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Medium: Engraving
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving

Dusk at Sedgwick Knoll
Dusk at Sedgwick Knoll

Dusk at Sedgwick Knoll

By James Groleau

Located in Palm Springs, CA

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Category

21st Century and Contemporary Contemporary Engraving Prints and Multiples

Materials

Mezzotint

De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise
De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise

De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise

By Jacob de Gheyn II

Located in Middletown, NY

A 16th century image from the state-sponsored military manual that revolutionized European warfare tactics. Leiden: 1599. Engraving on laid paper with a partial chalice and grapes ...

Category

16th Century Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving

Entombment; Plate 2 from The Passion of the Christ
Entombment; Plate 2 from The Passion of the Christ

Entombment; Plate 2 from The Passion of the Christ

By Hendrick Goltzius

Located in Middletown, NY

Celebrated for the "sfumato" effect that Goltzius achieved through engraving alone, the incredibly fine lines in this work create the illusion of soft, glowing light and atmospheric ...

Category

16th Century Old Masters Engraving Prints and Multiples

Materials

Engraving, Laid Paper

Louise Bourgeois - Horseshoe (with accompanying horseshoe), signed & inscribed
Louise Bourgeois - Horseshoe (with accompanying horseshoe), signed & inscribed

Louise Bourgeois - Horseshoe (with accompanying horseshoe), signed & inscribed

By Louise Bourgeois

Located in New York, NY

Engraving by Louise Bourgeois, 2002, hand signed, numbered and inscribed to her longtime printer Judith Solodkin of Solo Impressions, accompanied by an actual horseshoe gifted by the...

Category

Early 2000s Abstract Engraving Prints and Multiples

Materials

Metal

Le Cavalier Triomphant
Le Cavalier Triomphant

Le Cavalier Triomphant

By Salvador Dalí­

Located in OPOLE, PL

Salvador Dali (1904-1989) - Le Cavalier Triomphant Drypoint etching on chromolithograph, embossed from 1973. The edition 181/197. Countersigned by the editor. Additionally dedica...

Category

1970s Surrealist Engraving Prints and Multiples

Materials

Etching, Drypoint

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

'Riders at Sundown' — Mid-Century Southwest Regionalism
'Riders at Sundown' — Mid-Century Southwest Regionalism

'Riders at Sundown' — Mid-Century Southwest Regionalism

By Gene Kloss

Located in Myrtle Beach, SC

'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...

Category

1950s American Modern Engraving Prints and Multiples

Materials

Drypoint, Aquatint

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

Notre-Dame Cathedral from the Seine
Notre-Dame Cathedral from the Seine

Notre-Dame Cathedral from the Seine

Located in Middletown, NY

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

Category

Early 20th Century French School Engraving Prints and Multiples

Materials

Etching, Drypoint

I Won't Eat You, original print, Kate Boxer
I Won't Eat You, original print, Kate Boxer

I Won't Eat You, original print, Kate Boxer

By Kate Boxer

Located in Deddington, GB

I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by Kate Boxer. Kate Boxer m...

Category

21st Century and Contemporary Minimalist Engraving Prints and Multiples

Materials

Drypoint

“Sur la Plage, a Bernival”
“Sur la Plage, a Bernival”

“Sur la Plage, a Bernival”

By Pierre Auguste Renoir

Located in Southampton, NY

One of the founders of Impressionism and certainly one of its greatest masters, Pierre-Auguste Renoir (1841 - 1919) was not a prolific printmaker, but he explored several different m...

Category

1890s Impressionist Engraving Prints and Multiples

Materials

Etching, Archival Paper, Drypoint

Edgar Degas, Woman Washing in Her Bathtub, from Dance Drawings, 1936 (after)
Edgar Degas, Woman Washing in Her Bathtub, from Dance Drawings, 1936 (after)

Edgar Degas, Woman Washing in Her Bathtub, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Femme se lavant dans sa baignoire (Woman Washing in Her Bathtub), originates from the celebrated album Degas Danse dess...

Category

1930s Impressionist Engraving Prints and Multiples

Materials

Engraving

Mel Bochner - UNNAMEABLE, Monoprint with collage, engraving & embossment, Signed
Mel Bochner - UNNAMEABLE, Monoprint with collage, engraving & embossment, Signed

Mel Bochner - UNNAMEABLE, Monoprint with collage, engraving & embossment, Signed

By Mel Bochner

Located in New York, NY

Fresh to market - UNIQUE! Mel Bochner UNNAMEABLE Monoprint with collage, engraving and embossment on hand- dyed Twinrocker handmade paper Signed in graphite recto Frame included - he...

Category

2010s Conceptual Engraving Prints and Multiples

Materials

Handmade Paper, Engraving, Monoprint

Le Cours La Reine, from the series Rouen Illustré
Le Cours La Reine, from the series Rouen Illustré

Le Cours La Reine, from the series Rouen Illustré

By Maxime Lalanne

Located in Middletown, NY

Paris: A. Salmon, 1883. Etching with engraving on white laid paper, 6 1/8 x 9 3/4 inches (156 x 247 mm); sheet 9 1/4 x 12 1/2 inches (235 x 318 mm), full margins. In very good condi...

Category

Late 19th Century French School Engraving Prints and Multiples

Materials

Laid Paper, Etching, Engraving

Kraft und Mut (Courage and Strength), German antique engraving
Kraft und Mut (Courage and Strength), German antique engraving

Kraft und Mut (Courage and Strength), German antique engraving

Located in Melbourne, Victoria

'Kraft und Mut' (Courage and Strength) German wood-engraving, 1903. 320mm by 230mm (image) 280mm by 410mm (sheet)

Category

Early 20th Century Symbolist Engraving Prints and Multiples

Materials

Engraving

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

Plantes tropicales [Tropical Plants]
Plantes tropicales [Tropical Plants]

Plantes tropicales [Tropical Plants]

Located in Middletown, NY

Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper 14 1/2 x 10 5/8 inches (367 x 268 mm), full margins. In very...

Category

Mid-19th Century French School Engraving Prints and Multiples

Materials

Handmade Paper, Engraving

Shells, French 18th century natural history marine sea shell engraving

Shells, French 18th century natural history marine sea shell engraving

Located in Melbourne, Victoria

18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute. Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...

Category

Late 18th Century Victorian Engraving Prints and Multiples

Materials

Engraving

Crustaceans - crabs, antique English natural history engraving print, 1837
Crustaceans - crabs, antique English natural history engraving print, 1837

Crustaceans - crabs, antique English natural history engraving print, 1837

Located in Melbourne, Victoria

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

Category

Mid-19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Le Cocu Magnifique -- complete with 12 original etchings
Le Cocu Magnifique -- complete with 12 original etchings

Le Cocu Magnifique -- complete with 12 original etchings

By Pablo Picasso

Located in New York, NY

About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...

Category

Mid-20th Century Modern Engraving Prints and Multiples

Materials

Drypoint, Etching, Aquatint

Despairia

Despairia

By Frank Stella

Located in New York, NY

A masterful work of art created by Frank Stella in 1995 as part of his Imaginary Places series, Despairia is a stunningly beautiful and bold screenprint, aquatint, etching, relief li...

Category

20th Century Abstract Expressionist Engraving Prints and Multiples

Materials

Engraving, Mezzotint, Etching, Aquatint, Lithograph, Screen

Bords du Lac du Bourget
Bords du Lac du Bourget

Bords du Lac du Bourget

By Adolphe APPIAN

Located in Middletown, NY

Gazette des Beaux-Arts, 1866 Etching on Chine collé with engraving mounted to cream laid paper with an uknown, partial watermark bearing the letters "ST," 5 3/4 x 9 3/8 inches (147 x...

Category

Mid-19th Century French School Engraving Prints and Multiples

Materials

Handmade Paper, Engraving, Etching

Un Soir, Bords du Rhône à Rix
Un Soir, Bords du Rhône à Rix

Un Soir, Bords du Rhône à Rix

By Adolphe APPIAN

Located in Middletown, NY

Paris: Cadart & Luce, 1869. Etching with drypoint and engraving on Guillaume Fort paper with the "G F" watermark; 6 1/4 x 9 1/2 inches (158 x 242 mm); 12 x 16 1/4 inches (305 x 419 ...

Category

Mid-19th Century French School Engraving Prints and Multiples

Materials

Handmade Paper, Etching, Engraving

Coenties Slip
Coenties Slip

Coenties Slip

By Charles Frederick William Mielatz

Located in Middletown, NY

Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...

Category

Late 19th Century American Modern Engraving Prints and Multiples

Materials

Handmade Paper, Drypoint, Etching

Lake Tahoe Panorama, Nautical Landscape Cyanotype in Blue, Minimal Water Art
Lake Tahoe Panorama, Nautical Landscape Cyanotype in Blue, Minimal Water Art

Lake Tahoe Panorama, Nautical Landscape Cyanotype in Blue, Minimal Water Art

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. "Lake Tahoe Panorama" shows a sequence of abstracted ripples of the calm Tahoe waters. Details: + Title: Lake Tahoe Panor...

Category

2010s Minimalist Engraving Prints and Multiples

Materials

Emulsion, Watercolor, C Print, Color, Engraving, Lithograph, Photogram

La Seine à Courbevoie

La Seine à Courbevoie

By Edgar Chahine

Located in Middletown, NY

Etching and drypoint on heavy cream wove paper, 11 5/8 x 18 1/4 inches (295 x 460mm); sheet 16 3/4 x 22 1/2 inches (425 x 570 mm), full margins. A superb proof printed in bistre brow...

Category

Early 20th Century French School Engraving Prints and Multiples

Materials

Handmade Paper, Drypoint, Etching

XXV 82 363 (Abstract Print)
XXV 82 363 (Abstract Print)

XXV 82 363 (Abstract Print)

By Pierre Muckensturm

Located in London, GB

Unframed. Edition of 1 copy, numbered 1/1. Dated, numbered, and signed by the artist in pencil. The copy offered for sale is No. 1/1. This work will be shipped rolled in a tube. Fo...

Category

2010s Abstract Engraving Prints and Multiples

Materials

Paper, Engraving, Ink

HERNANDEZ PIJUAN  geometric composition.original engraving abstract painting
HERNANDEZ PIJUAN  geometric composition.original engraving abstract painting

HERNANDEZ PIJUAN geometric composition.original engraving abstract painting

By Joan Hernandez Pijuan

Located in CORAL GABLES - MIAMI, FL

geometric composition.original engraving abstract painting. VIRTUAL FRAMED Pijuan, Joan (Barcelona, 1931-2005). Joan Hernández Pijuan formed between Barcelona and Paris. It has the ...

Category

Late 20th Century Abstract Engraving Prints and Multiples

Materials

Engraving

Rabbit Series #3
Rabbit Series #3

Rabbit Series #3

By Radovan Kragulj

Located in San Francisco, CA

This artwork titled "Rabbit Series #3" 1980, is an original mezzotint with embossing by noted Hungarian artist Radovan Kragulj, b.1935. It is hand signed, dated, titled and inscribed A.P. (Artist Proof) in pencil by the artist. The sheet size is 25.5 x 19.5 inches, framed size is 26.75 x 20.75 inches. It is custom framed in a silver metal frame, with white backing. It is in excellent condition. About the artist: Radovan Kraguly...

Category

Late 20th Century Pop Art Engraving Prints and Multiples

Materials

Mezzotint

Stoops in Snow
Stoops in Snow

Martin LewisStoops in Snow, 1930

$35,000Sale Price|30% Off

Stoops in Snow

By Martin Lewis

Located in Plano, TX

Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...

Category

1930s American Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Wille after Batoni - 1778 Engraving, The Death of Mark Antony
Wille after Batoni - 1778 Engraving, The Death of Mark Antony

Wille after Batoni - 1778 Engraving, The Death of Mark Antony

Located in Corsham, GB

The Roman general Mark Antony dies in the arms of his lover Cleopatra in this finely detailed engraving by Johann Georg Wille (1715-1808) after a 1763 painting by Pompeo Batoni (1708...

Category

Early 18th Century Engraving Prints and Multiples

Materials

Engraving

COLMAR Signed Wood Engraving, French Village, Little Venice Half-Timbered Houses
COLMAR Signed Wood Engraving, French Village, Little Venice Half-Timbered Houses

COLMAR Signed Wood Engraving, French Village, Little Venice Half-Timbered Houses

By Bernard Brussel-Smith

Located in Union City, NJ

COLMAR is an original wood engraving by the American artist Bernard Brussel-Smith, hand printed in yellow, light blue and black ink. COLMAR depicts a quaint French village scene with...

Category

1970s Realist Engraving Prints and Multiples

Materials

Engraving

Lucio Fontana (1899–1968) - Serie Rosa - Aquatint engraving, printed in colour
Lucio Fontana (1899–1968) - Serie Rosa - Aquatint engraving, printed in colour

Lucio Fontana (1899–1968) - Serie Rosa - Aquatint engraving, printed in colour

By Lucio Fontana

Located in Varese, IT

Aquatint engraving, printed in colour on Rives BFK paper, edited in 1966.
 Limited edition, numbered as 41/50 in lower left corner. 
Hand-signed in pencil by artist in lower right co...

Category

1960s Abstract Engraving Prints and Multiples

Materials

Engraving, Aquatint

Autumn Pine and Winter Chestnut
Autumn Pine and Winter Chestnut

Autumn Pine and Winter Chestnut

By Fiona Hamilton

Located in Deddington, GB

This print of a pine tree uses kitakata chine collé to depict the warmth and colour of early autumnal light. This print of a chestnut tree depicts the harsh light and dark light and...

Category

21st Century and Contemporary Realist Engraving Prints and Multiples

Materials

Black and White, Drypoint

Mademoiselle Cyclone
Mademoiselle Cyclone

Mademoiselle Cyclone

By Edgar Chahine

Located in Middletown, NY

A wonderful, rare image by a pivotal 19th century Printmaker whose work serves as a bridge between social realism and the exuberant, often gritty glamour of Parisian cabaret culture....

Category

Early 20th Century French School Engraving Prints and Multiples

Materials

Drypoint, Etching

"Timesteps", Two Plate Intaglio Etching, Representation of Common Objects
"Timesteps", Two Plate Intaglio Etching, Representation of Common Objects

"Timesteps", Two Plate Intaglio Etching, Representation of Common Objects

By Katie VanVliet

Located in Philadelphia, PA

This piece titled "Timesteps" is an limited edition piece by Kate VanVliet and is made from two-plate etching with sugarlift, aquatint, drypoint on Rives BFK. This piece is an editio...

Category

21st Century and Contemporary Contemporary Engraving Prints and Multiples

Materials

Paper, Drypoint, Etching, Aquatint, Intaglio

Grand Marsh, mezzotint by James Groleau of coastal Maine
Grand Marsh, mezzotint by James Groleau of coastal Maine

Grand Marsh, mezzotint by James Groleau of coastal Maine

By James Groleau

Located in Palm Springs, CA

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century are evident in the palette of greens and grays, with additional touches of violet, eggplant and ochre. The suite of...

Category

21st Century and Contemporary Contemporary Engraving Prints and Multiples

Materials

Mezzotint

Framboisier (Raspberry Bush)
Framboisier (Raspberry Bush)

Framboisier (Raspberry Bush)

By Salvador Dalí­

Located in OPOLE, PL

Salvador Dali (1904-1989) - Holed Fruit from Flordali suite Lithograph with drypoint etching from 1969. The edition 16/35 on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Hand...

Category

1960s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Four Framed Hogarth Engravings "Four Times of the Day"
Four Framed Hogarth Engravings "Four Times of the Day"

Four Framed Hogarth Engravings "Four Times of the Day"

By William Hogarth

Located in Alamo, CA

The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...

Category

Mid-18th Century Old Masters Engraving Prints and Multiples

Materials

Engraving, Etching

Blue Hydrangea
Blue Hydrangea

Blue Hydrangea

By Elyse Ashe Lord

Located in Middletown, NY

A lively image by a female artist who was part of a vibrant generation of British printmakers who were pushing the boundaries of color and technique during the early 20th century. N...

Category

Early 20th Century English School Engraving Prints and Multiples

Materials

Gouache, Handmade Paper, Drypoint, Woodcut

Billingsgate
Billingsgate

Billingsgate

By James Abbott McNeill Whistler

Located in Middletown, NY

Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...

Category

Mid-19th Century Impressionist Engraving Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

By Francisco Goya

Located in Soquel, CA

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...

Category

1790s Northern Renaissance Engraving Prints and Multiples

Materials

Engraving, Etching, Aquatint, Laid Paper

Small Pinocchio Aquatint Etching Jim Dine Pop Art Print
Small Pinocchio Aquatint Etching Jim Dine Pop Art Print

Small Pinocchio Aquatint Etching Jim Dine Pop Art Print

By Jim Dine

Located in Surfside, FL

Jim Dine (American, b. 1935) Etching depicting Pinocchio Published by Enitharmon Press for Whitman College, London 1999 Hand signed in pencil lower right. Measures 9" x 7" sheet siz...

Category

1990s Pop Art Engraving Prints and Multiples

Materials

Drypoint, Etching

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

Becquet
Becquet

Becquet

By James Abbott McNeill Whistler

Located in Plano, TX

J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...

Category

Mid-19th Century American Impressionist Engraving Prints and Multiples

Materials

Drypoint, Etching

EVENING (SELF PORTRAIT with the Battenbergs)
EVENING (SELF PORTRAIT with the Battenbergs)

EVENING (SELF PORTRAIT with the Battenbergs)

By Max Beckmann

Located in Santa Monica, CA

MAX BECKMANN (German 1884 - 1950) EVENING (Self-Portrait with the Battenbergs) 1916, (Hofmaier 90: Gallwitz 67) Etching and drypoint, Plate 10 from the portfolio Gesichter (Faces)...

Category

1910s Expressionist Engraving Prints and Multiples

Materials

Drypoint, Etching

Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"
Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"

Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"

By William Blake

Located in Soquel, CA

"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power" Engraving, third printing...

Category

1870s Symbolist Engraving Prints and Multiples

Materials

Handmade Paper, Engraving

Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape
Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape

Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell. Details: + ...

Category

2010s Realist Engraving Prints and Multiples

Materials

Paper, Emulsion, Engraving, Etching

"End of Day" Original Limited Edition Etching
"End of Day" Original Limited Edition Etching

"End of Day" Original Limited Edition Etching

Located in Soquel, CA

"End of Day" Original Limited Edition Etching by John McGrath (Irish/American b.1884 d.1942). This etching depicts a man with a tool slung over his shoulder walking along a path th...

Category

Early 20th Century American Realist Engraving Prints and Multiples

Materials

Paper, Ink, Drypoint, Etching

Find Engravings and Other Fine Art Prints on 1stDibs

Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.

An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.

Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well. 

Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.

Find engravings and other fine art prints today on 1stDibs.