Art

Lyman Kipp Unique painting on paper done with paint roller, 1970 Ink roller painting on paper Signed and dated in ink by Lyman Kipp on the lower right Frame included: elegantly framed in a museum quality wood frame with UV plexiglass This is a unique color oil painting created in 1970 with his signature technique of using a roller, by pioneering Minimalist artist Lyman Kipp, one of the founders of Construct Gallery., which included sculptors Kenneth Snelson and Mark di Suvero. Measurements: Frame: 17.5 x 15.25 x 1.75 inches Artwork: 11 x 8.5 inches About Lyman Kipp: The large, powerful sculptures of Lyman Kipp were part of the Primary Structures movement in the 1960s, that transformed the way sculptors worked, and the way in which sculpture was viewed in America. The Constructivism movement, that began in Moscow in the 1920s, espoused the idea that art should be created for the benefit of society and that artists should be involved in industrial design and construction. It viewed the artist as a creator, designer and constructor. The simplicity of design of the Constructivists had a profound effect on the De Stijl movement in the Netherlands and the Bauhaus movement in Germany during the 1920s and ‘30s. Artists in the United States were slowly embracing the ideas of constructivism and minimalism, but it took a group of artists, including Kipp, to change the way artists, and the public, create and view art. Kipp was born in Dobbs Ferry, New York in 1929. He studied at Pratt Institute in New York and then went on the study and teach at the Cranbook Academy in Michigan. He began making large, steel and aluminum sculptures in the 1960s, that had to be transported and welded together on site. He worked in spare, geometric shapes and primary colors. In 1966, the Jewish Museum in New York organized the Primary Structures exhibit, showing large, minimal style works by young American and British sculptors. The show was a huge success, and got rave reviews by art critics, including those of Time and Newsweek. In an effort to get continued recognition, a group of American sculptors, including Lyman Kipp, founded an artist-owned gallery called, ConStruct. They organized exhibitions throughout the United States to promote their large-scale sculptures. The pieces we have in our gallery are maquettes, preliminary models that Kipp made before he built and assembled his huge, finished sculptures. In addition to painting and creating sculptures for public spaces, Kipp dedicated his life to art education. He taught at Bennington College in Vermont, Hunter College in New York and became the chairman of the art department at Lehman College in New York. Kipp’s works are part of the permanent collections of the Whitney Museum of Art, the Philadelphia Museum of Art and the Smithsonian American Art Museum. Lyman Kipp died in Bonita Springs, Florida on March 30, 2014, leaving a legacy of his work in parks and public spaces around Florida and other states throughout the U.S. Courtesy of Vertu Fine Art

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Alexander Liberman led a dual life--as the the noted editorial director for Conde Nast publications for nearly 30 years and as an acclaimed minimalist sculptor and painter whose work...

"High Green, Version I" is an aquatint print by Richard Diebenkorn, made in 1992. It is number 46 from an edition of 65. The work is signed in pencil, lower right, "RD 92". The artwo...

"Suffocate" Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist with a BFA ...

Fresh Impulse. "When a new idea has crossed your mind and you are full of inspiration to carry it out." This intuitive monochrome drawing is made with Chinese ink and pastel on whit...

Rosso, Vibrazioni positive Pino Manos (Sassari 1930 - Milano 2020) è un artista, un ricercatore, un uomo libero di grande sensibilità, la cui attività si muove in molteplici dimensi...

Original semi-abstract figurative painting on black cartridge, unframed. Spontaneous artwork made using blue and white acrylics. Emotional and sensual image of an embraced couple in ...

Gough’s interest in the elusive quality of memory has always been an invariable interest in his art practice. Rooted in memories of his upbringing in Newfoundland, Gough’s scenic lan...

Original semi-abstract figurative painting on black cartridge, unframed. Spontaneous artwork made using blue and white acrylics. Emotional and sensual image of an embraced couple in ...

Original semi-abstract figurative painting on black cartridge, unframed. Spontaneous artwork made using blue and white acrylics. Emotional and sensual image of an embraced couple in ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Red, Blue, and Gray Robert Goodnough, American (1917–2010) Date: 1974 Screenprint, signed and numbered in pencil Edition of 200 Image Size: 38.5 x 23.5 inches Size: 40 x 25 in. (101....

Blue My Mind 31.4 x 39.3 x 1.4, 4.4 lbs Acrylic Hand signed by artist Artist's Commentary: "In this painting, you'll notice a smooth blend of deep blue and turquoise hues that gently sweep towards the outer edges. These vibrant colors are encased by bold, vivid pink oil pastel lines. The interplay between these contrasting shades gives rise to a captivating sense of movement and an entrancing, almost trance-like effect." About the Artist: Evgenia Makarova...

Lyman Kipp Kipp, at Betty Parsons Gallery, 1968 Rare Minimalist silkscreen announcement poster 24 × 13 1/4 inches Unframed Extremely rare. If you're reading this listing, you know wh...

Kenneth Noland Themes and Variations 1958-2000 (hand signed by Kenneth Noland), 2002 Softback monograph with stiff wraps (hand signed and dated by Kenneth Noland) Official hand signe...

Original semi-abstract figurative painting on black cartridge, unframed. Spontaneous artwork made using blue and white acrylics. Emotional and sensual image of an embraced couple in ...

Wolf Kahn Brattleboro Seen as a "Flugstadt" (European river town), 1980 Pastel on paper painting. Framed with handwritten label by the artist and Grace Borgenicht label Hand-signed by artist, hand signed front; bears the artist's handwritten label as well as label from Grace Borgenicht verso and a sticker from original collector Frame included: original vintage frame This work was acquired from the Brattleboro Museum in Vermont, which sold it to raise funds for their ongoing programming. As its title notes, it depicts the "Brattleboro Seen as a Flugstadt (European River Town)" - which has important autobiographical images. Wolf Kahn was born in Germany but he and his wife spent summers in Brattleboro Vermont...

Sophie Dumont's canvas, a testament to her artistic finesse, unfolds a captivating tableau of a library rendered in monochrome. The meticulous application of oil on canvas, coupled w...

Richard Serra, Equal, 2015 (Hand Signed) Offset lithograph poster (hand signed by Richard Serra) Boldly signed in black marker on the front Published by David Zwirner; Designed by McCall Associates 24 × 36 inches Unframed Acquired from David Zwirner Gallery Very good condition other than gentle handling near the edges Richard Serra Biography: Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965). In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...

Observing how yellow and green work against each other. A colour study of lines, favouring a bright palette that reflects the artists’s personal relationship with colour. The...

'From Here to There' is a large acrylic and gold leaf on canvas landscape painting of horizontal format created by American artist Jim Seitz in 2023. Featuring a gold, grey, peach and blue palette, the painting gives great importance to the sky and clouds. The lower part of the composition is occupied by the golden presence of the ground, accented by a luminous ray that leads our eye to a path snaking through the horizon. Unframed, this horizontal landscape painting is signed lower right. Jim Seitz was born in Chicago and currently resides in Louisiana. He grew up in Texas and graduated from Stephen F. Austin State University with a Bachelor of Science Degree. He began showing talent and love for art as a young child, becoming more serious during his college years. During the time he worked for the university, providing medical illustrations for the Science Department, He has traveled extensively throughout his life, living for several years in the Middle East, before moving to South East Asia. His travel experiences have included everything from cave explorations in the mountains of Iran to working in the jungles of New Guinea and Borneo. His preferred medium during that time was ink and watercolor, as it was easy to transport to and from remote locations. While influenced by various 19th century landscape artists, Jim has developed a unique technique characterized by tonal, minimalist representation of his subject matter. Through this approach, less becomes more. His appreciation for color and his creative perspective lend to pieces that are traditional, moving to abstract. His utilization of gold leaf applied over heavy textured canvas and then glazed with multiple layers of acrylics provides an effect that is quickly becoming this artist’s signature style. Jim’s work...

"Spruce Tree and Snow Clouds, Esashi, Hokkaido, Japan. 2023." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print ...

Violet composition is an original artwork realized in 1975 by Oscar Piattella. Hand signed, dated on the lower right margin. Numbered on the lower left. Edition of 54/100 prints. ...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Jae Hahn is a Korean-born artist living in Los Angeles. Known for abstraction and minimalism. She graduated with a Bachelors of Arts degree majoring in painting at UCLA in 1977. She spent her first 20 formative years in Korea, and the following 30 years in Los Angeles. Hahn’s search to find her own identity and cultural heritage resulted in studying Oriental philosophy, but more specifically, Taoism and Zen Buddhism. She later focused on figure painting, consolidating what she learned from all schools of masters. The first was about structure from cubism. Next were the dynamic color studies of Matisse, and third, the freedom of spontaneous gestural strokes found in Abstract Expressionism. During the late 1990’s, Hahn experienced her own Renaissance. Her paintings took on a new life, with more activity and interlocking positive and negative space, and varying textures (“folding”) and irregular shapes. This resulted in the Unfoldings series, which encompasses Hahn’s artistic attributes of color and form, surface layered depth of field, sculpture, geometry and structure. Jae's paintings are painted in varied tones of a single colour, and usually appear in the form of diptych, triptych or polyptych. The contents are patterns formed by lines such as a triangle, a diagonal, a cross or simply a horizontal line. Simplicity is indeed a quality that the artist intends to convey through her art. Following in the tradition of Donald Judd, John McCracken, Agnes Martin, Dan Flavin and Robert Morris, Her work tends towards a luminous minimalist style. She has showed at Kelley Roy gallery alongside John Henry, Dolly Moreno and Sebastian Spreng. She has also shown at Seth Jason Beitler Gallery in Miami. Selected Individual Exhibitions Millenia Fine Arts, Orlando, FL Lois Neiter Fine Arts, Sherman Oaks, CA Gallery Seohwa, Seoul, Korea Rule Modern and Contemporary Gallery, Denver, CO Lois Neiter Fine Arts, Malibu Beach, CA Grey McGear Modern, Santa Monica, CA T. Curtsnoc Fine Arts, Miami, FL Rule Modern and Contemporary Gallery, Denver, CO University of Wyoming Art Museum, Laramie, Wyoming T. Curtsnoc Fine Arts, Miami, FL Boritzer/Gray/Hamano Gallery, Santa Monica, CA The Seoul Club Exhibition, Seoul, Korea Claremont Graduate School - West Gallery, Claremont, CA Byucksan Museum, Seoul, Korea Boritzer/Gray Gallery, Santa Monica, CA Indeco Gallery, Seoul, Korea Brand Library Art Galleries, Glendale, CA Selected Group Exhibitions "Zen Summer”, Thomas Lavin, West Hollywood, CA The Fall Show, Susan Street Fine Art, Solano Beach, CA "Faces and Figures", Lois Neiter Fine Arts, Malibu, CA Jae Hahn, Kathleen Keifer, Caroyl La Barge, Maggie Lowe Tennessen Los Angeles County Museum of Art, Las Angeles, CA "Surface, Color, Light", Lois Neiter Fine Arts, Sherman Oaks, CA Miami Art Fair, T. Curtsnoc Fine Arts, Miami, FL London Art Fair 2002, Mark Jason Gallery, London, England "Abstractly", Rio Hondo College, Whittier, CA "Spring", LewAllen Contemporary, Santa Fe, NM "Contemporary Art Without A Mouse", LewAllen Contemporary, Santa Fe, NM "California Asian Women In Art", Fresh Paint Art, Culver City, CA "Summer Exhibition", Gallery Seohwa, Seoul, Korea "Update 2000", Fresh Paint Art, Culver City, CA Pasadena Historical Architecture Showcase, Pasadena, CA "Korean Contemporary Art," University of Wyoming Art Museum, Laramie, Wyoming Five Persons' Show, Cline LewAllen Contemporary, Santa Fe, NM "Korean Contemporary Art," Edwin Ulrich Art Museum, Wichita, Kan "Fall Exhibit" Lois Neiter Fine Arts, Sherman Oaks, CA "Paradise Lost-Abstraction after Modernism" Grey McGear Modern, Santa Monica, CA "Summer Exhibit" J.J. Brookings Gallery, San Francisco, CA "Korean Contemporary Art" The Cerrillos Cultural Center, Cerrillos, NM. "Essence in Purity" The Luckman Fine Arts Gallery, California State University, Los Angeles, CA. "Collector's Choice" Center for the Arts, Vero Beach, FL "Of Paint and Metal", Ken Elias Gallery, West Palm Beach, FL "Boom," T. Curtsnoc Fine Arts, Miami, FL "New Beginnings Old Friends," Fresh Paint Fine Arts, Culver City, CA Triton Contemporary Art Fair, San Francisco, CA Cerrillos Cultural Center, Cerrillos, NM "Inauguration Opening Exhibition", View gallery, New York, NY "Abstraction and Essence", Susan Street Fine Art Gallery, Solana Beach "Simply Small", Susan Street Fine Art Gallery, Solona Beach, CA "Idea House" Project, Pacific Design Center, Los Angeles, CA Works on Paper L.A. 1995 Art Fair, Santa Monica, CA USART, Ft. Mason, San Francisco, CA The 9th International Contemporary Art Fair, Los Angeles, CA "Big Littles", Boritzer/Gray/Hamano Gallery, Los Angeles, CA Jae H. Hahn and Julia N. Chu, Pierce College Art Gallery, Woodland Hills, CA The 7th International Contemporary Art Fair, Los Angeles, CA Neo-Modernism by Five American Artists, Markant Gallery, Langelo, Holland Summer Group Show, Janus Gallery...

"The hen that lays in the hen that pays" Screenprint on Paper Bold screenprint by Toni Carner (American, b. 1957). A large, patterned hen is sitting on th...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Richard Serra Early Work (Hand signed and dated by Richard Serra), 2013 Hardback monograph with no dust jacket as issued (Hand signed and dated 2014 by Richard Serra) Hand signed and dated 2014 by Richard Serra on the title page 12 × 10 × 1 3/5 inches Provenance The artist signed the work for the present owner at a special 2014 event with Hal Foster...

"Verdure" Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist with a BFA in...

As a student of Hans Hofmann (one biographer says she was one of his star pupils), Rothschild’s works reflect a woman who was immersed in the vanguard of abstraction in America at a...

This drawing by Radoczy features a delicate and minimalist portrayal of a nude figure rendered in a profile stance. The figure emerges effortlessly from the subdued lines as if each ...

"Olympic Pattern on Cream" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique sh...

This series by the multidisciplinary artist TUSET (1997, A Coruña, Spain) titled "Boa convivência (buenaventura)" is a series of paintings that the artist had buried for a year in th...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

"Twin Shirakanbas, Sorachi, Hokkaido, Japan. 2023" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted t...

"Reflecting Sticks, Muan-gun, Mokseo-ri, Jeollanam-do, South Korea." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The...

"Sunset Rocks, Mitoyo, Kagawa, Shikoku, Japan. 2022." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matte...

"Pine Tree and Nago Island, Tsuda, Shikoku, Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted t...

"Philosopher’s Tree, Study 7, Biei, Hokkaido, Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted...

"Octopus Nets, Muan-gun, Jeollanam-do, South Korea" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted ...

"Kero-ochi Tree Saroma Lake, Hokkaido Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to 20x1...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection of the joy and human essence she finds in the world, and she channels her personal experiences and emotions onto the canvas with a profound sense of purpose. This striking abstract painting measures 42 inches high by 32 inches wide. It requires no framing, and comes ready to hang with wire attached. This artwork skillfully conveys a sense of serenity amidst the chaos, inviting viewers to discover moments of calm within the tempest, each experience uniquely resonating with the painting's theme of finding clarity in adversity. Martin has personally signed and titled the piece on the back, ensuring its authenticity. Free local Los Angeles area delivery. Affordable Continental U.S. and global shipping available. A certificate of authenticity issued by the art gallery is included. Martin's work is a celebration of the innate artist within...

"Watchtower, Study 30, Mangyang Beach, Ooljin, Gyeongsanbukdo, South Korea" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenn...

"Sanuki Fuji, Kagawa, Shikoku, Japan. 2022." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to 20x1...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Christopher Wool (hand signed by Christopher Wool), 2006 Cloth hardback monograph (hand signed by Christopher Wool) Hand signed and dated 2017 by Christopher Wool on the half title p...

"Immersion" ⁠Through this minimalist, underwater environment, you can completely immerse yourself in the beauty of the horse’s form with no distractions to take away from the subjec...

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environments where one can quiet a cluttered mind and enjoy beauty every day. Clara Berta’s paintings explore themes such as the ebb and flow of memory, the significance of personal heritage, the passing of physical time, desire, grief, and love. This framed original minimalist abstract contemporary artwork measures 17.5-inches square. It is framed in a natural wood frame, is wired, and ready to hang. The size includes the frame. It is signed and titled by the artist on the back. Convenient local Los Angeles shipping. Affordable Continental U.S. and worldwide shipping is also available. A certificate of authenticity issued by the art gallery is included. Clara Berta explores the collision between the old and new; destruction and rebuilding lives. She began painting as an outlet of grief; creating something beautiful as the result of loss. Through her creative practice, she has found healing and further offers to her community safe spaces for troubled teens and women to heal through the meditative process of painting. Her artworks are a language, a push forward in new directions and achievements, while always inspired by history. Berta mixes minimalism with underlying texture and embraces modernism while compiling the odds and ends of her attempts to let her art speak for itself. Her abstract works often include reminders of her travels expressed in unexpected sequences of patterns as well as distortion of perspectives and subconscious spaces. Manipulating the texture with several layers of texture paste and acrylic paint, she will work and re-work her canvases, layering textures to give added dimension, and creating works that intrigue and invite the viewer to explore not only the surface but also the inner language of the painting. A passionate, award-winning artist of Hungarian heritage, Clara Berta's dynamic and highly textural abstract works have been exhibited and collected worldwide. REPRESENTATION Artspace Warehouse, Los Angeles, CA EXHIBITIONS 2022 Solo show, Ethereal, Artspace Warehouse, CA 2022 Blue Like the Ocean, Artspace Warehouse, CA 2022 About Women: Celebrating Women Artists, MAC Fine Art, Delray Beach, FL 2022 Blue Configurations (Paper) Series, Ronewa Art Projects, Berlin, Germany 2021 20th International Art Exchange, Chiba City Museum of Art, Chiba, Japan 2021 BLVDG Gallery, Dubai, United Arab Emirates 2020 Artspace Warehouse, Los Angeles, CA 2019 Bistango Restaurant with Ethos Contemporary, Irvine, CA 2019 MAC Fine Art, Ft. Lauderdale, FL 2018 Heath Gallery, Palm Springs, CA 2018 Artspace Warehouse, Los Angeles, CA 2018 Pictures at An Exhibition: LA Phil Gallery, CA 2018 Breaking Illusions, Claremont University, CA 2017 Barrett Art Center, Poughkeepsie, NY 2017 Made in California, City of Brea Gallery, Brea, CA 2017 Artspace Warehouse, Los Angeles, CA 2016 Made in California, Juried Exhibit, Brea Gallery, Brea 2016 Vision of LA Fest, Bergamot Station, Santa Monica 2015 Michael Kate Interiors - Santa Barbara, CA 2015 JCC Gallery - Santa Barbara, CA 2011-2016 Artspace Warehouse, Los Angeles, CA 2013 Red Dot Art Fair, Miami, FL 2012 Gem, Gallery 825, Los Angeles, CA 2010 Barnsdall Theatre, Los Angeles, CA 2010 Tell No One, The Wine Bistro, Studio City, CA 2009 Art: Raw/Gallery, New York, NY 2009 Contemporary Arts Center, Las Vegas, NV 2008 Stella Dottir Gallery, Los Angeles, CA 2007 NoHo Gallery LA, North Hollywood, CA 2007 Riverside Museum, Riverside, CA 2006 Locanda Veneta, West Hollywood, CA 2006 Altobelli Gallery, North Hollywood, CA 2004 Erotic by Nature, LaPeer Gallery, West Hollywood, CA 2004 Lankershim Art Center, North Hollywood, CA 2003 Riverside Art Museum, Riverside, CA 2003 Studio 3 Art & Design, Westwood, CA 2000 Pick-A-Dilly Gallery, Sherman Oaks, CA AWARDS AND HONORS 2021 Gold Award & Award of Excellence, 20th International Art Exchange, Chiba City Museum of Art, Japan 2019 LA Artcore Juried Exhibition, Honorable Mention 2018 CFA Artist of the Year Finalist 2017 Third Place Prize “Made in California” Juried Exhibit, Brea Gallery 2016 ABC’s “The Catch” 2016 Art featured “Broken Links”, by Meir Sharony 2009 “You Again”, Disney film by Andy Fickman 2007 Artwork featured in Deepak Chopra’s DVD, The Seven Spiritual Laws of Success 2003 Art Expo Finalist, Fullerton, CA EDUCATION 2014 Abstract Painting - Melinda Smith...

Matisse's Cat is a limited edition hand made print by artist Mychael Barratt which takes inspiration from the paper cutting work of Matisse in the 1940s....

Helen Frankenthaler Frankenthaler (Hand signed and inscribed), 1988 Offset lithograph (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

"Tangle" Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in tube Ben Cope is a Georgia native graduating from Columbus State University with a BFA in ceramic...

Liquitex on shaped canvas Exhibited: Waddell Gallery, New York, Artists for the Scholarship, Education, and Defense Fund, April 28-May 6, l967. Butchkes, who spent much of his care...

Richard Serra East-West/West-East: A Permanent in the Brouq Nature Reserve, Qatar (Hand Signed by Richard Serra), ca. 2014 Superb provenance: donated by the artist to a major contemp...

"Kotji Beach Island Study 2 Taean Chungcheongnamdo South Korea" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The prin...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection of the joy and human essence she finds in the world, and she channels her personal experiences and emotions onto the canvas with a profound sense of purpose. This striking abstract painting measures 44 inches high by 34 inches wide. It requires no framing, and comes ready to hang with wire attached. This artwork skillfully conveys a sense of serenity amidst the chaos, inviting viewers to discover moments of calm within the tempest, each experience uniquely resonating with the painting's theme of finding clarity in adversity. Martin has personally signed and titled the piece on the back, ensuring its authenticity. Free local Los Angeles area delivery. Affordable Continental U.S. and global shipping available. A certificate of authenticity issued by the art gallery is included. Martin's work is a celebration of the innate artist within...

Color screen print on paper by the renowned American painter and printmaker, Pat Steir. This impression is hand signed and numbered from the edition of 144 plus 18 signed, Artist pro...