Engraving Prints and Multiples
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Medium: Engraving
'A Winter's Evening' Wood Engraving, Smithsonian, Carnegie, Brooklyn Museum, AIC
Located in Santa Cruz, CA
Signed lower right, 'G. Mortensen' for Gordon Mortensen (American, born 1938) and dated 1979. Titled lower left, 'A Winter Afternoon' with number and ...
Category
1970s Realist Engraving Prints and Multiples
Materials
Engraving, Mulberry Paper
The Dentist, 1806, Engraving, British Satirical Caricature, Dental, English
Located in Grand Rapids, MI
Attributed to Alfred Mills (English, 1776-1833)
" The Dentist ", 1806
Hand Colored Engraving
Published by Bowles & Carver
Sight Size: 6 3/4" x 8 5/8"
Overall Size: 14 3/4" x 15 3/4"
Light foxing to the print as well as the matt, losses to the frame.
A light social satire depicting a society dentist extracting a tooth from the mouth of a distressed young lady in an elegant drawing room, while two uniformed attendants and a young gentleman hide their sniggers and smirks at the comic verse below that, for all the dentist’s vast wealth, ‘Like many more twixt North and South, He does but live from Hand to Mouth’.
**Please check my other listings for MORE SATIRICAL DENTAL prints...
Category
Early 19th Century Engraving Prints and Multiples
Materials
Engraving
"Le printemps" engraving by Amédée & Eugène Varin - Engraving 50x70 cm
Located in Geneva, CH
Paint by Pierre Auguste COT in 1873
Engraved by Amédée et Eugène Varin
Entered according to act of congress in the year 1875 by M. Knoedler & co in the office of the librarian at Was...
Category
1870s Realist Engraving Prints and Multiples
Materials
Engraving
Hélène of Septeuil (enfant au perroquet) (child with a parakeet).
By Mary Cassatt
Located in Storrs, CT
Hélène of Septeuil (enfant au perroquet) (child with a parakeet). c. 1889-1890. Drypoint. Breeskin, 134.v. 9 3/8 x 6 1/4 (sheet 15 3/4 x 9 7/8). A rich impression with burr and plate...
Category
19th Century Impressionist Engraving Prints and Multiples
Materials
Watercolor, Drypoint
Jorge Castillo - EROTIC COMPOSITION Etching on paper Spanish Surrealism
Located in Madrid, Madrid
Jorge Castillo - COMPOSICIÓN ERÓTICA (Erotic Composition)
Date of creation: 1977
Medium: Etching on paper
Edition: 75 + 20 E.A.
Size: 50 x 65,5 cm
Condition: In perfect conditions an...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Engraving, Etching
Cats, German animal antique engraving print
Located in Melbourne, Victoria
'Katzen'
(Cats)
German wood-engraving, circa 1895.
240mm by 155mm (sheet)
Category
Late 19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Chicago Skyline
Located in Middletown, NY
A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes.
Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...
Category
Early 20th Century American Modern Engraving Prints and Multiples
Materials
Handmade Paper, Etching, Drypoint
Apollo, plate 11 from the series of The Gods in Niches
Located in Middletown, NY
by Jacopo Caraglio (after Rosso Fiorentino)
Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...
Category
17th Century Old Masters Engraving Prints and Multiples
Materials
Laid Paper, Handmade Paper, Engraving
"Antonin Proust" original drypoint
Located in Henderson, NV
Medium: original etching and drypoint. Catalogue reference: Delteil 10. Published in Paris in 1899 by H. Floury for Auguste Rodin "Statuaire" by Lon Maillard. This impression is prin...
Category
1890s Engraving Prints and Multiples
Materials
Drypoint, Etching
Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
This beautiful cyanotype is titled "Long Wave in Venice Beach" and it shows an outstanding wave in one of the most iconic ...
Category
2010s Realist Engraving Prints and Multiples
Materials
Paper, Emulsion, Watercolor, Engraving, Etching, Monotype
wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category
1950s Engraving Prints and Multiples
Materials
Engraving, Woodcut
“Skogskanten” (Winter Landscape with Spruce Trees)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden)
“Skogskanten” (Winter Landscape with Spruce Trees)
signed "Oskar Bergman" in pencil
drypoint etching
image size: 19.5 x 29.5 cm (7 ...
Category
1910s Naturalistic Engraving Prints and Multiples
Materials
Paper, Drypoint, Etching
Monkeys, English antique animal engraving print, 1879
Located in Melbourne, Victoria
Monkeys
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Engraving Prints and Multiples
Materials
Engraving
Human Intestines, German antique anatomical medical engraving print
Located in Melbourne, Victoria
'Eingeweide des Menschen I'
(Human Intestines I)
German wood-engraving, circa 1895.
240mm by 155mm (sheet)
Category
Late 19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Cambridge Midsummer Fair
Located in Middletown, NY
A peaceful image by Britian's first official war artist.
Drypoint printed in brownish black ink on fibrous, laid Japon paper, 3 3/8 x 6 5/16 inches (85 x 161 mm), full margins. Sign...
Category
Early 20th Century Realist Engraving Prints and Multiples
Materials
Handmade Paper, Drypoint
Untitled
By Henri Goetz
Located in Fairlawn, OH
Untitled
Engraving, drypoint & carborundum, c. 1960's
Signed and numbered in pencil lower margin (see photos)
Edition: 25 (9/25)
Printed by the artist
Condition: Adhesive residue on ...
Category
1960s Abstract Expressionist Engraving Prints and Multiples
Materials
Engraving
Serie 23 no. 14-4, Serigraph, edition 157 of 200
Located in Miami, FL
"Serie 23 no. 14-4" 1971
Serigraph in color
Edition 157 of 200
30 x 30 in
Julio Le Parc is an Argentinian artist best known for his pioneering works of Kinetic Art. Depicting lab...
Category
1970s Engraving Prints and Multiples
Materials
Engraving
Vie de Trianon, Hand-Colored Baroque Engraving by Hyacinthe Rigaud
Located in Long Island City, NY
Vie de Trianon
Hyacinthe Rigaud (After), Catalan/French (1659–1743)
Date: of original: 1750
Hand-Colored Engraving, signed in the plate
Edition of ~1000
Image Size: 8.75 x 18.5 inche...
Category
1970s Baroque Engraving Prints and Multiples
Materials
Engraving
'Dei Praestitis Signumexaere' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Dei Praestitis Signumexaere' (God's Providence Signumexaere), engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. E...
Category
1730s Realist Engraving Prints and Multiples
Materials
Engraving
Seals, English antique animal engraving print, 1879
Located in Melbourne, Victoria
Seals
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Engraving Prints and Multiples
Materials
Engraving
Asiatic Elephants, English antique animal engraving print, 1879
Located in Melbourne, Victoria
Asiatic Elephants
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Engraving Prints and Multiples
Materials
Engraving
Billingsgate
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category
Mid-19th Century Impressionist Engraving Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
Plan of the Park, Garden and Plantations of Goodwood, 18th century engraving
Located in Melbourne, Victoria
Plan of the Park, Garden and Plantations of Goodwood in Sussex the Seat of his Grace the Duke of Richmond and Lenox &c
Copper-line engraving with later hand-colouring by Hendrik Hul...
Category
18th Century English School Engraving Prints and Multiples
Materials
Engraving
wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category
1950s Engraving Prints and Multiples
Materials
Engraving, Woodcut
Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife
Located in Middletown, NY
Sadeler, Aegidius II, after Bartholomeus Spranger
Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife, Christina Muller
Engraving on hand made laid paper wit...
Category
Early 17th Century Old Masters Engraving Prints and Multiples
Materials
Handmade Paper, Laid Paper, Engraving
Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Cliveden Spring, Bucks'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Etching, Engraving, Aquatint
View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London.
London: J.Boydell, 1753.
Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category
Mid-18th Century English School Engraving Prints and Multiples
Materials
Watercolor, Handmade Paper, Laid Paper, Engraving
Nature Morte country side farming scene
Located in Belgrade, MT
This lithograph is part of my private collection. It is original and pencil signed and numbered by the artist.
Category
20th Century Abstract Expressionist Engraving Prints and Multiples
Materials
Engraving, Lithograph
Lebanese Arabic Modernist Abstract Etching Color Engraving Arab Art Halim Jurdak
Located in Surfside, FL
Halim Jurdak, (1927-2020)
Color etching and engraving
Hand signed 'H. Jurdak' and numbered 3/15 and marked 'E. A.' in pencil on on lower margin. Frame, approx. 23 1/4" x 15 1/2". Plate size, approx. 10" x 8 1/2".
This might be an aquatint or it might have hand applied watercolor painting.
Halim Jurdak, Lebanese Artist. (1927-2020)
Born in 1927 in Ain El Sindianeh, (Shoueir) Matn, North Lebanon, Halim Jurdak began his artistic training at the Lebanese Academy of Fine Art in 1953. He is the first Lebanese artist to work in the medium of etching and engraving on an equal footing with painting and drawing. His work has won many prizes, including the first prize for Engraving at the Annual Exhibition of the École Nationale Supérieure des Beaux-Arts, Paris. He has participated in numerous international and regional exhibitions and began teaching at the Institute of Fine Arts of the Lebanese University in Beirut in 1966. This work bears the influence of Stanley William Hayter and the Atelier 17
Jurdak began his artistic training at the Lebanese Academy of Fine Art in 1953 and went on to receive his Master’s Degree in Fine Arts from “Ecole Nationale Supérieure des Beaux-Arts” in Paris. He attended the Atelier Brianchon pour la peinture, et Atelier Cami et Bercier pour la gravure. He also frequented l’atelier of Surrealist Henri Bernard Goetz and l’atelier Yves Brayer at the Académie de la grande Chaumière. He also studied at L’Académie Andre Lhote.
He travelled extensively, visiting Munich, Stuttgart, Basel, Dornoch, London, Bruges, Rome, Athens, Quebec, Montreal, Los Angles, Chicago, Milwaukee and New York. Made contacts with artists and galleries and showed regularly. He also began making abstract sculpture.
Select Solo Exhibitions
1959: Alumni Club of the American University of Beirut.
1961: The hall of Rudolf Steiner House in Stuttgart – Germany.
1962: Gallery Maison des Beaux-Arts Rue des Beaux-Arts, Paris.
1963: «Gallery Triades Rue de la Grande Chaumière, Paris.
1963: «Gallery Michel Harmouche Starko Center, Beirut.
1970: House of Art and Literature (Dar El Fan Wal Adeb), Beirut.
1987: Gallery Janine Rubeiz, Beirut.
1991: The hall of Goethe Institute , Beirut.
2002: Studio – Gallery of the painter George Khayralla, El – Mtayn – Lebanon.
2009: Mar Mikhael, Bikfaya, Lebanon.
Represented Lebanon at the following Art Festivals and Exhibitions:
1967: Exhibition of Peintres-Graveurs de l’Ecole de Paris organized by Brigitte Chehadeh, in honor of the late French painter George Cyr who lived in Beirut. The exhibition included works for the following artists: Antoni Clavé, Massimo Campigli, Marcel Fiorini, James Guitet, Aurelien Ortega,
Pierre Louis Maurice Courtin, Marino Marini, Arthur Luiz Piza, Kumi Sugai, Johnny Friedlander, Ossip Zadkine and Amedeo Modigliani.
1974: Festival International de la Jeunesse Francophone in the city of Quebec - Canada.
1994: Exhibition of The love encounter of the Arab Plastic Artists in the city of Latakia under the patronage of the syrian Prime Minister Mahmoud El Zuoubi and Madame Najat El Attar Minister of culture. From each Arab Country, one artist was chosen for this encounter.
Arabic Biennales and Exhibitions:
1967: Arab Art Exhibition organized by the British company for tobacco Eight paintings were chosen for eight artists belonging to each of the following arab countries: Lebanon, Syria, Jordan, Irak, Kuwait, Bahrain and Egypt. The exhibition took place successively in London, Paris, Rome, Cairo, Manameh, Amman, Kuwait, Baghdad, Damascus and Beirut.
Jurdak’s style has evolved greatly over his long career, from academic realism to cubism, from figurative abstraction, to non-figurative abstraction, in which he focused on forms, patterns, colour and composition. His most recent works have centered on the elemental qualities of the human figure. Jurdak has written numerous artistic and literary articles and has written several books on art theory, including The Metamorphosis of Line and Colour in 1975 (dealing with the psychological reasons underlying modern and contemporary fine art movements) and The Eye of Contentment, published in 1995. His work is held in many private and public collections such as the Ministry of Culture and Fine Arts” - UNESCO Palace, Beirut; King Khaled collection of Islamic art, Riyadh, Saudi Arabia; Academie Libanaise des Beaux-Arts, Beirut; Institut du Monde Arabe, Paris and AUB, Beirut.
He is included in Arab Print volume IV, Showcasing a variety of techniques such lithography, etching, engraving and photogravure, included are works by Shafic Abboud, Etel Adnan, Huguette Caland...
Category
20th Century Modern Engraving Prints and Multiples
Materials
Engraving, Etching
Belkis Ayon Untitled
Located in Miami, FL
Untitled 1994
Serigraphic
7.5x 5.5 in
COA by Belkis Ayon State
Category
1990s Engraving Prints and Multiples
Materials
Engraving
La Grande Fortune, Old Masters Etching by Amand Durand after Albrecht Durer
Located in Long Island City, NY
Artist: Charles Amand-Durand, French (1831 - 1905) after Albrecht Dürer, German (1471 - 1528)
Title: La Grande Fortune
Year: 1873 (original circa 1502)
Medium: Heliogravure on thin l...
Category
1870s Old Masters Engraving Prints and Multiples
Materials
Engraving
Untitled
By Henri Goetz
Located in Fairlawn, OH
Untitled
Engraving, drypoint & carborundum, c. 1960's
Signed and numbered in pencil (see photos)
Edition: 25 (9/25)
Printed by the artist
Condition: Adhesive residue on the verso to...
Category
1960s Abstract Expressionist Engraving Prints and Multiples
Materials
Engraving
Nocturnal, by Art Werger
By Art Werger
Located in Palm Springs, CA
Medium: mezzotin
Year: 2022
Edition: 50
Image Size: 17.75 x 23.5 inches
Signed, titled and numbered in pencil by the artist
Dramatic image of the streets of New York from the air. ....
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Mezzotint
Henry Bennet Earl of Arlington, English Civil War, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after Peter Lely.
Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches.
Originally published 1739, this impression c1820.
360mm by 230mm (platemark)
Henry Bennet, 1st earl of Arlington, 1618-85, was an English statesman who fought for the royalists in the English civil war...
Category
Early 19th Century Renaissance Engraving Prints and Multiples
Materials
Engraving
Christ Church Cathedral, Oxford, 1816, from the Dean's gardens
Located in London, GB
John Cowey (1786-1833)
Christ Church Cathedral, Oxford, 1816, from the Dean's gardens
Engraving
23 x 32 cm
Early nineteenth-century view of Christ Church Cathedral from the Dean's...
Category
Early 19th Century Engraving Prints and Multiples
Materials
Engraving
Barbara Urslerin - The Hairy Faced Woman
Located in Bournemouth, Dorset
Barbara Urslerin, The Hairy Faced Woman, born in Germany in 1629 and exhibited as circus attraction. Suffered from Hypertrichosis (Ambras Syndrome).
Barbara Urslerin presents one o...
Category
19th Century Engraving Prints and Multiples
Materials
Engraving
La Duchesse de Marlborough, Consuelo Vanderbilt
Located in Storrs, CT
Paul César Helleu. La Duchesse de Marlborough, Consuelo Vanderbilt. c. 1901. Drypoint. 21 1/2 x 13 3/4 (sheet 24 x 15). A rich impression printed o...
Category
Late 19th Century Impressionist Engraving Prints and Multiples
Materials
Drypoint, Etching
Portfolio: Hamlet
Located in OPOLE, PL
Salvador Dalí, 1904–1989 (Spain)
Portfolio: Hamlet, 1973
Salvador Dalí’s Hamlet (1973) is a stunning portfolio of ten drypoint etchings with aquatint and ...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Drypoint, Etching, Aquatint
The Spire -- New York
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
Mosque of the Sultan Bayazid, Constantinople — Vintage Realism
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...
Category
1920s American Realist Engraving Prints and Multiples
Materials
Drypoint
Mexican Artist ¨Transición sepia¨ signed limited edition original art print
Located in Miami, FL
Juan Sebastian Barbera (Mexico, 1964)
'Transicion sepia (b/n)', 2004
engraving on paper Guarro Super Alpha 250g.
19.7 x 27.6 in. (50 x 70 cm.)
Edition o...
Category
Early 2000s Contemporary Engraving Prints and Multiples
Materials
Paper, Engraving, Etching, Aquatint, Screen
Apuleius, Ancient Roman, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Apuleio' (Apuleius)
Copper-line engraving by N Billy after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni...
Category
Mid-18th Century Renaissance Engraving Prints and Multiples
Materials
Engraving
Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament".
These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition.
The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum.
Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class.
Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category
Mid-18th Century Old Masters Engraving Prints and Multiples
Materials
Engraving, Etching
Dark Landscape (abstract expressionist)
Located in Wilton Manors, FL
Gabor Peterdi (1915-2001). Dark Landscape, 1958. Etching, engraving and aquatint with five stenciled colors. Image measures 20 x 24 inches. Signed, date...
Category
Mid-20th Century Abstract Expressionist Engraving Prints and Multiples
Materials
Engraving, Etching, Aquatint
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Engraving Prints and Multiples
Materials
Watercolor, Engraving
Langur monkey, mid 19th French century animal engraving
Located in Melbourne, Victoria
'Semnopitheque a croupion - Semnopithecus Leucoprymnus, Otto' (Langur)
French engraving with original hand-colourimg, circa 1840.
Category
Mid-19th Century French School Engraving Prints and Multiples
Materials
Engraving
Set of Four French Antique Marine Prints
Located in Lake Worth Beach, FL
Set of Four Antique Marine engravings plates hand colored.
Each measure 18x21x1 framed.
Benard Direxit is a French 19Th Century artist, engraver. Benar...
Category
Mid-19th Century French School Engraving Prints and Multiples
Materials
Engraving
'Le Chapiteau et la Guitare', Paris, Atelier 17, Tokyo, NYMOMA, V&A, Benezit
Located in Santa Cruz, CA
Signed lower right in graphite, 'Shoichi Hasegawa 長谷川 彰一' (Japanese-French, born 1929), titled lower center, 'le chapiteau et la guitare', with number...
Category
Late 20th Century Abstract Engraving Prints and Multiples
Materials
Mulberry Paper, Engraving, Intaglio
Medea and Jason
By Georg Pencz
Located in Fairlawn, OH
Medea and Jason
From the series: Greek Heroines
Engraving, c. 1539
Initialed in the plate lower right
Provenance: Grimes Collection
R. E. Lewis
References And E...
Category
16th Century Old Masters Engraving Prints and Multiples
Materials
Engraving
'Encircled' — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Encircled', engraving, 1946, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack EDIT...
Category
1940s Surrealist Engraving Prints and Multiples
Materials
Engraving
Nature Morte Harvest scene
Located in Belgrade, MT
This lithograph is part of my private collection. It is original and pencil signed an numbered by the artist.
It is one of a kind in black and white.
Category
Mid-20th Century Abstract Expressionist Engraving Prints and Multiples
Materials
Engraving, Lithograph
Jonah and the Whale
Located in Boston, MA
Artist: Dali, Salvador
Title: Jonah and the Whale
Series: Our Historical Heritage
Date: 1975
Medium: drypoint with added color on Arches
Unframed Dimensions: 19.8" x 26"
Framed...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Drypoint
Reuben
Located in Boston, MA
Artist: Dali, Salvador
Title: Reuben
Series: Twelve Tribes of Israel
Date: 1972
Medium: drypoint with stenciled color
Unframed Dimensions: 25.75" x 20"
Framed Dimensions: 33" ...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Drypoint, Stencil
Winslow Homer 19th Century Woodcut Engraving "Making Hay"
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket.
This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition.
There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints.
This Winslow Homer engraving...
Category
1870s American Impressionist Engraving Prints and Multiples
Materials
Engraving, Woodcut
El Padre Perdonado (Galofre edition)
Located in Boston, MA
Artist: Dali, Salvador
Title: El Padre Perdonado (Galofre edition)
Series: La Vida es Sueno
Date: 1975
Medium: drypoint engraving in sanguine ink
Unframed Dimensions: 11" x 15"...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Engraving, Drypoint
Madame Helleu Looking at Watteau drawings at the Louvre..
Located in Storrs, CT
Madame Helleu Looking at Watteau drawings at the Louvre. (En regardant les Watteau de Louvre). c. 1895. Drypoint printed in 2 colors - black and sepia. 11 3/4 x 15 7/8. Goncourt 3, d...
Category
Late 19th Century Impressionist Engraving Prints and Multiples
Materials
Drypoint, Color
Wandelaars II, Contemporary Mezzotint by Anne Dykmans
By Anne Dykmans
Located in Long Island City, NY
Anne Dykmans, Belgian (1952 - ) - Wandelaars II, Year: 2002, Medium: Mezzotint, signed, titled, numbered and dated in pencil, Edition: 50, Image Size: 2.5 x 3.5 inches, Frame Siz...
Category
Early 2000s Contemporary Engraving Prints and Multiples
Materials
Mezzotint
Bambalina (Are ornaments, decorations mere backdrop for true Christmas story)
Located in New Orleans, LA
Souto named this image Bambalina (backstage). It is an exclusive publication of Stone and Press Gallery.
Francisco Souto was born in Venezuela. He received a BFA from Herron Schoo...
Category
21st Century and Contemporary American Modern Engraving Prints and Multiples
Materials
Mezzotint
18th Century Catesby Hand-colored Bird & Plant Engraving "The Crested Titmous"
By Mark Catesby
Located in Alamo, CA
A hand-colored copperplate engraving of a bird and plants by Mark Catesby (1683-1749) entitled "The Crested Titmous" from "The Natural History of Carolina, Georgia, Florida and the Bahama Islands", published in 1731. It depicts a small Crested Titmous bird, facing left, perched on the stem of a plant with clusters of mauve colored star-like flowers.
This original Catesby hand-colored engraving, on laid paper with a large central Fleur-de-Lys watermark, is presented in a cream color French mat. The mat measures 20" x 15.5" and the sheet measures 18.75" x 14.75".
Mark Catesby was born in England to a prosperous family, but he traveled to America, first to visit his sister and her husband in 1712. From 1712 to 1719 he explored America observing its birds and plants, taking notes, creating drawings and collecting specimens. He returned to England with this material and created more detailed drawings. His next visit to America 1722-1726 allowed for more detailed research. Upon his return to England he created his monumental and beautiful work "The Natural History of Carolina, Florida, and Bahama Islands", which was published in London in two folio volumes of 11 parts each consisting of 20 plates...
Category
Mid-18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Rococo interior design and furniture, German mid 18th century etching
By Franz Xaver Habermann
Located in Melbourne, Victoria
Rococo interior design and furniture, etching, by Franz Xaver Habermann (1721-1796), circa 1750.
Lettered 'F. X. Haberman, inv. et del. loh. Georg Hertel, excud : Aug. Vind., number...
Category
Mid-18th Century Rococo Engraving Prints and Multiples
Materials
Etching, Engraving
Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Etching, Aquatint, Engraving
Pair of 18Th Century Botanical Engravings
Located in Lake Worth Beach, FL
Pair of rare Botanical Hand Colored Engravings about 1737-1745
Beautifully framed French hand painted mat, in gold leaf frame each print measure 9.5x14.5
Johann Wilhelm Weinmann (1...
Category
Early 18th Century Old Masters Engraving Prints and Multiples
Materials
Engraving
Hounds Gentlemen Please by Tom Carr - Engraving 26x31 cm
Located in Geneva, CH
Work on paper
Ed: 63/75
Category
Mid-20th Century Realist Engraving Prints and Multiples
Materials
Engraving
In Brittany
By Manuel Robbe
Located in Missouri, MO
Color Engraving
Image Size: approx 14 x 19.5
Framed Size: approx 21 x 26 3/4
Signed in Pencil
Emmanuel Robbe called "Manuel Robbe", born in Paris on 16 December 1872 And died in Ne...
Category
Early 1900s Impressionist Engraving Prints and Multiples
Materials
Engraving, Aquatint
The Twin Rocks of Capri; I Faraglioni a Capri
Located in Middletown, NY
London: Gebbie & Husson Co., 1879
Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margina...
Category
Late 19th Century English School Engraving Prints and Multiples
Materials
Engraving, Photogravure
The Giant Wheel (Carceri IX), (2nd State)
Located in Chicago, IL
This is a second state impression from three states.
Category
Mid-18th Century Old Masters Engraving Prints and Multiples
Materials
Engraving, Etching
"Beam of Wind" 2004 signed original engraving limited edition 15x15in Mexican
Located in Miami, FL
Francisco Castro Leñero (Mexico, 1954)
"Haz del Viento / Bco / Azul/" from serie "El exilio de los sentidos", 2004
Engraving, aquatint on paper...
Category
Early 2000s Contemporary Engraving Prints and Multiples
Materials
Paper, Engraving, Ink, Etching, Aquatint
Untitled by Bruce Nauman abstract black and white drypoint etching 70s
By Bruce Nauman
Located in New York, NY
A moody, evocative black and white abstract etching by pioneer Bruce Nauman.
Bruce Nauman (born December 6, 1941) is an American artist. His practice spans a broad range of media inc...
Category
1970s Abstract Engraving Prints and Multiples
Materials
Drypoint, Aquatint
Adenandra umbellata - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Adenandra umbellata'
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude M...
Category
Early 19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
St. Michael's Mount, Cornwall: A Framed 19th C. Engraving After Myles Foster
Located in Alamo, CA
This beautiful 19th century framed hand-colored engraving is entitled "St. Michael's Mount, Cornwall" by J. Saddler after an original painting by the British artist Myles Birket Fost...
Category
Mid-19th Century Romantic Engraving Prints and Multiples
Materials
Engraving
Her Majesty's Stag Hounds on Ascot, A Colored 19th Century British Hunting Scene
Located in Alamo, CA
"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...
Category
1830s Engraving Prints and Multiples
Materials
Engraving, Mezzotint
Street in Marblehead, Massachussets
Located in Middletown, NY
Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...
Category
1930s American Modern Engraving Prints and Multiples
Materials
Archival Paper, Drypoint, Etching
A Man of Mangea 1784 final voyage of Captain Cook by John Webber
By John Webber
Located in Paonia, CO
A Man of Mangea is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was the official a...
Category
1780s Realist Engraving Prints and Multiples
Materials
Engraving
Find Engravings and Other Fine Art Prints on 1stDibs
Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.
An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.
Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well.
Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.
Find engravings and other fine art prints today on 1stDibs.
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