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Medium: Engraving
Butterflies & Moths in Nature: An Antique Hand-colored Engraving by Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the the Brown Hairstreak Butterfly, the Larke Skipper Butterfly, the Small Skipper Butterfly, the Scarce Mar...
Category

Mid-19th Century Realist Engraving Prints and Multiples

Materials

Engraving

James McBey
Located in Storrs, CT
Fletcher 6 state .ix. 10 1/2 x 7 1/2 (sheet 14 7/8 x 11 3/8). Edition 111. A rich impression printed on cream wove paper with full margins. Excellent condition. Illustrated: Fine ...
Category

Mid-20th Century Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Figure Rouge avec Portrait de Quevedo
Located in San Francisco, CA
This artwork titled "Figure Rouge avec Portrait de Quevedo" from the suite, Visions De Quevedo, 1975. is an original engraving with pochoir hand coloring on Richard de Bas paper, by ...
Category

1970s Surrealist Engraving Prints and Multiples

Materials

Engraving

Wren's City, by Joseph Pennell
Located in Palm Springs, CA
WREN'S CITY (Wuerth. 504) by Joseph Pennell (1857-1926) . Mezzotint, 1909, signed and inscribed imp. in pencil, edition of approximately 75. Fine rich impression and condition, trimm...
Category

Early 1900s Engraving Prints and Multiples

Materials

Mezzotint

New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category

Late 18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving, Etching, Aquatint

New Map of the Terraqueous Globe - WORLD MAP - CALIFORNIA AS AN ISLAND
By Edward Wells
Located in Santa Monica, CA
EDWARD WELLS (British 1667- 1727) A NEW MAP of the TERRAQUEOUS GLOBE - according to the latest Discoveries and most general Divisions of it into CONTINENTS and OCEANS, 1700-01 (Shirley 609) Engraved by Michael Burghers, Oxford. Hand-colored, Platemark 14 1/4 x 20 1/8 inches. Central cartouche flanked by figures representing the continents with dedication to William, Duke of Gloucester...
Category

Early 1700s Old Masters Engraving Prints and Multiples

Materials

Engraving

Map of the East Indies: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Map of the East Indies Exhibiting the Course of the European Trade both on the Continent and Islands" by Emanu...
Category

Mid-18th Century Old Masters Engraving Prints and Multiples

Materials

Engraving

Woodpeckers "Le Petit Pic" An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of male and female woodpeckers entitled "1. Le Petit Pie varie, 2. Sa Femelle" by Francois Nicolas Martinet, plate 598 from 'Histoire Naturelle des O...
Category

1760s Naturalistic Engraving Prints and Multiples

Materials

Engraving

Feve de St Ignace (Strychnos ignatii), French botanical flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818. Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840) From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category

Early 19th Century Victorian Engraving Prints and Multiples

Materials

Engraving

18th Century Pair of Du Temple de la Fortune Virile Facade and Floor Plan
By Antoine Babuty Desgodetz
Located in Soquel, CA
Pair of lithographs of The Temple of Portunus in Rome (Italian: Tempio di Portuno) facade and floor plan by Antoine Desgodetz (French, 1653-1728). These pag...
Category

1770s Engraving Prints and Multiples

Materials

Paper, Engraving, Ink

Spear-leaved Helonias, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Helonias bullata - Spear-leaved Helonias' Native of Carolina, North America. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repos...
Category

Early 19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

View of Venice, including Gondolas, 18th Century Hand Colored Engraving
Located in Alamo, CA
An early 18th century hand colored engraving of a scene of the city of Venice, Italy entitled "Palazzo Lin, a. S. Samuele sopra il Canal Grande". It depicts Venetian architecture, wa...
Category

1720s Old Masters Engraving Prints and Multiples

Materials

Engraving

Acer & Carduus - 18th century Weinmann botanical plant flower engraving
Located in Melbourne, Victoria
'Acarna Theophrasti' and 'Acer Campestre minus' Mezzotint printed in colours. Circa 1740. From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The fi...
Category

18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Calcochortus luteus, antique botanical yellow flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Mallard Drakes (Louisiana Honkers)
Located in Fairlawn, OH
Mallard Drakes (Louisiana Honkers) Drypoint, c. 1940 Signed in pencil lower right (see photo) Titled in pencil lower left (see photo) Note: A famous image by Kleiber. It is was made in a hand colored version which commands a large premium. Condition: Excellent Image/Plate size: 9 7/8 x 7 7/8 inches Hans Kleiber (1887-1967) Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains. Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife. Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
Category

1940s American Realist Engraving Prints and Multiples

Materials

Drypoint

After Paul Fourdrinier - 19th Century Engraving, The Ruins of Palmyra I
Located in Corsham, GB
This architectural drawing showcases the intricate details of a classical column and entablature, emphasising the ornate pediment and decorative frieze. The original plate was made ...
Category

19th Century Engraving Prints and Multiples

Materials

Engraving

NIGHT WINDOWS
Located in Portland, ME
Sloan, John (American, 1871-1951). NIGHT WINDOWS. Morse 152. Etching and drypoint, 1910. The 5th state of 5. Edition of 100. Titled, signed, and inscribed...
Category

1910s Engraving Prints and Multiples

Materials

Drypoint, Etching

The Harem - Heliogravure - 1906
Located in Roma, IT
Image dimensions: 17.7 x 13.5 cm. The Harem is a black and white héliogravure on paper, realized in 1906 by an anonymous Austrian artist. An original illu...
Category

Early 1900s Symbolist Engraving Prints and Multiples

Materials

Engraving

Baroque 17th century German fountain design engraving print by Boeckler
Located in Melbourne, Victoria
17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas Beckley (...
Category

Mid-17th Century Baroque Engraving Prints and Multiples

Materials

Engraving, Etching

Mein Weg mit dem Weib #18 - Original Etching by W.R. Rehn
Located in Roma, IT
Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...
Category

1910s Symbolist Engraving Prints and Multiples

Materials

Drypoint, Aquatint

Returning to the Stable.
Located in Storrs, CT
Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...
Category

1920s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Le Mouton de Barbarie, antique French 1760s sheep engraving
Located in Melbourne, Victoria
'Le Mouton de Barbarie' Copper-line engraving, circa 1765 From Buffon's "Histoire Naturelle, Generale et Particuliere Avec la Description du Cabinet du Roi" which was published in Paris. Jacques E. De Seve...
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Late 19th Century Victorian Engraving Prints and Multiples

Materials

Engraving

Valeriane (Valerian), French botanical medicinal herbal flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818. Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840) From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category

Early 19th Century Victorian Engraving Prints and Multiples

Materials

Engraving

Cetaces - Dauphin ordinaire (Dolphin), French antique engraving
Located in Melbourne, Victoria
'Cetaces - Dauphin ordinaire' Engraving with original hand-colouring by Beyer after Edouard Travies (1809-1865). From Dictionaire Universel d'Histoir...
Category

Mid-19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Miss Hawtin - Born without Arms
Located in Bournemouth, Dorset
Miss Hawtin, born without arms, 18th century. Born in Coventry, she exhibited her dexterity cutting decorative watch papers with her feet all over England...
Category

19th Century Realist Engraving Prints and Multiples

Materials

Engraving

Ann Moore - The fasting woman of Tutbury
Located in Bournemouth, Dorset
Ann Moore, the fasting woman of Tutbury, born 1761. Went on long fasts for money from 1807, but exposed as a fraud in 1813. Later sent to prison for falsely collecting money for char...
Category

19th Century Engraving Prints and Multiples

Materials

Engraving

Eve Fleigen - Who lived on the smell of flowers
Located in Bournemouth, Dorset
Eva Fleigen (1575-c1628), was a German woman said to have lived off nothing more than the scent of flowers. Lithograph after a stipple engraving by Robert Cooper from Henry Wilson ...
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19th Century Engraving Prints and Multiples

Materials

Engraving

Peter the Wild Boy - Found in the woods of Haemlin
Located in Bournemouth, Dorset
Peter The Wild Boy Peter the Wild Boy, Found in the woods of Haemlin', 1821. Portrait of Peter the Wild Boy (c1713-1785) who was found in 1725 living an entirely feral existence in ...
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19th Century Engraving Prints and Multiples

Materials

Engraving

Pair of Hand-colored Romantic French Engravings after Francois Boucher
By (After) Francois Boucher
Located in Alamo, CA
A pair of French classical romantic prints original created in the 18th century by Jacques-Firmin Beauvarlet (1731-1797) after paintings by Francois Boucher (1703-1770), utilizing ...
Category

18th Century Romantic Engraving Prints and Multiples

Materials

Engraving, Etching

Nativity in the Desert - Engraving by Corrado Cagli - 1970
Located in Roma, IT
Engraving on gold plate on a silver base. Signed by the author and numbered. Edition of 3.000. Very good condition.   Corrado Cagli (Ancona, 1910 - Rome, 1976) was an Italian art...
Category

1970s Contemporary Engraving Prints and Multiples

Materials

Engraving

Body by Jake, Mark Kostabi
Located in Fairfield, CT
Artist: Mark Kostabi (1960) Title: Body by Jake Year: 1989 Edition: 27/56, plus proofs. Medium: Mezzotint on Rives BFK paper Size: 21.25 x 15 inches Condition: Good Inscription: Sign...
Category

1980s Pop Art Engraving Prints and Multiples

Materials

Mezzotint

Delta (River delta in front of mountains in volcanic landscape, Iceland)
Located in New Orleans, LA
Delta was first brought to attention as one of the dramatic images illustrated in Carol Wax's book, The Mezzotint, History and Technique. It was also exhibited at the New Orleans Mu...
Category

Late 20th Century Contemporary Engraving Prints and Multiples

Materials

Mezzotint

Salvador Dali "El Padre Perdonado (Galofre edition)"
Located in Boston, MA
Artist: Dali, Salvador Title: El Padre Perdonado (Galofre edition) Series: La Vida es Sueno Date: 1975 Medium: drypoint engraving in sanguine ink Unframed Dimensions: 11" x 15"...
Category

1970s Surrealist Engraving Prints and Multiples

Materials

Engraving, Drypoint

Jupiter sends Iris to Hector. 18th century Classical Greek myth engraving print
Located in Melbourne, Victoria
"The two Armies being engaged by break of day, Jupiter sends Iris to bid Hector retire from the Fight, and not return till Agamemnon's wounds had obliged him, to withdraw from the Fi...
Category

Late 18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Smithii" (Hispid-Stemmed Tree Houseleek), plate 1980, published in London in 1818 in...
Category

1810s Naturalistic Engraving Prints and Multiples

Materials

Engraving

COLMAR Signed Wood Engraving, French Village, Little Venice Half-Timbered Houses
Located in Union City, NJ
COLMAR is an original wood engraving by the American artist Bernard Brussel-Smith, hand printed in yellow, light blue and black ink. COLMAR depicts a quaint French village scene with...
Category

1970s Realist Engraving Prints and Multiples

Materials

Engraving

Darius at 10
Located in Fairlawn, OH
Darius at 10 Drypoint, 2022 Signed, titled and numbered in pencil Printed by Rebekah Wilhelm Her drystamp lower right Published by the artist Edition 14, plus proofs Condition: Excel...
Category

2010s American Realist Engraving Prints and Multiples

Materials

Drypoint

"La Promanade" Black and White Print of a Women in a Carriage Edition
Located in Houston, TX
Black and white print of an upper class women in a carriage. There are other figures in the back riding in a carriage as well. Edition 17 of 58. Painting is signed by the artist and ...
Category

Early 1900s Expressionist Engraving Prints and Multiples

Materials

Engraving

Venere e Amore sui Delfini (Venus and Cupid on Dolphins) /// Old Masters Raphael
Located in Saint Augustine, FL
Artist: Marco Dente da Ravenna (Italian, 1493-1527) Title: "Venere e Amore sui Delfini (Venus and Cupid on Dolphins)" *Monogram signed by Dente in the plate (printed signature) lower left Circa: 1515-1520 (second state of three) Medium: Original Engraving on laid paper Limited edition: Unknown Printer: Unknown Publisher: Antonio Salamanca, Rome, Italy Reference: Bartsch XIV, page 244, No. 324; Passavant VI, page 69, No. 32; Le Blanc, II, page 111, No. 16; Imolesi Pozzi pages 71-72, 113, No. 10 Framing: Recently beautifully framed, the sheet is museum mounted, floated over a 100% cotton rag mat in a modern gold moulding and Museum glass Framed size: 16.88" x 13.07" Sheet size: 10.63" x 6.94" Condition: Thread margins. A strong impression in excellent condition Very rare Notes: Provenance: private collection - Périgueux, France. This work is also sometimes referred to as "Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above". The engraver's monogram "SR" lower left. Published by Antonio Salamanca (1478-1562) in Rome, Italy with his address printed lower right: "Ant. Sal. Exc.". No watermark found. This engraving is after a drawing by Italian artist Raphael aka Raffaello Sanzio da Urbino (1483-1520). "This engraving by Marco Dente is after a design by Raphael, now lost, used by Giulio Romano for his fresco on the south wall of the Stufetta of cardinal Bibbiena - a small room in the Apostolic Palace, at the Vatican, that originally served as a washroom for the cardinal. The engraving differs from the fresco in some details, such as the cityscape in the background and the two winds above, which may indicate that these elements were present in Raphael's drawing. " - Christie's, London Biography: Marco Dente da Ravenna (1493–1527), usually just called Marco Dente, was an Italian engraver born in Ravenna in the latter part of the 15th Century. He was a prominent figure within the circle of printmakers around Marcantonio Raimondi...
Category

16th Century Old Masters Engraving Prints and Multiples

Materials

Intaglio, Laid Paper, Engraving

At the Crossroads (color), by Art Werger
Located in Palm Springs, CA
A spectacular view from above of a major cross roads in a town where some large gathering of people or protest is happening. Werger's mezzotint prints are masterful at capturing a mo...
Category

2010s Contemporary Engraving Prints and Multiples

Materials

Mezzotint

Thomas Sydenham MD, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Peter Lely. Houbraken was a Dutch engraver famous for his series of portraits of famous English historic...
Category

Early 19th Century Renaissance Engraving Prints and Multiples

Materials

Engraving

Butterflies & Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category

Mid-18th Century Engraving Prints and Multiples

Materials

Engraving

Admirable Butterflies, Magpie Moths: A Hand-colored Engraving by Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Admirable Butterfly and the Small Magpie Moth, which is plate 6 from Moses Harris' publication "The Aure...
Category

Mid-19th Century Realist Engraving Prints and Multiples

Materials

Engraving

Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames
Located in Richmond, GB
A wonderful selection of hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand- made parcel-gilt, ebonised and decalcomania frames. Joha...
Category

18th Century Engraving Prints and Multiples

Materials

Watercolor, Mezzotint

Untitled
Located in Barcelona, BARCELONA
The painting is being offered with a work and authenticity certificate
Category

1980s Abstract Engraving Prints and Multiples

Materials

Engraving

Picasso, Visages, La Chèvre-Feuille (after)
Located in Southampton, NY
Engraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published b...
Category

1940s Modern Engraving Prints and Multiples

Materials

Engraving

White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...
Category

Early 19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving, Aquatint

Banana Plants: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line double page engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 1. Musa,...
Category

Mid-18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving, Mezzotint

Oraison du soir (Evening Prayer)
Located in Palm Springs, CA
Signed and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. He has decided against...
Category

21st Century and Contemporary Abstract Engraving Prints and Multiples

Materials

Drypoint, Aquatint

Drypoint Lambda I
Located in San Francisco, CA
This artwork titled "Drypoint Lambda I" 1980 is an original etching by noted American artist Ronald Davis, b.1937. It is hand signed, dated and numbered 9/25 in pencil by the artist....
Category

Late 20th Century Abstract Geometric Engraving Prints and Multiples

Materials

Drypoint, Etching

FROZEN CUSTARD and STUDY FOR FROZEN CUSTARD
Located in Portland, ME
Marsh, Reginald. FROZEN CUSTARD. S.183. Etching and engraving, 1939. Second State of two. Edition of only 18, printed by Marsh and signed and titled in pencil. 7 x 10 inches, 178 x 2...
Category

1930s Engraving Prints and Multiples

Materials

Ink, Engraving, Etching

Landscape, Modern Drypoint with Embossing by Alena Kučerová
Located in Long Island City, NY
Alena Kucerova, Czech (1935 - ) - Landscape, Year: 1971, Medium: Drypoint with Embossing, Signed, numbered, and dated in pencil, Edition: 1/100, Image Size: 10.5 x 15 inches, Siz...
Category

1970s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

NOCTURNE: PALACES
By James Abbott McNeill Whistler (circle)
Located in Portland, ME
Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with platetone, 1879-80. From the Second Venice Set. Signed on the tab with the butterfly in pencil. Printed in sepia on laid paper with no visible watermark. Trimmed just outside the platemark, leaving the tab. In excellent condition. As with all of the Whistler Nocturnes, each impressions of this print is different, dependng on how Whistler wiped and manipulated the platetone. 11 5/8 x 7 7/8 inches (plate and sheet, plus the tab). Framed to 20 x 16 inches. Provenance: Collection of Thomas Jefferson Coolidge, Jr. with his collection stamp (Lugt 1429) verso; Kennedy Galleries, with its inventory number a65609 in pencil verso, and with another inscription, "FWCX" in pencil, verso. Thomas Jefferson Coolidge, 1831-1920, was a great-grandson of Thomas Jefferson, a powerful Boston businessman, and an Ambassador to France. In 1875 he became the manager of the largest textile mill in America, the Amoskeag Mill in Manchester New Hampshire, and had major financial interests in the textile, banking, railroad, publishing and electrical industries. In 1880 he became the President of the Atchison, Topeka & Santa Fe Railway. He was one of the founders of the United Fruit Company...
Category

1870s Engraving Prints and Multiples

Materials

Drypoint, Etching

Les Arcades, Dieppe France (the arches along coastline of a town in Normandy)
Located in New Orleans, LA
The image show a panoramic view of the architectural arches and the boats in the harbor of Dieppe in Normandy France. Dieppe was occupied by German naval and army forces after the f...
Category

Early 20th Century Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Ascension, Art Werger
Located in Palm Springs, CA
Medium: Mezzotint Year: 2023 Edition: 25 Image Size: 9.25 x 6.25 inches Signed, titled and numbered in pencil by the artist One of a series of prints created to accompany a deluxe l...
Category

2010s Contemporary Engraving Prints and Multiples

Materials

Mezzotint

Salvador Dali "Untitled XII (Le Tricorne)"
Located in Boston, MA
Artist: Dali, Salvador Title: Untitled XII (Le Tricorne) Series: Le Tricorne (The Three-Pointed Hat) Date: 1959 Medium: Wood engraving Unframed Dimensions: 12.6" x 8.8" Framed...
Category

1950s Surrealist Engraving Prints and Multiples

Materials

Engraving

The Butterfly.
Located in Storrs, CT
Edmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...
Category

Early 20th Century Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Le Soldat Du Chene, Osage Chief: Hand Colored McKenney Folio-sized Lithograph
Located in Alamo, CA
An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Le Soldat Du Chene, An Osage ...
Category

1830s Naturalistic Engraving Prints and Multiples

Materials

Engraving

Bermuda: An Early 17th Century Hand-colored Map by Henricus Hondius
By Henricus Hondius
Located in Alamo, CA
This attractive and interesting map of Bermuda by Henricus Hondius in 1633 is entitled "Mappa Aestivarum Insularum, Alias Barmudas". It is based on a ...
Category

Early 17th Century Old Masters Engraving Prints and Multiples

Materials

Engraving

Self-Portrait I, Modern Drypoint and aquatint by Andre Masson
Located in Long Island City, NY
Andre Masson, French (1896 - 1987) - Self-Portrait I (Portrait de l'artiste I), Year: 1946, Medium: Drypoint and aquatint on BFK Rives, signed and numbered in pencil, Edition: 50,...
Category

1940s Modern Engraving Prints and Multiples

Materials

Drypoint, Aquatint

Find Engravings and Other Fine Art Prints on 1stDibs

Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.

An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.

Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well. 

Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.

Find engravings and other fine art prints today on 1stDibs.

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