Engraving Prints and Multiples
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Medium: Engraving
The Mill, Amsterdam, 1889
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011)
On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches.
A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone.
provenance:
H. Wunderlich & Co., New York
Louis B. Dailey, New York (Lugt 4500)
sale, Sotheby’s, New York, October 31, 2003, lot 69
literature;
Neue Lagerliste 122: James McNeill Whistler – Etchings...
Category
1880s Impressionist Engraving Prints and Multiples
Materials
Drypoint, Etching
Three Yellowlegs.
By Frank Benson
Located in New York, NY
The drypoint created in 1920 is a working state, the fourth of eight. The eight states are listed in the Frank W. Benson catalogue raisonne by Adam Paff #184. There are two recorded impressions of this print making it a rare find. It is signed in pencil and inscribed "D-2." The Image size 4 3/8 x 5 13/16" (11.1 x 14.8 cm). The final printed edition of "Three Yellowlegs" was 150.
Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
Early 20th Century American Realist Engraving Prints and Multiples
Materials
Drypoint
Bernardo Navarro Tomas "Untitled" 2021 Abstract Engraving Collagraph 27x21 in
Located in Miami, FL
Bernardo Navarro Tomas (Cuba, 1977)
'Untitled (B/N vertical)', 2021
Engraving collagraph on paper Guarro Biblos 250g.
27.2 x 21.1 in. (69 x 53.5 cm.)
Edition of 20
ID: NAA-112
Unframed
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Ink, Engraving
Azalea indica danielsiana, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Set of Four Hand Colored Monkey Prints
Located in Palm Beach, FL
This set of four hand colored copper plate engravings are illustrations by early 19th century naturalist J. H. Jacob first published in Italy in 1812, and are referred to as "Jacob's...
Category
Early 19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
The Shadowed Valley.
Located in Storrs, CT
Sir Frank Short, R.A., P.R.E. 1857-1945. The Shadowed Valley. 1927. Mezzotint. Hardie 128. 14 3/8 x 19 3/8 (sheet 19 x 24). A rich, glowing impression p...
Category
1920s Modern Engraving Prints and Multiples
Materials
Mezzotint
$2,750 Sale Price
38% Off
Hibiscus Lindlei, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
"Encuentro" 2006 Original Unique Signed Artist Proof 28x20in Woodcut Mexican
Located in Miami, FL
Antonio Diaz Cortes (Mexico, 1935)
'Encuentro' (meeting), 2006
woodcut on paper Velin Arches 300 g.
27.6 x 19.7 in. (70 x 50 cm.)
P/A (Artist Proof), unique piece
Unframed
ID: DIA-10...
Category
Early 2000s Contemporary Engraving Prints and Multiples
Materials
Engraving, Woodcut, Ink, Linocut
Vue de la Ville et du Lac de Geneve, Switzerland, copper-line engraving, c1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Town and Lake of Geneva, Switzerland.
Claude-Louis Chatelet was a distinguished French painter, draftsman an...
Category
1780s Naturalistic Engraving Prints and Multiples
Materials
Engraving
London Bridge.
Located in Storrs, CT
London Bridge, London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 9 7/8 x 17 1/4). Mat line; otherwise fine condition. A rich impression with dryp...
Category
1920s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
$975 Sale Price
22% Off
Citamerdu (Amrita) Plant: 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Citamerdu" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 21 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Citamerdu plant, also known as Tinospora cordifolia plant or Amrita and Guduchi. It is a deciduous plant with heart-shaped leaves, greenish flowers, and pea-shaped fruits. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants.
The engraving is printed on 17th century laid, chain-linked paper, watermarked with an elaborate crown design. The sheet measures 15.75" high by 18.75" wide. There is a central fold, as issued. There are a few small spots, but the print is otherwise in excellent condition.
There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints.
Hendrik Adriaan van...
Category
Late 17th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Salome Tanzt - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Salome Tanzt is a colored cliché from watercolor on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, ...
Category
1920s Symbolist Engraving Prints and Multiples
Materials
Engraving
Alexandria, Egypt & Lighthouse: A Hand-colored Aquatint & Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Part of the New City of Alexandria, with the Light House", published in London by R. Bowyer from 1802-1805. The print was crea...
Category
Early 19th Century Romantic Engraving Prints and Multiples
Materials
Engraving, Aquatint
Andres Rueda Spanish Artist 1997 Original Hand Signed silkscreen on canvas
Located in Miami, FL
Andrés Rueda (Spain, 1956)
'Tarde gris', 1997
silkscreen on canvas
21.3 x 28.8 in. (54 x 73 cm.)
Edition of 75
ID: RUE1222-001-075
Unframed
Hand-signed by author
Category
1990s Contemporary Engraving Prints and Multiples
Materials
Paper, Engraving, Screen
La Promenade
Located in Fairlawn, OH
La Promenade
Etching, soft-ground, aquatint & drypoint,
Signed in pencil lower left
Published by Edmund Sagot, Paris
Edition of 50 in black only, aside from the edition of 50 in co...
Category
Early 1900s Art Nouveau Engraving Prints and Multiples
Materials
Drypoint, Etching, Aquatint
Petunia violacea, antique botanical purple flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
George Constant, When We Were Very Young
Located in New York, NY
The Greek-American artist George Constant is known for his modernist approach to traditional subject matter. This portrait of a young woman holding a book titled "When We Were Very Young...
Category
1930s American Modern Engraving Prints and Multiples
Materials
Drypoint
Mimulus roseus, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Salvador Dalì (1904–1989) - The Horse and the Wolf-drypoint etching with stencil
Located in Varese, IT
drypoint etching with stencil on extremely fine Japanese paper , Edited in 1974
Limited edition, numbered 245/250 in lower left corner.
Signed in pencil by artist in lower right corn...
Category
1970s Abstract Engraving Prints and Multiples
Materials
Drypoint, Etching
Robert Béenard (1734-1794) - 18th Century Engraving, Le Pivre & Le Betel
Located in Corsham, GB
Well presented in a simple mahogany frame and cream mount. On wove.
Category
Early 18th Century Engraving Prints and Multiples
Materials
Engraving
La Brebis, antique French 1760s sheep engraving
Located in Melbourne, Victoria
'La Brebis'
Copper-line engraving, circa 1765
From Buffon's "Histoire Naturelle, Generale et Particuliere Avec la Description du Cabinet du Roi" which was published in Paris.
24c...
Category
Late 19th Century Victorian Engraving Prints and Multiples
Materials
Engraving
Venise, Nina
Located in Fairlawn, OH
Venise, Nina
Etching and drypoint, 1923
Signed lower left (see photo)
Titled lower right (see photo)
Edition 100
Edition: 100
Printed on light green chine collee paper
Condition: Exc...
Category
1920s Impressionist Engraving Prints and Multiples
Materials
Drypoint
Hungary & Eastern Europe: A Large 17th C. Hand-colored Map by Sanson & Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Le Royaume De Hongrie et les Estats qui en ont este sujets et qui font presentement La Partie Septentrionale de la Turquie en Europe" was origin...
Category
1690s Engraving Prints and Multiples
Materials
Engraving
Thisbe and Pyramus, Ovid's Metamorphoses, French Classical Myth engraving, 1768
Located in Melbourne, Victoria
Copper-line engraving by Nicolas de Launay after Charles Monnet (1732-1808).
Thisbe, finding the dead body of Pyramus, throws herself on a sword.
Fro...
Category
Mid-18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
In th Bighorns (Wyoming)
Located in Fairlawn, OH
In th Bighorns (Wyoming)
Drypoint, c. 1930's
Signed in pencil lower right (see photo)
Titled in the plate lower left
Condition: Excellent
Image/Plate size: 6 3/8 x 4 3/8 inches
Hans Kleiber (1887-1967)
Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains.
Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife.
Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
Category
1930s American Realist Engraving Prints and Multiples
Materials
Drypoint
Ever Fonseca, ¨Lagartijo de luna¨, 2002, Silkscreen, 39.4x29.9 in
Located in Miami, FL
Ever Fonseca (Cuba, 1938)
'Lagartijo de luna', 2002
silkscreen on paper Guarro Biblos 250g.
39.4 x 30 in. (100 x 76 cm.)
Edition of 100
ID: FON-102
Unframed
Category
Early 2000s Contemporary Engraving Prints and Multiples
Materials
Paper, Engraving, Etching, Aquatint, Screen
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Champignon de la France, a French antique mushroom engraving, 1791
Located in Melbourne, Victoria
'Le Bolet Parasite' & 'Le Bolet Poivre'
A French copper-line engraving with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742-1793).
From Bulliard's 'Histoire des Champignons de la France', a series of engravings describing the mushrooms of France, published in Paris in 1791. This series of engravings are 'probably the first botanical work completely colour-printed without retouching by hand' (Great Flower Books...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Whales, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Whales, engraving with original hand-colouring, circa 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of Interesting Animals, Plants, Flowers, Fruits, Minerals, Costumes, Antiquities and other Interesting Objects...
Category
Early 19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Engraving Prints and Multiples
Materials
Drypoint, Aquatint
Vue d'un Village près de la Ville de Berne, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue d'un Village près de la Ville de Berne'
French copper-line engraving by Masquelier after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland illust...
Category
1780s Naturalistic Engraving Prints and Multiples
Materials
Engraving
Les Belles et la Betes II: Before The Hunt, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Peter Milton’s Les Belles et la Bête: Before the Hunt shows his ability to weave together fantasy, art history, and the subconscious into a single intricate vision. The print stages ...
Category
1970s Contemporary Engraving Prints and Multiples
Materials
Engraving, Etching
Apauly-Tustennuggee: 19th C. Hand-colored McKenney & Hall Folio-sized Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio size McKenney and Hall engraving of a Native American entitled "Apauly-Tustennuggee, A Creek Chief" after a painting by Charles Bird King from McKenney and Hall's "History of the Indian Tribes of North America", published in Philadelphia by Daniel Rice and James G. Clark in 1843. McKenney described him as “a chief and a warrior...a firm, brave man - and of good sense.”
This original McKenney and Hall large hand-colored folio-size engraving measures 20" high and 14" wide. The print is in excellent condition.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
Category
1840s Naturalistic Engraving Prints and Multiples
Materials
Engraving
Passiflora Kermesina, antique botanical pink flower passionflower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Gesneria Cooperi, antique botanical red flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
A Human Sacrifice, in a Morai, in Otaheite (Tahiti) 1784 James Cook Final Voyage
By John Webber
Located in Paonia, CO
A Human Sacrifice in a Morai in Otaheite (Tahiti) 1784 by John Webber is from the First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain...
Category
1780s Realist Engraving Prints and Multiples
Materials
Engraving
Sud (South)
By Anne Dykmans
Located in New Orleans, LA
This impression is #5 out of 40
Anne Dykmans was born in Verviers, Belgium, in 1952. She is a graduate of l’École Nationale d’Architecture et des Arts Visuels de La Cambre in Brussels, where she studied printmaking. Specialist of the Mezzotint (mezzotinto) technique, she is especially known for her prints of interior scenes, where light and dark come together in amazing chiaroscuro effects. She has presented her work in solo and group shows in Belgium and in many countries including; among others: France, Germany, Spain, Canada, Japan, China, and the USA. She was awarded in 1983 the Prix de la Jeune Gravure Belge in Antwerp. In 1986 she received the Prize of the 8th Biennale of Engraving of Fredrikstad, Norway. She won in 1988 the Gold Medal at the 2nd Triennial of Mezzotint Engraving of Sopot, Poland. Her prints are included in many private and public collections around the world.
Anne Dykmans taught engraving from 1984 to 2017 at the Constantin Meunier...
Category
Early 2000s Abstract Engraving Prints and Multiples
Materials
Mezzotint
Champignon de la France, a French antique mushroom engraving, 1791
Located in Melbourne, Victoria
'L'Agaric Couleuvre'
A French copper-line engravings with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742-1793).
From Bulliard's 'Histoire des Champignons de la France', a series of engravings describing the mushrooms of France, published in Paris in 1791. This series of engravings are 'probably the first botanical work completely colour-printed without retouching by hand' (Great Flower Books...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Seventy Percent Chance
By Art Werger
Located in Palm Springs, CA
Medium: Mezzotint
Year: 2023
Edition: 50
Image Size: 11.75 x 17.5 inches
Pedestrians sheltering from the rain under umbrellas in an urban downtown setting,
Art Werger’s prints show...
Category
21st Century and Contemporary Contemporary Engraving Prints and Multiples
Materials
Mezzotint
Gladiolus Carneus - Henry Andrews antique botanical pink flower engraving print
Located in Melbourne, Victoria
'Gladiolus Carneus - Flesh-coloured Gladiolus'
Native of the Cape of Good Hope, Africa.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botani...
Category
Early 19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Peacock Butterfly, Moth & Botanical: An 18th C. Hand-colored M. Harris Engraving
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving of Peacock Butterflies and Water Betony Moths depicted in their natural botanical environment, which is plate 8 from Mos...
Category
Mid-18th Century Engraving Prints and Multiples
Materials
Engraving
La Grenouille (The Frog), from Buffon's l'Histoire Naturelle
Located in Washington, DC
Artist: Pablo Picasso
Title: Le Grenouille (The Frog), from Buffon's l'Histoire Naturelle
Medium: Original etching with sugar-lift aquatint and drypoint on Vidalon paper with Vollard...
Category
1940s Cubist Engraving Prints and Multiples
Materials
Drypoint, Etching, Aquatint
Mein Weg mit dem Weib #11 - Original Etching by W.R. Rehn
Located in Roma, IT
Drypoint and aquatint (brown ink) on cream paper.
Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...
Category
1910s Symbolist Engraving Prints and Multiples
Materials
Drypoint, Aquatint
Robert Béenard (1734-1794) - 18th Century Engraving, Le Quinquina & La Casse
Located in Corsham, GB
Well presented in a simple mahogany frame and cream mount. On wove.
Category
Early 18th Century Engraving Prints and Multiples
Materials
Engraving
Semen: large scale expressionist nude male figure portrait, floating in pink
Located in New York, NY
This large scale, ethereal portrait depicts a tranquil male nude figure floating in pink and blue. Based on a tempera painting, an expressionist, emotive piece to bring dramatic impa...
Category
1980s Contemporary Engraving Prints and Multiples
Materials
Drypoint, Etching, Aquatint
George Romodo - An Eccentric Mimic
Located in Bournemouth, Dorset
George Romondo, was a diminutive 18th-century performer known as the “eccentric mimic.”
Born in about the year 1765 in Lisbon, Portugal, Romondo’s unusual talent was matched by an...
Category
19th Century Engraving Prints and Multiples
Materials
Engraving
$102 Sale Price
20% Off
Flowering Pomegranate & Rock Rose: A 17th C. Besler Hand-colored Engraving
Located in Alamo, CA
This is a hand-colored copper-plate engraving entitled "Cistusflore Albo, Balaustium Flore Minori Romanum, Cotinus", depicting flowering Pomegranate, Rock Rose...
Category
1640s Academic Engraving Prints and Multiples
Materials
Engraving
$2,700 Sale Price
20% Off
Ancient Rome /// Joseph Mallord William Turner City River Landscape Engraving
Located in Saint Augustine, FL
Artist: (after) Joseph William Mallord Turner (English, 1775-1851)
Title: "Ancient Rome"
Portfolio: The Turner Gallery: A Series of Sixty Engravings From The Principal Works of Josep...
Category
1860s Victorian Engraving Prints and Multiples
Materials
Engraving
Four French Louis XIV period chimney-piece design engravings by Jean Dolivar
Located in Melbourne, Victoria
'Luire de Cheminees a la Moderne nouvellement Invente et Grave par Jean Dolivar.'
Collection of 4 engravings with designs for chimney-pieces. Published in Paris, circa 1670.
210mm ...
Category
Mid-17th Century Baroque Engraving Prints and Multiples
Materials
Engraving, Etching
Decadence. Figurative mixed media etching, Surrealist, Polish art
By Leszek Rózga
Located in Warsaw, PL
Figurative surreal dypoint print with ink and crayons by Polish artist Leszek Rozga. Artwork depicts several portraits in different styles. There is also a landscape on the bottom pa...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Paper, Drypoint, Crayon, Ink
$754 Sale Price
20% Off
Saying Goodbye, Polymer gravure on Somerset 300gsm Signed 71/100, Framed UK Art
By Tracey Emin
Located in New York, NY
Tracey Emin
Saying Goodbye, 2018
Polymer gravure on Somerset 300gsm
Pencil signed, titled, dated, and numbered 71/100 by Tracey Emin on the front
Frame Included:
Elegantly floated an...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Engraving, Photogravure
Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea'
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 130mm (sheet)
Category
Mid-19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Spanish signed limited edition original art print silkscreen 20x26 in. n52
Located in Miami, FL
Juan Alcalde Alonso (Spain, 1918-2020)
'La calle', ca. 2000 - 2010
silkscreen on paper
20.5 x 26 in. (52 x 66 cm.)
Edition of 225
ID: ALC1002-052-225
Hand-signed by author
Excellent ...
Category
Early 2000s Contemporary Engraving Prints and Multiples
Materials
Engraving, Screen
Flowering Narcissus Lily: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of a flowering Red Narcissus Lily plant, which is finished with hand-coloring. It is entitled "Narcissus In...
Category
Mid-18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving, Mezzotint
Drift (dramatic nocturne in America's suburbia)
By Jacob Crook
Located in New Orleans, LA
Drift is a hand-pulled mezzotint in an edition of 10. This is #3/10. Location is Jarnigan ST in Starksville, Mississippi
Jacob Crook was born in St. Loui...
Category
2010s American Modern Engraving Prints and Multiples
Materials
Mezzotint
Igor Gabor Artist 1989 Original Hand Signed silkscreen rural nature
Located in Miami, FL
Igor Gabor
'Arquitectura', 1989
silkscreen on paper
19.7 x 27.6 in. (50 x 70 cm.)
Edition of 25
ID: GAB1057-001-025
Unframed
Hand-signed by author
Category
1980s Contemporary Engraving Prints and Multiples
Materials
Paper, Engraving, Screen
Drei Grazien (Three Graces)
Located in Fairlawn, OH
Drei Grazien (Three Graces)
Etching and drypoint, 1920
Signed and titled in pencil (see photo)
Total Edition 100: 30 on Japan and 70 on Butten paper as here
Published by von Wohlgemu...
Category
1920s Expressionist Engraving Prints and Multiples
Materials
Drypoint
"La Llena" 1997 (Full Moon Collection 3 of 4) Spanish Artist Signed engraving
Located in Miami, FL
Magda Bolumar (Spain, 1936)
'La llena (Collection "La luna presente")', 1997
etching, aquatint on paper Rives BFK 300 g.
27.6 x 19.7 in. (70 x 50 cm.)
Ed...
Category
1990s Contemporary Engraving Prints and Multiples
Materials
Engraving, Etching, Aquatint
Hand-colored 1834 Joseph Paxton Botanical Engraving of Yellow Trumpet Flowers
By Joseph Paxton
Located in Alamo, CA
This is a hand-colored engraving of yellow trumpet flowers from Sir Joseph Paxton's (1803-1865) "Magazine of Botany and Register of Flowering Plants", published in 1834. This engravi...
Category
Early 19th Century Academic Engraving Prints and Multiples
Materials
Engraving
Passage, by Art Werger
By Art Werger
Located in Palm Springs, CA
Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Anonymous pedestrians passing on a snowy walk through Central Park. Um...
Category
Early 2000s Contemporary Engraving Prints and Multiples
Materials
Mezzotint
Find Engravings and Other Fine Art Prints on 1stDibs
Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.
An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.
Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well.
Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.
Find engravings and other fine art prints today on 1stDibs.
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