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Medium: Engraving
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving

Pablo Picasso, For Roby, from The Age of the Sun, 1950
Pablo Picasso, For Roby, from The Age of the Sun, 1950

Pablo Picasso, For Roby, from The Age of the Sun, 1950

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Pour Roby (For Roby), from L’Age de Soleil (The Age of the Sun), originates from the 1950 edition published by Aux Depens de L’Auteur, Paris, under the direction of Robert-J. Godet, Paris; printed by Atelier Lacouriere-Frelaut, Paris, under the direction of Georges Leblanc, Paris, July 21, 1950. This compelling composition reflects Picasso’s mastery of intaglio technique, where incisive line and expressive distortion converge to translate poetic and symbolic subject matter into a powerful and evocative graphic language. Executed as an engraving on velin du Marais paper, this work measures 11.125 x 9.125 inches (28.26 x 23.18 cm). Signed in reverse in the plate and unnumbered as issued. The impression exemplifies the technical excellence and material sensitivity characteristic of Atelier Lacouriere-Frelaut’s celebrated editions. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: Pour Roby (For Roby), from L’Age de Soleil (The Age of the Sun) Medium: Engraving on velin du Marais paper Dimensions: 11.125 x 9.125 inches (28.26 x 23.18 cm) Inscription: Signed in reverse in the plate and unnumbered as issued Date: 1950 Publisher: Aux Depens de L’Auteur, Paris Printer: Atelier Lacouriere-Frelaut, Paris Catalogue raisonne references: Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustration 680; Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 57. Condition: Well preserved, consistent with age and medium Provenance: From the folio L’Age de Soleil (The Age of the Sun), 1950 Notes: Excerpted from the folio (translated from French), This edition, constituting the original edition of the the work, has been limited to MCXIV examples, as follows: IV nominative examples on Arches, hand reserved for collaborators of the work; X examples on hand-made Arches with five states in black and color of the engraving, marked from A to J; C examples on velin du Marais with the black state of the engraving and numbered from I to C; M examples on velin including the rendering of the engraving and numbered from I to M. Printing was finished on July 21, 1950, under the direction of the author, on the presses of E. Durand, master printer in Paris for typography, and G. Leblanc, master engraver in Paris for engraving. About the Publication: L’Age de Soleil (The Age of the Sun), published in Paris in 1950 by Aux Depens de L’Auteur under the direction of Robert-J. Godet, is a distinguished illustrated edition that reflects Pablo Picasso’s continued engagement with poetic text, symbolic imagery, and the livre d’artiste tradition in the postwar period. Conceived as a highly refined collaboration between artist, author, printer, and engraver, the publication integrates original engravings by Picasso with a carefully structured typographic program executed by master printers in Paris. The edition was produced in multiple tiers on fine papers including Arches, velin du Marais, and velin, with select examples featuring additional states and variations of the engravings, demonstrating the technical and aesthetic ambitions of the project. Printed under the direction of Georges Leblanc for the engraving and E. Durand for typography, the publication exemplifies the highest standards of mid twentieth century French printmaking. Through its synthesis of text and image, L’Age de Soleil stands as an important example of Picasso’s contributions to illustrated editions, embodying his ability to translate poetic and symbolic themes into a compelling visual language while maintaining exceptional technical precision. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d’Alger (Version “O”) achieved a record-breaking sale of $179,365,000 at Christie’s, New York, on May 11, 2015, affirming Picasso’s enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Pour Roby...

Category

1950s Cubist Engraving Prints and Multiples

Materials

Engraving

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

Notre-Dame Cathedral from the Seine
Notre-Dame Cathedral from the Seine

Notre-Dame Cathedral from the Seine

Located in Middletown, NY

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

Category

Early 20th Century French School Engraving Prints and Multiples

Materials

Drypoint, Etching

Picador

Picador

By Pablo Picasso

Located in OPOLE, PL

Paulo Picasso - Picador Drypoint etching from 1964. The edition of 6/245 on Arches paper. Dimensions of work: 35 x 26 cm. Publisher: Éditions Français Réunis, Paris. Reference: ...

Category

1960s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

“Sur la Plage, a Bernival”
“Sur la Plage, a Bernival”

“Sur la Plage, a Bernival”

By Pierre Auguste Renoir

Located in Southampton, NY

One of the founders of Impressionism and certainly one of its greatest masters, Pierre-Auguste Renoir (1841 - 1919) was not a prolific printmaker, but he explored several different m...

Category

1890s Impressionist Engraving Prints and Multiples

Materials

Etching, Archival Paper, Drypoint

Edgar Degas, Woman Washing in Her Bathtub, from Dance Drawings, 1936 (after)
Edgar Degas, Woman Washing in Her Bathtub, from Dance Drawings, 1936 (after)

Edgar Degas, Woman Washing in Her Bathtub, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Femme se lavant dans sa baignoire (Woman Washing in Her Bathtub), originates from the celebrated album Degas Danse dess...

Category

1930s Impressionist Engraving Prints and Multiples

Materials

Engraving

'Riders at Sundown' — Mid-Century Southwest Regionalism
'Riders at Sundown' — Mid-Century Southwest Regionalism

'Riders at Sundown' — Mid-Century Southwest Regionalism

By Gene Kloss

Located in Myrtle Beach, SC

'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...

Category

1950s American Modern Engraving Prints and Multiples

Materials

Drypoint, Aquatint

Kraft und Mut (Courage and Strength), German antique engraving
Kraft und Mut (Courage and Strength), German antique engraving

Kraft und Mut (Courage and Strength), German antique engraving

Located in Melbourne, Victoria

'Kraft und Mut' (Courage and Strength) German wood-engraving, 1903. 320mm by 230mm (image) 280mm by 410mm (sheet)

Category

Early 20th Century Symbolist Engraving Prints and Multiples

Materials

Engraving

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

162R13061 1-2-3 (Abstract Print)
162R13061 1-2-3 (Abstract Print)

162R13061 1-2-3 (Abstract Print)

By Pierre Muckensturm

Located in London, GB

Unframed. Dimensions (3x): 65 × 50 cm/25.6 x 19.6'' Edition of 11 copies, numbered from 1 to 11/11. Dated, numbered, and signed by the artist in pencil. The copy offered for sale is ...

Category

2010s Abstract Engraving Prints and Multiples

Materials

Paper, Engraving, Ink

Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)
Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)

Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)

By Art Werger

Located in New Orleans, LA

The bus is delayed and the night is cold and rainy as a lone woman raises her umbrella to brave the shadowy walk home after giving up on her ride She has just left the bus shelter a...

Category

21st Century and Contemporary American Modern Engraving Prints and Multiples

Materials

Mezzotint

Edgar Degas, Dancer at the Barre, from Dance Drawings, 1936 (after)
Edgar Degas, Dancer at the Barre, from Dance Drawings, 1936 (after)

Edgar Degas, Dancer at the Barre, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Danseuse a la barre (Dancer at the Barre), originates from the celebrated album Degas Danse dessin (Degas Dance Drawing...

Category

1930s Impressionist Engraving Prints and Multiples

Materials

Engraving

Temple of Vesta
Temple of Vesta

Temple of Vesta

By Matthew Dubourg

Located in Middletown, NY

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on watermarked J Whatman Turkey Mill 1843 paper with a gilded edge, 11 1/2 x 14 3/4 inc...

Category

Mid-19th Century English School Engraving Prints and Multiples

Materials

Watercolor, Handmade Paper, Engraving, Etching, Aquatint

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Engraving Prints and Multiples

Materials

Engraving

Homme Nu Debout avec un Cheval
Homme Nu Debout avec un Cheval

Homme Nu Debout avec un Cheval

By Pablo Picasso

Located in Fairlawn, OH

One of only a handful of etchings done in the style of the painting Guernica. from 1937, one the artist's most famous works. Homme Nu Debout avec un Cheval Drypoint, 1938 Unsigned (...

Category

1930s French School Engraving Prints and Multiples

Materials

Drypoint

The Grand Coronation Banquet of King George IV at Westminster Hall, 17 July 1821
The Grand Coronation Banquet of King George IV at Westminster Hall, 17 July 1821

The Grand Coronation Banquet of King George IV at Westminster Hall, 17 July 1821

By Johannes Kip

Located in Middletown, NY

The Grand Coronation Banquet of King George IV at Westminster Hall, the oldest building on the Parliamentary estate. A Prospect of the Inside of Westminster Hall; The Grand Coronati...

Category

Early 19th Century English School Engraving Prints and Multiples

Materials

Handmade Paper, Engraving, Watercolor

The Way Home. A Winter Evening

The Way Home. A Winter Evening

Located in Middletown, NY

A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...

Category

Late 19th Century English School Engraving Prints and Multiples

Materials

Handmade Paper, Drypoint, Etching

Coenties Slip
Coenties Slip

Coenties Slip

By Charles Frederick William Mielatz

Located in Middletown, NY

Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...

Category

Late 19th Century American Modern Engraving Prints and Multiples

Materials

Etching, Drypoint, Handmade Paper

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Engraving Prints and Multiples

Materials

Engraving

Low Country (South Carolina)
Low Country (South Carolina)

Low Country (South Carolina)

By Elizabeth Verner

Located in Middletown, NY

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Category

Early 20th Century American Modern Engraving Prints and Multiples

Materials

Archival Paper, Drypoint, Etching

"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving
"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving

"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving

By Winslow Homer

Located in Alamo, CA

This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...

Category

1870s American Impressionist Engraving Prints and Multiples

Materials

Engraving, Woodcut

Hidden Cities III: Continuum, by Peter Milton
Hidden Cities III: Continuum, by Peter Milton

Hidden Cities III: Continuum, by Peter Milton

By Peter Milton

Located in Palm Springs, CA

Peter Milton’s Hidden Cities: Continuum transforms the grandeur of the Galleria Vittorio Emanuele into a layered meditation on architecture, memory, and the passage of time. The Gall...

Category

Early 2000s Contemporary Engraving Prints and Multiples

Materials

Engraving, Etching

Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13)
Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13)

Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13)

By Salvador Dalí­

Located in Fairfield, CT

Artist: Salvador Dali (1904-1989) Title: Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Cybernetic lobster phone, Imaginatio...

Category

1970s Surrealist Engraving Prints and Multiples

Materials

Mixed Media, Drypoint, Lithograph, Screen

"Un rideau" original drypoint

"Un rideau" original drypoint

By Fernand Khnopff

Located in Henderson, NV

Medium: original etching and drypoint. This impression on wove paper was printed in 1904 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 6 5/8 x 4 3/4 inc...

Category

Early 1900s Engraving Prints and Multiples

Materials

Drypoint, Etching

Edgar Degas, Dancer, from Dance Drawings, 1936 (after)
Edgar Degas, Dancer, from Dance Drawings, 1936 (after)

Edgar Degas, Dancer, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Danseuse (Dancer), originates from the celebrated album Degas Danse dessin (Degas Dance Drawings), published by Ambrois...

Category

1930s Impressionist Engraving Prints and Multiples

Materials

Engraving

Queen of Rewa, 19th century Fiji portrait engraving print
Queen of Rewa, 19th century Fiji portrait engraving print

Queen of Rewa, 19th century Fiji portrait engraving print

Located in Melbourne, Victoria

'Queen of Rewa' Portrait of seated Fijian woman, draped from the waist in tapa cloth, holding a fan, wearing jewelry and an elaborate headdress. From Narrative of the United States...

Category

Mid-19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Yovani Bauta, ¨Untitled¨, 2003, Engraving, 14x11.8 in

Yovani Bauta, ¨Untitled¨, 2003, Engraving, 14x11.8 in

Located in Miami, FL

Yovani Bauta (Cuba, 1957) 'Untitled 2 (pareja)', 2003 engraving on paper Guarro Super Alpha 250g. 14 x 11.9 in. (35.5 x 30 cm.) Edition of 7 ID: BAU-316 Unframed

Category

Early 2000s Contemporary Engraving Prints and Multiples

Materials

Paper, Engraving, Etching, Aquatint

Mon Jardin Zoologique /// Contemporary Abstract Expressionist Animal Modern Art
Mon Jardin Zoologique /// Contemporary Abstract Expressionist Animal Modern Art

Mon Jardin Zoologique /// Contemporary Abstract Expressionist Animal Modern Art

By Serge Helenon

Located in Saint Augustine, FL

Artist: Serge Helenon (French, 1934-) Title: "Mon Jardin Zoologique" *Signed by Helenon in pencil lower right Year: 1989 Medium: Original Carborundum Engraving on Moulin de Larroque ...

Category

1980s Abstract Expressionist Engraving Prints and Multiples

Materials

Handmade Paper, Engraving, Intaglio

Reguliersracht during winter, Amsterdam
Reguliersracht during winter, Amsterdam

Reguliersracht during winter, Amsterdam

Located in Middletown, NY

Etching with drypoint on cream wove paper with a deckle edge, 6 7/8 x 4 7/8 inches (200 x 125 mm); sheet 15 x 11 inches (380 x 280 mm), full margins. In excellent condition with mino...

Category

Early 20th Century Dutch School Engraving Prints and Multiples

Materials

Drypoint, Etching

De Launay (1739-1792) After Rubens (1577-1640) - Engraving, Marche de Silene
De Launay (1739-1792) After Rubens (1577-1640) - Engraving, Marche de Silene

De Launay (1739-1792) After Rubens (1577-1640) - Engraving, Marche de Silene

By Nicolas de Launay

Located in Corsham, GB

A finely detailed engraving by Nicolas De Launay (1739-1792) after Drunken Silenus supported by Satyrs, a painting from the studio of Peter Paul Rubens (1577-1640) and thought to hav...

Category

Early 18th Century Engraving Prints and Multiples

Materials

Engraving

Frau in der Wanne (Woman in Tub) /// German Expressionism Schmidt-Rottluff Nude
Frau in der Wanne (Woman in Tub) /// German Expressionism Schmidt-Rottluff Nude

Frau in der Wanne (Woman in Tub) /// German Expressionism Schmidt-Rottluff Nude

By Karl Schmidt-Rottluff

Located in Saint Augustine, FL

Artist: Karl Schmidt-Rottluff (German, 1884-1976) Title: "Frau in der Wanne (Woman in Tub)" Series: Die Aktion *Unsigned edition Year: 1915 Medium: Original Woodcut Engraving on crea...

Category

1910s Expressionist Engraving Prints and Multiples

Materials

Engraving, Woodcut

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

Ilusiones, Christian Bozon
Ilusiones, Christian Bozon

Ilusiones, Christian Bozon

By Christian Bozon

Located in Palm Springs, CA

Signed, titled and numbered from the edtion of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect th...

Category

21st Century and Contemporary Abstract Engraving Prints and Multiples

Materials

Drypoint, Aquatint

Icart, Sans titre, Le Sopha (after)
Icart, Sans titre, Le Sopha (after)

Icart, Sans titre, Le Sopha (after)

By Louis Icart

Located in Southampton, NY

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Category

1930s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Engraving Prints and Multiples

Materials

Engraving

Vesuvius, Naples, Italy. Volcano, engraving with original hand-colouring, 1815

Vesuvius, Naples, Italy. Volcano, engraving with original hand-colouring, 1815

Located in Melbourne, Victoria

Vesuvius, engraving with original hand-colouring, 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of I...

Category

Early 19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Edgar Degas, Oriental Dancer, from Dance Drawings, 1936 (after)
Edgar Degas, Oriental Dancer, from Dance Drawings, 1936 (after)

Edgar Degas, Oriental Dancer, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Danseuse orientale (Oriental Dancer), originates from the celebrated album Degas Danse dessin (Degas Dance Drawings), p...

Category

1930s Impressionist Engraving Prints and Multiples

Materials

Engraving

'Little Girl' — American Modernism
'Little Girl' — American Modernism

'Little Girl' — American Modernism

By Milton Avery

Located in Myrtle Beach, SC

Milton Avery, 'Little Girl', drypoint, 1936, edition 60, Lunn 11. Signed, dated, and numbered '22/60' in pencil. A superb impression, in warm black ink with delicate overall plate tone, on off-white wove paper, with wide margins (2 5/8 to 4 1/8 inches); hinge stains on the top sheet edge, verso, otherwise in excellent condition. Matted to museum standards, unframed. Image size 8 3/4 x 4 3/4 inches (222 x 121 mm); sheet size 14 7/8 x 13 1/8 inches (378 x 333 mm). Collections: Cantor Arts Center, National Gallery of Art. ABOUT THE ARTIST "I never have any rules to follow; I follow myself." "I paint not by sight but by faith. Faith gives you sight." —Milton Avery 'His is the poetry of sheer loveliness.' —Mark Rothko in his 1965 eulogy to Avery. Milton Avery (1885-1965) is recognized as one of America's foremost modernist artists, renowned for his uniquely expressive style, evocative use of color, and captivating compositions. Growing up in a working-class family in Altmar, New York, Avery's early life was marked by the struggles and realities of rural New York. Despite lacking formal artistic training, he displayed an innate talent for drawing from an early age. In 1905, his family relocated to Hartford, Connecticut, where he worked various odd jobs while developing his artistic skills through self-study and experimentation. In 1915, he enrolled at the Connecticut League of Art Students, where he received formal instruction and began to refine his distinctive style. In 1918, Avery transferred to the School of the Art Society of Hartford and worked in the evenings so that he could paint during the day. He became a member of the Connecticut Academy of Fine Arts in 1924. That summer in Gloucester, Massachusetts, he met the artist Sally Michael...

Category

1930s American Modern Engraving Prints and Multiples

Materials

Drypoint

Le Singe et le Leopard
Le Singe et le Leopard

Le Singe et le Leopard

By Salvador Dalí­

Located in San Francisco, CA

Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: Le Singe et le Leopard Year: 1976 Medium: Engraving with hand color stencil Edition: Inscribed E....

Category

1970s Surrealist Engraving Prints and Multiples

Materials

Engraving

Rabbit Series #3
Rabbit Series #3

Rabbit Series #3

Located in San Francisco, CA

This artwork titled "Rabbit Series #3" 1980, is an original mezzotint with embossing by noted Hungarian artist Radovan Kragulj, b.1935. It is hand signed, dated, titled and inscribed A.P. (Artist Proof) in pencil by the artist. The sheet size is 25.5 x 19.5 inches, framed size is 26.75 x 20.75 inches. It is custom framed in a silver metal frame, with white backing. It is in excellent condition. About the artist: Radovan Kraguly...

Category

Late 20th Century Pop Art Engraving Prints and Multiples

Materials

Mezzotint

Four Framed Hogarth Engravings "Four Times of the Day"
Four Framed Hogarth Engravings "Four Times of the Day"

Four Framed Hogarth Engravings "Four Times of the Day"

By William Hogarth

Located in Alamo, CA

The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...

Category

Mid-18th Century Old Masters Engraving Prints and Multiples

Materials

Engraving, Etching

Find Engravings and Other Fine Art Prints on 1stDibs

Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.

An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.

Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well. 

Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.

Find engravings and other fine art prints today on 1stDibs.