground and a magnificent landscape of canyons and Pueblo dwellings in the background. This served as a study for one of five large canvases she delivered to California in 1941 or 1942, but the building was cordoned off due to America's entrance into World War II. Burkhardt (or Burkhard) was the daughter of two important artists and was introduced to painting and crafts at an early age. In her prime, she won seven U.S. Government mural commissions in national competitions for buildings in Wyoming, Montana, North Carolina, and Washington, D.C. She settled in Grand Junction...

Original antique advertising poster for Michelin tyres featuring a great illustration showing the trademark Bibendum character - the iconic Michelin Man figure made from tyres - smok...

Title: SMS Siegfried: German Coastal Defense Ship from the 1890s – 1903 Chromolithograph This 1903 chromolithograph by Hugo Graf, part of *Deutschland zur See*, captures the SMS Siegfried, a German coastal defense ship launched in 1890. Measuring approximately 20 x 33 cm on its original 39 x 51 cm mount, the artwork showcases this heavily armored vessel designed to protect German coasts in the late 19th century. SMS Siegfried was part of the Siegfried-class, which featured improved armoring and powerful guns for short-range coastal defense. Although it saw limited active combat, the Siegfried-class symbolized Germany’s dedication to naval security and defense strategy. The mount has mild wear and spotting, adding to the print's historical character. This piece is ideal for collectors of maritime history and pre-WWI German...

Antique Victorian pastel on paper of a fine quality still life with game by American Artist, William Henry Chandler (1854-1928). Chandler was a ...

Antique map of Kentucky Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

Original antique Art Nouveau poster advertising the Hippodrome Boulevard de Clichy featuring dramatic artwork by the French graphic designer Manuel...

Original vintage World War Two poster by the notable British cartoonist and illustrator, Fougasse (Cyril Kenneth Bird; 1887-1965), one of the posters from the popular Careless Talk C...

This poster from around 1905 is something extraordinary. It was created by the Art Nouveau artist Carl Schnebel, it was printed by the Hollerbaum & Schmidt art studio in the German c...

One of a kind painting by ROGER CHAPELAIN-MIDY (Paris, 1904-1992). "Still life" , Oil on canvas. Signed in the lower left corner. Size: 97 x 76 cm; 122 x 105 cm (framed) R. Chapelai...

Step into the timeless brilliance of Pablo Picasso with this extraordinary color cliché, expertly edited by Editions du Chêne in Paris, France, in 1943. Adorned by a stunning solid w...

Insika (Screen or Wall Panel) Rwanda-Burundi, Tutsi people Circa 1900 or earlier Natural fibers and dyes H 23 ins (58.5 cm) W 16 ins (40.5 cm) Depth 3 1/2 ins (9 cm) This superb ...

Wonderful set of 6 vintage maps. Random American states including Maine, Utah, New Hampshire, Nevada, Vermont and New Mexico. Monochrome with red color outline. Published by Rand,...

Original US black and white photographic production still used by the studio to advertise the film. these stills were sent out to news papers. This production still is from the films...

French Majolica Asparagus Plate signed Sarreguemines circa 1900.

This original black and white photograph of one of Richmond Barthé's rare, little-known sculptures was taken by the famous studio of Morgan and Marvin Smith, who located on West 125th Street next to the renowned Apollo Theater. The Smith brothers moved from their native Kentucky to New York in the early 1930s, and proceeded to establish a studio that brought together almost every major figure in the Harlem Renaissance in the 1930s, 40s and 50s, mentoring artists such as Jacob Lawrence, Gwendolyn Knight, Selma Burke, Ernest Crichlow and Robert Blackburn. The Smiths captured the night life of Harlem, including musicians and actors such as Harry Belafonte, Sydney Poitier, Eartha Kitt, Ossie Davis, Ruby Dee, Count Basie, Ethel Waters, Billie Holiday, Hattie McDaniels, Zora Neal Hurston, Step n' Fetchit, Pearl...

Karl Blossfeldt Photogravure from the edition of the book 'Wunder in der Natur' in 1942. Photography number 30. 'Chrysanthemum Leucanthemum. Gemeine Wucherblume, große Maßliebe, M...

Painting by Caxing, circa 1940. Oil on canvas. Handsigned. After the style of Georges Braque and Pablo Picasso. In original condition, with some visible signs of previous use and a...

Great images of apples and pears Lithographs with original color. Published, circa 1900 Unframed.  

French Faience Oyster Plate Moustiers Style, circa 1940.

Lovely image by Beatrix Potter Rescued from an early edition of " The Tale of Two Bad Mice " Possibly a 1st edition from 1904 The measurement given is the paper size not the actua...

Allegorical Art Deco silkscreen by Marie Macpherson depicting a partly clothed Blond Satyr playing his flute to a squirrel sitting on an apple tree. ...

Painted in the 1940s when Americans were traveling more widely and becoming deeply interested in "exotic" lands and cultures, this portrait of a handsome young man -- probably Mexica...

Beautiful American modernist abstract acrylic painting on board in a beautiful new silver wood frame By Zoute’. Bold graphic imagery and vibrant colors. Signed lower right corner Z...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Antique map of West Virginia Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

This exceptional oil-on-panel painting by celebrated Australian artist Bessie Gibson (1868–1961) captures a picturesque view of Honfleur, Normandy. The composition highlights the Vie...

Oil Painting on Canvas signed Maurice Braun, 1902 Listed Artist A very lifelike rendering of a European street scene with houses. This early 20th Century painting features houses ...

Vincent van Gogh Framed Color Cliché, Editions du Chêne, 1947 Medium: Color cliché Publisher: Editions du Chêne, Paris, France Date: 1947 Frame: Solid wood (example shown, final fra...

Antique map of Illinois ( Northern part ) Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

Great image of medical interest Unframed. Published, circa 1900.

Presented is an original WWII U.S. Crop Corps recruitment poster. Designed by Douglas, this poster was issued by the Office of War Information in Washington DC, in 1943. In the compo...

This magnificent rug, having benefited from a deep cleaning and also hand-lined in 100% linen fabric by our artisan workshop, is now ready to adorn your interior ! Located a stone's...

Step into the radiant universe of Henri Matisse with this striking color print from the Fauves collection, meticulously edited by Editions du Chêne in Paris, France, in 1948. Beautif...

charming arts and crafts wall cabinet circa 1900 with its original key

Wonderful photograph taken while shooting the Holywood movie " Can't help singing " 1944 Photographer unknown This image shows Deanna Durbin and possibly Akim Tamiroff? Good cond...

1900 Antique French Tapestry Wool & Silk Game 7x7 Square 6'5" x 6'7" 196cm x 201cm "This is an outstanding antique French Aubusson tapestry in a fantastic large square size- This wo...

Antique French Tapestry Rare Fountain and scenery Large Tapestry 5x7 1920 Circa 1920 "A magnificent antique French tapestry depicting a scenic river including a fountain and a larg...

Antique map of Kansas Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

Step into the timeless brilliance of Henri Matisse with this extraordinary color cliché, expertly edited by Editions du Chêne in Paris, France, in 1943. Adorned by a stunning solid w...

Antique map of Virginia Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

Decorative Mid-century Chinese Fan in Paper Decorated Painted Wooden Structure. Decoration on gold leaf, plants. very stylish.

French Majolica dish reticulated leaf, Circa 1890.

Lovely image by Beatrix Potter Rescued from an early edition of " The Tale of Two Bad Mice " Possibly a 1st edition from 1904 The measurement given is the paper size not the actua...

Antique map of Louisiana Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

Antique map of New York ( Southern Part ) Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

Large original antique chromolithograph poster composed of three attached sheets, measuring 162 x 68 cm in total. It features a figure that seems to represent a military figure, stan...

Sensational image by Frederick Simpson Coburn In the style of one of my favourite artists, Goya Photogravure Limited edition of 300. This is No. 84 From The Complete Work...

In good condition with coiled metal hook for poised wall hanging in flighted posture. Incredible colours on neck and feathers. A true conversation piece!.

Pair of French Faience wall pocket signed Henriot Quimper, circa 1900. Hand painted with a couple of bretons and flowers.

Striking in conception and execution, this half-portrait of a handsome, blue-eyed young man -- his back to a mirror and his arm folded over a chair -- was painted by Marion Huse, who...

Beautifully and subtly glazed in tones of grey, green, pink and tan, this stunning Art Deco sculptural rondel depicts Bellerophon, a nude male figure from Greek mythology, restraining a winged Pegasus in a lush springtime landscape. This piece is a rare example of the work of Mario Brunetti, who was part of a circle of sculptors and ceramicists influenced by the enormously successful Lenci workshop in Turin (Torino). Brunetti favoured mythological subjects, but his work is extremely rare. This motif of Bellerophon, shown nude with Greek cap, restraining the rearing Pegasus...