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Art For Sale
Artist: David Yarrow
Artist: Richard Estes
I'm Not Fxxing Leaving! (Colour)
By David Yarrow
Located in Chicago, IL
I'm Not Fxxing Leaving!
Los Angeles, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
35 x 77 inches
47 x 102 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
Over the last three years, we have undertaken two different homages to Martin Scorsese’s wonderful black comedy - The Wolf of Wall Street and on both occasions worked with the real wolf, Jordan Belfort. Pleasingly they have been hugely popular pieces.
In 2022, we returned to a dealing room to film the most challenging of the ideas; the “I am Not Fxxxking Leaving” scene. The concept was clear in my head, but I was wrestling with the execution, as, in a still image, it is impossible to have both the speaker and the crowd facing the camera. The idea of the back of Jordan’s head being at the front of the frame had no appeal, meanwhile excluding him from the picture altogether would weaken the narrative.
But the crowd was simple to preconceive; an energy charged orgy of 1994 brokers celebrating the defiance of their leader. I wanted explicit references to the
excesses of the era and the film and this demanded a testosterone jammed dealing floor hosting flying dollars, ticker tape, rubber dolls, call girls and marching bands. I always think that it is counter intuitive to downplay parody. We even managed to sneak in a Steve Madden...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
The Home of Golf
By David Yarrow
Located in Chicago, IL
The Home of Golf
St. Andrews, Scotland – 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
Available sizes:
30 x 69 inches
44 x 103 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
“Golf was first played on the links at St Andrews, Scotland, 600 years ago. It is unequivocally the home of golf and when the Royal and Ancient (R&A) had to choose a venue for the 150th British Open this July, there was never really a choice. It would be held at St Andrews.
This small university town in Fife has always struck me as a place from which to tell a story because the golf course and the town merge harmoniously as one, which is no surprise as they have lived with each other since the 15th century. Even non-golfers find it difficult to look at the view toward the clubhouse without feeling some sense of visual overload.
My concept was to tell a period story and use the town and the historic buildings behind the 18th green as extra characters in a cinematic celebration of the most famous view in golf. It is a scene that has been painted many times, but I had not seen a photograph with a revisionist take of what the links may have looked like when golfers played “The Old Course” the other way around, as they did in the 19th century. The goal was to be greedy and include important landmarks such as the Swilcan Bridge and this demanded an intricate composition.
I knew who my lead would be, the iconic Gary Player...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
I'm Not Fxxing Leaving!
By David Yarrow
Located in Chicago, IL
I'm Not Fxxing Leaving!
Los Angeles, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
35 x 77 inches
47 x 102 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
Over the last three years, we have undertaken two different homages to Martin Scorsese’s wonderful black comedy - The Wolf of Wall Street and on both occasions worked with the real wolf, Jordan Belfort. Pleasingly they have been hugely popular pieces.
In 2022, we returned to a dealing room to film the most challenging of the ideas; the “I am Not Fxxxking Leaving” scene. The concept was clear in my head, but I was wrestling with the execution, as, in a still image, it is impossible to have both the speaker and the crowd facing the camera. The idea of the back of Jordan’s head being at the front of the frame had no appeal, meanwhile excluding him from the picture altogether would weaken the narrative.
But the crowd was simple to preconceive; an energy charged orgy of 1994 brokers celebrating the defiance of their leader. I wanted explicit references to the
excesses of the era and the film and this demanded a testosterone jammed dealing floor hosting flying dollars, ticker tape, rubber dolls, call girls and marching bands. I always think that it is counter intuitive to downplay parody. We even managed to sneak in a Steve Madden...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Gondola - model Josie Canseco with a dog wearing glasses in a ski gondola
By David Yarrow
Located in Vienna, AT
This fine art print is also available in L 56 x 95 inches. High-end framing on request.
David Yarrow is a British fine art photographer and one of the most spectacular and best-sel...
Category
2010s Contemporary Art
Materials
Archival Pigment
Aspen - 1973
By David Yarrow
Located in Chicago, IL
Aspen - 1973
Aspen, Colorado - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
52 x 76 inches
65 x 100 inches
This is not just any ski resort; this is the unmistakable playground of Aspen - the most famous ski resort in the world and one where the slopes and the old silver mining...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Aspen - 1973
By David Yarrow
Located in Chicago, IL
Aspen - 1973
Aspen, Colorado - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
52 x 76 inches
65 x 100 inches
This is not just any ski resort; this is the unmistakable playground of Aspen - the most famous ski resort in the world and one where the slopes and the old silver mining...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Xanadu
By David Yarrow
Located in Chicago, IL
Xanadu
Aspen, Colorado - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
52 x 63 inches
71 x 88 inches
There is no doubt that Aspen is the most notorious, scandal ridden ski resort in the world. Its mere name evokes imagery of heavy partying, glamour and celebrities, which is a little unfair on all those that go up the hill from Glenwood Springs simply to ski. Good things have happened in the town, but so have many bad things, which makes it delicious material for the Storyteller.
70 years after the silver market burst at the turn of the century, Aspen boomed bigger and louder than it ever had before. It was a freewheeling bohemian paradise with rock and roll as important to its very essence as skiing itself. The question was not as much which area to ski, but whether to hang with The Eagles, John Denver or Jimmy Buffett.
By the early 70s The J Bar at the storied Jerome Hotel was firmly established as a drinking venue and I have heard stories of bartenders turning a blind eye to high profile figures brazenly doing lines of coke off the counter in broad daylight. It was in keeping with the vibe of the era that Hunter Thompson...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Xanadu
By David Yarrow
Located in Chicago, IL
Xanadu
Aspen, Colorado - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
52 x 63 inches
71 x 88 inches
There is no doubt that Aspen is the most notorious, scandal ridden ski resort in the world. Its mere name evokes imagery of heavy partying, glamour and celebrities, which is a little unfair on all those that go up the hill from Glenwood Springs simply to ski. Good things have happened in the town, but so have many bad things, which makes it delicious material for the Storyteller.
70 years after the silver market burst at the turn of the century, Aspen boomed bigger and louder than it ever had before. It was a freewheeling bohemian paradise with rock and roll as important to its very essence as skiing itself. The question was not as much which area to ski, but whether to hang with The Eagles, John Denver or Jimmy Buffett.
By the early 70s The J Bar at the storied Jerome Hotel was firmly established as a drinking venue and I have heard stories of bartenders turning a blind eye to high profile figures brazenly doing lines of coke off the counter in broad daylight. It was in keeping with the vibe of the era that Hunter Thompson...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Gandola
By David Yarrow
Located in Chicago, IL
Gondola
Aspen, Colorado - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
52 x 78 inches
71 x 110 inches
The 15-minute gondola ride up from heart of Aspen to the Sundeck restaurant at the peak of Aspen Mountain...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Gandola
By David Yarrow
Located in Chicago, IL
Gondola
Aspen, Colorado - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
52 x 78 inches
71 x 110 inches
The 15-minute gondola ride up from heart of Aspen to the Sundeck restaurant at the peak of Aspen Mountain...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
The Rolling Stones - wild mustang horses galloping in the snow
By David Yarrow
Located in Vienna, AT
Also available in 46 x 102 inches, Edition of 20. High-end framing on request.
David Yarrow's wildlife photography manages to capture the imposs...
Category
2010s Contemporary Art
Materials
Archival Pigment
1895
By David Yarrow
Located in Chicago, IL
1895
Paradise Valley, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
1895
By David Yarrow
Located in Chicago, IL
1895
Paradise Valley, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Any Given Sunday
By David Yarrow
Located in Chicago, IL
Any Given Sunday
Paradise Valley, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 1...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Any Given Sunday
By David Yarrow
Located in Chicago, IL
Any Given Sunday
Paradise Valley, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 1...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Buffalo Joe's
By David Yarrow
Located in Chicago, IL
Buffalo Joe's
Paradise Valley, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
52 x 71 inches
71 x 100 inches
"This is one hell of a saloon. Nicolas Cage...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Buffalo Joe's
By David Yarrow
Located in Chicago, IL
Buffalo Joe's
Paradise Valley, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
52 x 71 inches
71 x 100 inches
"This is one hell of a saloon. Nicolas Cage...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Deadwood
By David Yarrow
Located in Chicago, IL
Deadwood
Paradise Valley, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
52 x 94 inches
63 x 117 inches
"This was always a risky idea, largely because film days with 250 extras must be planned long before the weather forecast...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Deadwoods
By David Yarrow
Located in Chicago, IL
Deadwood
Paradise Valley, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
52 x 94 inches
63 x 117 inches
"This was always a risky idea, largely because film days with 250 extras must be planned long before the weather forecast...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Montana
By David Yarrow
Located in Chicago, IL
Montana
Big Timber, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available s...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Shangri La
By David Yarrow
Located in Chicago, IL
Shangri La
Big Sky, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
52 x 78 inches
71 x 110 inches
"There is no ski resort story like Big Sky, Montana. The growth in the whole community is staggering and it is now established as one of the premier ski towns in the world. The proximity of the legendary Yellowstone Club...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Shangri La
By David Yarrow
Located in Chicago, IL
Shangri La
Big Sky, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
52 x 78 inches
71 x 110 inches
"There is no ski resort story like Big Sky, Montana. The growth in the whole community is staggering and it is now established as one of the premier ski towns in the world. The proximity of the legendary Yellowstone Club...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
The Girl with the Golden Gun
By David Yarrow
Located in Chicago, IL
The Girl with the Golden Gun
Paradise Valley, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and ...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
The Girl with the Golden Gun
By David Yarrow
Located in Chicago, IL
The Girl with the Golden Gun
Paradise Valley, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and ...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Watergate
By David Yarrow
Located in Chicago, IL
Watergate
Virginia City, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
52 x 83 inches
70 x 116 inches
"We know this bar well and know that in the middle of the day there is enough window light to work with. In our experience that is most unusual for an inside shoot, especially when we need to freeze a moving animal. That is why we keep returning to the Pioneer Bar high in the mountain of Montana, it is quite simply the best saloon bar...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Watergate
By David Yarrow
Located in Chicago, IL
Watergate
Virginia City, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
52 x 83 inches
70 x 116 inches
"We know this bar well and know that in the middle of the day there is enough window light to work with. In our experience that is most unusual for an inside shoot, especially when we need to freeze a moving animal. That is why we keep returning to the Pioneer Bar high in the mountain of Montana, it is quite simply the best saloon bar...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
The Rolling Stones
By David Yarrow
Located in Chicago, IL
The Rolling Stones
Wells, Nevada - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on ...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
The Rolling Stones
By David Yarrow
Located in Chicago, IL
The Rolling Stones
Wells, Nevada - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on ...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Blackfeet Nation
By David Yarrow
Located in Chicago, IL
Blackfeet Nation
Glacier National Park, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 54 inches
56 x 81 inches
"In the 17th century, the Blackfeet settled in the region that is now Montana. Previously, they resided in the woodlands north and west of the Great Lakes, but pressure from British traders pushed them west. They eventually acquired firearms and horses and became a formidable example of the classic Plains Indian culture.
Ravaged by smallpox and constantly struggling with the challenges of extreme winters, low bison numbers and relative isolation, the Blackfeet had great fortitude and are often now referred to as the “Real People” of Montana.
The Blackfeet’s tribal headquarters are in the town of Browning in the extreme North West corner of the state. The celebrated Glacier National Park may sit to the west and with it comes smart resorts like Whitefish, but Browning has little refinement - it is a grim and remote frontier town that is avoided by most travellers. It’s all a bit sketchy up there - especially in the winter.
However, within 20 minutes of Browning, the Blackfeet enjoy some of the most majestic scenery in America, and it was this that drew me to the location. It was always going to be a winter shoot, as the snow added in another character for free.
So in January 2023, we made the road trip north from Bozeman - it’s a long way, and the sense of adventure intensifies towards the Canadian border. This is a remote and isolated corner of America, and relative to other reservations in the US, I sense that filmmakers have had a light footprint around Browning.
The tribal elder, Dutch Lunak and his horse Rain Man...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Blackfeet Nation
By David Yarrow
Located in Chicago, IL
Blackfeet Nation
Glacier National Park, Montana - 2023
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 54 inches
56 x 81 inches
"In the 17th century, the Blackfeet settled in the region that is now Montana. Previously, they resided in the woodlands north and west of the Great Lakes, but pressure from British traders pushed them west. They eventually acquired firearms and horses and became a formidable example of the classic Plains Indian culture.
Ravaged by smallpox and constantly struggling with the challenges of extreme winters, low bison numbers and relative isolation, the Blackfeet had great fortitude and are often now referred to as the “Real People” of Montana.
The Blackfeet’s tribal headquarters are in the town of Browning in the extreme North West corner of the state. The celebrated Glacier National Park may sit to the west and with it comes smart resorts like Whitefish, but Browning has little refinement - it is a grim and remote frontier town that is avoided by most travellers. It’s all a bit sketchy up there - especially in the winter.
However, within 20 minutes of Browning, the Blackfeet enjoy some of the most majestic scenery in America, and it was this that drew me to the location. It was always going to be a winter shoot, as the snow added in another character for free.
So in January 2023, we made the road trip north from Bozeman - it’s a long way, and the sense of adventure intensifies towards the Canadian border. This is a remote and isolated corner of America, and relative to other reservations in the US, I sense that filmmakers have had a light footprint around Browning.
The tribal elder, Dutch Lunak and his horse Rain Man...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Downhill Racer
By David Yarrow
Located in Chicago, IL
Downhill Racer
Val Gardena, Italy - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the ...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Downhill Racer
By David Yarrow
Located in Chicago, IL
Downhill Racer
Val Gardena, Italy - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the ...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
The Last Supper in Chicago
By David Yarrow
Located in Chicago, IL
The Last Supper in Chicago
Chicago, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
Available image sizes:
45 x 52 inches
52 x 61 inches
71 x 85 inches
"In November 2022, at the United Center in Chicago, legendary Slovakian hockey player - Marián Hossa - had his shirt retired in front of 24,000 adoring and thankful Blackhawks fans. It was an emotional evening and one that I felt privileged to watch, alongside Marián’s friends and family.
48 hours previously, Marián was joined by two other Chicago “Hall of Famers”, Chris Chelios and Denis Savard, and nine other Blackhawks stars to collaborate with me on an idea that had been marinating in my mind for some time.
My concept was to merge in unity, two of Chicago’s most precious possessions, its architecture and its beloved Blackhawks. This is a proud city...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
The Last Supper in Chicago
By David Yarrow
Located in Chicago, IL
The Last Supper in Chicago
Chicago, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
Available image sizes:
45 x 52 inches
52 x 61 inches
71 x 85 inches
"In November 2022, at the United Center in Chicago, legendary Slovakian hockey player - Marián Hossa - had his shirt retired in front of 24,000 adoring and thankful Blackhawks fans. It was an emotional evening and one that I felt privileged to watch, alongside Marián’s friends and family.
48 hours previously, Marián was joined by two other Chicago “Hall of Famers”, Chris Chelios and Denis Savard, and nine other Blackhawks stars to collaborate with me on an idea that had been marinating in my mind for some time.
My concept was to merge in unity, two of Chicago’s most precious possessions, its architecture and its beloved Blackhawks. This is a proud city...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Hot Legs II
By David Yarrow
Located in Chicago, IL
Namibia, 2019
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
39 x 37 inches
59 x 56 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"My predilection when photographing wildlife...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
The Last Supper in Chicago
By David Yarrow
Located in Chicago, IL
The Last Supper in Chicago
Chicago, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 50
Available image sizes:
45 x 52 inches
52 x 61 inches
71 x 85 inches
"In November 2022, at the United Center in Chicago, legendary Slovakian hockey player - Marián Hossa - had his shirt retired in front of 24,000 adoring and thankful Blackhawks fans. It was an emotional evening and one that I felt privileged to watch, alongside Marián’s friends and family.
48 hours previously, Marián was joined by two other Chicago “Hall of Famers”, Chris Chelios and Denis Savard, and nine other Blackhawks stars to collaborate with me on an idea that had been marinating in my mind for some time.
My concept was to merge in unity, two of Chicago’s most precious possessions, its architecture and its beloved Blackhawks. This is a proud city...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
I'm Not Fxxing Leaving! (Colour)
By David Yarrow
Located in Chicago, IL
I'm Not Fxxing Leaving!
Los Angeles, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
35 x 77 inches
47 x 102 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
Over the last three years, we have undertaken two different homages to Martin Scorsese’s wonderful black comedy - The Wolf of Wall Street and on both occasions worked with the real wolf, Jordan Belfort. Pleasingly they have been hugely popular pieces.
In 2022, we returned to a dealing room to film the most challenging of the ideas; the “I am Not Fxxxking Leaving” scene. The concept was clear in my head, but I was wrestling with the execution, as, in a still image, it is impossible to have both the speaker and the crowd facing the camera. The idea of the back of Jordan’s head being at the front of the frame had no appeal, meanwhile excluding him from the picture altogether would weaken the narrative.
But the crowd was simple to preconceive; an energy charged orgy of 1994 brokers celebrating the defiance of their leader. I wanted explicit references to the
excesses of the era and the film and this demanded a testosterone jammed dealing floor hosting flying dollars, ticker tape, rubber dolls, call girls and marching bands. I always think that it is counter intuitive to downplay parody. We even managed to sneak in a Steve Madden...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Flight
By David Yarrow
Located in Chicago, IL
Flight
Los Angeles, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 61 inches
56 x 92 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"Private jets are mainstream in 2022. In celebrated American resort destinations such as Aspen, they can outnumber grounded commercial aircrafts 20 to 1. Flying privately makes travel comfortable and appeals to those long of cash and short of time, but to film in a private jet and merely tell a story of luxury, has always struck me as banal and creatively stiff.
Instead, I wanted to use the tube of a private jet to tell a story of excess and bad behaviour; if jets are private, then by definition anything is permissible and the word PJ can elicit imagery of sex, drugs and rock and roll. It is not, of course, a linear relationship and most passengers on private jets are model citizens simply travelling in the most perfunctory of ways from A to B. But in the art world, I feel no need to play to percentages. I would rather have some fun and tell some stories.
My focus was the PJ journeys that get out of hand.
The real ‘Wolf of Wall Street...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Norse
By David Yarrow
Located in Chicago, IL
Norse
Skogafoss, Iceland – 2022 - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
40 x 37 inches
61 x 56 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
“Skogafoss in southern Iceland is a familiar destination for us, we have filmed there a few times over the years and know its potential and also its challenges. The waterfall is aesthetically without equal in Europe and the backdrop offers the chance of an arresting photograph, especially as the foreground gives a platform on which to add narrative. The waterfall itself is of little interest to me; it is photographed thousands of times a day by good photographers with good cameras. It must be used as part of the story, not the whole event.
The riddle is how to manage the distance between the camera and the point of impact of the huge volumes of water that smash onto the ground. To work too close risks not just losing perspective, but having spray, quickly rendering the camera inoperable. To work further away is more practical, but then the distance compression can dumb things down and lose the sense of immersion and importantly the scale.
We now know our spot and our lens choice, but this was the first time we had put it to the test in the snow, when Skogafoss becomes a three-sided winter vortex; a bit like a deep freeze...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
I'm Not Fxxing Leaving!
By David Yarrow
Located in Chicago, IL
I'm Not Fxxing Leaving!
Los Angeles, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
35 x 77 inches
47 x 102 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
Over the last three years, we have undertaken two different homages to Martin Scorsese’s wonderful black comedy - The Wolf of Wall Street and on both occasions worked with the real wolf, Jordan Belfort. Pleasingly they have been hugely popular pieces.
In 2022, we returned to a dealing room to film the most challenging of the ideas; the “I am Not Fxxxking Leaving” scene. The concept was clear in my head, but I was wrestling with the execution, as, in a still image, it is impossible to have both the speaker and the crowd facing the camera. The idea of the back of Jordan’s head being at the front of the frame had no appeal, meanwhile excluding him from the picture altogether would weaken the narrative.
But the crowd was simple to preconceive; an energy charged orgy of 1994 brokers celebrating the defiance of their leader. I wanted explicit references to the
excesses of the era and the film and this demanded a testosterone jammed dealing floor hosting flying dollars, ticker tape, rubber dolls, call girls and marching bands. I always think that it is counter intuitive to downplay parody. We even managed to sneak in a Steve Madden...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
The Home of Golf
By David Yarrow
Located in Chicago, IL
The Home of Golf
St. Andrews, Scotland – 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
The King's Speech
By David Yarrow
Located in Chicago, IL
The King's Speech
South Africa - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
E...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
T'Challa
By David Yarrow
Located in Chicago, IL
T'Challa
South Africa - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
The Lion's Den
By David Yarrow
Located in Chicago, IL
The Lion's Den
South Africa- 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
Available s...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Cheetahs
By David Yarrow
Located in Chicago, IL
Cheetahs
Namibia - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
34 ...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Mohan
By David Yarrow
Located in Chicago, IL
Mohan
South East Asia - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 49 inches
56 x 74 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
Due to a mutant gene, white tigers lack pheomelanin; the pigment that turns fur orange...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Don't Go Chasing Waterfalls
By David Yarrow
Located in Chicago, IL
Don't Go Chasing Waterfalls
Alaska, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
25 x 69 inches
37 x 103 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
I find photographing bears in Alaska both challenging and humbling. There are many reasons for this: unpredictable salmon run; nasty backdrops and the difficulty of being authentic. Alaska may seem a final frontier, but it is a well-trodden path for photographers and there is little merit in taking another down- ward picture of a salmon in a bear’s mouth. My success ratio is low over the last 10 years, but we now know the area well and have had our moments.
The legendary Brooks Falls location in Katmai, Alaska hosts many photographers and even more bears in July. Up by the waterfall, on a busy day, there can be as many as 20 photographers and two dozen bears. Incongruously, in this extremely re- mote outpost, a spectator stand has been built on the bank by the water- fall to accommodate the day visitors who fly in on float planes...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
The Book of Daniel
By David Yarrow
Located in Chicago, IL
The Book of Daniel
Available in both Colour and Monochrome
South Africa- 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
Available sizes:
37 x 65 inches
56 x 98 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
Good creative ideas are only as good as the execution and when I conceived the idea of a literal photographic depiction of Daniel in a cave with wild lions, I recognised that pulling it off in the field would be as examining a production challenge as anything we had undertaken.
The fact that we ended up with this image - a career highlight - is testimony to the skills of many South Africans with whom we collaborated on this project, none more so than Kevin Richardson, The Lion Whisperer. It was his behavioural understanding of specific lions within his famous sanctuary that gave me the confidence to even consider emotionally and financially investing in my mad idea. We have worked with each other for over eight years now and have developed a mutual trust. To build a cave and work from within that cave with wild lions is not a brief for a nascent relationship between artist and lion whisperer.
We both agreed that pivotal to the success of the final image was that the lions we worked with should be interacting with each other and not me. If they were looking at me in the front of my heavy-duty cage, it would suggest encroachment and the involvement of another party. There were no third party witnesses to Daniel in the cave, other than spiritual ones.
The lighting was also key and we needed time to look at various options to create the shaft of light. Without a light shaft, the sense of being in a cave would be diminished as opposed to amplified. It was this feature that would also add to the biblical vibe of the photograph which was essential; after all, we were working from the Bible. The low trajectory of the winter sun in Kevin’s conservation was in our favour and suggested that between 9 am and 10 am the light shaft could have the right angle so long as the hole in the cave’s ceiling was accurately positioned.
The plan was that Daniel was the final piece in the jigsaw and we would only bring him in when all else was done, albeit I had a precise position for him in my mind. Kevin’s lions would not show any mercy to our modern-day Daniel and we would never suggest that this image was anything less than two pictures combined.
Good things take time and I always knew this would be a three-day project for me on location. The predictability of the winter weather in the region was a key asset; the cloudless skies gave us identical light day after day and that then gave us optionality and time.
But for others the project was a month, not three days, and I am full of gratitude for the artistic skills of those that made the cave and the attention to detail of the production team led by Theuns De Wet in Johannesburg and Tom Williams...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
The Book of Daniel
By David Yarrow
Located in Chicago, IL
The Book of Daniel
Available in both Colour and Monochrome
South Africa- 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
Available sizes:
37 x 65 inches
56 x 98 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
Good creative ideas are only as good as the execution and when I conceived the idea of a literal photographic depiction of Daniel in a cave with wild lions, I recognised that pulling it off in the field would be as examining a production challenge as anything we had undertaken.
The fact that we ended up with this image - a career highlight - is testimony to the skills of many South Africans with whom we collaborated on this project, none more so than Kevin Richardson, The Lion Whisperer. It was his behavioural understanding of specific lions within his famous sanctuary that gave me the confidence to even consider emotionally and financially investing in my mad idea. We have worked with each other for over eight years now and have developed a mutual trust. To build a cave and work from within that cave with wild lions is not a brief for a nascent relationship between artist and lion whisperer.
We both agreed that pivotal to the success of the final image was that the lions we worked with should be interacting with each other and not me. If they were looking at me in the front of my heavy-duty cage, it would suggest encroachment and the involvement of another party. There were no third party witnesses to Daniel in the cave, other than spiritual ones.
The lighting was also key and we needed time to look at various options to create the shaft of light. Without a light shaft, the sense of being in a cave would be diminished as opposed to amplified. It was this feature that would also add to the biblical vibe of the photograph which was essential; after all, we were working from the Bible. The low trajectory of the winter sun in Kevin’s conservation was in our favour and suggested that between 9 am and 10 am the light shaft could have the right angle so long as the hole in the cave’s ceiling was accurately positioned.
The plan was that Daniel was the final piece in the jigsaw and we would only bring him in when all else was done, albeit I had a precise position for him in my mind. Kevin’s lions would not show any mercy to our modern-day Daniel and we would never suggest that this image was anything less than two pictures combined.
Good things take time and I always knew this would be a three-day project for me on location. The predictability of the winter weather in the region was a key asset; the cloudless skies gave us identical light day after day and that then gave us optionality and time.
But for others the project was a month, not three days, and I am full of gratitude for the artistic skills of those that made the cave and the attention to detail of the production team led by Theuns De Wet in Johannesburg and Tom Williams...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Route 66
By David Yarrow
Located in Chicago, IL
Route 66
Holbook, Arizona, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Ed...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Raising Arizona
By David Yarrow
Located in Chicago, IL
Raising Arizona
Monument Valley, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 77 inches
46 x 103 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
When filming in Monument Valley in the spring of 2022, I asked our Navajo Guide whether there was a possibility to shoot from the rock structures to the south that stand high above the ampitheatre of mesas and monoliths. It struck me that this position of height could offer an extraordinary back drop of what is the beating heart of Southwest America.
He said it was possible, but that we would need permits and we would also need to camp up the mountains if we wanted to shoot in low light
- the 15-mile journey by powerful 4-wheel drive from Kayenta is a challenge and can take up to 3 hours. There are no roads and the vehicles
must face terrain that makes most off-road Land Rover car adverts look lame.
My plan was to film cowboys at the top of the escarpment and offer a layered photograph featuring one of America’s great vistas. I have seen many pictures of Monument Valley, but never this composition. That excited me, after all, originality in
a place as well documented as this, is critical. John Ford got here long before me.
We chose the most experienced West Texan cowboys we knew and they travelled west to Arizona with their lead horses...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Empty Pocket Saloon
By David Yarrow
Located in Chicago, IL
Empty Pocket Saloon
Arizona, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the fr...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
WELL, I’M A-STANDIN’ ON A CORNER IN WINSLOW, ARIZONA
By David Yarrow
Located in Chicago, IL
Well, I'm Standin' On A Corner In Wislow, Arizona
Arizona, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the ...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
Hustlers
By David Yarrow
Located in Chicago, IL
Hustlers
Arizona, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 61 inches
56 x 93 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
The 1961 movie The Hustler won two Oscars and, along with The Color of Money, is probably the most famous Hollywood pool film. Based on the novel with the same name by Walter Tevis (1959), it tells the story full of ups and downs of the talented “Fast” Eddie Felson (Paul Newman) and his encounters with the legendary Minnesota Fats (Jackie Gleason). In the movie, players were always heavy gamblers, smokers and drinkers which contributed to the “bad boy” image of pool. There is nothing that can be sugar coated about pool; it is not an activity for the earnest or the clean living. It is a game for drinkers and hustlers.
I felt no need to earmark a Fast Eddie or Minnesota Fats in this pool game...
Category
21st Century and Contemporary Contemporary Art
Materials
Archival Pigment
David Yarrow Photograph "Vantage Point" of Train in the Western Frontier
By David Yarrow
Located in Greenwich, CT
This work is sourced directly from the artist.
Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper
Hand-signed by artist with Certificate of Authenticity
As part of my photographic anthology on the wild west, it was always my intent to bring native Indians and a railroad together into an image, but I had no wish to objectify either party. A photograph for instance of a hostile railroad attack by a party of Indians could be labelled as
stereotyping or indeed being blind to the provocation of what was effectively an invasion by American settlers, prospectors and capitalists. We entered this project to tell stories, not make overtly political points.
After several scouting trips, I found an ideal location 10,000 feet above sea level on the track near Silverton, Colorado. The train owners told us that this section of the track had never been shot before and that sense of ground breaking always gives me a warm glow.
The high cliff face offered a sense of a vantage point and the opportunity for the camera to tell a more passive observation story (albeit with a little attitude).
The narrative seems entirely realistic as most of the time the natives would observe the Iron Horses from a safe distance with a mixture of fear; anger but also, I would imagine a hint of bewilderment.
The driver of the steam train did a fabulous job with the plume - it was a magical sight to see.
Available Sizes (Framed Size)
Large: 71” x 91”
Standard: 52” x 65”
Available Editions
Large: Edition of 12
Standard: Edition of 12
David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining.
David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine...
Category
21st Century and Contemporary Contemporary Art
Materials
Digital Pigment
David Yarrow Photograph "The Leader of the Pack" of Motorcycle Gang
By David Yarrow
Located in Greenwich, CT
This work is sourced directly from the artist.
Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper
Hand-signed by artist with Certificate of Authenticity
The Harley-Davidson is a heavyweight brand - like Coke and McDonalds, it was integral to the flourishing of the American Dream. The brand is emblematic of the post 1945 roll out of the US highway network that offered the American population the freedom to travel for travel’s sake. As Robert Louis Stevenson said: “I travel not to go anywhere, but to go. I travel for travel's sake. The great affair is to move.”
My preconception was that if we were to use Harley...
Category
21st Century and Contemporary Contemporary Art
Materials
Photographic Paper, Archival Pigment
David Yarrow Photograph "Something's Brewing" Outlaws & a Wolf at the Brewery
By David Yarrow
Located in Greenwich, CT
This work is sourced directly from the artist.
Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper
Hand-signed by artist with Certificate of Authenticity
I have never used this old brewery building before in my storytelling because I worried that the facade was too high to fit in an image if there was also to be a cast immediately in front of it. There were two possible solutions - to move the story further away from the building, which would risk disassociation, or to get close to the building with a wide-angle lens, not easy at all and could risk ending with a lousy series of far lit loose shots. The whole building would be in for sure, but to work with a 28mm lens and a wolf is not to play the percentages.
We had no real choice but to go for the second option and roll the dice. We got lucky, but as someone once said “Luck is the residue of design”. A sharp shot on a 28 mm lens is pin pin sharp.
Available Sizes (Framed Size)
Large: 71" x 86" (180 cm x 219 cm)
Standard: 52" x 62" (132 cm x 158 cm)
Available Editions
Large: Edition of 12
Standard: Edition of 12
David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining.
David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine art...
Category
21st Century and Contemporary Contemporary Art
Materials
Photographic Paper, Archival Pigment
David Yarrow Photograph "The Brotherhood of Thieves" on Nantucket Island
By David Yarrow
Located in Greenwich, CT
"The Brotherhood of Thieves"
Nantucket, USA 2022
Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper
This work was sourced directly from the artist.
Not far inland from the storied harbour of Nantucket lies a wonderfully named bar - The Brotherhood of Thieves. Our desk research had led us to believe it could be a perfect location as the walls and ceiling looked timeless and there appeared to be good window light.
When I arrived in town, I went straight to the bar which was being refurbished ahead of the start of the summer season. It was better than I had dared to hope and I told the team that so long as we got permission from the owner to shoot there, our quest for strong indoor locations on the island was over. We had our spot. The owners could not have been more accommodating and we had four days to put together a strong line up. The storyline was always going to have a maritime leaning and my instincts were to go back to the island’s leading position in the whaling industry in the 19th century. Nantucket was, of course, the starting point for the doomed whaler - Essex - and integral to Herman Melville’s classic novel - Moby Dick.
I imagined that The Brotherhood of Thieves would have a drinking den for returning whalers, salty sea dogs and gamblers and this assembly may have attracted the more opportunistic girls on the island. A picture of the bar’s clientele evolved daily in my mind as I wandered around this old town thinking of ideas. I knew we could have no bland characters, everyone had to earn their right to be a thief, a gambler or indeed a lady of the night...
Category
21st Century and Contemporary Contemporary Art
Materials
Photographic Paper, Archival Pigment
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