Art

Initialed lower left, 'C.B.' (American, 20th century) and painted circa 1925. Framed dimensions: 14 H x 11.75 W x 1 D inches N.B. The artist initials show more distinctly under (365n...

"The Harvesters" Raphaël Dubois aka Chanterou (Belgium, 1888-1960) Signed bottom left under the pseudonym "Chanterou" Oil on canvas 23 1/2 x 19 1/4 (27 3/4 x 23 3/4 frame) inches Born in Liege in 1888, he enrolled at the age of fourteen at the Academy of Liege where he studied under Evariste Carpentier...

Young Lady in Profile (Dorothy Gibson) Graphite on paper, c. 1915 Signed lower right (see photo). The sitter for this drawing, along with a huge number of Harrison Fisher’s works, i...

Original pochoir process print. Paris, Galerie Lutetia, circa 1920.

after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

This lovely Belgian Impressionist figurative oil painting is by noted artist Henri Moreau. Although Belgian by birth, Moreau spent many years in France, moving to Paris in 1920 and o...

Born in Hungary in 1899 Joseph Waidinger was educated in fine art before moving to Paris to work in 1924. "Lola" is original oil on canvas, signed, and dated 1929. A true genre painting, as an elegant art deco woman sits in a cafe, perhaps waiting for someone...

Antonin Artaud, Le Pèse-Nerfs, suivi des Fragments d'un Journal d'Enfer. Edition ornée d'un frontispice par Andé Masson, Les Cahiers du Sud, Marseille 1927. Uncut. Edition decorated ...

Title page numbered: 263/450. Includes handmade, gold-leaf frame.

Original 1919 Give The World The Once Over in the United States Navy vintage poster. Archival linen backed. This poster presents itself very fine condition. The lower text por...

Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed. Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm). ABOUT THE IMAGE After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production. ABOUT THE MEDIUM Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions. Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style. After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes  , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris. In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...

'The Sacramento River, Rio Vista', California, Bohemian Club, White House, SFSD Signed lower left, 'J. E. Stuart' for James Everett Stuart (American, 1852-1941) ), dated 'Jan. 31, 19...

Spring Landscape with house and figure A preliminary watercolor for a color aquatint, illustrated on line, title unknown Signed lower left in block letters (see photo) Watercolor and...

Early Tonalist Landscape -- California Coastal Live Oaks William Schneider 1915 Beautiful early 20th Century tonalist landscape of California by New York artist William G. Schneider ...

Original. FIGHT OR BUY BONDS. THIRD LIBERTY LOAN. Linen backed. Lithograph. World War 1 authentic vintage poster. ARTIST: Howard Chandler Christy. Linen-backed, larger size format for this poster. Ready to frame. Despite minor edge wear touch-up from linen backing, this poster presents very well and is in above-average condition. You can be confident in the quality of this piece. One of the most famous and powerful WW1 propaganda images, this flag-waving Ms. Liberty (aka Columbia) poster is unusual in that it urged both recruitment and bond sales. The US had just entered the war when this poster appeared and it is one of the earliest examples of myriad illustrations that were used to motivate both troops and the American public. It's designer, Howard Chandler Christy, was at the height of his fame. He earned his spurs as a wartime artist when he accompanied US troops to Cuba in 1898, an experience that stood him in good stead when he was called on to create his famed series of patriotic WW1 posters...

Anton Schutz, 'Notre Dame, Paris', etching, 2nd state, 1927. Signed, titled, and annotated '2nd State', in pencil. Signed and dated in the plate, lower left. A superb, richly-inked...

Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher catalog 22 state .ii. 8 x 6 (sheet 11 x 7 3/16). Italian series #4. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of...

Signed lower left 'Nura' for Nura Woodson Ulreich (American, 1899–1950). Additionally signed, verso, dated March 1928 with artist's New York City ...

Kyoka-Tokaido is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1925. Woodcut Print Chuban Yokoe Format. Repri...

Antique modernist signed pointillist painting. Watercolor and gouache on paper. Signed. Framed. Rare early work!

Gabrielle Rainer Istvanffy was a Hungarian painter of animal paintings. Her chosen subjects were mostly dogs and cats and mostly white and off-white breeds. This piece is a very pretty and cute painting...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

Constant Duval's 1924 travel poster for the Château de Saumur, endorsed by the Chemin de fer de Paris à Orléans, is a timeless masterpiece that beautifully captures the charm of the ...

'The New Arrival' A Mother with her Children A first class example of Pothast's work. The faces are beautifully done with fantastic light cascading into the room. The mother is shar...

Impressive early American impressionist framed landscape oil painting. Framed in a silver impressionist molding. Oil on board. Signed. Image size, 20H by 30L inches.

The Chairis a vintage lithograph realized after Raoul Dufy in 1920. Good conditions. Edition of 110. Not signed and not numbered, as issued. The artwork is depicted through confid...

Signed landscape oil on canvas by French post impressionist painter Elisee Maclet. The work depicts a view of the buildings in the Place Emile Goudeau in the Monmartre district of Pa...

This cubist black ink pen drawing by André Lhote (1885 - 1962), circa 1910, features a still-life composition, a bowl with fruits on a table with a cubist geometric design. We added ...

Walk is an Original Drawing in Pencil realized by Louis Jou (1882-1968). Good conditions. Hand-signed. The Artwork is depicted through strong strokes in a well-balanced compositio...

Original vintage lithograph poster with depiction of Munich-based balletic duo Peter Pathe and Maria Hagen. Design by Walter Schnackenberg (German, 1880-1961). A very scarce example....

Antique European impressionist harbor oil painting. Oil on board, circa 1920. Signed. Framed. Image size, 15"L x 18"H.

American impressionist lake landscape oil painting. Framed. Oil on canvas board. Signed. Image size, 10H by 14L.

Still Life With Chicken, Oil on canvas singed and dated 1923, from the Collection of Bass Museum Of Art. Canvas size 14 1/5x17 1/4 framed 21 3/8 x 23 7/8 Edmund Pick-Morino was the ...

Large signed landscape oil on canvas circa 1920 by sought after French post impressionist painter Victor Charreton, who was known as the painter of colours. The work depicts a woman walking through a snowy village in winter. The piece is beautifully coloured. Signature: Signed lower right Dimensions: Framed: 33"x38" Unframed: 24"x29" Provenance: Private collection - Portugal Ader - Paris Charreton was a landscape artist in the Lyons tradition with a love of sensual impasto. In his works he seeks to capture fleeting, momentary effects, like those achieved by the Impressionists: effects at different times of day and in different seasons, such as dusk and snow. As a young man he painted the environs of Bourgoin. Skilled in capturing minute changes in the weather, he was also adept at capturing the spirit of new places. Beside his native Dauphiné and his adopted Auvergne, he was also charmed by the landscapes of the Île-de-France and Paris - Montmartre, the Jardin du Luxembourg and the Parc Montsouris...

This enigmatic portrait oil painting is by noted Slade School artist John Cecil Stephenson. In 1929, when Portrait of Elizabeth Allison was completed...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Signed fauvist oil on canvas laid on panel riverscape circa 1925 by French painter Louis Valtat. The work depicts several boats being rowed on River Seine in Bois de Boulogne - a for...

An impressive coastal ocean seascape titled “Light Play” by American artist Clifford Warren Ashley (1881 - 1947). Ashley was born in New Bedford, Massachusetts, graduated and went to...

after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 inches (203 ...

Stone lithograph in custom frame by artist Gail Potocki. Artist insignia in lower right corner.

Medium: pochoir (after the gouache). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 5 1/4 x 8 1/8 inches (132 x 205 mm). A text inscription ...

Botanical gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work flowers in red and blues with green foliage against a yellow and white stripped background. Dimensions: Framed: 25"x20" Unframed: 18"x13" Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

Johnny Walker’s Place, by 1929, oil on canvas, signed lower right, 34 x 42 inches, exhibited 1) 28th International Exhibition of Paintings, Carnegie Institute, Pittsburgh, PA, Octobe...

Susi Singer-Schinnerl (Austrian-American, 1891-1965) Man with Two Dogs, c. 1925 Ceramic Manufactured by the Wiener Werkstätte, model number 682 Stamped on bottom 13 x 5.5 x 4 inches...

"Abstract Cityscape" NYC Early 20th Century American Scene Social Realism Ashcan Abraham Walkowitz (American, 1878-1965) Abstract Cityscape Sight: 6 1/4' x 8 1/2 inches Mixed media...

Style of Arthur B. Davies Untitled (Muses), c. 1920 Reverse glass painting 19 x 24 in. Reverse glass painting is a form of art that consists of applying paint to a piece of glass t...

Tony Georges Roux's 1923 masterpiece for Chemins de fer du Midi transports viewers to the enchanting winter wonderland of Font Romeu in the Pyrénées Orientales. This artful creation not only promotes the allure of winter sports but also captures the essence of a bygone era with its distinct aesthetic. Tony Georges Roux, a distinguished French artist of the early 20th century, showcased his prowess in combining artistic sensibilities with promotional intent. The 1923 poster...

A ca. 1915 portrait of a gentleman by artist Anthony Stuffers. This artist died at the age of 26--so this is a rare drawing, indeed! Image size: 19 1/2" x 14 3/4". The watercolor...

'Reclining Nude', oil on canvas, by Guillaume Dulac (circa 1920s). A sensuous portrayal by the artist of a young woman reclining on a divan draped with cloth. Inspired perhaps from Ingres' (1780-1867) classic, La Grande Odalisque...

Two young Scottish women wear smart business jackets and fashionable tartan skirts. They are depicted as discerning Art Connoisseurs evaluating a small bronze dancer. The Artist Hele...

ROWLAND WHEELWRIGHT A beautiful painting by Roland Wheelwright in keeping with his traditional subject matter. This piece is a large and important example of his work and is not oft...

Signed figures in cityscape oil on board circa 1920 by Russian-born post impressionist painter Elie Anatole Pavil. The work depicts citygoers in the Grand Boulevard in Paris, France ...

Signed lower left, 'A.F. Gorguet' for Auguste François Gorguet (French, 1862-1927), titled 'Menton' and dated with roman numerals 'XI' for 1911; bearing old 'P. Navez' exhibition lab...

Maurice UTRILLO Damaged Church of Charleville After War, c. 1920 Original gouache on paper Handsigned and dated at bottom right Size at view 43 x 54 cm (c. 17 x 22 inch) Presented i...

Medium: collotype (after the drawing). Printed in 1927 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. Sheet size: 10 5/8 x 8 5/8 inches (268...

An American School watercolor showing an old Ford Model T flatbed truck backed up to a barn in a rural landscape. A well-composed work paint...

Agnes Louise Agnete Jensen Weie (Danish, 1878-1964) and painted circa 1911. Provenance: ABR auction 170, 1964, catalog #83, 1964 (see photo); Inscribed, verso, '83/170' from auction ...