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Medium: Engraving
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving

I Won't Eat You, original print, Kate Boxer
I Won't Eat You, original print, Kate Boxer

I Won't Eat You, original print, Kate Boxer

Located in Deddington, GB

I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by Kate Boxer. Kate Boxer m...

Category

21st Century and Contemporary Minimalist Engraving Prints and Multiples

Materials

Drypoint

Louise Bourgeois - Horseshoe (with accompanying horseshoe), signed & inscribed
Louise Bourgeois - Horseshoe (with accompanying horseshoe), signed & inscribed

Louise Bourgeois - Horseshoe (with accompanying horseshoe), signed & inscribed

By Louise Bourgeois

Located in New York, NY

Engraving by Louise Bourgeois, 2002, hand signed, numbered and inscribed to her longtime printer Judith Solodkin of Solo Impressions, accompanied by an actual horseshoe gifted by the...

Category

Early 2000s Abstract Engraving Prints and Multiples

Materials

Metal

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

Notre-Dame Cathedral from the Seine
Notre-Dame Cathedral from the Seine

Notre-Dame Cathedral from the Seine

Located in Middletown, NY

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

Category

Early 20th Century French School Engraving Prints and Multiples

Materials

Drypoint, Etching

"L'attente" original drypoint

"L'attente" original drypoint

Located in Henderson, NV

Medium: original etching and drypoint. This work by Rodolphe Piguet (sometimes spelled Piquet) was printed in 1904 and published in Paris by the Revue de l'art ancien et moderne. Pla...

Category

Early 1900s Engraving Prints and Multiples

Materials

Drypoint, Etching

Edgar Degas, Woman Washing in Her Bathtub, from Dance Drawings, 1936 (after)
Edgar Degas, Woman Washing in Her Bathtub, from Dance Drawings, 1936 (after)

Edgar Degas, Woman Washing in Her Bathtub, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Femme se lavant dans sa baignoire (Woman Washing in Her Bathtub), originates from the celebrated album Degas Danse dess...

Category

1930s Impressionist Engraving Prints and Multiples

Materials

Engraving

Edgar Degas, Dancer at the Barre, from Dance Drawings, 1936 (after)
Edgar Degas, Dancer at the Barre, from Dance Drawings, 1936 (after)

Edgar Degas, Dancer at the Barre, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Danseuse a la barre (Dancer at the Barre), originates from the celebrated album Degas Danse dessin (Degas Dance Drawing...

Category

1930s Impressionist Engraving Prints and Multiples

Materials

Engraving

“Sur la Plage, a Bernival”
“Sur la Plage, a Bernival”

“Sur la Plage, a Bernival”

By Pierre Auguste Renoir

Located in Southampton, NY

One of the founders of Impressionism and certainly one of its greatest masters, Pierre-Auguste Renoir (1841 - 1919) was not a prolific printmaker, but he explored several different m...

Category

1890s Impressionist Engraving Prints and Multiples

Materials

Etching, Archival Paper, Drypoint

'Riders at Sundown' — Mid-Century Southwest Regionalism
'Riders at Sundown' — Mid-Century Southwest Regionalism

'Riders at Sundown' — Mid-Century Southwest Regionalism

By Gene Kloss

Located in Myrtle Beach, SC

'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...

Category

1950s American Modern Engraving Prints and Multiples

Materials

Drypoint, Aquatint

Picador

Picador

By Pablo Picasso

Located in OPOLE, PL

Paulo Picasso - Picador Drypoint etching from 1964. The edition of 6/245 on Arches paper. Dimensions of work: 35 x 26 cm. Publisher: Éditions Français Réunis, Paris. Reference: ...

Category

1960s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958
Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

Salvador Dali, Untitled, from The Three-Cornered Hat, 1958

By Salvador Dalí­

Located in Southampton, NY

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

Edgar Degas, Dancer, from Dance Drawings, 1936 (after)
Edgar Degas, Dancer, from Dance Drawings, 1936 (after)

Edgar Degas, Dancer, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Danseuse (Dancer), originates from the celebrated album Degas Danse dessin (Degas Dance Drawings), published by Ambrois...

Category

1930s Impressionist Engraving Prints and Multiples

Materials

Engraving

Kraft und Mut (Courage and Strength), German antique engraving
Kraft und Mut (Courage and Strength), German antique engraving

Kraft und Mut (Courage and Strength), German antique engraving

Located in Melbourne, Victoria

'Kraft und Mut' (Courage and Strength) German wood-engraving, 1903. 320mm by 230mm (image) 280mm by 410mm (sheet)

Category

Early 20th Century Symbolist Engraving Prints and Multiples

Materials

Engraving

Edgar Degas, Spinning Dancer, from Dance Drawings, 1936 (after)
Edgar Degas, Spinning Dancer, from Dance Drawings, 1936 (after)

Edgar Degas, Spinning Dancer, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Danseur tournant (Spinning Dancer), originates from the celebrated album Degas Danse dessin (Degas Dance Drawings), pub...

Category

1930s Impressionist Engraving Prints and Multiples

Materials

Engraving

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Engraving Prints and Multiples

Materials

Engraving

HERNANDEZ PIJUAN  geometric composition.original engraving abstract painting
HERNANDEZ PIJUAN  geometric composition.original engraving abstract painting

HERNANDEZ PIJUAN geometric composition.original engraving abstract painting

By Joan Hernandez Pijuan

Located in CORAL GABLES - MIAMI, FL

geometric composition.original engraving abstract painting. VIRTUAL FRAMED Pijuan, Joan (Barcelona, 1931-2005). Joan Hernández Pijuan formed between Barcelona and Paris. It has the ...

Category

Late 20th Century Abstract Engraving Prints and Multiples

Materials

Engraving

The Way Home. A Winter Evening

The Way Home. A Winter Evening

Located in Middletown, NY

A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...

Category

Late 19th Century English School Engraving Prints and Multiples

Materials

Handmade Paper, Drypoint, Etching

William Hamilton Classical Greek Vase-Painting Engraving
William Hamilton Classical Greek Vase-Painting Engraving

William Hamilton Classical Greek Vase-Painting Engraving

By Pierre Francois Hugues D'Hancarville (author)

Located in Melbourne, Victoria

Subject : Ancient Greek vase-painting depicting satyrs and maenads. Technique : Copper-line engraving with original hand-colouring Background information : From the scarce Floren...

Category

Early 1800s Other Art Style Engraving Prints and Multiples

Materials

Engraving

Framboisier (Raspberry Bush)
Framboisier (Raspberry Bush)

Framboisier (Raspberry Bush)

By Salvador Dalí­

Located in OPOLE, PL

Salvador Dali (1904-1989) - Holed Fruit from Flordali suite Lithograph with drypoint etching from 1969. The edition 16/35 on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Hand...

Category

1960s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Le Demon Ailé - Etching and Drypoint - 1969

Le Demon Ailé - Etching and Drypoint - 1969

By Salvador Dalí­

Located in Roma, IT

Le demon Ailé is a wonderful black and white drypoint realized in 1969. The artwork is from the portfolio "Vénus aux fourrures", edited by Pierre Argillet, Parigi, 1969. Hand signed in pencil by the artist on the lower margin. Dry stamp on the lower right margin Numbered on the lower left margin. Ed.21/75. Good conditions except for some light yellowing of paper along the margin. Ref: Michler Lopsinger, "Salvador Dali Catalogue Raisonne of Etchings and Mixed-Media Prints 1924-1980", Prestel 1994, n. 371. Salvador Dalí (Figueres, 1904 – Figueres, 1989) is considered one of the most versatile and prolific artists of the XX century and the founding father of Surrealism. In the course of his long career, he successfully experimented with sculpture, fashion, writing, and filmmaking. Dalí epitomizes the idea that life is the greatest form of art; André Breton said about him: “It is with Dalí that, for the very first time, the windows of the mind are wide open”. He always pushed boundaries, and he did the same with conventional lithography. He experimented a lot, also with techniques that would not be allowed today. He was a prolific printmaker, using techniques as drypoint, etching, woodcut and lithography. His output is esteemed at 1700 prints...

Category

1960s Surrealist Engraving Prints and Multiples

Materials

Drypoint, Etching

Crustaceans - crabs, antique English natural history engraving print, 1837
Crustaceans - crabs, antique English natural history engraving print, 1837

Crustaceans - crabs, antique English natural history engraving print, 1837

Located in Melbourne, Victoria

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

Category

Mid-19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition
Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition

Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. This beautiful cyanotype is titled "Long Wave in Venice Beach" and it shows an outstanding wave in one of the most iconic ...

Category

2010s Realist Engraving Prints and Multiples

Materials

Paper, Emulsion, Watercolor, Engraving, Etching, Monotype

162R13061 1-2-3 (Abstract Print)
162R13061 1-2-3 (Abstract Print)

162R13061 1-2-3 (Abstract Print)

By Pierre Muckensturm

Located in London, GB

Unframed. Dimensions (3x): 65 × 50 cm/25.6 x 19.6'' Edition of 11 copies, numbered from 1 to 11/11. Dated, numbered, and signed by the artist in pencil. The copy offered for sale is ...

Category

2010s Abstract Engraving Prints and Multiples

Materials

Paper, Engraving, Ink

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Engraving Prints and Multiples

Materials

Engraving

Come Here and I'll show you something, original, contemporary art, animal, print
Come Here and I'll show you something, original, contemporary art, animal, print

Come Here and I'll show you something, original, contemporary art, animal, print

Located in Deddington, GB

Come Here and I'll show you something beautiful is a limited edition drypoint etching finished with oil pastel by artist and printmaker, Kate Boxer. The work is soft purple pastel c...

Category

2010s Contemporary Engraving Prints and Multiples

Materials

Drypoint

Hidden Cities III: Continuum, by Peter Milton
Hidden Cities III: Continuum, by Peter Milton

Hidden Cities III: Continuum, by Peter Milton

By Peter Milton

Located in Palm Springs, CA

Peter Milton’s Hidden Cities: Continuum transforms the grandeur of the Galleria Vittorio Emanuele into a layered meditation on architecture, memory, and the passage of time. The Gall...

Category

Early 2000s Contemporary Engraving Prints and Multiples

Materials

Engraving, Etching

Some of 48 Tulips
Some of 48 Tulips

Some of 48 Tulips

By Gatja Helgart Rothe

Located in San Francisco, CA

This artwork titled "Some of the 48 Tulips" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbe...

Category

Late 20th Century American Realist Engraving Prints and Multiples

Materials

Mezzotint

'Encircled' — Mid-Century Surrealism, Atelier 17
'Encircled' — Mid-Century Surrealism, Atelier 17

'Encircled' — Mid-Century Surrealism, Atelier 17

Located in Myrtle Beach, SC

Ian Hugo, 'Encircled', engraving, 1946, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack EDIT...

Category

1940s Surrealist Engraving Prints and Multiples

Materials

Engraving

AMERICAE - Sive Novi Orbis, Nova Descriptio
AMERICAE - Sive Novi Orbis, Nova Descriptio

AMERICAE - Sive Novi Orbis, Nova Descriptio

By Abraham Ortelius

Located in Santa Monica, CA

ABRAHAM ORTELIUS (1527 - 1598) AMERICAE SIVE NOVI ORBIS, NOVA DESCRIPTIO, 1587 (1603) (Van Den Broecke 11, Burden 64; Schwartz & Ehrenberg 69) Engraving. A very good, well printed...

Category

16th Century Old Masters Engraving Prints and Multiples

Materials

Engraving

Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)
Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)

Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)

By Art Werger

Located in New Orleans, LA

The bus is delayed and the night is cold and rainy as a lone woman raises her umbrella to brave the shadowy walk home after giving up on her ride She has just left the bus shelter a...

Category

21st Century and Contemporary American Modern Engraving Prints and Multiples

Materials

Mezzotint

Small Pinocchio Aquatint Etching Jim Dine Pop Art Print
Small Pinocchio Aquatint Etching Jim Dine Pop Art Print

Small Pinocchio Aquatint Etching Jim Dine Pop Art Print

By Jim Dine

Located in Surfside, FL

Jim Dine (American, b. 1935) Etching depicting Pinocchio Published by Enitharmon Press for Whitman College, London 1999 Hand signed in pencil lower right. Measures 9" x 7" sheet siz...

Category

1990s Pop Art Engraving Prints and Multiples

Materials

Drypoint, Etching

Temple of the Dea Tussis

Temple of the Dea Tussis

By Matthew Dubourg

Located in Middletown, NY

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full mar...

Category

Early 19th Century English School Engraving Prints and Multiples

Materials

Handmade Paper, Engraving, Etching, Aquatint

"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving
"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving

"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving

By Winslow Homer

Located in Alamo, CA

This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...

Category

1870s American Impressionist Engraving Prints and Multiples

Materials

Engraving, Woodcut

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Engraving Prints and Multiples

Materials

Engraving

Cowboy and Horse - Blue
Cowboy and Horse - Blue

Cowboy and Horse - Blue

Located in Deddington, GB

Cowboy and Horse - Blue is a handmade drypoint and chine colle print by artist Kate Boxer. Featuring a Cowboy racing through a blue composition on a wild rearing horse. If you would ...

Category

21st Century and Contemporary Minimalist Engraving Prints and Multiples

Materials

Drypoint

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Engraving Prints and Multiples

Materials

Engraving

Reguliersracht during winter, Amsterdam
Reguliersracht during winter, Amsterdam

Reguliersracht during winter, Amsterdam

Located in Middletown, NY

Etching with drypoint on cream wove paper with a deckle edge, 6 7/8 x 4 7/8 inches (200 x 125 mm); sheet 15 x 11 inches (380 x 280 mm), full margins. In excellent condition with mino...

Category

Early 20th Century Dutch School Engraving Prints and Multiples

Materials

Drypoint, Etching

Japanese Fairy Tales
Japanese Fairy Tales

Japanese Fairy Tales

By Salvador Dalí­

Located in OPOLE, PL

Salvador Dali (1904-1989) - Japanese Fairy Tales Portfolio with 10 drypoint etching with stencil from 1974. The edition of XVII/LXXV on Richard de Bas paper. Dimensions of work: 6...

Category

1970s Surrealist Engraving Prints and Multiples

Materials

Drypoint, Etching

The Anglers
The Anglers

The Anglers

By Herman van Swanevelt

Located in Middletown, NY

Etching with engraving on cream laid paper with a large unidentified alphabetic watermark, 6 1/2 x 9 7/8 inches (165 x 251 mm), the full sheet. In good condition with handling wear a...

Category

Early 17th Century Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving, Etching

Four Framed Hogarth Engravings "Four Times of the Day"
Four Framed Hogarth Engravings "Four Times of the Day"

Four Framed Hogarth Engravings "Four Times of the Day"

By William Hogarth

Located in Alamo, CA

The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...

Category

Mid-18th Century Old Masters Engraving Prints and Multiples

Materials

Engraving, Etching

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Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.

An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.

Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well. 

Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.

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