Velella Flos

Imaginative lighting is a longtime hallmark of modern Italian design. Following in the footsteps of innovative companies such as Artemide and Arteluce, the company FLOS brought a fresh aesthetic philosophy to the Italian lighting field in the 1960s, one that would produce several of the iconic floor lamp, table lamp and pendant light designs of the era.

FLOS — Latin for “flower” — was founded in the northern town of Merano in 1962 by Cesare Cassina (of the famed Cassina furniture-making family) and Dino Gavina, a highly cultured businessman who believed that artistic ideas espoused in postwar Italy could inform commercial design. The two enlisted brothers Achille and Pier Giacomo Castiglioni as their first designers.

Even before FLOS was formally incorporated, the Castiglionis gave the firm one of its enduring successes with the Taraxacum pendant and associated designs made by spraying an elastic polymer on a metal armature. (George Nelson had pioneered the technique in the United States in the early 1950s.) For other designs, the brothers found inspiration in everyday objects. Suggestive of streetlights, their Arco floor lamp, with its chrome boom and ball-shaped shade sweeping out from a marble block base, has become a staple of modernist decors. Designing for FLOS since 1966, Tobia Scarpa has also been inspired by the commonplace. His folded-metal Foglio sconces resemble a shirt cuff; his carved marble Biagio table lamp looks like a jai alai basket.

In 1973, FLOS purchased Arteluce, the company founded in 1939 by Gino Sarfatti, and it continues to produce his designs. In recent decades, FLOS has contracted work from several noted designers, including Marcel Wanders and Jasper Morrison. As instantly recognizable as they are, many FLOS designs remain accessible. While FLOS lighting is the essence of modernity, its sleek, subtle designs can be used to strike a sculptural note in even traditional spaces.

Browse a broad range of FLOS lighting fixtures at 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Antique and vintage flush mount lighting fixtures can help you create inviting, ambient lighting in your space, and who doesn’t want that?

While electric light bulbs were a huge improvement over gas and oil lamps for lighting our homes, we still had much work to do in order to arrive at the broad range of table lamps, pendants, sconces and other fixtures that are available today.

Lighting technology and design improved substantially over time. Engaging engineers, scientists, architects and designers alike, the field of lighting became a major proving ground for state-of-the-art materials like plastics, inventive new mechanisms and emotionally resonant styles that included the ethereal (Isamu Noguchi’s Akari light sculpture), the whimsical (Gino Sarfatti’s 2109 ceiling light and Sputnik chandelier) and the eclectically postmodern (the Toio floor lamp crafted by Achille and Pier Giacomo Castiglioni). Eventually, flush mount light fixtures became a practical option for home lighting.

Flush mount lighting fixtures are among the most convenient ways to light a small room with a low ceiling. These structures sit directly against the ceiling’s surface and cast light downward, illuminating a large area and defining the room. Semi-flush mount lighting fixtures hang several inches from the ceiling. They also produce ambient light but can be a little more decorative and lean toward the style of chandeliers.

Flush mount lighting is versatile. Larger fixtures distribute more ambient light across the center of the room, while smaller flush mount fixtures are best for accent or task lighting. The main drawback of flush mount fixtures is that they don’t make a strong statement. You can remedy this by strategically arranging decorative accents that flourish in soft lighting.

Lighting is an essential part of any interior design project. Often, having the right light fixture is key to creating an attractive, radiant room. Ample lighting paired with enticing design creates an elevated, inviting atmosphere, helping to set the desired mood. Selecting the right lighting for your home, however, isn’t merely about creating an especially bright bedroom or a moody dining room. There are many different kinds of fixtures and illumination to consider, with flush mount lighting fixtures among them.

Make a statement with a<a href=/furniture/lighting/flush-mount-ceiling-lights/material/metal/ target="_blank" rel="noopener noreferrer"> metal flush mount lighting fixture — a copper or chrome fixture can prove dazzling in your living room. Art Deco flush mount lighting fixtures, with their geometrical shapes and unique detailing in crystal, glass and brass, will go toward creating a cohesive look amid your collection of authentic Art Deco era posters and other wall decor.

Hollywood Regency fixtures — defined by a flamboyant design style for which we credit decorator Dorothy Draper — can introduce glamour and glitz to your living room with their mirrored finishes and complex floral motifs.

Explore a collection of antique and vintage flush mount lighting fixtures on 1stDibs to see what style best suits your space.