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Percival Lafer Mp43

"MP-43 Lounge Chair and Ottoman by Percival Lafer, Brazilian Mid-Century Modern
By Percival Lafer
Located in Sao Paulo, SP
The rare MP-43 armchair, made of Brazilian hardwood, is another great example of the imaginative
Category

Mid-20th Century Brazilian Mid-Century Modern Armchairs

Materials

Wood

Recent Sales

Percival Lafer MP43 Lounge Chair with Headrest & Footstool.
By Percival Lafer
Located in BANGALOW, NSW
The MP-41 was designed by Percival Lafer in the 1960’s, Brazil. This chair features a solid dark
Category

Mid-20th Century Brazilian Mid-Century Modern Lounge Chairs

Materials

Leather, Hardwood

Rare "MP-43 Mirage" Armchair by Percival Lafer, Brazilian Mid-Century Modern
By Percival Lafer
Located in Sao Paulo, SP
The rare MP-43 armchair, made of Brazilian hardwood is another great example of the imaginative and
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Mid-20th Century Brazilian Mid-Century Modern Armchairs

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Percival Lafer MP-43 Lounge Chair Produced by Lafer MP in Brazil
By Percival Lafer, Lafer
Located in Dronten, NL
MP-43 arm chair designed by Percival Lafer and produced by Lafer MP in Brazil. The leather with
Category

Vintage 1960s Brazilian Mid-Century Modern Lounge Chairs

Materials

Leather, Jacaranda

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Percival Lafer for sale on 1stDibs

When it comes to mid-century furniture, the innovative work of the Brazilian Modernists has often been overlooked, including the designs of prolific maker Percival Lafer. Lafer studied architecture at São Paulo’s Universidade Mackenzie. After he graduated, his father passed away suddenly, leaving a furniture business that Lafer took over with his brothers.

Taking up the mantle, Lafer made the jump from architecture to furniture design in 1961, putting a focus on thoughtfully designed pieces available at affordable prices. That year, Lafer introduced his supremely popular MP-1 chair, a plush piece of furniture made with iron and wood that he has riffed on throughout his entire career.

The silhouettes of Lafer lounge chairs, armchairs and other seating were distinct from streamlined American and European mid-century modernism, taking on casual, puffed forms thanks to his use of polyurethane layers as padding. He combined such contemporary industrial materials with local natural ones, namely Brazilian hardwoods, which delighted customers around the world as Lafer became one of the country’s leading exporters of furniture.

Lafer has continued to design furniture throughout his career, branching into sofas, tables and lighting. He was at the forefront of mechanical furniture movements, debuting the MP-7 sofa, which could turn into a twin bed, in 1965, the first such piece on the market. One of his most intriguing projects was the MP Lafer, a two-seat fiberglass roadster designed to emulate British sports cars. Some 4,300 units were produced over its 16-year manufacturing run in the ’70s and ’80s, with several ending up in the collections of major car museums.

Still, Lafer’s biggest claim to fame is his seating, which he continues to design, drawing inspiration from modern shapes and local materials. In 2017, a retrospective of his work was organized as part of the São Paulo Design Weekend.

Find vintage Percival Lafer furniture for sale on 1stDibs.

A Close Look at Mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

On the Origins of Brazilian

More often than not, vintage mid-century Brazilian furniture designs, with their gleaming wood, soft leathers and inviting shapes, share a sensuous, unique quality that distinguishes them from the more rectilinear output of American and Scandinavian makers of the same era.

Commencing in the 1940s and '50s, a group of architects and designers transformed the local cultural landscape in Brazil, merging the modernist vernacular popular in Europe and the United States with the South American country's traditional techniques and indigenous materials.

Key mid-century influencers on Brazilian furniture design include natives Oscar NiemeyerSergio Rodrigues and José Zanine Caldas as well as such European immigrants as Joaquim TenreiroJean Gillon and Jorge Zalszupin. These creators frequently collaborated; for instance, Niemeyer, an internationally acclaimed architect, commissioned many of them to furnish his residential and institutional buildings.

The popularity of Brazilian modern furniture has made household names of these designers and other greats. Their particular brand of modernism is characterized by an émigré point of view (some were Lithuanian, German, Polish, Ukrainian, Portuguese, and Italian), a preference for highly figured indigenous Brazilian woods, a reverence for nature as an inspiration and an atelier or small-production mentality.

Hallmarks of Brazilian mid-century design include smooth, sculptural forms and the use of native woods like rosewoodjacaranda and pequi. The work of designers today exhibits many of the same qualities, though with a marked interest in exploring new materials (witness the Campana Brothers' stuffed-animal chairs) and an emphasis on looking inward rather than to other countries for inspiration.

Find a collection of vintage Brazilian furniture on 1stDibs that includes chairssofastables and more.

Finding the Right Lounge-chairs for You

While this specific seating is known to all for its comfort and familiar form, the history of how your favorite antique or vintage lounge chair came to be is slightly more ambiguous.

Although there are rare armchairs dating back as far as the 17th century, some believe that the origins of the first official “lounge chair” are tied to Hungarian modernist designer-architect Marcel Breuer. Sure, Breuer wasn’t exactly reinventing the wheel when he introduced the Wassily lounge chair in 1925, but his seat was indeed revolutionary for its integration of bent tubular steel.

Officially, a lounge chair is simply defined as a “comfortable armchair,” which allows for the shape and material of the furnishings to be extremely diverse. Whether or not chaise longues make the cut for this category is a matter of frequent debate.

The Eames lounge chair, on the other hand, has come to define somewhat of a universal perception of what a lounge chair can be. Introduced in 1956, the Eames lounger (and its partner in cozy, the ottoman) quickly became staples in television shows, prestigious office buildings and sumptuous living rooms. Venerable American mid-century modern designers Charles and Ray Eames intended for it to be the peak of luxury, which they knew meant taking furniture to the next level of style and comfort. Their chair inspired many modern interpretations of the lounge — as well as numerous copies.

On 1stDibs, find a broad range of unique lounge chairs that includes everything from antique Victorian-era seating to vintage mid-century modern lounge chairs by craftspersons such as Hans Wegner to contemporary choices from today’s innovative designers.