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Medium: Engraving
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT
AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

Located in Santa Monica, CA

AMERICAN REVOLUTION THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT, 1774 (LC Cresswell 664). Engraving and etching. Originally from "The London Magazine", April 1774. Pl...

Category

1770s Old Masters Engraving Prints and Multiples

Materials

Engraving

Mademoiselle Cyclone
Mademoiselle Cyclone

Mademoiselle Cyclone

By Edgar Chahine

Located in Middletown, NY

A wonderful, rare image by a pivotal 19th century Printmaker whose work serves as a bridge between social realism and the exuberant, often gritty glamour of Parisian cabaret culture....

Category

Early 20th Century French School Engraving Prints and Multiples

Materials

Drypoint, Etching

Salvador Dali Color Etching, Signed, 1973, The Twelve Tribes of Israel, Reuben
Salvador Dali Color Etching, Signed, 1973, The Twelve Tribes of Israel, Reuben

Salvador Dali Color Etching, Signed, 1973, The Twelve Tribes of Israel, Reuben

By Salvador Dalí­

Located in Washington, DC

Artist: Salvador Dali Title: Reuben Portfolio: The Twelve Tribes of Israel Medium: Etching and pochoir on Arches paper Year: 1973 Edition: EA Frame Size: 32 3/8" x 26 7/8" Sheet Size...

Category

1970s Surrealist Engraving Prints and Multiples

Materials

Engraving

Black Panther, Kate Boxer, limited edition print, contemporary
Black Panther, Kate Boxer, limited edition print, contemporary

Black Panther, Kate Boxer, limited edition print, contemporary

By Kate Boxer

Located in Deddington, GB

Panther by Kate Boxer is a limited edition drypoint etching with carborundum. The bold black and white print is a statement artwork in any room. Kate Boxer makes the plates in her st...

Category

21st Century and Contemporary Contemporary Engraving Prints and Multiples

Materials

Drypoint

Dusk at Sedgwick Knoll
Dusk at Sedgwick Knoll

Dusk at Sedgwick Knoll

By James Groleau

Located in Palm Springs, CA

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Category

21st Century and Contemporary Contemporary Engraving Prints and Multiples

Materials

Mezzotint

Les Caveliers de l'Apocalypse, Original Etching, Surrealism, 1971, Signed
Les Caveliers de l'Apocalypse, Original Etching, Surrealism, 1971, Signed

Les Caveliers de l'Apocalypse, Original Etching, Surrealism, 1971, Signed

By Salvador Dalí­

Located in OPOLE, PL

Salvador Dali (1904-1989) - Les Caveliers de l'Apocalypse Drypoint etching on chromolithograph, embossed from 1971. The edition of 197/197 on Rives paper. Countersigned by the edi...

Category

1970s Surrealist Engraving Prints and Multiples

Materials

Drypoint, Etching, Embossed Print

De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise
De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise

De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise

By Jacob de Gheyn II

Located in Middletown, NY

A 16th century image from the state-sponsored military manual that revolutionized European warfare tactics. Leiden: 1599. Engraving on laid paper with a partial chalice and grapes ...

Category

16th Century Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving

Fig, Kate Boxer, original print
Fig, Kate Boxer, original print

Fig, Kate Boxer, original print

By Kate Boxer

Located in Deddington, GB

Fig is a limited edition drypoint etching by Kate Boxer. Kate Boxer's use of line in Fig gives the dog a brilliant sense of character. Kate Boxer makes the plates in her studio which...

Category

21st Century and Contemporary Minimalist Engraving Prints and Multiples

Materials

Drypoint

Low Country (South Carolina)
Low Country (South Carolina)

Low Country (South Carolina)

By Elizabeth Verner

Located in Middletown, NY

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Category

Early 20th Century American Modern Engraving Prints and Multiples

Materials

Archival Paper, Drypoint, Etching

Fonte Nuova, Siena
Fonte Nuova, Siena

Fonte Nuova, Siena

By Joseph Pennell

Located in Middletown, NY

Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...

Category

Late 19th Century American Modern Engraving Prints and Multiples

Materials

Handmade Paper, Drypoint, Etching

Entombment; Plate 2 from The Passion of the Christ
Entombment; Plate 2 from The Passion of the Christ

Entombment; Plate 2 from The Passion of the Christ

By Hendrick Goltzius

Located in Middletown, NY

Celebrated for the "sfumato" effect that Goltzius achieved through engraving alone, the incredibly fine lines in this work create the illusion of soft, glowing light and atmospheric ...

Category

16th Century Old Masters Engraving Prints and Multiples

Materials

Engraving, Laid Paper

Louise Bourgeois - Horseshoe (with accompanying horseshoe), signed & inscribed
Louise Bourgeois - Horseshoe (with accompanying horseshoe), signed & inscribed

Louise Bourgeois - Horseshoe (with accompanying horseshoe), signed & inscribed

By Louise Bourgeois

Located in New York, NY

Engraving by Louise Bourgeois, 2002, hand signed, numbered and inscribed to her longtime printer Judith Solodkin of Solo Impressions, accompanied by an actual horseshoe gifted by the...

Category

Early 2000s Abstract Engraving Prints and Multiples

Materials

Metal

Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape
Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape

Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell. Details: + ...

Category

2010s Realist Engraving Prints and Multiples

Materials

Paper, Emulsion, Engraving, Etching

I Won't Eat You, original print, Kate Boxer
I Won't Eat You, original print, Kate Boxer

I Won't Eat You, original print, Kate Boxer

By Kate Boxer

Located in Deddington, GB

I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by Kate Boxer. Kate Boxer m...

Category

2010s Contemporary Engraving Prints and Multiples

Materials

Drypoint

New York Skyline
New York Skyline

New York Skyline

By Louis H. Ruyl

Located in Middletown, NY

Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...

Category

Early 20th Century American Modern Engraving Prints and Multiples

Materials

Handmade Paper, Etching, Drypoint

Market Square, Rothenburg, Germany
Market Square, Rothenburg, Germany

Market Square, Rothenburg, Germany

By Paul Geissler

Located in Middletown, NY

Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...

Category

Early 20th Century Modern Engraving Prints and Multiples

Materials

Handmade Paper, Drypoint, Etching

Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise
Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise

Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise

By Jacob de Gheyn II

Located in Middletown, NY

An image from a 17th-century military drill manual depicting techniques for handling muskets and pikes. De Ghen II, Jacques / Jacob Wapenhandelinghe van Roers, Musquetten ende Spies...

Category

Early 17th Century Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving

The Gargoyle and His Quarry
The Gargoyle and His Quarry

The Gargoyle and His Quarry

By John Taylor Arms

Located in Plano, TX

The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...

Category

1920s American Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Shells, French 18th century natural history marine sea shell engraving

Shells, French 18th century natural history marine sea shell engraving

Located in Melbourne, Victoria

18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute. Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...

Category

Late 18th Century Victorian Engraving Prints and Multiples

Materials

Engraving

Salvador Dali Surrealist Etching Engraving Pochoir L'Automobile Da Vinci Hommage
Salvador Dali Surrealist Etching Engraving Pochoir L'Automobile Da Vinci Hommage

Salvador Dali Surrealist Etching Engraving Pochoir L'Automobile Da Vinci Hommage

By Salvador Dalí­

Located in Surfside, FL

Salvador Dali Title: L'automobile (Automobile) 1975 From Portfolio, Hommage à Leonardo da Vinci (Great Inventions) Original Engraving and Etching with Pochoir on Arches paper Edi...

Category

1970s Surrealist Engraving Prints and Multiples

Materials

Paper, Etching, Engraving

Plantes tropicales [Tropical Plants]
Plantes tropicales [Tropical Plants]

Plantes tropicales [Tropical Plants]

Located in Middletown, NY

Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper 14 1/2 x 10 5/8 inches (367 x 268 mm), full margins. In very...

Category

Mid-19th Century French School Engraving Prints and Multiples

Materials

Handmade Paper, Engraving

Bords du Lac du Bourget
Bords du Lac du Bourget

Bords du Lac du Bourget

By Adolphe APPIAN

Located in Middletown, NY

Gazette des Beaux-Arts, 1866 Etching on Chine collé with engraving mounted to cream laid paper with an uknown, partial watermark bearing the letters "ST," 5 3/4 x 9 3/8 inches (147 x...

Category

Mid-19th Century French School Engraving Prints and Multiples

Materials

Handmade Paper, Engraving, Etching

'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC
'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC

'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC

By Walter Tittle

Located in Myrtle Beach, SC

Walter Tittle, 'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 3/4 x 6 15/16 inches (299 x 176 mm); sheet size 15 11/16 x 9 inches (399 x 229 mm). A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...

Category

1920s American Impressionist Engraving Prints and Multiples

Materials

Drypoint

Graceland Mansion
Graceland Mansion

Graceland Mansion

By Jennifer Bartlett

Located in Houston, TX

Jennifer Bartlett Graceland Mansions, 1978-79 Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper 24 x 120 inches, unframed Ed...

Category

20th Century Modern Engraving Prints and Multiples

Materials

Etching, Lithograph, Screen, Woodcut, Drypoint, Aquatint

Mexican on a donkey, Mexico, Mortimer Menpes etching with drypoint, 1914
Mexican on a donkey, Mexico, Mortimer Menpes etching with drypoint, 1914

Mexican on a donkey, Mexico, Mortimer Menpes etching with drypoint, 1914

By Mortimer Menpes

Located in Melbourne, Victoria

Signed in pencil below the image. Signed and dated in the plate. The number '327' inscribed in pencil in lower margin. Mortimer Menpes was an artist and engraver, author, printmake...

Category

Early 20th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg

Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg

By Franz Hogenberg

Located in Alamo, CA

This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1595. This is an English translation of an excerpt from the original text in the atlas: "Frankenberg or, according to others, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges, which it still enjoys to this day, and on account of its valiant and victorious soldiers awarded a signet, upon which there formerly appeared a golden castle with a tower, together with the letter F and a golden crown. Frankenberg, seen here from the northeast, lies on a hill above the River Eder. The hillside is covered with fields neatly separated by bushes and fences. Soaring above the town is the massive Liebfrauenkirche, which was modelled on St Elizabeth's church in Marburg. The New Town was founded in 1335 at the foot of the hill (right) and merged with the Old Town as late as 1556. Frankenberg was founded by Conrad of Thuringia in 1233/34 to prevent the archbishops of Mainz from expanding their sphere of influence...

Category

16th Century Old Masters Engraving Prints and Multiples

Materials

Engraving

Destinations (Flatiron Bidg, 5th Avenue and Broadway at 23rd Street)
Destinations (Flatiron Bidg, 5th Avenue and Broadway at 23rd Street)

Destinations (Flatiron Bidg, 5th Avenue and Broadway at 23rd Street)

By Frederick Mershimer

Located in New Orleans, LA

In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...

Category

1990s Contemporary Engraving Prints and Multiples

Materials

Mezzotint, Aquatint

Salvador Dalí (1904–1989) – Cobea (Pisum sensuale) – Color drypoint etching
Salvador Dalí (1904–1989) – Cobea (Pisum sensuale) – Color drypoint etching

Salvador Dalí (1904–1989) – Cobea (Pisum sensuale) – Color drypoint etching

By Salvador Dalí­

Located in Varese, IT

Color drypoint etching on Japan nacré paper, edited in 1968 Limited edition, numbered as 146/175 in lower left corner.
 Hand-signed in pencil by artist in lower right corner. Plate ...

Category

1960s Abstract Engraving Prints and Multiples

Materials

Drypoint, Etching

Le Cocu Magnifique -- complete with 12 original etchings
Le Cocu Magnifique -- complete with 12 original etchings

Le Cocu Magnifique -- complete with 12 original etchings

By Pablo Picasso

Located in New York, NY

About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...

Category

Mid-20th Century Modern Engraving Prints and Multiples

Materials

Drypoint, Etching, Aquatint

Vesuvius, Naples, Italy. Volcano, engraving with original hand-colouring, 1815

Vesuvius, Naples, Italy. Volcano, engraving with original hand-colouring, 1815

Located in Melbourne, Victoria

Vesuvius, engraving with original hand-colouring, 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of I...

Category

Early 19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

La Petite Fille - Etching by Edouard Manet - 1861
La Petite Fille - Etching by Edouard Manet - 1861

La Petite Fille - Etching by Edouard Manet - 1861

Located in Roma, IT

Etching and drypoint on paper. Beautiful proof of 2nd state on 2, probably from the second Cadart edition of 1874. Signed in the plate on top right. Two holes in the center on top...

Category

1860s Impressionist Engraving Prints and Multiples

Materials

Paper, Drypoint, Etching

Amulet in Crowd Drypoint Print, Contemporary, Signed, 21st Century
Amulet in Crowd Drypoint Print, Contemporary, Signed, 21st Century

Amulet in Crowd Drypoint Print, Contemporary, Signed, 21st Century

By Julie Mehretu

Located in Bristol, GB

Drypoint, on Chine collé to Hahnemühle Copperplate paper Edition 9 of 35 48.3 x 40.6 cm (19 x 16 in) 53 x 45.5 x 3.8, 20.9 x 17.9 x 1.5 in Signed, numbered and dated on the front Min...

Category

21st Century and Contemporary Contemporary Engraving Prints and Multiples

Materials

Drypoint

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

By Francisco Goya

Located in Soquel, CA

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...

Category

1790s Northern Renaissance Engraving Prints and Multiples

Materials

Engraving, Etching, Aquatint, Laid Paper

Sting Rays, engraving with original hand-colouring, circa 1815

Sting Rays, engraving with original hand-colouring, circa 1815

Located in Melbourne, Victoria

Sting Rays, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collect...

Category

Early 19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"
Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"

Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"

By William Blake

Located in Soquel, CA

"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power" Engraving, third printing...

Category

1870s Symbolist Engraving Prints and Multiples

Materials

Handmade Paper, Engraving

Apricot Knight, Original Lithograph with Drypoint Etching, Modern, 1969, Signed
Apricot Knight, Original Lithograph with Drypoint Etching, Modern, 1969, Signed

Apricot Knight, Original Lithograph with Drypoint Etching, Modern, 1969, Signed

By Salvador Dalí­

Located in OPOLE, PL

Salvador Dali (1904-1989) - Abricot chevalier (Apricot Knight) Lithograph with drypoint etching from 1969. The edition LVIII/CL on Auvergne paper. Dimensions of work: 74.5 x 54.5 ...

Category

1960s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching, Lithograph

Le Buste Etching, Surrealist Style, Signed, Edition 105/145, 1960s

Le Buste Etching, Surrealist Style, Signed, Edition 105/145, 1960s

By Salvador Dalí­

Located in Roma, IT

Le Buste, from the Series "Faust" (La Nuit de Walpurgis), is an artwork realized in 1968/69. Etching, Drypoint, Watercolor and Roulette on Japon Paper. Hand signed and numbered. Ed...

Category

1960s Surrealist Engraving Prints and Multiples

Materials

Paper, Watercolor, Drypoint, Etching

Fishermen resting by a riverbank
Fishermen resting by a riverbank

Fishermen resting by a riverbank

By Pu Qùa

Located in Middletown, NY

Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm), the full sheet, full margins. In very good condition with some minor, light sta...

Category

Late 18th Century Old Masters Engraving Prints and Multiples

Materials

Watercolor, Handmade Paper, Engraving

Stevie Sitting, original print, Kate Boxer
Stevie Sitting, original print, Kate Boxer

Stevie Sitting, original print, Kate Boxer

By Kate Boxer

Located in Deddington, GB

Stevie Sitting is a handmade dry point print by artist Kate Boxer, featuring a wire haired dog sitting obediently. Kate Boxer is an artist and printmaker.   The unique style of Kate...

Category

21st Century and Contemporary Minimalist Engraving Prints and Multiples

Materials

Drypoint

Alligator, Kate Boxer, original print
Alligator, Kate Boxer, original print

Alligator, Kate Boxer, original print

By Kate Boxer

Located in Deddington, GB

Alligator print is a limited edition drypoint etching by printmaker, Kate Boxer. The bold shapes and deep colour that the carborundum lends to the piece give depth to the minimalist ...

Category

21st Century and Contemporary Minimalist Engraving Prints and Multiples

Materials

Drypoint

Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving
Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving

Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving

By Johann Wilhelm Weinmann

Located in Alamo, CA

An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...

Category

Mid-18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving, Mezzotint

Jim Dine - print with hand coloring in oil stick, Signed, Framed, unique variant
Jim Dine - print with hand coloring in oil stick, Signed, Framed, unique variant

Jim Dine - print with hand coloring in oil stick, Signed, Framed, unique variant

By Jim Dine

Located in New York, NY

Jim Dine The Christmas Print (Burg, 26), 2001 Drypoint, direct gravure, etching over offset lithograph with hand coloring by artist in oil stick, on T.H. Saunders paper, the full she...

Category

Early 2000s Pop Art Engraving Prints and Multiples

Materials

Oil Crayon, Drypoint, Etching, Offset

Lone Tree Schoodic Point, mezzotint print of Maine coastline
Lone Tree Schoodic Point, mezzotint print of Maine coastline

Lone Tree Schoodic Point, mezzotint print of Maine coastline

By James Groleau

Located in Palm Springs, CA

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Category

21st Century and Contemporary Contemporary Engraving Prints and Multiples

Materials

Mezzotint

Character vs. Charicature
Character vs. Charicature

Character vs. Charicature

By William Hogarth

Located in Wilton Manors, FL

William Hogarth (1697-1764). Character vs. Charicature, 1743. Engraving on laid paper, plate measuring 8.25 x 9.25 inches. Framed measurement: 16.25 x 20.25 inches. Characters and...

Category

Mid-18th Century Realist Engraving Prints and Multiples

Materials

Engraving

Au Bord de la Mer (At the Sea Side)
Au Bord de la Mer (At the Sea Side)

Au Bord de la Mer (At the Sea Side)

By James Jacques Joseph Tissot

Located in Middletown, NY

An exotic hashira-e shaped work, an homage to the heavy influence Japanese printmaking had on the artist. London: 1880 Etching with drypoint on cream laid Van Gelder Zonen paper wit...

Category

Late 19th Century Realist Engraving Prints and Multiples

Materials

Etching, Handmade Paper, Laid Paper, Drypoint

Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map
Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map

Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map

Located in Paonia, CO

Map of Persiae, Armeniae, Natoliae et Arabiae Descriptio per F de Wit 1688 engraving from: Atlas Contractus Orbis Terrarum Praecipuas ac Novissimas Complectens Tabulas. Amsterdam, N. Visscher, 1656-77. (Koeman III, Vis5-8) This highly decorative map of the Middle East is by the Dutch engraver, publisher, and map seller...

Category

1660s Realist Engraving Prints and Multiples

Materials

Engraving

Jeanne (Le Printemps) - Etching by Edouard Manet - 1882
Jeanne (Le Printemps) - Etching by Edouard Manet - 1882

Jeanne (Le Printemps) - Etching by Edouard Manet - 1882

Located in Roma, IT

Etching and drypoint on paper. Signed and titled on plate. Pubished on the "Gazette des Beaux-Arts". Printed b A. Porcabeuf, Paris. Image Dimensions : 15.5 x 11 cm Very good cond...

Category

1880s Impressionist Engraving Prints and Multiples

Materials

Paper, Drypoint, Etching

See you at the palace, original print, Kate Boxer
See you at the palace, original print, Kate Boxer

See you at the palace, original print, Kate Boxer

By Kate Boxer

Located in Deddington, GB

See you at the palace is a limited edition drypoint etching with medium and gold leaf by Kate Boxer. The golden hooves of the cow give the work a majestic glow and brings life to the...

Category

21st Century and Contemporary Minimalist Engraving Prints and Multiples

Materials

Drypoint

Salvador Dalí (1904–1989) – Lithograph with drypoint etching Auvergne paper
Salvador Dalí (1904–1989) – Lithograph with drypoint etching Auvergne paper

Salvador Dalí (1904–1989) – Lithograph with drypoint etching Auvergne paper

By Salvador Dalí­

Located in Varese, IT

Color lithograph with drypoint etching on Auvergne paper from the series 'Flordali (Les Fruits)', edited in 1969. Limited edition, numbered as LXXXI/CL in lower left corner. Hand-sig...

Category

1960s Surrealist Engraving Prints and Multiples

Materials

Paper, Drypoint, Etching, Lithograph

Find Engravings and Other Fine Art Prints on 1stDibs

Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.

An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.

Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well. 

Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.

Find engravings and other fine art prints today on 1stDibs.