Founded in 1945, Henredon is one of the more recently minted of the top-tier North Carolina furniture makers. Among collectors, Henredon is admired both for its sleek, sexy sofas, dining tables and other furniture of the 1970s and for its partnerships with noted designers, a program that began in the 1950s with decorating icon Dorothy Draper and architect Frank Lloyd Wright.

From the start, Henredon has been best known for its bedroom furniture and vintage case pieces, such as cabinets, dressers, armoires and credenzas. The brand was established in Morganton by former Drexel Furniture Company executives, and its name is a portmanteau term, derived from the first names of three of the company’s founders — T. Henry Wilson, Ralph Edwards and Don VanNoppen. (Sterling Collett, a fourth figure mentioned in Henredon Furniture’s history, chaired the company and served as treasurer).

Though not on the cutting edge stylistically, Henredon’s production — as well as its output under the Heritage-Henredon label — has always kept pace with contemporary tastes.

In 1953, High Point manufacturer Heritage began a collaboration with Dorothy Draper, famed for bravura interior design commissions such as the Fairmont Hotel in San Francisco and the Greenbrier resort in West Virginia. Her taste for bold, modernized historical style is reflected in the incised baroque medallions of her España line and the geometric motif of her Viennese furnishings group. In 1955, Henredon launched the Taliesin Ensemble by Wright, named after the architect’s houses in Wisconsin and Arizona. Taliesin dressers and coffee tables are recognizable by their angular shapes and a dentil motif on their edges. In those years, Henredon had a cross-licensing agreement with Heritage, and Draper and Wright's furniture is usually labeled Heritage-Henredon.

In later decades, Henredon produced collections for such designers as Ralph Lauren and Laura Ashley. The company took a stylish turn in the 1970s, fabricating new and unusual forms like mirrored room dividers and console tables with rounded corners and burl-wood veneers. Such pieces are priced in the $3,000 to $4,000 range, as are chests of drawers by Draper. Wright furniture tends toward the higher end, priced around $7,000. Henredon was an aesthetically diverse maker, but its furniture commands attention and makes a statement in any eclectic decor.

The vintage Henredon furniture for sale on 1stDibs includes bedroom furniture, coffee tables, chairs and other pieces.

A Close Look at mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

Emerged during the mid-20th century
Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
A heyday of innovation in postwar America
Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

Simplicity, organic forms, clean lines
A blend of neutral and bold Pop art colors
Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood
Light-filled spaces with colorful upholstery
Glass walls and an emphasis on the outdoors
Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

Charles and Ray Eames
Eero Saarinen
Milo Baughman
Florence Knoll
Harry Bertoia
Isamu Noguchi
George Nelson
Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively.

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer.

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right card-tables-tea-tables for You

Today, the phrase “card tables” might evoke the image of common plastic tables covered in felt, but historically these tables were statement pieces that invited merriment and were made of mahogany, walnut or other fine woods. Today, antique and vintage card tables and tea tables can enliven a space and encourage spirited competition in your home.

Card tables originated in England in the late 17th century, and during this time, as well as the 18th century, game tables in general became quite popular. We refer to early versions of card tables as antique Regency card tables because the Prince of Wales ruled England during the period and his official title was Regent. Back then, these furnishings were typically small, rectangular tables outfitted with hinged tops so that they could be opened to reveal a playing surface. Ornamental flourishes of the era might have included an integration of fine velvet or needlepoint as lining for the table’s surface. For furniture makers, wide adoption of a dense woven green material called baize for table covering — similar to felt but stronger — occurred during the early 1700s.

Tea became widely affordable during the early 1800s in England, and tea time exploded in popularity and involved large tea sets — especially during the Victorian era — as well as small, well-crafted tea tables. Your beverage was paired with petite baked goods, and the tea table would be home to teacups, saucers, a milk pot and other items. While tea tables are similar in design to card tables, the focus is more on presentation. Georgian card tables and tea tables — furniture made during the reign of England’s three Georges — were especially ornate. Some featured intricately carved design elements on each side and stood on elegantly curved legs. After all, tea time became a sacred ritual that society women dressed up for. It was a time to pause, reflect and sip a comforting beverage.

When no guests were visiting to enjoy tea or play games, owners could fold down both card tables and tea tables to their smaller size and tuck them away into a corner of the room.

Antique and vintage card tables and tea tables can make a lovely addition to any living room, entertainment room or game room. Find yours on 1stDibs.