Guzzini Giraffe

Guzzini is often mistakenly thought to be the name of a lighting designer active in the 1960s and 1970s. But in fact the label belongs to a lighting manufacturing company that was founded by six Guzzini brothers — Raimondo, Giovanni, Virgilio, Giuseppe, Adolfo and Giannunzio, who were inspired by the 1950 film Harvey starring James Stewart.

Compounding the historical record even further, it seems that the Guzzini company rebranded many times in the 20th century, going by, at various points, Harvey Creazioni, Harvey Guzzini, Guzzini, iGuzzini and Illuminazione Guzzini. Harvey Creazioni was originally founded in 1959 in Recanati (on the east-central coast of Italy) by Raimondo, focusing on the production of copper-plated decorative objects. Four years later, in June 1963, the six brothers joined together and established Harvey Creazioni di Guzzini, expanding production to include pendant lighting, sconces, table lamps and floor lamps.

The brothers employed architect-designer Luigi Massoni — who was introduced to the Guzzini brothers by leading plastic importer Maurizio Adreani — as head of design, branding, public relations and advertising. Famous Harvey Guzzini designs include Massoni and Luciano Buttura's Mushroom table lamp (1965) as well as the in-house designed Arc floor lamp (1968), Faro table lamp (1970) and Toledo table lamp (1973). Studio 6G, an interning design team, developed the collectible Clan table lamp (1968); and designers Ermanno Lampa and Sergio Brazzoli were responsible for the Nastro series (1970), Orione pendant (1970), Sirio table lamp (1970), Alba floor lamp (1973), Albanella table lamp (1973) and Alf series (1976). Around 1976, Harvey Guzzini ceased the production of copper-plated items to concentrate on lighting made almost exclusively from methacrylate plastic (acrylic). The company also dabbled in furniture production, collaborating with Yugoslavian furniture producer Meblo, located in Nova Gorica in present-day Slovenia.

In 1967–68, the company exhibited at Domus: Formes Italiennes in the Galeries Lafayette in Paris under the name Design House (DH), where the company featured Gio Ponti’s Media lamp. A retail outlet was opened in central Milan under the name Harvey Guzzini-DH in 1969, situated literally and figuratively among the best known Italian design houses. In 1974, the company rebranded once more as iGuzzini, adding Illuminazione in 1981, which still exists today with headquarters in Recanati, Italy.

Find a collection of vintage Guzzini furniture today on 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Antique, new and vintage Lucite furniture has been on design editors’ radars for several seasons now, but thanks to a renewed interest in Lucite coffee tables, chairs and other pieces from the late 1960s and ’70s, the trend has reached fever pitch.

“I think there’s a freshness and cleanness to it,” says Fawn Galli, an interior designer based in New York. Not only is Lucite, or transparent plastic, practical, since it can work in nearly any environment, it’s incredibly stylish.

Some of the most acclaimed furniture designers share the same love for Lucite as an effective and practical material for use in any interior.

“I think there’s something really nice about the simplicity of anything Lucite or acrylic — it feels lightweight,” says Tamara Eaton, whose eponymous firm deftly balances traditional and modern designs. Even in the most historical setting, “you can still introduce some Lucite or something kind of lightweight and not have it feel like a distinct interjection, but a playful one that’s more about the shape,” she says.

For the living room in a mid-century modern townhouse in Park Slope, Brooklyn, Eaton chose a pair of box-shaped Lucite tables with copper handles from Jamie Dietrich. “We didn’t want anything to be too heavy, and that area was a place where [the family] would sometimes move those tables so the kids could play,” she says. The tables doubled as snack trays since the kitchen is nearby. “They have this transportable feel to them that I think was really fun.”

Browse a range of antique, new and vintage Lucite side tables, table lamps and other furniture now on 1stDibs.

Invite the untamed wonders of the animal kingdom into your home — and do so safely — with the antique, new and vintage animal sculptures available on 1stDibs.

Artists working in every medium from furniture design to jewelry to painting have found inspiration in wild animals over the years. For sculptors, three-dimensional animal renderings — both realistic and symbolic — crisscross history and continents. In as early as 210 B.C., intricately detailed terracotta horses guarded early Chinese tombs, while North America’s native Inuit tribes living in the ice-covered Arctic during the 1800’s wore small animal figurines carved from walrus ivory. Indeed, animal sculpture has a long history, and beginning in the 19th century, the art form started becoming not only fashionable but artistically validated — a trend that continues today. At home, animal sculptures — polished bronze rhinos crafted in the Art Deco style or ceramic dogs of the mid-century modern era — can introduce both playfulness and drama to your decor.

In the case of the frosted glass sculptures crafted by artisans at legendary French glassmaker Lalique, founded by jeweler and glass artist René Lalique, some animal sculptures are purely decorative. With their meticulously groomed horse manes and detailed contours of their parakeet feathers, these creatures want to be proudly displayed. Adding animal sculptures to your bookcases can draw attention to your covetable collection of vintage monographs, while side tables and wall shelving also make great habitats for these ornamental animal figurines.

Some sculptures, however, can find suitable nests in just about any corner of your space. Whimsical brass flamingos or the violent, realist bronze lions created by Parisian sculptor Antoine-Louis Barye are provocative and versatile pieces that can rest on windowsills or your desk. Otherwise, the brass cat shoehorns and bronze porcupine ashtrays designed by Viennese artist Walter Bosse are no longer roaming aimlessly throughout your living room, as they’ve found a purpose to serve.

Embark on your safari today and find a fascinating collection of vintage, modern and antique animal sculptures on 1stDibs.